Our hosts explore the many tools writers can use to control pacing. We discuss how cadence, transitions, tone, sentence structure, and white space can all speed up or slow down a reader’s experience. And remember, fast is not inherently better than slow! This conversation highlights the importance of contrast—pairing fast and slow moments, tension and calm, or different emotional states—to make pacing more effective. Along the way, we examine examples from fiction, personal experiences, and neuroscience to better understand how readers process time and information. Homework:Take a single event and write it two ways: first so the reading time roughly matches the amount of time the event takes, and then again so the reading time is much longer than the event itself. Compare how the different pacing changes the reader’s experience.Final WXR Cruise! Our final WXR cruise is sold out, but you can join our waitlist here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts explore how writers control their readers’ attention with the metaphor of a bouncing ball. We break down techniques for guiding focus on the page, including POV choice, selective description, rhythm, and where details appear within sentences and paragraphs. The discussion highlights how structure often matters more than individual word choice, with emphasis on primacy/recency effects, white space, and pattern recognition like the rule of threes. Each host shares their thoughts on how to sharpen reader focus or intentionally diffuse it to help you with your current work in progress! Homework: Write a mundane scene three times: once straightforwardly, once where you deliberately hide a major event by shifting focus away from it, and once ending with “and that was the day everything changed.” Then compare how attention and emphasis shift between the three versions.Final WXR Cruise! Our final WXR cruise is sold out, but you can join our waitlist here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dan Wells joins our conversation as we break down the seven-point plot structure! Using examples from Star Wars, Toy Story, and other films, we discuss how each point creates conflict, drives character growth, and moves a story forward. We explore the difference between plot points that move characters toward their goals and pinch points that place obstacles in their way. We also examine how the midpoint shifts a protagonist from reacting to events to taking action. And remember– seven-point structure is a flexible tool that can be adapted to many different kinds of stories! Homework:Take a subplot from a story you're working on and map it onto the seven-point plot structure. Start with the resolution, identify the opposite starting state for the hook, then sketch out the plot points, pinch points, and midpoint to see how the subplot develops from beginning to end.Final WXR Cruise! Our final WXR cruise is sold out, but you can join our waitlist here!Credits: Your hosts for this episode were Dan Wells, Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts explore one of the most persistent barriers to writing: interruptions. From family members and pets to emails, meetings, fatigue, and neurodivergence, they discuss how disruptions can derail creative focus—and how writers can build systems to work with them instead of against them. The conversation touches on hyperfocus, ADHD, task-switching, and the emotional cost of being pulled out of the zone. Practical strategies include leaving “breadcrumbs” to re-enter a project, using phone settings and routines to protect writing time, and adjusting expectations around productivity. Rather than trying to eliminate interruptions entirely, we encourage writers to understand their habits and create sustainable ways to return to the work.HomeworkPractice handling interruptions in a low-stakes environment by setting a series of alarms for 5, 7, 9, and 15 minutes while you write. Each time an alarm goes off, leave yourself a quick “breadcrumb” note about what you were working on, take a short break, and then return to writing when the next timer starts. The goal is to get better at re-entering your work after interruptions so everyday disruptions feel less frustrating.Final WXR Cruise! Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

*Time-Sensitive*Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!This week, we are talking about the order in which we present information to the reader as contrasted with the order in which events actually progressed in the universe of this story and why those things might be completely different. We are joined by Margaret Dunlap as we explore nonlinear timelines with examples from novels, television, film, anime, and interactive fiction. We discuss how non-chronological storytelling can build tension, reveal character, and control the flow of information. The conversation highlights how writers can use flashbacks, parallel timelines, and carefully placed revelations to reshape a reader’s understanding of events. Our hosts also talk about the emotional power of structure, noting that nonlinear storytelling can shift a story from “what happens next?” to “how did we get here?” or “what does this mean now?” Margaret and our hosts share practical strategies for keeping timelines organized, including notes, spreadsheets, and tracking information arcs. Homework: Find a story—a TV episode, movie, or book—that experiments with nonlinear storytelling. After experiencing it once, revisit it and map where information shifts: what characters know, what the audience knows, and how those changes affect your understanding of what comes next.Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. Our guest was Margaret Dunlap. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

*Time-Sensitive*Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!Today, we’re continuing the conversation on sequencing by focusing on rhythm—how the musicality of language shapes pacing, emphasis, and emotional impact. Our hosts explore how sentence length, stress patterns, sound, negative space, repetition, and even page layout influence the way readers move through a story. They discuss poetic meter (iambs, trochees, spondees), examples from Shakespeare, hip-hop, comics, and modernist literature. They posit that rhythm is not just for poetry: it’s a powerful storytelling tool that can create emotion, draw attention, and increase readability. Homework:Choose a piece of music you love and pay close attention to its rhythm: where does it speed up or slow down? What gets emphasized, and how does the pattern shape emotion? Then take a piece of your own writing and experiment with using that same rhythmic structure in a descriptive passage to see how it changes the feel and movement of the prose.Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we explore why writers place information in the order they do. From broad-to-narrow framing and cause-and-effect to repetition, rhythm, and surprise, we discuss how sequencing shapes the pacing, emotion, and clarity of your story. We discuss everything from “windowpane prose” and garden path sentences to recency-primacy effects and the ways readers naturally recognize patterns. Along the way, our hosts highlight how sequencing can guide a reader’s attention, create tension, and reinforce themes. Homework:Take something you’ve written—or a story someone recently told you—and write it down in its current order. Then rewrite it two different ways: first by completely reversing the sequence of information, and then by arranging it in the most unexpected or “wrong” order you can imagine. Compare how each version changes the reader’s experience.Final WXR Cruise! Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, our hosts discuss how to make every part of your story feel connected through causal chains, thematic resonance, and reader pattern recognition. We take the idea that each action in a story should lead naturally to the next and pair it with how readers instinctively search for meaning and connection (even in randomness). Along the way, our hosts discuss concepts like Edgar Allan Poe’s “unity of effect,” the Kuleshov effect, emergent narrative in games, and the role of thematic consistency in stories that may appear plotless on the surface. They also share techniques for creating narrative momentum, planting meaningful details, and leaving space for readers to actively participate in building the story’s meaning.Homework: Take a story you’re working on and write each scene on an index card. Shuffle the cards, pick two at random, and write a new scene that could connect them through either a causal chain or a shared thematic effect.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we are joined by Margaret Dunlap as we dive into the three-act structure. This traditional framework—setup, confrontation, and resolution—is a tool to use rather than a formula to follow. We break down each act, exploring the defining questions, try/fail cycles, and emotional shifts that shape a story. We also highlight the importance of identifying your central dramatic question while examining common pitfalls like the “soggy middle.” Today’s biggest takeaway is that this structure should serve your story, not constrain it.Homework: Take a familiar fairy tale (e.g., “The Three Little Pigs” or “Goldilocks”) and map it onto a three-act structure. Identify where Act One, Act Two, and Act Three fall, and note whether you would need to add or adjust elements to make it fit more clearly.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. Our guest was Margaret Dunlap. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we zoom out from moment-to-moment tension and look at how escalation and de-escalation shape a story at the structural level—how raising stakes, lowering pressure, and shifting focus can control pacing, reader emotion, and narrative momentum. Our hosts explore what happens when stakes escalate too quickly (and lose meaning), and how de-escalation can be used intentionally through humor, distraction, or shifting perspective. From miscommunication tropes to scene transitions to avoiding “pointless up-and-down” detours, we offer practical ways to keep your readers engaged while guiding them smoothly between emotional highs and lows.Homework:Map the major beats of your work-in-progress and label each one as either an escalation or a de-escalation across your plot lines. Then review that map to identify any “pointless up-and-down” moments—places where tension drops without purpose or without a corresponding rise elsewhere—and revise so that every shift either advances stakes, deepens character, or introduces a new layer of tension.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about tension and release as a kind of call and response, and how that dynamic can guide your reader through a story. It explores how different types of tension—conflict, unanswered questions, anticipation, and microtension—can be balanced with moments of release to shape pacing and keep readers engaged. The conversation also looks at how resolving one kind of tension while sustaining another creates forward momentum, and how varying those patterns prevents a story from feeling flat or repetitive. Along the way, it examines how genres like horror and humor use this rhythm especially well, and how techniques like contrast, modulation, and layering multiple plotlines can sharpen emotional impact and control the reader’s experience.Homework:Look at a scene you’ve already written and identify what creates tension within it. If nothing stands out, add a source of tension—such as a question, juxtaposition, or anticipation. If tension is already present, try changing or swapping it for a different type and observe how that affects the scene.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side can deepen the emotional impact and keep your readers engaged. Our conversation also looks at different kinds of contrast—from big structural turns to subtle tonal juxtapositions—and explores how managing distance, tension, and “loaded” moments can create that satisfying snap when a scene lands.Homework:Look at a pivotal moment in your story and add a beat before or after it that inverts some element of the original. This could mean changing the tone or mood, introducing a contrasting character, or shifting the setting in a way that highlights something new about the scene.Locus Magazine Annual Fundraiser (ends April 14th, 2026)Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until they finally succeed. Our conversation gets into how failure builds tension and empathy and how you can use “yes, but / no, and” to control your story’s momentum. We also address the difference between barriers and attempts, and how to keep things from feeling repetitive or stalled, whether you’re writing epic fantasy or a quiet coffee shop story.Homework:Look at the MICE quotient elements (milieu, inquiry, character, event) in your story and make a list of barriers for each. Then choose a smaller subset of those barriers that work well together, and use them to design try-fail cycles that keep your story dynamic without becoming repetitive or overcrowded.Locus Magazine Annual Fundraiser (ends April 14th, 2026)Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plots, predictable outcomes, and disconnected side quests can make the middle drag, and offer tools to fix it: focusing on what characters are actually doing, using “same but different” to keep repetition engaging, letting major events happen sooner so you can explore their consequences, and ensuring every subplot or detour creates real change in the character or world.Homework:Grab a book or short story. Read the first page, a page from the exact middle, and the final page. Track which story threads introduced at the beginning are still active in the middle, and how they evolve by the end. Locus Magazine Annual Fundraiser (ends April 14th, 2026)Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clutter. We talk about running through your senses to troubleshoot what’s actually pulling your focus, and how small adjustments (a different chair, a cleaner desk, a bowl for your phone) can make a real difference. We also dig into noise (everything from industrial playlists to total silence), boundaries with the people you live with, and the fine line between solving a problem and avoiding the work. Sometimes the fastest way forward is figuring out what you’re running from. AND what you're running toward.Homework:Use your senses to make an inventory of your writing environment — sound, sight, smell, touch, even taste. Then identify which elements serve you and which ones create friction, and experiment with changing one barrier this week.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool factor. From The Matrix to hockey rinks to fantasy prologues gone wrong, we look at how action can function as a delivery system for tension, authority, and emotional investment. The goal isn’t just spectacle — it’s giving readers a reason to turn the page.Homework:Choose an action cold open from a movie. Write down everything it’s doing beyond the visible action — how it builds the world, establishes stakes, defines character, and makes you feel. Then rewrite that scene in prose, making those elements explicit on the page.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cold open can hook a reader with nothing more than voice. In this episode, our hosts explore what makes a voice-driven opening work — cadence, rhythm, authority, and a clear reason to care. We break down how aesthetic voice differs from mechanical POV, how to avoid purple prose, and why strong openings often act as both filter and lens for the right reader. From epic poetry to pop songs, from audiobook accents to grocery-store monologues, we share practical ways to hear your prose more clearly. Voice, used with intention, can pull readers in before a single thing explodes.Homework:Choose three distinct voices you know well — for example, a celebrity with a strong cadence, someone in your life who tells great stories, and another recognizable personality. Write a simple scene (like going to the grocery store to buy eggs) in each voice. Notice what changes in rhythm, word choice, focus, and emotional framing.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action alone isn’t enough without an emotional lens. From relatable sensory cues to carefully chosen specifics, they break down how small details can anchor even the biggest explosions. When readers step into a story, we want them oriented, invested, and ready to follow.Homework:Take the opening of your work in progress and write out only the physical actions — what is happening and what the character is doing. Then annotate it with the emotions you want attached to each moment, and rewrite the scene integrating both action and emotion.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, we explore what it really means to set reader expectations at the beginning of a story. We talk about how openings communicate the shape of what’s to come — from genre and tone to the kind of emotional ride we’re inviting our readers onto. We dig into practical tools for building reader trust early: making (and fulfilling) small promises, letting readers feel clever, answering questions before raising bigger ones, and controlling tone so the story delivers on what it signals. Because when readers check the label on page one, we want to be sure we can deliver.Homework:Review the first chapter of your work in progress and make a list of all the story promises you’ve made. Keep that list somewhere visible so you can track how—and when— you fulfill them.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leveling up.” Our hosts dig into grounding the reader through myth, pattern, and delayed information, and how a familiar framework can make readers feel both clever and cared for. The conversation unpacks how intentional choices—like withholding names, structuring scenes around question words, and planting details early—create trust and momentum. Along the way, we talk honestly about what it feels like when craft skills become internalized and a story finally clicks into ease.Homework:Take a strong emotion you’ve felt recently and describe it as a metaphor. Then use that metaphor as a writing prompt.Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here!Credits: Your hosts for this episode were Marshall Carr, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help readers feel grounded and cared for from the first page. Using the metaphor of hosting a party, they unpack common mistakes like starting too early, overwhelming readers with detail, or failing to make a clear promise. The discussion also reassures writers that beginnings often change in revision—and that’s not just normal, it’s necessary.Homework:Create an artificial slush pile of beginnings. Read them cold and note which ones make you lean in and why.ANNOUNCEMENTS: FEBRUARY 15th: Cruise Prices Increase The final WXR cruise sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader experience. Our conversation also widens to encompass the larger question of how writers can evolve while still feeling recognizably like themselves.Homework:Choose two works from the same franchise or series. Break down what stayed the same and what changed, then reflect on which choices felt satisfying, surprising, or off-putting—and why.ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conversation also digs into how stories can satisfy expectations—or deliberately invert them—without becoming predictable or tropey.Homework:Take a simple outline of the Hero’s Journey (we’ll include one in the liner notes). On an index card or Post-it, list as many stories, films, or shows as you can that follow this pattern, just to see how and where it shows up.ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in.Homework:Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there.ANNOUNCEMENTS: 2/15 Cruise Prices Increase The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we turn our attention to one of the most stubborn traps writers fall into: assuming someone else’s process should work for you. Building on last episode’s conversation about intentions, the hosts shift the focus from what you should do to how you can figure out what actually works, starting with observation, pattern-spotting, and a little self-compassion.The discussion moves through practical ways to lower friction and build supportive rituals—linking tasks together, listening to physical and emotional cues, and treating yourself like your own best assistant. Along the way, the hosts emphasize that your reactions are data, your process is allowed to change, and permission to be human is often the missing tool. The goal isn’t discipline for discipline’s sake, but a writing life that adapts to you.Homework: Make a list of all the steps in your writing process, starting with the smallest, most concrete actions and working outward to the bigger ones. Then go through that list and notice which parts are serving you, which aren’t, and which you might want to change—without worrying yet about how to change them.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Season 21 kicks off with a new theme, a fresh tagline, and a renewed focus on what Writing Excuses has always been about: tools, not rules. The hosts unpack why prescriptive writing advice so often falls short, and how understanding why tools gives you the freedom to adapt—or discard—them. And so for Season 21, we’re going to focus on deconstructing structure in order to better understand the tools that make up various story structures, and what we can learn from each. We’ll be analyzing everything from exposition to Try/Fail cycles to Save the Cat, as we dig into how structure can function more like jazz and less like a rigid formula. We hope this year of episodes (every Sunday morning, folks!) helps you choose what actually serves you as a writer.HomeworkWrite down one thing you are letting go of from last year, starting with the sentence “I am letting go of…”. Then write one intention for the new year, starting with “This year I am embracing…”.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Howard Tayler, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As our 20th season comes to a close, we reflect on the end of 2025 and a major transition for the show, as Dan Wells steps away from Writing Excuses as a full-time core host. Dan shares the thoughtful, hard-won reasoning behind his decision, while the rest of the team reflects on what his presence has meant to this podcast and our community. We recorded the first half of this episode in June and the second half in December 2025. Why is that? Because we wanted to discuss our plans for the rest of the year and later return to see how those plans actually played out—a kind of time capsule for all of us. Along the way, we talk candidly about change, ambition, and the reality of creative lives that rarely move in straight lines.Homework: 1. We've created a publicly accessible Patreon post titled “Thank you Dan Wells” for you, our listeners, to share things you've learned from Dan, appreciation you wish to express, or even your favorite stories about Dan. Go to patreon.com/WritingExcuses and look for this post. 2. Final Homework From Dan: Watch some of the show Twisted Metal (warning: there’s a lot of gore and swearing). If that's not your cup of tea, then check out the interactive novel, The Book of Hungry Names by Kyle Marquis. See what you can learn from these pieces of media—they are master storytellers!  ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, DongWon Song, and Mary Robinette Kowal (for the first half). It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A workflow that made daily writing (and comics) possible—Howard Tayler takes us through two decades of the delightfully eccentric process behind Schlock Mercenary: text boxes in landscape Word, laser-printed pages he inked by hand, and a system that kept comics coming even through long COVID and chronic fatigue. The conversation shows how craft can stay constant even as ability, tools, and energy change. Howard shares how he rebuilt his systems to protect his writing time and created processes that served him. He also dives into practical hacks—index cards, banking writing time, moving your desk, and borrowing ideas from other creators. Expect puppy-training metaphors, unexpected tech, and a reminder that satisfaction can be the metric that matters.HomeworkTake a stack of index cards and storyboard one scene: on the front draw the panel (stick figures are fine), on the back handwrite the line of dialogue (add a little arrow to mark the speaker). Treat the scene like a comic—sequence the cards, play with the images, and see what visual problems or surprises show up.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

2 quick reminders: Scholarship applications for our 2026 cruise are open now until December 31st, 2025. You can learn more and apply here. AND early bird pricing for this cruise (going to Alaska in September 2026) ends on February 15th! Get your tickets here!This week, Dan Wells opens up about how depression reshaped his writing process—and what rebuilding that process has looked like in the years since. The conversation ranges from tiny, mechanical steps to full-on cognitive reframing, with the hosts comparing notes on mindfulness, spectating, trauma responses, and even puppy-training techniques for rewiring your brain. They explore how environment, routine, and self-compassion can make the difference between staring at a blank screen and finding a way back into the work. Expect honesty, humor, and a lot of practical wisdom for how to care for your mental and emotional landscape while still trying to make art.Homework:Be kind to yourself—and extend that compassion to at least one person in your life who may be struggling, too. Then take a close look at your own rhythms, spaces, and habits to identify when and where you work best, and experiment with those ideal conditions this week.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and mood collide, and explore how contrast, character reactions, and even sentence rhythm can totally change a scene. Expect examples ranging from Wizard of Oz to Mike Flanagan as we dig into practical ways to use tone and mood to supercharge your storytelling.Homework: Take a five-part mystery structure (crime → investigation → twist → breakthrough → conclusion) and write a story that uses that structure but is not obviously a mystery.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching into two parts—content (what you say) and presentation (how you say it)—and share concrete tools like comp titles, short taglines, and simple back-cover formulas to sharpen your pitch. You’ll hear how iteration, audience-awareness, and practicing aloud (think karaoke for pitches) turn a clumsy elevator spiel into something that lands. Tune in for hands-on advice you can use next time an editor, agent, bookseller, or potential reader asks, “So, what’s it about?”Homework:Write three short, 2–3-sentence pitches for your book (or other WIP) that each take a different angle—one focused on worldbuilding, one on character, one on plot. Then read them aloud to someone and watch where they light up, glaze over, or lean in, so you can see which pitch actually works.ANNOUNCEMENTS: Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs and video games to writing in a new genre like middle grade or nonfiction — and why having multiple, truly separate revenue streams matters. They also dig into the psychological work of redefining yourself as a writer (not only a novelist), staying flexible when setbacks hit, and protecting time for the projects that keep your heart in the work. Listen for concrete strategies and encouragement to lean into new formats without losing sight of why you write.Homework: Write something in a genre or format you’ve never tried before — a single TV episode scene, a short RPG adventure, a tie-in short story, a script, or a 500–1,000-word nonfiction piece. And see how it feels! ANNOUNCEMENTS: Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here. Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write—and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way.Homework: Choose one of the four rules Erin covered across both “Break All The Rules” episodes (20.45 & 20.46) and rewrite a scene from your own work to deliberately break it. See what changes when you do.ANNOUNCEMENTS: Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Erin shares a sneak peek from her section of our forthcoming book, Now Go Write. (To learn more about our book, sign up for our newsletter!) Erin explores four classic writing “rules,” when it’s worth breaking them, and what that can reveal about your own craft. Today, our hosts dive into two of these rules—examining how they can both help and hinder your storytelling. Tune in next week for part two, when we tackle the remaining two rules that Erin wants us to break.Homework: Write down some of the rules you think you follow most rigidly in your own writing. Take one of these rules and begin to think about ways you can challenge this rule, or break it, or soften it in some way! ANNOUNCEMENTS: Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write, which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out! So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the question of how to handle relationships. We explore how relationships can act like characters themselves—shifting, growing, or breaking under story pressure. Mary Robinette also introduces the “Kowal Relationship Axes” as a way to build believable dynamics and conflict between characters. We hope you come away with practical tools to write relationships that feel real, messy, and full of momentum.Homework: First, sign up for our newsletter to learn when our book is coming out! Then: who does your character love because of their flaws and why? Write an exploration scene where the character is exhibiting those flaws and the other character is watching that fondly. Then, write a different scene where one character is mad at the other and the flaws are pissing them off. ANNOUNCEMENTS: Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erin and Howard sat down with paleontologist Dr. Tara Lepore for a fascinating dive into the science—and storytelling potential—of deep time. Dr. Lepore explains why paleontology is about far more than dinosaurs and how mammal teeth can reveal “birth certificates” millions of years old. We hope you come away with new ways to think about science as story—and how to weave the vastness of deep time into your own worlds.Thing of the Week: University of California Museum of Paleontology Homework: Find 3 ways that deep time could be interwoven into your current or upcoming writing project. Call for Writing BreakthroughsHave you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! Last Annual CruiseThe final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. Our guest was Dr. Tara Lepore. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Erin describes her own writing process as, “a bunch of random practices thrown into a bag and shaken up." Nevertheless, for today’s episode, Erin managed to organize her processes into four categories: getting work, getting in, getting done, getting right. Listen as Erin gives us tips and tricks for freelancing, deadlines, and saying no. Homework: Write down all the tips and tricks you’ve learned about your own personal writing process on a single page. Show Notes: https://www.pacemaker.press/P.S. The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We’re continuing our episodes focusing on our hosts’ personal writing practices. Like Mary Robinette’s. DongWon’s involves a bit of… chaos. DongWon’s day job as a literary agent is demanding and unpredictable, so they often have to fit in their writing process into their free time. They are also often collaborating with other authors and friends (often writing for games)—so how does all of this inform their unique writing process? Well, first DongWon thinks a lot about the time and space that surrounds their writing– how can they make a simple, low-stimulation environment so that they can better focus? And then when they’re ready to begin, they don’t start with an outline. Instead… well, we’ll let you listen and hear them explain it to you.Homework: Go sit somewhere. Don’t bring your phone or your headphones. Sit there until you feel the itch of irritation of doing nothing, and then push through it a little bit longer. Cultivate your boredom. Then, sit down and write. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you. So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your life and career.  Today we’re learning about Mary Robinette’s writing process, which is built on having a totally random schedule.Homework: What helps you want to do the things that aren’t writing? For instance, the other tasks and joys in your life? Because the tools that you use for those, also work for writing. Is it lists, or spreadsheets, or body-doubling? Now, see if you can use those same things to help you write more. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today our hosts tell you why you don’t need to listen to all of our episodes—or even most of them. Each of our five hosts weighs in on how you can combine the topics, subtopics, and lenses that each episode features in order to create a structured path forward for your own writing journey. We start with a broad overview of this season’s structure. Why did we use the simple categories that most of us learned in elementary school— Who, What, Where, When, & Why—to organize our year’s 52 episodes? How did we decide on sub-topics for each category, and how should you decide which episodes to listen to more than once, and which ones to skip. Hint: it’s going to be different for everyone. Homework: Think about something that you do really well in your writing. Write down what it is (think of the lenses that we’ve covered in this season), and congratulate yourself on using the lens that you are using the best, the best way you can. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We had the absolute joy of sitting down with Charlie Jane Anders, the author of the book we’ve focused on for our last four episodes (All the Birds in the Sky). We talked with Anders about POV, tone, and how she played around with humor —partly by occasionally using an omniscient POV! Anders also explained how to incorporate humor and whimsy, and what it feels like to take risks as an author in today’s literary landscape. Thing of the Week:Lessons in Magic and Disaster by Charlie Jane AndersHomework from Charlie Jane Anders:Take a scene you’ve already written and add five or six narrative asides that are providing information that the characters in the scene couldn’t possibly know. Ads:If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruise is February 6th, 2026 and leaves from Los Angeles! For 20% off Scrivener, you can the code “EXCUSES” for at www.literatureandlatte.com. Credits: Your hosts for this episode were Mary Robinette Kowal and DongWon Song. Our guest was Charlie Jane Anders. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is our final episode before we have Charlie Jane Anders on the podcast to talk about her writing process next week! Today we’re talking about intention by analyzing thematics, the author’s intent, and the way Anders uses tone and tradition to express the core ideas of the book. We also dive into the friction created in the two opposing viewpoints of the world that Anders presents. On one side we have magic, community, and connection. And then you have rationality and science—that is, a more cerebral approach to the world. How does Anders explore these views through individual characters and also larger systems? And how can we learn how to do this in our own writing? Homework: Take some time away from your drafting, and write down your intentions. That is, what is the why of your project? Why is this the story you want to tell right now? Now, put your intention in a desk drawer somewhere, and don’t look at it. P.S. If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruis is February 6th, 2026 and leaves from Los Angeles! Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!We are looking today at the lens of when. But we’re not going to look at time periods—instead, we’re going to examine flashbacks and foreshadowing. “All the Birds in the Sky” takes place in four distinct times. For instance, one of the characters foreshadows a grim future for the children we’ve just met. This big jump forward colors the way that we see the kids, through both stakes and tension. And this begs the question, how do “future whens” affect your reading experience?  Homework: Pick a scene in your current project and think about two moments: one moment in the past of this scene, and one that is in the future (both of these moments should still resonant with this scene in some way). Then, write two different versions of the scene: one in which the past weighs heavily on it, and one in which the foreshadowing of the future weighs heavily on it. Then, see what the difference is. P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!Today we’re talking about places and place-moments. We’re looking at how Anders uses context, details, and relationships to create a deep, familiar, and authentic reading experience for us, even if we’ve never been to the locations in the story. In this episode we’re  also analyzing how Anders creates lived-in locations by including non-essential sensory details that imply the rest of the world. Homework: List all the locations in your WIP (work in progress). Next to each one, describe its story functions: grounding, wondrous, plot-logical, and/or worldbuilding. P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Last season we took different works to represent different concepts. But this season, we’re looking at a single work— All the Birds in the Sky by Charlie Jane Anders. So, for the next five episodes, we’re going to look at how Anders’ novel is deploying all of the lenses we’ve talked about this season—who, where, why, and when. And for our fifth episode, we’ll have Anders on the podcast to talk about her novel! We recommend that you read this book before listening to these episodes, as they will include spoilers! So, without further ado, today we’ll dive into the lens of who. We’ll be analyzing tools such as history, community, motivation, stakes, fears, and reactions.Homework: Who does your character envy and why? What action can they take to act on that desire?You can purchase a copy of All the Birds in the Sky by Charlie Jane Anders here!P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Throughout this season, we have been doing a series of episodes that feature different metaphors for writing. Today, we’re talking about raising children and what it can teach us about our own writing practice. It’s common knowledge that parents want their children to grow up to be happy and successful. But the real joy in raising children, Dan and Howard tell us, is watching them express their individuality, and meet these goals (of success and happiness) in very different ways. We talk about the importance of being open to shifts in intention, relationship, and understanding— regarding both people (and kids), but also your own writing.  Homework: If you have a person in your life that you’re mentoring or are friends with, imagine that they are doing something you don’t like. Take a moment to consider: is this actually better than what I had planned or assumed? Try to give them—and your writing— some grace. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, Howard Tayler, and Dan Wells. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Téa Obreht is a short story writer and novelist. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller. In our conversation, we focused on revision and character consciousness. Téa talked to us about the difficulty of the idea-generation stage of writing, how to cultivate layered characters, and how she writes event-first. You can learn more about Téa Obreht here. Thing of the Week from Téa: Deadwood (TV Show)Homework from Téa: Write an opening paragraph (roughly 3-6 lines). It could be something new, or an opener that you had already written. The paragraph should introduce some key pieces of information to your readers. Consider the information that's contained in your paragraph and then rewrite the whole thing two more times, ultimately conveying the same information, but in three different ways. How you do this is completely up to you! Maybe it’s in a different voice, maybe it’s from a different perspective, maybe it uses only dialogue. At the end of the exercise, consider the priorities of each different mode, and how each changed the way you gave information to your readers. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Téa Obreht. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already! Now, we’re talking about choosing what your lens is focused on. How do you choose what’s in your story—and what’s not? In this episode, we talk about how to make this choice, and how this informs all the other choices you’ll make. After we talk about how to decide where to draw the box around your story, we dive into the exterior framing of your story (AKA stories may exist in their own world, but they still have to be read in ours).Homework: Take a story you’re working on and think about what happens if you shift the frame just a little. The easiest way to do this is to ask yourself, is there a scene I could take out that would change the way that the lens or the story is focused? What new scene would you add in to re-balance your story? Then, go and write that scene. And have fun with it! P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tone is one of those words people use in many different ways when talking about fiction. On today’s episode, our hosts break down what it means, how we use it, and how it can be a tool in the writer’s toolbox. We dive into the myriad emotional shades of tone, and how you can use this to deepen your story’s themes. Homework: Write a vignette in which one of your characters is pouring tea for a beloved partner. First, try for a joyful tone. Then, write it again but with a tone of terror. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What the heck is authorial intent? Does it matter? And how do intentions end up on the page without cluttering or overwhelming the story? Today, our hosts dive into message versus content, and how to wrap your intention and narrative structure into your story’s execution.Homework: Take your work in progress, and in two sentences, describe to yourself why you are writing this (could be a scene, a chapter, or the whole book). Then, write one sentence explaining why that is the reason that you’re writing this. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Every story has been told. Okay, maybe not, but most stories have a tradition/ influence/ history/ genre/ style that they draw upon, even if only slightly. How do you know what traditions you're bringing to your work, and how can you use them to make your story both resonant and unique?We’re exploring the lens of “why” right now. Why do we write the stories that we write? And what did we read that influenced us to write our work— that is, what are our narrative traditions? Homework: Make a list of five narratives of any type—a ghost story, a barber shop tale, a game, a movie—that form part of your storytelling tradition. Write them down, look at them, and then think: how is your current work influenced by the list? And is there one that you would like to bring even more to bear on the current story you’re working on? P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We are joined by author Mark Oshiro, who primarily writes YA and middle grade books and was a guest teacher aboard our 2024 cruise! (Our 2025 cruise is over 50% sold out! Learn more and sign up here.) We ask the question, “Why did you write this book?” while focusing specifically on theme and meaning. We discuss how authors ask questions through their work while readers bring their own answers and interpretations. The hosts and Mark emphasize the value of leaving space for readers to engage and find their own meaning in your work.This conversation also highlights how discovering a story’s true theme mid-draft can lead to major rewrites that strengthen the narrative. Homework: Take a popular book-to-film or book-to-TV adaptation and ask yourself if the film changed the meaning or themes of the book. Then, ask yourself in what ways it did it.P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. Our guest was Mark Oshiro. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What separates the way we experience a game versus the way we experience a prose narrative? Erin Roberts has written for many games, and she loves games particularly because they give the person experiencing the narrative more choice and more direct agency over what happens. This changes the way that we experience story. When you’re writing a game, the main thing you have to figure out is the actions: what are the potential things that could happen—and therefore, what are the verbs? We dive into decision, audience buy in, and ultimately try to answer the question: what does gaming teach us about making and finding meaning? Homework: Take a project you’re working on and imagine that someone is making a game of it. What would that game be? What would be the actions that the characters would be doing? What would be the part of the world that the game would be focused on? Feel free to look at examples of this (like the games that were made based on Lord of the Rings.) P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our hosts explore how to write compelling confrontations—whether physical fights or emotional arguments—in a live episode recorded on the Writing Excuses Cruise. Building off Dan Wells' class Why Your Fight Scene Is Boring, our hosts break down reactions into four elements: focus, physicality, thought, and action. The discussion dives into how newness, character history, and anticipation shape these moments, and how effective confrontations reveal both character and motivation. Plus: sword fighting, puppetry, and driving on black ice. Thing of the Week: Death and Other Details (on Hulu)Homework: Watch an action scene in a movie—something that you really like. Then, to underline how different books are as a medium, transcribe it— blow for blow, step for step, and see how long you can get into that before you tear your own hair out because it becomes incredibly boring. Then, after you've proven that the blocking and the blow-by-blow doesn't work, rewrite that scene in a way that does, in a way that translates to and uses the medium of prose.  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Dan Wells, Mary Robinette Kowal, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How can listening inform the way you write? We decided to ask Charles Duhigg is a Pulitzer Prize–winning journalist and bestselling author—best known for The Power of Habit and most recently released Supercommunicators: How to Unlock the Secret Language of Connection, a compelling guide that explores the art and science of meaningful conversation. We talked with Charles about myriad elements of writing, speaking, and listening—that is, communication in all its forms! We explored how passion and clarity are key parts of both pitching and book proposals. Charles also introduced us to active listening techniques, such as "looping for understanding," which can foster stronger connection in conversations. These effective and meaningful exchanges can help you showcase your project’s vision and voice. Thing of the Week: Supercommunicators by Charles Duhigg Homework: Charles has two pieces of homework for us! 1. First, tomorrow, ask someone a deep question that you might not usually ask a deep question of. Instead of asking, “How was your day?” ask them, you know, “I noticed that you really like Jasper. What do you admire about Jasper?” 2. Write one paragraph is terrible, but you feel like indulges some aspect of your voice. Maybe it's funny, maybe it's wry, maybe it's sad. Just do something completely pointless. Set that paragraph aside for a couple of days. And when you come back to it, you are going to see something in there that surprises you at how good it is. And that is a pebble on the path to finding your voice.  P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How does a room sound? Does your childhood have a taste? What is the smell of summer? In this episode, we dive into the sensory layers that anchor worldbuilding, character, and perspective. We explore how invoking smell, sound, touch, and taste can transport readers more powerfully than sight alone. What makes a setting feel real and lived in on the page? How do the where and the when hit our reader's and character's senses— and how real is too real?Thing of the Week: Darkfield  Homework: 5, 4, 3, 2, 1 exercise from C. L. Polk: list five things your character can see, 4 things they can hear, 3 things they can touch, 2 things they can smell, and 1 thing they can taste. P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Time isn't just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen emotional impact, build tension, and elevate a scene's resonance. We discuss practical techniques like character memory, flashbacks, and sensory shifts, while also considering how time reveals inner worlds—through fear, anticipation, or even a late-night zoomie session with a talkative cat. Whether you're writing action scenes or quiet reflections, this episode offers practical insights for using time as a dynamic storytelling tool.Homework: Change the time at which a scene takes place. Try to move something from day to night, or spring to fall. What do you notice? P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we’re digging into context—what it is, why it matters, and how it can totally transform your storytelling. Whether you're working in fantasy, sci-fi, or anything in between, the details you choose to include (or leave out) can make your world feel rich, real, and emotionally resonant.We talk about using context to deepen conflict, sharpen stakes, and land those emotional beats. And yes, we also get into puppets, geology, and the perils of overbuilding your world. (Spoiler: nobody needs to know how many toes your goblins have. . . unless it really matters.)Homework: Take a context, some piece of world building that you've done, and come up with three different narratives that you could write that use that context. Then separately, make a narrative that you have written and come up with three new contexts in which that narrative would succeed. Show Notes: Learn more about how Campfire can help you outline your novel, organize your world building, and publish your story! P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we’re talking about setting, which in speculative fiction is often called worldbuilding. But once you’ve finished building the world, how do you convey that world on the page? That is, how do time and place shape your story—and your characters? In this episode, we’re talking about the power of setting through the lens of “where and when.” From daily life details like transportation and sanitation to larger societal pressures like war or peace, we explore how characters are shaped by their environment. Whether you’re building a brand new world or writing alternate history, setting isn't just a backdrop—it’s a driving force in your storytelling.P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What does cooking have to do with writing? In this episode, we explore how the creative choices we make in the kitchen—whether it’s improvising with missing ingredients or following a beloved recipe—mirror the choices we make on the page. From frozen dinners to fine dining, we discuss how all forms of creativity have value, how skills can be learned, and how the act of making—food or fiction—is, at its core, an act of nourishment.P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/) While on a boat in Mexico, Erin Roberts was joined by Marshall Carr—our incredible recording engineer who is also a teacher during the school year— and author Mark Oshiro—who also teaches both kids and adults! For those who don’t know, our host Erin is a Creative Writing professor at UT Austin.  We wanted to record an episode with these three educators to give them a platform to talk about the art—and complexity and passion—of teaching. They discussed how they came to teaching, what they get from teaching as a writer, and why they continue to teach. Thing of the Week: All This and More by Peng Shepherd Homework: This homework is from Marshall! If you’re considering teaching, think of something you’re passionate about (it doesn’t have to be writing). Then, create a lesson for that thing that would work for your younger self. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mark Oshiro, Marshall Carr, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This season, we’ve been exploring different approaches to writing through the lens of other crafts and their respective toolkits. We had the pleasure of speaking with furniture-maker, writer, and publisher Christopher Schwarz. Christopher is an incredible artist, writer, and is also the founder of Lost Arts Press, which publishes books on hand tool woodworking. We talked with Christopher about his creative trajectory, and the intersection of tools, methods, and crafts. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were DongWon Song and Howard Tayler. Your guest was Christopher Schwarz. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

People often think of first person POV as the most intimate voice. But in a way, we think second person might be more intimate. With second person, you’re forcing the reader’s subjectivity into the fiction itself. You are integrating the person who is reading the story into the experience of being in the story– in a way that can be a little disorienting (or fun) for the reader. In the world of POVs, the second person can sometimes feel like a chaotic perspective. There are several different versions, depending on who the “you” is addressing. Is it the reader? Is it another character? What happens when “you” appears in a letter within a story? Second person often appears in conversation and on social media because it’s a way to draw your conversational group into the experience that you personally had. So, when should you use it in your writing, and how can you use it to help advance or deepen your story?  Homework: Write something in the second person, and think of something you’re getting across in the scene. Now, try to convey it with a “you” that’s directed towards another character. Then, as a “you” in a letter. Finally, write it again where the “you” is the reader themselves. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

With today’s episode, we are continuing our discussion on proximity by focusing on another POV: third person omniscient. In omniscient POV, the narrator can see all and move into any character's head. It's sometimes seen as old fashioned, like Jane Austen. But writers like John Scalzi and Liza Palmer are using it to good effect as a way of exerting control over exactly what the audience sees in ways that are similar to a filmmaker. So why is it so hard to do well? And what does it allow the writer to do that no other voice does?Homework: Describe a street scene where your main character is walking down the street. Move us through this scene through the perspective of 5-6 bystanders observing this happening. Focus on sensory details: what is everybody seeing/ smelling/ looking at? And how does this establish where your main character is in the scene? P.S. Our Writing Excuses cruise is over 60% sold out! Secure your spot today at www.writingexcuses.com/retreatsSign up for our newsletterCredits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Third person limited is one of the most popular storytelling lenses. Yet it is often understood differently by various authors and readers. So today we’re diving into the complexities, intricacies, and beautiful constraints of third person limited—don’t worry, we’ll be tackling third person omniscient in our next episode! With third person limited POV, you get to use some of the tools of first person, while being able to back away from the character a little. We’re going to address the various levels of interiority and proximity that characters are afforded, why this matters, and what it would look like in your own writing. Homework: Take a scene that you’ve written and write it in the closest third person limited that you can possibly stand. Then, write it again at a slightly more distanced, but still limited, third person. Look at these two scenes side-by-side and ask yourself: what did I do differently in each? What did I emphasize? Then, figure out which perspective you want to use when actually writing this scene. P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreatsSign up for our newsletterCredits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We’re now going to have a few episodes focusing on the lens of proximity—specifically, how close you are to a character. Today, we’re talking about first person. First person seems like it would be one of the most natural forms of storytelling, because it's the one we use when talking about our own actions. But how do we use first person effectively? How close we are to the character and how much we get to know of their motivation and reaction can be controlled through interiority and embodiment. This often ends up defining the POV that we use in our stories. We'll talk about which tools are specific to first person, as well as flag pitfalls to watch out for.Homework: Go pick up a book that you love. Find a scene that you think is really great that is not in first person. Then, rewrite that scene in first person from the POV of a character in the scene. P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreatsSign up for our newsletterCredits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re returning to different personal metaphors for how we all think about writing and storytelling. In this episode, we’re talking about how DongWon uses fashion as a helpful metaphor to think about storytelling. For both fashion and writing, whether you know it or not, you are already engaging with it every single day of your life. You are writing emails, you are communicating with the people around you, you’re dressing yourself, you’re wearing certain things and not others, and you’re ordering pizza! But what’s the difference between ordering a pizza and performing a poem? Well, lots of things, but mostly intention and deliberateness. Note: In this episode, we mention cooking as a metaphor—this episode hasn’t aired yet but will in May!Homework: Take one article of clothing from your closet and build three different looks around it. One for everyday wear, one for a family function, and one for a night outP.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreatsSign up for our newsletterCredits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/.) While on a boat in Mexico, we were joined by author Mark Oshiro and literary agent Kate McKean. In addition to our hosts, they answered questions that were asked by our cruise attendees. Our answers included things such as how much space a character should take up and how to find the balance between plot-focused and character-focused novels. We also tackled questions about worldbuilding, motivation, and deadlines. Homework: Ask someone a question about writing, either to learn more about what they're working on or to work through a project of your own.P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreatsSign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Sandra Tayler, Mark Oshiro, and Kate McKean. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we have the pleasure of talking with author (and longtime listener!) Chuck Tingle. We invited him on the podcast to talk about breaking the rules—both in terms of how to publish and what to publish. Chuck told us about the business and creative rules that he has upended—he doesn’t do readings, he is anonymous (during our interview he wore a pink bag over his head), and he thinks you should tell and show. Chuck then shares some of his favorite failures, what he learned from them, and how failures actually aren’t real. Also featured on today’s episode: puppet bloopers, approaching art, and why LOVE IS REAL. You can learn more about Chuck Tingle here. Chuck’s Thing of the Week: The FrankenStand (a vegan hotdog stand in LA that serves horror-themed hot dogs)Homework: Choose a section from your current Work In Progress (WIP). Think of the writing rule that you’re treating as the North Star of Writing At Large (what would the English Department hammer into you?). Try to rewrite that section without that rule or doing the opposite of the rule. Then, look at it and see what changes that makes. Is there a version of your writing where you can use this as a tool, and not a rule? P.S. Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, and Howard Tayler. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What do emotional beats and action scenes have in common? Well, they both need to land with your audience in order for your story not to fall flat. On today’s episode, we’re talking about the importance of reaction. Everything from portraying your characters’ reactions to letting readers sit with—and witness— these reactions. The actions that a character takes—or doesn’t take— as a part of their reaction let the audience know what they are thinking and feeling. And this lets the audience react alongside the character, even if they haven’t experienced (in their own life) what just happened to the character. We’ll give you tips and tricks for building this level of resonance between your characters and readers.Homework: Look at one of your characters’ reactions and flip it. If they take an action that escalates a situation, how would that scene play if their reaction de-escalated the situation? Can you still get to the end point that you want? P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week!Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we’re continuing our conversation about the lens of who. On last week’s episode we talked about a character’s motivation and goals. Now, we’re starting to think about tension in the form of a character’s stakes and fears. The fears that a character has and the stakes that they face create the story that exists around them. These tensions also help move them through the story. So, how can you use stakes and fears to start– and build– your story? The answer may surprise you. Hint: you may not want to open with your character dangling off a cliff. Homework: Make a list of all the major fears that your main character has. Take your MC (main character), and draw a map of all the characters that your MC is connected to. Now, describe those relationships in one sentence or less. Now, compare this list of relationships with the list of fears. See if these two lists are in conversation with each other. Are they supporting each other or are they completely disconnected? If they are disconnected, start thinking about how you could bring these two lists closer together to establish a feedback loop between relationships and fears. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Do you know what your characters want? And is there a deeper desire underneath that one? A character's motivations can help make them "relatable," drive the story's momentum, and create obstacles. Additionally, characters/ desires can serve different parts of themselves, which can help make them complex and multifaceted. But what is a good character motivation and how do you share it with your readers? Homework: Write a scene from a secondary POVs character. Pick a concrete goal for them that is NOT the protagonist's goal. How does that change the way they react in the scene?P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Have you ever wondered how much you need to know about a specific character before you start your story? Do you need to have an entire outline of their childhood before you can start writing in depth about them? We don’t think so! But it is important to listen to these questions as they emerge. This can help you figure out how to incorporate facets of each character’s identity that have narrative weight, instead of crowding the story with small facts that might not be necessary. This can help you layer and backfill as you build out – and discover– your story. Homework: Identify something from your character's life before your story begins - write a scene in which that element of the character weighs on the scene but is never explicitly mentioned.P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we are introducing the “lens of who” – which means talking about characters. We try to break big character ideas down into their elements. For instance, what do terms like "relatability" or "depth" of character really mean? One of the main take-aways from this episode is that your characters each have different sets of experiences, which *should* mean they could each describe the same exact thing differently. And you should know how to write this. Homework: Interview two friends and yourself, asking them the questions below. Write down their answers (and yours) as completely as possible.1) The most pain they've had2) The happiest memory they think of first3) A description of a person and circumstance that positively and dramatically influenced them *before the age of 18*. Family member, teacher, boss at 1st job, etc.P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For our 20th season, we are focusing on this belief: that the lived experience that we all have affects the way we think about writing. We’ve all heard Mary Robinette talk about puppetry for seventeen (or so) seasons. Today, she dives into puppetry as a metaphor that helps her understand writing– specifically character, voice, and genre. And she invites you to start thinking about metaphors you can use and make in your own life to help you think about writing in a new way. Homework: Watch a puppet show. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

One of the most important tools that a writer brings to their work is their own personal lens. This is shaped by your hobbies, your job, your history, and your experiences. In this season, we're going to be looking at personal lenses as well as the narrative lens through which stories are told. We'll look at how the questions of Who, Where, When, and Why shape a story. Also, we're going to do a Deep Dive later in the year with the novel All The Birds in the Sky by Charlie Jane Anders, in which we analyze it using the lens we've been talking about.Homework: What lenses from your non-writing life shape the way you see things? P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/.) While on a boat in Mexico, we were joined by author Mark Oshiro and literary agent Kate McKean. In addition to our hosts, they answered questions that were asked by our cruise attendees. Our answers included things such as how much space a character should take up and how to find the balance between plot-focused and character-focused novels. We also tackled questions about worldbuilding, motivation, and deadlines. Homework: Ask someone a question about writing, either to learn more about what they're working on or to work through a project of your own.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Howard Tayler, Erin Roberts, Mark Oshiro, and Kate McKean. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For our 20th season, we are focusing on your toolbox. We’re going to be thinking about tools in terms of the lenses that we use to approach a story. We’re going to focus on the four lenses of: who, where, when, and why (don’t worry– what and how will be looked at in a later season, since they’re more about execution and less about lenses.) Our hosts talk about the lenses they’re adopting as they look towards 2025. At the end of this season, we’re going to take all these lenses and apply them to one work: All the Birds in the Sky by Charlie Jane Anders. A note: we will now only have “thing of the week” occasionally, and not regularly! Homework: Make a list of the tools you already have in your toolbox. Now, as an intention, think of an area that you want a tool for. Over the course of this year, we’re going to try to help you find that tool. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re reflecting on 2024. Individually, all of us went through a lot throughout the year—we encountered myriad speed bumps that slowed us down in different ways.. How do you balance your workload with your own personal life and its needs? How can you help make navigating these speedbumps easier by knowing your own limits and needs? We give you specific questions you can ask yourself in order to locate your problem points and figure out how to rearrange your life (and your stories about your own life) in order to not over-exhaust yourself.  Thing of the Week: Furiosa: A Mad Max SagaHomework: Once a day for the next week, identify and write down something that is causing you pain. At the end of your week, look through your list and identify the one that is causing the most pain, and try to bulldoze it. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.Today, we’re thinking about endings—specifically, what endings have in common with beginnings. When you’re coming to your conclusion, you can revisit the start of your work in order to get clues for how you should end it. You can also revisit your favorite works of fantasy fiction, which we’ve noticed often wraps things up with big climactic moments that don’t lose track of smaller moments of impact. Additionally, we talk about surprising versus inevitable endings, what Toy Story got right, and Howard’s rule for the last third of a story. Thing of the Week: Chants of SennaarHomework: Think of how what you’ve been writing recently is going to end. What might be the next scene you need to write? Write that. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We had the pleasure of sitting down with Gabriela Pereira, founder and instigator of DIY MFA, which is the do-it-yourself alternative to a Master of Arts in Writing. Pereira has some incredible advice for how to put together a writing curriculum for yourself. Using the pillars of writing, reading, and community, she explains how she first came up with the idea for DIY MFA. We also talk about how to build a well-rounded craft, how to know what you don’t know, and what exactly it means to “write with focus.”Thing of the Week: DIY MFA Starter KitHomework: Observe your own habits! Think about your writing time like a pie: 1 slice for writing, 1 slice for reading, and 1 slice for community. Draw a circle at the end of every day and map out how much time you spent doing each of these three things. Do this for several weeks, and watch the patterns that emerge! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was Gabriela Pereira. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.How do you have multiple plot threads moving at the same time? Today, we’re talking about complex plot structures—focusing on space opera and epic fantasy. Some of the questions we’re tackling are: how do you escalate existing problems, how do you juggle multiple climaxes at once, and what are the cascading effects of each? We ask each host about their unique approaches to writing larger projects. We talk about the utility of multiple POVs and what fast food can teach you about escalating problems (somebody’s gonna get burnt buns). Thing of the Week: Laboratory Conditions Homework: Take a piece of technology you’ve already introduced to your work. Find out a new, cool way you can use it in the next scene that you’re writing. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.What can we learn from romances? Today we’re talking about using elements of romance in your story (even if you have no romance in your current WIP!) Character relationships and dynamics are often at the heart of our stories, so what can we learn from the romance genre? We’re thinking about the power of one character putting another one at ease, a character dismissing another (“I’ll never be interested in you!”), or two characters finding a commonality between themselves. Mary Robinette also introduces us to her family’s theory of compatibility, which measures these M-words: mind, money, morals, manners, monogamy, and mirth. Thing of the Week: Ancient History Fangirl (podcast)Homework: In the scene you’re working on, what is one thing your character finds attractive about the other character in the scene? Also, what does your own character think is their own least attractive trait, and how can you make them more anxious about that right now? Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.Today, we’re focusing on beginnings. The titular phrase “beginning with a thrill,” doesn’t have to mean a burst of action or violence, but more so refers to how you hook your reader within the first few pages of whatever you’re writing. A great example of this is Toy Story, which we dive into at the end of this episode. Dan encourages us to shift our focus from starting with tension to starting with a thrill. How do you introduce conflict into your work while taking into consideration your genre? How do you establish—and then break— the “normal” in your world? DongWon talks about micro-tropes, and encourages us to steal and borrow from various genres. Also on this episode: meat cubes versus meet cutes. They’re different, even though they sound (phonetically) the same. Thing of the week: The Favourite (movie) Homework: What breaks “normal” for your character right now? Now, write that. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What does it mean to be building a career as an author in this day and age? We talk with author and speaker Andrew Buckley about everything from author brands to conferences while we ask Andrew to give us advice on how to get comfortable talking about yourself. In addition to hosting the StoryCentric podcast and speaking at conferences, Andrew is a speculative fiction author, with a focus on paranormal fantasy for young adult readers. He also has a background in marketing and business. Thing of the Week: Fallout (TV show on Amazon Prime) & “The Watchers” by A.M. ShineHomework: Try something that scares you. Special Offer: Do you want 20% off a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? You can order The Orbit Gold Edition set at orbitgoldeditions.com, and use the code “excuses” for 20% off! Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal,Erin Roberts, and Howard Tayler. Our guest was Andrew Buckley. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We reminisce on when we were on a writing retreat on a cruise in 2023, planning this close reading series. We have loved how this series grounded our conversations, allowing us to dive into works that were complex in specific ways. We have loved wading into the waters of voice, world-building, character, tension, and structure while talking about these phenomenal works of science fiction and fantasy. Thank you, listeners, for reading along with us. It has been powerful to read the same books, and to feel connected to you all through the Patreon, Discord, Instagram, and emails.  Thing of the Week: Forget Protagonists: Writing NPCs with Agency Homework: Get a group of friends together, and pick a book you love. Discuss and unpack what makes the book work. Then, tell us what it is by tagging us on Instagram, @writing_excuses. Special Offer: Do you want 20% off a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? You can order The Orbit Gold Edition set at orbitgoldeditions.com, and use the code “excuses” for 20% off! Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We had the pleasure of sitting down with N.K. Jemisin to talk about the structures and processes that helped create The Fifth Season. We talk about outlines, multiple plotlines, and planets as characters. Jemisin lets us into her writing process—ranging from  the influence of poetry in her work to her process of writing “test chapters.” She also gives us advice on writing multiple POVs, the power of parallelism, and the intersection of mental health and storytelling. Thing of the Week: Alan Wake II (N.K. Jemisin’s recommendation) Homework: Imagine you are in a game where you are presented with 3 different attitude-oriented choices. Take your protagonist from your current work in progress and put them through these attitudinal-flavored choices. What happens if you continue your character does the diplomatic thing? What happens if you have them snap? Explore! Learn more about our retreats: https://writingexcuses.com/retreats/Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was P. Djèlí Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We’ve loved doing our close reading series throughout 2024, and The Fifth Season has been no different. Today, we’re reflecting on what we learned in our episodes focusing on N.K. Jemisin’s incredible work. We reflect on POV as structure, parallelism, and finding the beating heart of your manuscript.  Thing of the Week: I Saw the TV Glow Homework: Reverse engineer an outline for your work in progress. Then, try to add one parallel.Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we’re zooming out to see where N.K. Jemisin’s The Fifth Season fits into the canon of fantasy literature. How does Jemisin interact with magic, words, and the expectations of the genre? And what expectations do the readers bring themselves? How does Jemisin repurpose parts of the hero’s journey while creating something fundamentally different? Does this work start a new lineage for epic fantasy? We think so! We talk about what other works this book is in conversation with, and what it even means to be in conversation with something. Thing of the Week: Family Reservations by Liza Palmer Homework: Make a list of the books that you consider the antecedents to the book that you’re working on now. What other works are your book in conversation with? Are you following in and building upon their foundation, or are you disrupting and disputing their legacy?Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The structure of The Fifth Season features both mirroring and inversion. How do these structural shifts interact with the three POVs? On today’s episode, we talk about the parallelism of the perspectives and the linguistic references to seasons. This leads us to the question, how many things need to work in sync in order for readers to feel the cyclical nature of the plot (and life)? How does N.K. Jemisin use structural arcs, beats, and elements to create upheaval? And finally, how can you create overlapping emotional states and narrative rhyming in your own writing? (And what is narrative rhyming you may ask? Don’t worry, we define it for you!) Thing of the Week: Who Lost, I Found by Eden RoyceHomework: Take a look at one of your main character's arcs, and then try to rework another character's arc to match similar beats and structure to the first one.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Structure and POV (point of view) are often intertwined. In N.K. Jemisin’s The Fifth Season, we see this in the myriad perspective shifts. In this episode, we talk about the importance of these shifts on the structure of the book. How does the narrator talk directly to us, and what purpose does this second-person perspective serve? DongWon shares one of their theories with us on the relationship between author, reader, and POV. P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Thing of the Week: Kurzgesagt – In a NutshellHomework: Think about the main character of your story, and carve their life up into three different pieces. Have one of those pieces/ perspectives write to another piece, using second perspective. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Just a reminder that we will be talking about a lot of spoilers, so if you haven’t read The Fifth Season, go and do so now! As we dive into N.K. Jemisin’s The Fifth Season, we wanted to tell you why we chose this work to examine the importance of structure. The structure of the book is the device through which we are understanding this world, in a way that feels radical in relation to what we normally see in fiction. We chose this novel because the structure is visible and active in a way that many other works aren’t. Jemisin’s structurally audacious novel is punctuated by perspective shifts, parallelism, and innovative approaches to the forward movement inherent in stories. How does the structure affect the way we take in narrative, and what can you learn from this? P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Thing of the Week: Rest In Pieces Homework: Look at the Table of Contents of The Fifth Season and, without opening the book again, write down the one important thing you remember from that chapter. As we talk through things, refer back to this list and see what you need to add.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We sat down with the author of Ring Shout, P. Djèlí Clark, in order to wrap up our close reading of tension. We talked with Clark about his influences, which ranged from Birth of a Nation to Beyonce’s “Formation.” We dive into contextual vs. narrative tension, why food is the unsung hero of worldbuilding, and Clark’s unconscious desires that helped this novella come to fruition. Thing of the Week: The Terror (on Netflix) Homework: Watch Midnight Mass on Netflix. Notice how it builds various areas of tension. How did this happen? What were the different areas of tension, and how were they distinct from each other? Now use this in your own writing. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was P. Djèlí Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and worldbuilding.  Thing of the Week: The Night Guest by Hildur Knutsdottir (a novella translated by Mary Robinette Kowal) Homework: Take a look at your outline and move one of the major conflict points to a different act forward, and then try and move it to a later act. Consider how this changes the pacing and tension.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When you’re subverting your readers’ expectations, do you need to do the exact opposite of what they’re anticipating? Today, we dive into this question, using various examples of books and movies. We then examine how P. Djèlí Clark does this throughout Ring Shout– does he subvert our expectations completely? Not always. In fact, sometimes he does the opposite. Thing of the Week: White Cat, Black Dog by Kelly Link Homework: Write a scene listening to three different piece of music that move you in different ways.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re using music as an entry-point for tension. Howard introduces us to the power of the half-step, and other musical metaphors that can help you to incorporate tension in a new way to your writing. And then DongWon updates the metaphor with an electronic dance music analogy. We also dive into questions you can ask as you weave tension into your work in progress, such as, “what does your character have to gain by withholding their secret?” Thing of the Week: Clueless (the movie!) Homework: Write a scene three times. Same scene, and make sure to write it from scratch three times. But listen to different music each time. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about the tension that is actually happening on the page, and the contextual tension is what the reader is bringing to the table. Ring Shout lives in a place of contextual tension and we are excited to dive into how you can use both types of tension in your own writing. Your readers will always bring their own context to your work; and if you think about this, you can use tension in both big and small ways in your work. Thing of the Week: Random Friday - Solar Fields (Album) Homework: Take a scene you’re working on, and put a piece of information at the start that is only meant for the reader. Then, revise the scene, believing that the reader has that information. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Compared to This is How You Lose The Time War, which we read earlier this year, Ring Shout deals with a very real world. This discordance, where authors make their audience uncomfortable by creating things that shouldn’t go together, is part of the power of this novella, and part of the reason we chose to dive into tension! Our favorite metaphor about tension from this episode comes from Howard: potential movement (imagine a rock at the top of a hill). Note: this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Thing of the Week: Blue Eye Samurai (Netflix) Homework: Take a movie or a book you've read that you find highly suspenseful and write an outline covering the major plot beats. Look at where tension is created and where it is released, and build a map of how it evolves over the course of the storySign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we have a wildcard episode for you! We are talking about all the different ways you can sustain your writing career. Our host, Erin Roberts, has done an incredible job of applying for grants, fellowships, and residencies. So, we put her on the spot and got her to dole out advice and insights to help you sustain and develop your writing. Thing of the Week: “Extreme Economies: What Life at the World's Margins Can Teach Us about Our Own Future” by Richard Davies Homework: Write a one-paragraph personal artistic statement.Close Reading Series: Texts & TimelineNext up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Liner Notes: Resources related to grants and fellowships:  Creative Capital's monthly list of Artist Opportunities: https://creative-capital.org/category/artist-opportunities/Philanthropy News Digest's lists of RFPs, which can be filtered to just those for Arts & Culture: https://philanthropynewsdigest.org/rfps → Link to the filtered list here: https://philanthropynewsdigest.org/rfps/(search)/?tags_interest[]=arts+%2F+cultureThe Create Daily's Opportunity Roundup Newsletter (requires a sign up at the link below):  https://www.thecreatedaily.com/communityFor residency opportunities, the Open Calls list from Artist Communities Alliance: https://artistcommunities.org/directory/open-callsProfellow list of fellowships:https://www.profellow.comSign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we’re taking a break from our Close Reading Series to discuss writing workshops and retreats! We dive into how to find and prepare to attend a workshop or a retreat and what to think about for organizing your own. Thing of the Week: Solo RPGs! (Strider Mode, Star Trek Adventures, Mythic Game Master) Homework: Go find 3 writing retreats you are interested in attending. 1 retreat-focused, 1 workshop-focused and 1 combination. Then think about what your expectations would be for each one.Close Reading Series: Texts & TimelineNext up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, Sandra Tayler, and Sarah Sward. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We sat down with CL Clark to talk about character—specifically, how they build different POV characters in the compressed space of a short story. We dive into plot processing (a tool CL Clark has learned from Mary Robinette!), how to specify the stakes of your world, and how to build distinct characters. Thing of the Week: Reasons Not To Worry: How to be Stoic in Chaotic Times by Brigid DelaneyHomework: “4 Scenes About Power” — Write four scenes: (1) a scene in which your protagonist does something to someone else, (2) a scene in which someone does something for someone else, (3) a scene in which your protagonist has something done to them, and (4) a scene in which your protagonist does something with someone else. Liner Notes: Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story by Ursula K. Le Guin Close Reading Series: Texts & TimelineNext up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal and Erin Roberts. Our guest was CL Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re taking a higher view on the techniques we’ve been talking about over the last four episodes and focusing on how you can use our takeaways in your own writing. We’ll go over our final thoughts on C.L. Clark’s short stories (until next week’s episode, when we interview them!). We’ll also try to summarize the lessons we've learned from Clark and our favorite bits of their writing. Thing of the Week: Rude Tales of Magic (podcast) Homework: Write a character study in which two characters meet twice. Something momentous has happened in between the meetings. Imply it by the way those characters have changed.Liner Notes: Axis of Power (available on Patreon) - Ability, Role, Relationship, StatusDREAM from Elizabeth Boyle - Denial, Resistance, Exploration, Acceptance, ManifestationClose Reading Series: Texts & TimelineNext up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We have a theory that we want to work through on today’s episode: agency is the ability to take action, whereas choices are more about the interior life of the character. We use Mary Robinette’s talking cat, try-fail cycles, and C.L. Clark’s Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home in order to examine this theory and its underpinnings. Thing of the Week: Marginalia by Mary Robinette Kowal (Uncanny Magazine) Homework: Create a scene in which your character has very little agency, but still must make a choice. Do your best to make that choice still feel critical.Liner Notes: Fluent pet buttons - Elsie the talking cat“We Are the Mountain: A Look at the Inactive Protagonist” by Vida CruzSign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our episode today focuses on C.L. Clark’s short story “You Perfect Broken Thing” for how the character's stakes shape the barriers facing her. We use this story to examine how to tell the difference between barriers versus stakes. We also examine how to do this in a compressed space– whether that’s a short story, a single scene, or a compressed timeline. Thing of the Week: We Have Always Lived in the Castle by Shirley JacksonHomework: Write a short scene in which your character has to deal with a mundane obstacle, then rewrite it as if that small obstacle has life-or-death stakes. How did you shift it to make the stakes clearer?Liner Notes: Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com! And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here: https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20(Or go to kickstarter.com and type in “Silent Spaces”) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we’re focusing on C.L. Clark’s  “The Cook,” as we explore external and internal expression. We chose this story because it's a remarkably physical and touchable story with myriad sensory details. While the audience gets very little information about what Clark’s characters are thinking, you can still understand their internal landscapes by what they seee and notice. How do these external indicators help us understand the internal worlds of the characters? We mention two infographics during the episode– “Intersections of Self (Trauma Points)" and “Axes of Power."  These are available on Patreon (they’re posted publicly, so anyone can view them!) Feel free to use them in your own writing, and let us know if you find them helpful! Thing of the Week: “Bodies” (on Netflix) Homework: Pick a major character in your story and write two short summaries of the character arc, one using your original motivation and goal, and a second with a different motivation but the same goal.Liner Notes: Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com! And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here: https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20(Or go to kickstarter.com and type in “Silent Spaces”) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we introduce our next close reading series—we’re focusing on character through the lens of three of C.L. Clark’s short stories:  “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home”. They are all hyperlinked above and available online for free through Uncanny Magazine. We are so excited to shift our focus to short stories! We love the compressed form, and C.L. Clark’s stories exemplify the freedom that exists within the genre itself. They masterfully combine light world-building with deep character development. We’re excited to dive into each story over the next five episodes, ending with an interview with C.L. Clark! We recommend reading these short stories ahead of time, but this episode is fine to listen to as a primer for why you should read them!  Thing of the Week: Monster of the Week (a tabletop role-playing game) AND Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com.Homework: Write the sentence "[Character] is someone who...." with different endings for an entire page. Read them over and pick one that surprises or intrigues you, then write a short scene showcasing that trait.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we are joined by the incredible falconer Krista Hong Edwards. Krista was kind enough to take our hosts out with her falcons, and we had the most amazing time! Krista sat down with us to talk about falcons, literature, and much more. Check out our liner notes (below) for all of the texts we reference! Thing of the Week: Cher Ami and Major Whittlesey: A Novel Book by Kathleen RooneyHomework: Look up your local falconry club and see if you can attend their next event!Liner Notes: See more of Krista, her falcons, and her mission on Instagram at @kristafeather and @feathersforthoughtMy Side of the Mountain by Jean Craighead George “The Goshawk” by T.H. White“H is for Hawk” by Helen McDonald“Untethered Sky” by Fonda LeeTo find Krista’s Articles: Hawkchawk Magazine & Pursuit Falconry Close Reading Series: Texts & TimelineNext up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) And a sneak peak on the rest of the year… Tension: Ring Shout by P. Djèlí Clark (starting September 1) Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Krista Edwards, Mary Robinette Kowal, DongWon Song, and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Learning is great, but how do you translate it into doing without getting overwhelmed? What is the difference between learning in the classroom and executing when you're on your own?Marshall, our incredible recording engineer, just finished an MFA program. Congrats, Marshall!! On today’s episode, we gril Marshall in order to understand his takeaways from the program. Specifically, we are interested in how he takes everything he learned in the classroom and turns it into actionable things he’s doing on the page. We talk community, motivation, and how to consistently make time for your writing. Thing of the Week: The Fall of the House of Usher, TV show created by Mike FlanaganHomework: Take a turn being the teacher– how would you teach a group of people about a concept you’re struggling with in your own work, and what homework would you give them to better understand it?  Close Reading Series: Texts & TimelineNext up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) And a sneak peak on the rest of the year… Tension: Ring Shout by P. Djèlí Clark (starting September 1) Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We've spent the last month talking about "A Memory Called Empire, and now, we are so excited to welcome the author, Arkady Martine, to the show! On today's episode, we talk with Arkady about the origins of her novel, and dive into how she navigated the dense and intricate world-building. Arkady gives us advice on what not to do, where to look for your first ideas, and what her writing process looks like. Thing of the Week: “The Shamshine Blind” By Paz PardoHomework:Using the character and the story you are currently working on, look at the nearest building you can see out your window, and describe it from their point of view. What does that say about the world that you are in and the world that they are in? Close Reading Series: Texts & TimelineNext up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) And a sneak peak on the rest of the year… Tension: Ring Shout by P. Djèlí Clark (starting September 1) Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, the gang talks about their final thoughts on Martine’s “A Memory Called Empire.” We conclude with some lessons we’ve learned through analyzing her work, and we share our favorite bits! Thing of the Week: Pasión de las PasionesHomework: Find a piece of world building that you love and come up with another way to use it in your work in progress. Close Reading Series: Texts & TimelineNext up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) And a sneak peak on the rest of the year… Tension: Ring Shout by P. Djèlí Clark (starting September 1) Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The imago technology lies at the heart of this novel thematically and narratively. How does this technology create a world, delineate Mahit's culture from Teixcalaan, and ask enormous questions about identity and empire?Thing of the Week: “Rotten” (Documentary Series available on Netflix)Homework: Come up with three technological or magical approaches that would raise questions about what it means to be you, to be an individual. Take one of these, and then write a scene wherein two characters argue about it. For those of you just joining us, here's what our close reading series has covered, and what lays ahead! Close Reading Series: Texts & TimelineVoice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17) Worldbuilding: A Memory Called Empire by Arkady Martine (May 12) Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7) Tension: Ring Shout by P. Djèlí Clark (September 1) Structure: The Fifth Season by N.K. Jemisin (October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What cultural and worldbuilding information is embedded within the smallest of word choices? Today, we dive into three specific sections from throughout Martine’s “A Memory Called Empire”:  the word for empire, assimilation and naming, and learning the word for bomb. We unpack how Martine uses language to establish important principles of how the world works. Thing of the Week: The Gilded Age - Created and Written by Julian Fellowes  Julian Fellows (on HBO Max) Homework:Write a scene that describes a fictional piece of literature— whether that's a poem, a song, or a story— that means something to the people in the story you’re telling. Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already:https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you use language and scale to focus your writing? Today, we think about scale and movement across vast spaces. What do characters’ movements tell us about empires and also—force? We talk about Martine’s incredible work establishing an empire across time, not (just) space. We read aloud some of Martine’s writing, and try to understand exactly how they work, and what they’re doing to build the novel’s world. A refresher on why Worldbuilding is essential and some working definitions of how we want to talk about it. After the break, we discuss why we chose this book and highlight what it does well. As always in our close reading series, we distill each text’s elements into approachable steps for you to take in your own writing. Thing of the Week: Softboiled eggs in an instant pot: 1.5 cups of fridge-cold water. Add 2-6 eggs onto the little trey. Pressure cook for low on one minute, and then release the pressure after 90 seconds. Remove the eggs (use tongs!), and put them in a bowl of fridge-cold water for one minute. Now, try them! If thye’re too runny, then for your next bath, increase your wait time for pressure release by 5 seconds. If they’re too firm, reduce the wait time by five seconds. That one variable: how long you wait before releasing pressure, is the only one you need to worry about. (Does this resonate with our study of worldbuilding? Maybe? DM us on Instagram and tell us what the metaphor or analogy is for you! @writing_excuses ) Homework:Take one of your works in progress, and write three paragraphs, each describing a different kind of scale: 1. A scale of time2. A scale of place/ space3. Emotional scale (fear, joy, ambition, sadness)Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already:https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Why is worldbuilding is essential in your writing? Today, we answer this question and dive into some working definitions of how we want to talk about it. After the break, we discuss why we chose this book Arkady Martine’s “A Memory Called Empire” and highlight what it does well. We dive into the elements that help make Martine’s worldbuilding so accessible and effective. Thing of the Week: “Fast Car” by Tracy Chapman (think about what it teaches you about POV!)Homework: Pick your favorite fictional worlds and for each write down three defining attributes that establish culture, legal systems, and physical spaces.Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already:https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sometimes we know the action and themes of your story, but you don’t know how to build an economy that supports those. Well today, we explain just how to do that! What are some questions you can ask yourself about the worth of certain goods and services in the world you’re building? What would a post-scarcity world look like and ask of your characters and how would it shape their wants? We loved recording this episode, it brought up so many interesting questions for us, and we hope it does the same for you! Thing of the Week: Bury Your Gays by Chuck TingleHomework: Come up with three catch phrases that someone who grew up in your economy would know. For example the difference between “There ain't no such thing as a free lunch” vs. “See it, fix it.”A Reminder! That starting next week (May 12th!), we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you find the right size for your story? And speaking of size, what do novellas do differently than both short stories and novels? What even is the difference between a novel and a novella? How many characters do they usually have? How many subplots? How do you know if your story should take the form of a novella or a novel? We dive into all these questions (and…you guessed it… more!) in our conversation. A note on the structure of Season 19: in between our close reading series (six episodes where we dive into an element of craft through a close reading of a specific text), we’ll be doing two wild card episodes! These episodes are random topics that our hosts have been wanting to tell you about, we just didn’t know where they fit. So we MADE a place for them to fit! Thing of the Week: Jiangshi: Blood in the Banquet Hall (a collaborative, storytelling-based RPG)Homework:Take a short story that you either love or have written and write a list of things that could be added to expand it to novella length. Now do the same for a novel, but make it a list of things that might need to be cut.A Reminder! That starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we get to talk to the inimitable Max Gladstone and Amal El-Mohtar. Amal and Max are on the podcast to tell us about how they wrote a book together (hint: they didn’t write it together in the form of one voice.) They talk to us about the practice of writing letters, collaboration, and the revelation of friendship. They talk about the complexity, harmony, and cadence of two-author projects. We also talk about that voice in your head that criticizes your writing, and how to work with it and harness your authentic desire to tell a certain story.  Thing of the Week: From Amal- Hollow Night From Max- Talking Man by Terry Bisson Homework:From Max and Amal: Take a passage of something you’ve written and rewrite it in three different ways: as if it were being sung, as if it were being shouted, and as if it were being whispered. A Reminder! That starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As we conclude our first deep dive of our close reading series, we want to explore how the evolution of voice helped carry readers throughout "This Is How You Lose The Time War." We also talk about the relationship between character arcs and language, learning and voice. Stay tuned for next week’s episode, where we interview Max Gladstone and Amal El-Mohtar on what it was like to write “Time War” together! Thing of the Week: Princess WeekesHomework:Write a short outline of your work noting where the voice changes and evolves to reflect the character growth and change rather than focusing on the plot beatsA ReminderThat starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterThreadsOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What's epistolary writing? Well, it's writing through letters. But it's also a lot more than that. As we continue to dive into the concept of Voice, we want to explore the importance and power of the letters that Blue and Red write to each other throughout "This Is How You Lose The Time War." If you haven't already listened to our episodes introducing this novella, we recommend you go back and start with Episode 11 (of this season, Season 19)!And if you’ve been reading along with us while listening to these episodes, please let us know on Instagram. Tag us in a post or comment @writing_excuses ! Thing of the Week: “clipping.” by Story 2 Homework: Write a short note from one of your characters to another about something that’s important to them. Now rewrite it as a text message (change the format). Then rewrite it as a letter that will be screened before it gets to them by an outsider (change the context). And finally, write it as the final message they will get to send during their life (change the stakes).You can buy this (and all the other books!) through our bookshop link-- this is linked in our bio in addition to right here:https://bookshop.org/lists/close-readings-season-19Close Reading Series: Texts & TimelineVoice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17) Worldbuilding: A Memory Called Empire by Arkady Martine (May 12) Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7) Tension: Ring Shout by P. Djèlí Clark (September 1) Structure: The Fifth Season by N.K. Jemisin (October 13) Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On our third episode diving into Voice through the novella “This Is How You Lose The Time War,” we begin to explore the different voices that make up the two main characters in the story. Last episode we dove into Red’s voice– if you haven’t already, we recommend you listen to that first! Today, we are doing a close read of Blue at the tea shop and how voice establishes character, growth, and vulnerability. How do the authors make Blue’s voice distinct from Red’s? Is it in the tone, the structure, or something else completely? Thing of the Week: The Late Mrs. Willoughby By Claudia GrayHomework: Write a short note from one of your characters to another about something important to them. Now rewrite it as a text message (change the format), as a letter that will be screened before it gets to them by an outsider (change the context), and as a final message they will get to send (change the stakes).Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, we are doing a very close read of Red's opening narration and how Red’s voice communicates both character and world in an effective and efficient way. We read several sections aloud and dive into what each sensory detail is doing. Also Mary Robinette talks about what she thinks is the most effective way to draw your readers attention to something. Thing of the Week: Planet Crafter Homework: Take a sentence from your work in progress and rewrite it to adjust the age of the character to make them a child. Do it again to make them from a different region. And again to give them a different profession.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The book that became a New York Times Bestseller because of a tweet. Well, it won LOTS of awards when it came out, but it was rediscovered by a Twitter account with a large following. So-- let's get into it!On our first episode diving into Voice using the short novel "This Is How You Lose The Time War", we talk about why Voice is essential and some working definitions of how we want to talk about it. We also explain why we chose this book and highlight some of the things it's done well, and what you can learn from it!Thing of the Week: Scavengers ReignHomework: Take a sentence from a work you love that has a strong and clear voice. Write a scene based on that as a prompt, in the same tone and voice as the original. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

You’ve probably seen us posting about our Close Reading Series, and in his episode, we finally officially introduce it! For most of the remainder of 2024, we’ll be diving into five core elements of writing by focusing on five different literary texts. We’ll spend five episodes on each one, and then we’re going to… drumroll please… interview the author(s)!As you know, we’ve spent lots of time reading, writing, talking, and recording our thoughts about different elements of the craft. But this year, we wanted to ground our episodes in specific texts that you could read along– and analyze– with us!Below is the schedule for each book or short story we’ll be diving into. The date on the right in parenthesis is the air date of the first episode in our series that will begin talking about that text. We highly recommend you read the book by that date, as we will be talking about the entirety of the text for all 5 episodes (including spoilers!) First up: This is How You Lose the Time War by Max Gladstone and Amal El-MohtarYou can buy this (and all the other books!) through our bookshop link-- this is linked in our bio in addition to right here:https://bookshop.org/lists/close-readings-season-19Close Reading Series: Texts & TimelineVoice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17) Worldbuilding: A Memory Called Empire by Arkady Martine (May 12) Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7) Tension: Ring Shout by P. Djèlí Clark (September 1) Structure: The Fifth Season by N.K. Jemisin (October 13) Thing of the Week: SHINOBIGAMI: Modern Ninja Battle RPGHomework: Take a scene from a work that you love and five highlighters/crayons/colored pencils - use one color to underline/highlight places where the voice comes through, one for great worldbuilding, one for character moments, one for any moments of tension, and one for moments that move the plot forward. What colors do you end up with? Where do they overlap? What are the colors of the moments you love the most? What would the colors of one of your scenes be?Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hosts Erin and DongWon are joined by Fonda Lee and Mahtab Narsimhan for a special episode about creating traditions in your fictional writing. In this episode, we'll explore some of the following: -How do you build traditions and rituals in your fictional world (choosing what becomes a tradition or ritual and what doesn’t)? -How can you use rituals or traditions to advance a novel’s plot, give characters more depth, and create conflict? -What are the pitfalls to avoid (depiction of closed practices, over-ritualizing common traditions)?Homework: Pick a ritual or tradition that you are very accustomed to and make it the center of a fictional scene. You can change its meaning or impact, but the content of the tradition should stay the same.Thing of the Week: Shanghai Immortal by AY Chao (especially the audiobook version)Liner Notes: This podcast episode idea was inspired by ReaderCon 2023, where Erin Roberts was a panelist.Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were DongWon Song, Erin Roberts, Fonda Lee and Mahtab Narsimhan. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

An agent, an editor, and a writer walk into a Zoom room and record a podcast... but really... that's (part of) what this episode is!First off, a reminder that your agent, your editor, and you are all on the same team! They are all trying to make the same book (your book!) a better book. Whether you've published before or are just starting your first short story, we are so excited for you to dive into this episode. For our final episode in our three-part series on revising your NaNoWriMo manuscript—or any other large writing project—we are diving into how to work with an editor! We wanted to show you a peek behind the curtain that is publishing and editing-- what does this relationship look like? How do you handle differences, conflicts, and priorities? What IS an edit letter? Our guest for this series has been the inimitable editor Ali Fisher, who works at Tor. Thank you, Ali, for your advice, stories, and time! Homework: Take a work written by someone else (anyone else!) and come up with three questions you have for the author that would help them clarify their intention in the text. This could be a movie you've seen, a project you're beta-reading for a friend, or a short story you've stumbled upon. Then, apply these questions to your own work in progress! Thing of the Week from Ali: Ali has two podcast recommendations for you! Rude Tales of MagicOh These, Those Stars of Space! Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For our second episode in this three-part series on revising your NaNoWriMo novel—or any other larger project you have—we are diving into intentions with Tor editor Ali Fisher. We asked her how she helps writers figure out what their books are about, and how she helps set intentions for revisions. Ali talks with us about how its important to be kind to yourself -- and your writing-- during the revision process. She also gives us advice for how you, as a writer, can lean into what you do well. Homework: From editor Ali Fisher: write down what you like best about your book. Find a spot in your book where you can incorporate that element where it isn't now. Thing of the Week: I Will Not Die Alone by Dera White, illustrated by Joe BennettA Bathroom Book for People Not Pooping or Peeing but Using the Bathroom as an Escape by Joe Pera; illustrated by Joe BennettCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing. First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length. Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing. Thing of the Week (from Ali Fisher): Infinity Alchemist by Kacen CallenderSign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Some writers love revisions and some would rather scrub the toilet than revise their writing. On this episode, we are joined by author Mahtab Narsimhan, who many will recognize as a host from past seasons! Mahtab talks with our hosts about how she thinks about revisions. How do you revise your writing? What is the difference between revising and rewriting? Mahtab describes her favorite techniques and provides tips to make it more manageable. Homework Assignment from Mahtab Narsimhan:Take the first 3 chapters of your finished draft and distill it by 1) Chapter 2) Scenes 3) Key plot points per scene 4) POV 5) Setting 6) Time of day/timeline 7) How many pages per scene and/or chapter. Thing of the Week: Nevermoor: The Trials of Morrigan Crow by Jessica TownsendLiner Notes: The Revision Template that Mahtab mentions is a free resource on our Patreon! You can find it at www.patreon.com/writingexcuses Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative?Homework Assignment from Fonda Lee: Take a page of a work-in-progress project and experiment with the pacing. Ideally, this should be a page with some dialogue or tension between characters. First, try to speed it up: cut description, be tight with dialogue, move the scene quickly. Then do the opposite: rewrite the scene but this time slow it down. Include more context, character interiority, exposition, and scene building. Compare the two versions. Which serves your story better?Thing of the Week: The Book of WitchesSign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A few months ago, we were on a cruise ship in Alaska recording podcast episodes for 2024!This live recording features a Q&A with cruise attendees, who were given the opportunity to ask questions to Marshall Carr, our audio engineer, and Emma Reynolds, our producer. In this episode, we talked about the benefits of MFA programs, astrology, and how to continue learning without being overwhelmed. Homework from Emma Reynolds: What homework would you give yourself as a writer today? What homework would you have given yourself a year ago? Let us know your answers on instagram, tag us @Writing_Excuses and we'll repost you!Thing of the Week from Marshall Carr: A Necessary Chaos by Brent LambertSign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We have a LIVE podcast recording from September 2023, when we were hosting one of our writing retreats on a cruise ship in Alaska! (To learn about our next WX Retreats, check out: https://writingexcuses.com/retreats/ Or apply for our scholarships by January 31 at https://writingexcuses.com/scholarships/This episode features questions from our writers, and those who attended our 2023 WXR Cruise to Alaska! We answered questions about success, what happens after you’re a NYTimes bestseller, and how you can record your own audiobook. Homework: Go listen to the most recent episode of the podcast Just Keep Writing. Thing of the Week: Just Keep Writing is a podcast cohosted by Marshall, our incredible recording engineer. It’s a podcast for writers, by writers, to keep you writing. The podcast focuses on building community and lifting marginalized voices. Learn more at justkeepwriting.org, or listen wherever you get your podcasts!Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our first episode of 2024, we interviewed author and physician Abraham Verghese, who most recently published "The Covenant of Water." We talked with Verghese about how to convey technical information in fiction. Verghese explains how he shares medical and world-building details in the most engaging way. We also asked Verghese how to make things feel real without overwhelming your reader, and how he has mastered conveying the passing of time. We also discussed verisimilitude, translation, point of view, and revision (we love revision!). Homework: From Abraham Verghese: Write a landscape in three different moods. Imagine that someone dear to you has died and you are now gazing at the landscape. Describe it without any reference to this event in your life. The second time you write it as if you were experiencing a moment of great joy, and you're looking at that landscape. The third time, imagine you are in a terrible rage and you are describing this landscape. This allows you to explore how descriptions of the physical world can reflect the various moods of characters. Thing of the Week: "How To Draw A Novel" by Martín Solares (recommended by Abraham Verghese)Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was Abraham Verghese. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rent isn't paid in words alone. How do all of us, in various stages of our careers, keep ourselves afloat as we go about the writing life? We're getting in the weeds with this one - tips, tricks, and tools. We share our thoughts on diversifying your income stream outside of traditional publishing? Let’s get creative. We’re talking about school appearances, copywriting, fellowships, consulting, and teaching. We also share advice about newsletters, Patreon, monetizing yourself, and how an agent can help you overcome your imposter syndrome,  Homework: Write an artist statement for yourself. Think about who you are, what’s important to you, and what are you trying to put out in the world? Thing of the Week: Joyland directed by Saim SadiqCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Your short story should definitely be a novel." It's something writers are often told when they write short stories. What tips and tricks can you use to keep your idea within the length of the story you're trying to tell? We dive into worldbuilding in miniature, pacing, and character development. We also think about where you can edit your writing down—whether it’s words, plot threads, or characters. Homework: Write a scene with two different endings - one that puts a button on the story (for short fiction) and one that asks a new question (for a novel). Identify what else would need to change for each to make those endings work.Thing of the Week: Scenes From a Multiverse by Jon RosenbergCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Are you interested in experimenting with different writing forms? Do you want to try an unusual or different way of writing? Well this week, we have an episode dedicated to non-traditional formats for writing. In this episode, we think about experimental short fiction from the point of view of publishing and writing. DongWon shares about the incredible success of their publishing of .. Why short stories might be the perfect place for new ideas. We talk about second-person narratives, epistolaries, footnotes, and stories written as research papers. When does it make sense to use a non-traditional format for a story, what should you know as you do it, and who exactly decided on those traditions anyway?Homework: Take a scene from a story you've written or are working on (maybe from NaNoWriMo!) and put it into a new format. What did you learn in the process?Thing of the Week: These Vital Signs: A Doctor's Notes on Life and Loss in Tweets by Sayed Tabatabai Liner Notes: This is How You Lose the Time War by Amal El-Mohtar and Max GladstoneThe Fifth Season by N.K. JemisinLove, Death, and Robots (Netflix) Bite Size Halloween (Hulu) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All unreliable narrators aren't unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators. Homework: Take an event that you're familiar with, and write about it as truthfully as possible. Then write about it from the point of view of someone who knows the basics, but not the whole truth, but who tries to tell the entire story anyway. For bonus points, tell the story a third time from the point of view of a lying liar with an agenda.Thing of the Week: Lost Places by Sarah PInsker Liner Notes: Unreliable Narrator GraphThe Fifth Season by N.K. JemisinCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What does it mean if your writing is voice-y?  How do you give your character a natural voice? We approach this question from the high-level perspective of craft, and the granular level of word choice and sentence structure. Erin talks about the research she did about Appalachian English for her short story Wolfy Things. And Mary Robinette Kowal tells us what it’s like to be an audiobook narrator, and how this helps her bring characters to life on the page. Just a reminder that our final episodes of the year will be guided by three of host Erin Roberts’ short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available. Homework: Listen to someone's voice (a person in a coffee shop, someone on a podcast, etc.) Now write a scene from your WIP trying to approximate the essence of that voice. Thing of the Week: “Exhalation” by Ted Chiang Liner Notes: “A House with Good Bones”by Ursula Vernon/ T. Kingfisher Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to the last week of National Novel Writing Month! It’s okay if you aren’t going to finish your book, and it’s also okay if you don’t have 50,000 words! You still did a thing—you created a story that didn’t exist We want to talk about endings. How do you even write the end of a book? How do you do NaNoWriMo? There’s no right way! But there are several elements that can help you figure out how to write the end of your book. Our hosts give you guidance for environment, pacing, inversions, character changes, and the denouement. DongWon tells us why writing an obvious ending is not a bad idea, and Mary Robinette gives us advice for writing the ending of a series. Also, Dan offers a wonderful reframe for November if you’re not near the end of your book, or you didn’t reach 50,000 words. (Spoiler: it’s okay. You did, in fact, succeed.) Homework: Aim towards the MICE elements you opened. We're talking about the big ones here. In an ideal world, you begin letting your character have simple Yes or No answers to the "does it work" to close out the major threads in the inverse order that you opened them. Nesting code.Thing of the Week: A final pep talk from Mary Robinette! Liner Notes: Better Call Saul Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It’s week four of NaNoWriMo! Or, National Novel Writing Month, which happens every year for the month of November. This week, we are talking about how to write climaxes, how to write resolutions, and what exactly the three-quarter mark is. How do you write a climax scene? How to keep your tension going while also finding some resolution. How do you keep track of what you promised your reader at the start of your book? Our hosts dive into these topics and share examples from their own published writing. We talk about how to write emotional resolutions before a novel’s climax. We also learn how Dan taught Mary Robinette to use the 7 point plot structure, and how you can use it while you’re writing your novel (or short story or general writing project). Homework: Read through what you wrote during your last session. You can make minor edits, but you can’t edit anything. Use brackets to make notes about things you want to plant earlier. But don’t make any of these changes! You’re just using this as a launching pad for yourself and your book. Thing of the Week: A pep talk from DongWonCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We are now three weeks into NaNoWriMo—where writers are attempting to write a novel in the month of November. For this episode, our writers talk about how to raise the stakes in your story.  To make something feel more threatening, you don’t have to make it bigger or flashier, but you do have to make it more personal to your character. Often, you don’t need to add an event or plot element, but simply ramp up your character’s connection and reaction.We also talk about multi-thread plots, Star Wars, and getting your reader to be emotionally invested in your characters’ goals. Also—don’t forget to ask for help. (And surprise surprise, the same goes for your characters.) Homework: Pick an aspect of craft that you feel weak on and choose to focus on it during your next writing session.Thing of the Week: A pep talk from Dan!Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to the first official week of National Novel Writing Month (or, almost the end of this week)! In this episode, we dive into how to write an inciting incident. What is an inciting incident? It is often the thing that goes wrong in your story. Within the first page, writers should have something go wrong. But what should this thing be? Our writers have some advice for questions you can ask yourself in order to understand your novel’s inciting incident. Also, Dan shares a recipe for an inciting incident that he learned from screenwriting, and Mary Robinette talks about the three “trauma attachment points.” Homework: What does failure look like for your character? Use this to direct your inciting incident. Thing of the Week: A pep talk from Erin! Liner Notes: Dr. Horrible's Sing-Along BlogCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to National Novel Writing Month! For November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project. For our first week—starting! How do you start writing? What do you need to give your readers in at the beginning of your story? How much information is too much information? We answer all of these questions, and talk about how these factors will help shape your story, in our NaNoWriMo kickoff episode! You have a few days left to prepare! Think about when during the day you’ll be writing, and see if you can find some people to help hold you accountable. Do you have a friend who could join? A writing group online or in-person? Check out the NaNoWriMo website at https://nanowrimo.org. A note: all of our episodes for NaNoWriMo will feature a pep talk from a host in the middle of the episode! (These will be taking the place of “thing of the week,” but only for these 5 episodes.) This week, Howard tells us how our mindsets can help us realize we’ve already succeeded. Homework: Write two different openings. The first one should be action-driven, where your character is doing a thing. The second one can be anything. Thing of the Week: A pep talk from Howard!Remember, ad-free versions of our podcast are available on our Patreon!Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If you're writing short fiction, how much of your world do you even need to figure out? Should you have it all written out? Can you just wing it? This week on the podcast, we discuss how much of a world to build for a short story (and how). We provide some guiding questions that you can use to build the world of your novel or short story. We explore different narrative structures, DND worlds without police, and the reader's experience. Homework: Take a big world-building concept and pick one or two iconic elements that bring it to life. Take one and make it a key part of a short scene.Get ready for NaNoWriMo, or National Novel Writing Month! For the month of November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project.You don't need to write a whole book, though! We encourage you to work on a smaller project, or simply commit to writing every day.Thing of the Week:The Quiet Year (a map-drawing tabletop role-playing game)Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you write about magic? How do you build a world with magic and spells and potions? We dive into the rules and laws behind magical worlds. We often think of magic as being with a system, but what if it's not? What opportunities and challenges do intrusive magic/emergent fantasy and fabulism create for writers and stories?Our writers and publishers talk about cultural differences across magical systems, and how you can build a fantasy world that is believable. We also talk about surrealism, dream logic, and how sometimes the belief in magic is enough. Homework: Write a scene that brings an element of magic into a mundane place you know well (grocery store, bank, etc.), Try to make it impactful without explaining how it all works.Thing of the Week: The World Wasn’t Ready For You by Justin C. Key Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If you write short stories or enjoy speculative fiction, this episode is for you. Our host Erin Roberts has written short stories, interactive fiction, and has built worlds for tabletop roleplaying games (TTRPGs). For the next 8 episodes, we’ll be diving into three of her short stories. This week, Erin explains how to write outside of traditional genre classifications. We talk about the importance of antagonists, tone, and the horror genre. And we discuss how to decide if your short story should become a novel. We highly recommend you read Erin’s three short stories to get the most out of these next 8 episodes! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available. Homework: Take a line you've written a while ago that you absolutely love. Try rewriting it as the writer you are now.Thing of the Week: Never Have I Ever by Isabel Yap Liner Notes: Interview with Erin on the podcast Just Keep WritingWolfy Things by Erin Roberts Sour Milk Girls by Erin Roberts Snake Season by Erin Roberts Writing WonderCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Or, The Business of the End of Schlock MercenaryHow did Howard start making money from his hobby of drawing and writing comics? How did he self-publish? We have a special guest on this episode! Sandra Tayler—Howard’s wife, the editor and publisher for Schlock Mercenary, and a published author—talks about starting their business. We dive into uncertainty, quality of life, and “manic optimism.” We learn about how to use pre-ordering, PayPal, and Kickstarter. Howard also shares about his experience with long covid, how to generate multiple income streams, and what comes next. Homework: Make a plan for how to monetize one aspect of your work. Start thinking like Sandra! This could be submitting a short story for publication or making a plan to submit your novel or making a plan for a paid newsletter. It doesn't have to be something you do today or tomorrow, but start thinking about what you can be doing to make this creative work part of your future income. Prepare for our next Deep Dive with Host Erin Roberts (starting next week)! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these stories involve some darker themes. All of these short stories are available for free online and also have audio versions available. Thing of the Week: Fluent Pet buttons - go to fluent.pet and use code "elsiewant" for a discount!Liner Notes: Sandra Tayler, who also offers one-on-one creative business consultingCreative Community Classes"Risk Assessment"—tthe Schlock Mercenary bonus story that Sandra wroteThe Alchemy of Creativity, Writing Excuses episode with Sandra Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Deep Dive: Sergeant In MotionHow do you write an ending to a book? How do you finish something you’ve been writing for over 20 years? Howard Tayler talks to us about writing the ending to his serialized webcomic and space opera, Schlock Mercenary. We dive into how to write a resolution, how to finish a book, and how to finish a series. And we dive into the art of leaning into the tropes without leaning ON them.Homework: Write a one page outline for the ending of your current work in progress. Prepare for our next Deep Dive with Host Erin Roberts (starting in two weeks)! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available. Thing of the Week: The Sexy Brutale (an adventure puzzle video game)Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Deep Dive: A Function of FirepowerHow do you write the middle of a book? How do you write an ending to a story? For this week’s episode about writing, we focus on Book 19 of Schlock Mercenary, the penultimate book in Howard Tayler’s series. We discuss ways to make a book feel self-contained, rather than just something to keep the beginning and the ending further apart. For reference, A Function of Firepower is the 19th Schlock Mercenary Book. We highly recommend you read this first, because this episode contains spoilers and in-depth conversations about the book. Homework: Writing prompt: try to work these three words into your WIP (work in progress): expeditious, sock, and dragonfly. Thing of the Week: Kickstarter for Schlock Mercenary Book 18: https://www.kickstarter.com/profile/howardtayler(It's what Howard said, but "profile" is singular, not plural!) Liner Notes: Fermi paradoxCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We talk with Howard Tayler about the story structure of a story with a BIG disaster in the middle - one which we don't recover from until the next book. We also talk about the weight of world-building, how to write for your ideal reader. And Howard considers the question, what is the cost of death if immortality exists? For reference, Mandatory Failure is the 18th Schlock Mercenary Book; 1st in the 3-book finale to the 20 book mega-arc. We highly recommend you read this first, because this episode contains spoilers and in-depth conversations about the book. Homework: Writing prompt: a major disaster has just occurred, write a scene in the aftermath. Thing of the Week: Homegoing by Yaa Gyasi Liner Notes: Book 18 Schlock Mercenary: Mandatory Failure Sandra Tayler Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you write the middle of a book? How do you end your book? How do you know what to write next? This week, our hosts —who all work as a writers and publishers (and are sometimes teachers and puppeteers and many other things)— talk through how they have written the middle of their books. The middle is where most of the story takes place. How do you keep track of your characters and plot? How do you bring it toward an end, and stick the landing? Well, we’ve got some ideas. And some advice to help you write the middle of your novel. Or short story. Or play. Or really… anything. Homework: Identify the point of the middle where you are delaying because you feel like your character needs to "earn" the cool thing. Where can you cut and where can you turn it into an escalation?Also! Make sure to catch up on Schlock Mercenary if you haven’t already. Our next 3 episodes will dive into the details, and include some spoilers. Thing of the Week: The October Daye Series by Seanan McGuireLiner Notes: Mass Effect 2Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Let’s talk about organization! This week, we’re talking about how and what to keep track of— characters, places, names, etc. How do you organize a book? How do you outline a novel? And don’t worry, we dive into the messy question, what is worth keeping track of in your writing? We also hear about how Howard and Mary Robinette have turned their planning tools (and research!) into money. Homework: Build a tool (spreadsheet, wiki, whatever) for tracking things in the universe of your writing. Start by thinking of three things to track—these could be character-driven, thematic, emotional. Thing of the week: The Mountain in the Sea by Ray Nayler MRKLiner Notes: Scrivener AirTableObsidian Schlock Mercenary ShopCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

18.34: 17 Years of ForeshadowingWhat can Normal Gossip teach us about foreshadowing and artful storytelling? Thinking about the 20 books that make up Howard Tayler’s Schlock Mercenary, our hosts discuss foreshadowing—our favorite examples, and our go-to tricks for structuring our own work. What does foreshadowing actually do for our work? Do we even need it? Well, yeah… it’s like invisible narrative scaffolding. But it’s also like a red herring. It’s so many things! Listen to us discuss the best ways to use it in your own work, in a way that sounds true to your own writerly voice and vision. Homework: Take a throwaway gag from one of your favorite things and outline a story or scene in which the throwaway turns out to have been foreshadowing. Thing of the Week: Babel by R. F. Kuang Liner Notes: Game of Thrones, Fonda Lee, Fermi paradox, Normal Gossip Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bonus Episode! Our first ever half-numbered episode! We are making some changes here on the podcast, and we wanted to talk to you about them. We hired a producer (Emma Reynolds), we have new interactive offerings on Patreon (office hours, livestreams, Q&A’s), and we are going to begin advertising! Don’t worry, you can subscribe to our Patreon to listen ad-free. Homework: Go check out our Patreon, sign up for our newsletter, and follow us on Instagram and Facebook! They are all linked below. Thing of the Week: ​​Autobiography of Red by Anne CarsonCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The first episode in our eight-episode Deep Dive into Howard’s weekly webcomic strip, Schlock Mercenary. We grill Howard on how he taught himself to draw, why he decided to self-publish (hint: his wife, Sandra Tayler, helped him), and how he managed to write an ending. Homework: The "How it should have ended" game: write your own ending(s) to one or more of your favorite things. (For reference, watch some of How It Should Have Ended.) Thing of the Week: The Expanse (DongWon) Mentioned Links: Schlock MercenaryHow It Should Have EndedCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We have a special guest episode! Kirsten Vangsness, Criminal Minds star, joins us to talk about her experience as a writer, actor, and playwright. She taught us how she deals with imposter syndrome, and how she uses performance as a writing tool. We also talk about self-actualization, cats, and filling your metaphorical art well. Homework:From Kirsten: Record yourself, stream of consciousness, talking about one of the big questions that crops up in your work. Then write a scene that asks this question. From us: Prepare for our next Deep Dive, by reading through Howard Tayler's Schlock Mercenary.Thing of the Week:Kirsten's Agenda Season 2 Blue by June Carryl Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question—Why should you be the one to tell your story?  We think about the personal touches that you can add to your writing, and how people can hear when your story is personal. Homework:2 things! 1. Have you watched Criminal Minds? If you haven’t, you should! Next week, we have a special guest—Kirsten Vangsness who plays Penelope Garcia! Explore her other stuff (like her web series and podcast), and get ready for an INCREDIBLE conversation with her. 2. What's the thing in your real life that you keep thinking about when you aren't writing? Can you give that feeling or theme to a character? ALSO, prepare for our next Deep Dive, by reading through Howard Tayler's Schlock Mercenary. And feel free to re-listen to our interview with Howard earlier this year, Thing of the Week:Everything Everywhere all at Once Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines while also making space for surprises, magic, and the supernatural. Homework:Do a reread or rewatch of something with a big reveal (like the reveal in "Dark One: Forgotten.") Think about how your understanding of the story has changed since you have that information earlier.Also prepare for our upcoming Deep Dive, by reading through Howard Tayler's Schlock Mercenary. And feel free to re-listen to our interview with Howard earlier this year, here.Thing of the Week:Nope, directed by Jordan PeeleCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We hear stories from our hosts about how they have navigated creative endeavors with different types of collaboration.Homework:Grab something on your TBR (to be read) pile and pick a random paragraph from it. Use that as the opening for a short story.Also prepare for our upcoming Deep Dive (starting in two episodes), by reading through Howard Tayler's Schlock Mercenary.Thing of the Week:The Original by Brandon Sanderson and Mary Robinette KowalMentioned Links:Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How do you write dialogue that sounds natural? We have some things to keep in mind when you write conversations between characters. When people converse, they do so with more than just words. Body language, tone of voice, and societal context all play a role in understanding what a person means. How do you convey that on the page or in audio?Homework:Take dialogue you've written. Delete every third line, and replace those lines with blocking. Thing of the Week:Cunk On EarthMentioned Links:Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework. Our hosts discuss various frameworks in fiction—from Frankenstein to Dark One: Forgotten to The House of the Spirits. [“Dark One: Forgotten” Deep Dive Ep. 4] Homework:Take something you’ve already written (or are currently writing), and add a frame story to it. Start with a prologue and an epilogue. Has this changed anything that happens in the middle of your story?  Thing of the Week:Charlotte Illes Is Not a Detective, by Katy Siegel (Published on June 27!) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Let’s talk about the things you can write that are not typically what we talk about—formats that aren't novels and short stories. In this episode, we’re thinking about scripts, RPG adventures, video game dialogue, etc. What other forms are out there, and how can you apply the skills you already have to a new form? [“Dark One: Forgotten” Deep Dive Ep. 3] Homework:Take something that you’re working on, and identify two other formats that might work well for it (audio, video game, you name it). Think about how you would pitch—and tell— the story differently for each format.  Thing of the Week:Severance (2022 TV Series) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or how you can have your characters info dump without it being an info dump. Homework:Take something that you’ve already written, and adapt it for audio. Thing of the Week:Earbuds Podcast Collective, a curated list of podcasts Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Please listen to “Dark One: Forgotten” before listening to this episode!*. Homework:What's a thing you know, but everyone else has forgotten? Come up with a supernatural reason why this is.Thing of the Week:Zombies, Run! Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they followed and the things they don’t tell their students. Also: Mary Robinette teaches us a trick about puppet fingers. Homework:Write a letter to yourself a year ago describing what kind of skills are they going to need in order to confront the challenges that are coming.We've finished our 8 episode deep dive into Publishing Is Hard! Next week, we'll be diving into Dan's audiobook "Dark One: Forgotten." Please find this and listen to it! (It's only 6 hours long)Thing of the Week:Stone Soup - Newsletter by Sarah GaileyMentioned Links:https://www.publishingishard.com/this-is-not-advice/https://www.publishingishard.com/get-jigae-with-it/Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How can we make publishing more inclusive? What role does mentorship play? And how can you reframe competition as collaboration? All this and more in this episode.Homework:What's one thing that you can do to make someone else's path easier? Can you take a step towards doing this this week?Thing of the Week:After Five - newsletters from Suyi Davies OkungbowaMentioned Links:On Sending the Elevator Back Down by DongWon Song Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagram TwitterFacebook Sign up for our newsletterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The relationship between a writer and a publisher is… one that isn’t talked about enough. So we made an episode about rejection letters, email etiquette, and empathy. As a writer, how do you talk with a publisher? Well, luckily we have someone who knows all about the publishing world because they’re an agent at a large publishing house. DongWon offers advice on how to interact with publishers from the perspective of someone on the industry side. (If you’re new here: DongWon Song is an agent at Howard Morhaim Literary Agency.) Then, we hear about our hosts’ experiences with rejection (spoiler alert: there’s been a lot.) Homework:Write a professional and kind rejection letter for a piece you like.Thing of the Week:Lavender House by Lev AC RosenMentioned Links:“The Empathy Gap” by DongWon SongMunchkin Starfinder Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagram TwitterFacebook Sign up for our newsletterOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Have you ever thought of being a publisher, but don't know if it's the right choice for you? In this episode, DongWon (an agent at Howard Morhaim Literary Agency) walks you through this world and gives you some tips for how to decide if publishing is the right career for you.Homework:Come up with a list of 3 things you've read. Think of things that can act as comp titles for your professional career and/or personal brand.Thing of the Week:Letters to a Writer of Color Edited by Deepa Anappara and Taymour SoomroMentioned Links:So You Want to Work in Publishing by DongWon SongCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, we unpack what the publishing industry is, what exactly it does, and why it does it. We also outline the first steps for preparing to talk to an agent or publisher.Homework: If you had to sit down with a publisher today and convince them that there's a market for you book, how would you start doing it? Make a list of 3-5 titles that your book is similar to, and describe your target audience.Thing of the Week: Kate McKean’s Agents and Books on SubstackMentioned Links: "The Publishing Question" by DongWon SongCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's 2023 and people still use email newsletters. For some reason they're more important than ever, so let's talk about building one.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

An exploration of author branding and the social media tools we use. "Figure out who you are, and then do it on purpose" - Dolly Parton.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Publishing is hard. Also, Publishing is Hard is a newsletter from DongWon Song. In this episode we grill them about it.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we're ready (we hope!) to revisit the creation of mystery stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Let's take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we'll explore some favorite applications of microtension, and the ways in which it can be layered to ramp up the larger, plot-focused tension. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our ongoing exploration of tension, the time has come to examine conflict. It can be shaped and delivered in numerous ways, but you have to know the core conflict before you can make anybody feel tense about it. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our continuing exploration of tension has taken us to a favorite technique: unanswered questions. Sure, this obviously applies to mysteries, but consider the question posed in romances: “will they get together?” In its simplest form, the unanswered question that forces a page-turn is "what happens on the next page?" In this episode we explore how to use unanswered questions to drive tension, and how to avoid some common pitfalls. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our deconstruction and categorization of tension continues this week with an exploration of Juxtaposition, which is a contrast between two elements that supplies tension by allowing the reader to insert themselves. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Last week we talked about tension, and promised that we'd be breaking it down into more pieces. This week we're discussing one of those pieces: Anticipation. We sub-divided it as follows: Surprise Suspense Humor Promises We talk about how to create anticipatory tension well, where the pitfalls are, and how this fits into the creation of our stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For the next several episodes we'll be talking about tension. That may seem like a lot of time to spend on just one word, but as we unpack the word 'tension' in this episode you'll see that there is plenty of material to work with.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After last week's deep dive into The Spare Man we're ready to talk more generally about mysteries, and the tools we use to write them. Obviously we can't cover all of that in just one episode, but don't worry. In upcoming episodes we'll explore more of these tools in detail. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Spoiler Alert! This week is our deep dive into Mary Robinette Kowal's The Spare Man. It's a sci-fi mystery novel often described as "The Thin Man in space." Deep dive episodes are necessarily full of spoilers because we ask all kinds of how and why questions specific to the writing of the work in question. If you haven't yet read The Spare Man, you might consider doing that before listening to this episode. We're not the boss of you, but we believe you'll get more out of this episode and the novel if you read the novel first. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode we interview Howard Tayler, one of the founding members of the podcast, and the creator of Schlock Mercenary. The first question: how did this twenty-year ride change you? And a later question: what comes next? Liner Notes: We'll eventually do a deep dive on the final three books of the Schlock Mercenary saga. You can read for free starting here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Howard Tayler conducts our interview with Mary Robinette Kowal, leading with a wide-open question: "Where did you even?" Mary Robinette talks to us about how she came to the world of writing, and some of the amazing things she picked up along the way. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Erin Roberts very enthusiastically launches our interview with "OG" Dan Wells with a delightfully difficult question, paraphrased thusly: "is there advice you gave back in the early days that you still stand by today?" There are lots of other questions, including one about bacon! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As we announced in the first episode of the year (and in this press release), DongWon Song and Erin Roberts are joining us as permanent cast members. Today we're conducting an interview with Erin Roberts. She is newer to career writing than any of the rest of us, but her contributions to Writing Excuses have already been invaluable. In this episode we'll learn a bit more about why, and about what Erin will bring to the program going forward. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler As we announced in last week's episode (and in this press release), DongWon Song and Erin Roberts are joining us as permanent cast members. In this episode we conduct an interview with DongWon Song, plumbing a few depths, and learning a bit more about what they can teach all of us. Liner Notes: DongWon Song's newsletter, Publishing is Hard, can be found at publishingishard.com. It's free, but paid subscriptions are available. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler We begin 2023 with some big changes, and in this episode we'll discuss those, starting with some changes to the core cast. DongWon Song and Erin Roberts are joining us as permanent cast members, and Brandon Sanderson is stepping aside with "emeritus" status. But the episode isn't just announcements. We each talk about where we are career-wise, what we're working on, and what we're excited to bring to the podcast this year. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Mary Robinette, and Howard This Q&A session was recorded before a live audience aboard ship at WXR 2022, Here are some paraphrasings of the questions our attendees asked: How do you make your world feel big without infodumping? How do you balance a sense of progress with an unreliable narrator? How can I make two magic systems work in the same setting when one is underpowered, and the protagonist uses the weaker one? Have you ever based characters on yourself, or on people you know? What does the process of book adaptation look like Do you have any good convention recommendations? What are some methods for determining how much scientific detail you go into? How do you interact with an audience in order to grow it? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Let's talk about burnout. It's been a long few years (with some of those years feeling like decades) so this may seem timely, but burnout can happen during otherwise ordinary times. Ignoring it or simply trying to "burn smarter, not harder" can have serious repercussions. In this episode we talk about why we burn out, how we recognize it, how we deal with it, and how we (eventually) recover from it. Your Hosts: Dongwon Song, Piper J. Drake, Peng Shepherd, Marshall Carr, Jr., and Erin Roberts Credits: This episode was recorded by Matthew Drake, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Dongwon Song, and Dan Wells Thanks to some last-minute schedule changes, we almost didn't have an episode for today. Only three cast members were able to make it to the session, and none of those three had the syllabus. But we forged ahead anyway, and recorded an episode about why we felt it was important to record an episode. That may sound like one too many layers of meta, but just wait until we add the layers in which this actually applies to writing! Liner Notes: Dongwon's newsletter is called "Publishing is Hard." Dan's newsletter doesn't have a name, but can be signed up for here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's put a stake in the ground here: disabilities do not grant magical powers. And yet that exact trope can be found in multiple genres, across multiple mediums. In this episode we talk about why this happens, and how we might better portray the magical awesomeness found in our bodies. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's talk about pain. It hurts, yes, but we all experience it, so writing about it can be a great point of connection between the writer and the reader. Also, writing about it can hurt. Liner Notes: We referenced "No, I'm Fine," by Howard Tayler, and "The Visions Take Their Toll: Disability and the Cost of Magic," by Dominic Parisien Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler This is the "talking about how to talk about" talk. We begin by reviewing the difference between the medical model and the social model of disability. Liner Notes: This TikTok provides a nice explanation of the medical and social models of disability. There's also this essay, "The Linguistics of Disability" over at Fireside Fiction. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Okay, before we start, you have homework: Please take a few minutes to read this essay by Fran Wilde entitled "You Wake Up Monstrous." That will give you context for our discussion, which is about how body horror and other monstrous-ness is a tool we should be employing with great care. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's talk about technological body-modification! It's a common element in science fiction, but it's also an increasingly important part of the world we're living in right now. Liner Notes: In this episode we referenced "Happenstance," and Amy Purdy's quickstep from Dancing With The Stars. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Fran Wilde, C.L. Polk, and Howard Tayler Let's talk for a bit about writing while disabled. This can mean anything from scheduling your craft around doctor's appointments, to learning to operate on a limited budget as defined by your body. You might be asking "I'm not disabled, so how does this pertain to me?" Well... you're not disabled currently. Eventually, as we age, we all experience disability. Liner Notes: Howard tweeted about his experience at the hand clinic. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette and Howard Tayler, with special guests Fran Wilde, C.L. Polk, and William Alexander Whether or not you're writing from your own experience, depicting disability in fiction is fraught. In this episode we'll talk about some of the dos and don'ts in order to provide you with guidelines for disability depiction. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette and Howard Tayler, with special guests Fran Wilde, C.L. Polk, and William Alexander For the next eight episodes we'll be talking about bodies, and how they don't all work the same way, and how this can be applied to our writing. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Seth Fishman Seth Fishman, author of seven picture books (as well as lots of longer-form stuff), joins us to talk about writing picture books, including some of the business and publication aspects. No-Context Pull Quote: "Your art is so bad we're going to hire someone to draw badly for you." Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Peng Shepherd Peng Shepherd joined us aboard Liberty of the Seas for WXR 2022, and returned with us to the topic of story structures. In this episode we answer questions from our live audience. The questions include: How do you make sure you've got the right number of plot threads? How do you spread the structure of a given plot line across multiple books? How do you avoiding having subplots distract readers from the main plot? What are some strategies you can use to better align character goals with the overall problem of the story? Are there clear dos and don'ts with regard to story structure? How do you prepare or color-code bits for running a role-playing game? More broadly: what organizational tools do you use for story structure? For the answers, you'll have to give the episode a listen... Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dongwon Song, Piper J. Drake, & Howard Tayler, with special guest K. M. Szpara CONTENT WARNING: this episode is about adult acts and adult bodies, and we won't be using euphemisms. K.M. Szpara joined us at WXR 2022 for this discussion of writing bodies and intimacy, with a particular focus on which kinds of words to use for things. Credits: This episode was recorded by Marshall Carr, Jr. before a live audience aboard Liberty of the Seas. It was mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, C.L. Polk, Marshall Carr, Jr., and Mary Robinette Kowal Oh no! You've put the project down for long enough that you've lost your place in it! Whatever will you do? For starters, you can listen to this episode. We've been there, and one of us is there right now. We talk about the different problems you're likely facing, and how to overcome them in order to find the thread and get moving again. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman The fictional side of science and the scientific side of fiction are part of the discipline of science communication, often called SciComm. In this episode Cady Coleman joins us to talk about how science fiction fits into the field of SciComm, and how the stories we tell can affect the people who read them. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman Chemist, USAF Colonel, and NASA Astronaut Cady Coleman joins us to talk about actual travel to actual space, and how that's a thing which is increasingly available to people who are not in the employ of government space agencies. Also, we discuss how the demographics of space travelers are changing, and how this is creating safer space travel for everyone. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We wrap up our eight-episode dialog master class with a discussion of nuance, which is difficult to describe in a blurb because it's... well, nuanced. That may sound a bit recursive, but our discussion dives deep into the meta. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We begin this episode with a quick exploration of the terminology, and what we mean when we say "text," "context," and "subtext." Subtext exists between text and context. It's the information which isn't actually in the text, but which we are able to divine based on the context. And in this episode we talk about how to use context and text to provide subtext to the reader. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Tension! In this episode we discuss the ways dialog can build and/or maintain tension, especially when placed in context with the rest of the scene. Liner Notes: A great article about tension for those who (like Howard) may need a solid working definition -Toward a general psychological model of tension and suspense Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Everything is about conflict? Really? Well, yes. Maybe not in the action-movie sense, but conflict is everywhere, even among people whose goals, objectives, and methodologies are in alignment. This, of course, means that it exists among your cast of characters, and it will inform the way the talk to one another. Liner Notes: We mentioned this famous Monty Python sketch about wanting to have an argument. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We've mentioned "area of intention" earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler How well do you know your characters? Sure, you might know their age, nationality, and perhaps wardrobe, but how well do you know their internal characteristics? Do you know them well enough that you can write dialog that sounds like them? In this episode we discuss how you might approach this problem. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We're back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we're addressing the question of dialogue's "job." What's it for? Why is this particular bit of dialogue in this scene, this chapter, this book? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Writer, teacher, and community organizer Maurice Broaddus joins us for an eight-episode mini-master-class on writing dialogue. In this episode he walks us through his three keys: pay attention to how people speak, write in a way that evokes how they speak, and write dialogue that makes individual characters distinctive. Liner Notes: We mention Descript transcription software in this episode. Here's a link! Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler In this, our final "ensemble masterclass" episode, we discuss the nuts-and-bolts, the tips and tricks, the tools of the trade. In short, we talk very specifically about how we do it. Color-coded sticky notes, index cards, spreadsheets, and more... Liner Notes: Howard's guest story for Dave Kellet's DRIVE compendium is now running online! It's called "History and Haberdashery." Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Our episode title comes to us across two and a half centuries: "We must, indeed, all hang together or, most assuredly, we shall all hang separately." —Benjamin Franklin We've already established that you're planning to write an ensemble. This isn't an episode about the pros and cons of ensembles. No, we're here to talk about how an ensemble story can go wrong, leaving the characters to hang separately rather than hanging together. Liner Notes: It happened again! We referenced the Ty Franck/Daniel Abraham episode, which we recorded at GenCon Indy several years ago, and again we can't find a link to it. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler We've talked about making every member of the ensemble meaningful. In this episode we're discussing who, in archetype terms, everybody is. How can archetypes help us get started, how can they help us set reader expectations, and what are the archetype-related pitfalls we need to avoid? And finally, is 'archetype' even the correct term here? Liner Notes: Here's the "Black Superheroes with Electrical Powers" article. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler This week we're talking about how our genre choice influences the structure of our ensemble. How is a heist ensemble different from a superhero team? What happens when the superheroes need to do a heist? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Sometimes we have to look at our ensemble of characters and ask ourselves what kind of story we're trying to tell? If the story works with a single protagonist and one POV, maybe this isn't an ensemble story after all. If, however, the plot requires a team effort from the heroes, then we need to make sure the necessary team members make it onto the page. Liner Notes: The "I'm the tin dog" moment is from Doctor Who, S2 E3, "School Reunion." Mickey is speaking. Howard couldn't remember Mickey's name because sometimes Howard is the tin dog. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every character in your ensemble needs to matter to the team, or they probably don't belong in the ensemble. Zoraida Cordova leads us into this discussion of how we build our ensembles, how we introduce the characters, and how we ensure that all of them are important to the group. Liner Notes: The article about Superman's very first line of dialog is here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every member of your ensemble has a reason to be there, but they also have their own voice. Zoraida Cordova joins us for a discussion of how we make our ensemble characters distinct from one another. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler What's the difference between an ensemble story, and a story the has a lot of characters in it? Zoraida Cordova joins us for this episode, kicking off an eight-episode mini-master-class about ensembles. In this episode we discuss what makes ensembles work, and how we distinguish the "pro-protagonist" from the "co-protagonist" as we create character arcs. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Brandon Sanderson, and Megan Lloyd Megan Lloyd returns to the podcast to talk us through the process of creating something in a collaborative environment, whether it's a pair of authors working together, or a dozen people working to write, storyboard, and animate a television series. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells and Brandon Sanderson, with special guest Jody Lynn Nye So, you've decided you want something to be funny. How do you go about making that happen? Jody Lynn Nye joined Dan and Brandon at LTUE, and pitched this topic to them. And yes, it's much more than just "delivery, delivery, delivery." Liner Notes: "It's always more funny when Howard's not here." —Brandon Sanderson at LTUE 2022 (posted here for posterity) Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Brandon Sanderson, and Gama Martinez Did you know that there are some famous intellectual properties which have entered the public domain, and which you can therefore use to create your own stories? It's true! Gama Martinez (whose God of Neverland novel features Peter Pan) joined Dan and Brandon at LTUE to talk about how cool this is, and (more importantly) what kinds of things authors need to do in order to make sure they're only using the public domain bits of the properties in question. Liner Notes: Need a list of things that entered the public domain in 2022? Here you go! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Thus far we've attempted to organize our discussion of sub-, micro-, and other alternative structures with specific categories, but this domain is a lot larger than that. This final episode with our guest host Peng Shepherd has been titled "Miscellaneous Structures" because, y'know, sometimes the last bucket in your row of carefully, taxonomically-labeled buckets needs to be "miscellaneous." Liner Notes: Howard mentions "LTUE" during the episode. Hey, guess what! The next few episodes following this one were (will have been?) recorded at LTUE! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler You probably already know what footnotes are¹, but have you ever seen a story told through the footnotes²? It's similar to the story-within-a-story structure, but there's more to it than that. In this episode our guest host Peng Shepherd explores footnote storytelling³ with us. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson ——— ¹ This is an example of a footnote. ² This is not an example of footnote storytelling. ³ With the addition of a third footnote, maaaybe there's a beginning, middle, and end, and therefore a story?Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd leads our discussion of "order-less reading order" (after we get past the business of "having too much fun with the episode title"). But what do we even mean by "order-less" or "disordered?" At one level, we mean you can just pick up the story anywhere and start reading. Kind of like TV series prior to the advent of the fully serial series. But kind of unlike it, because how does this work within just one book? Liner Notes: For good examples of non-order-dependent stories, consider schlockmercenary.com, The Lady Astronaut universe, DISCWORLD, Seventy Maxims (annotated), Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Our exploration of sub- and micro-structures continues with guest host Peng Shepherd. This week we're talking about how a story can be structured around a "thing." The simplest explanatory example would be structuring around a map, which is where we start the episode... kind of like how The Lord of the Rings starts in The Shire. This episode does not end with even one of us climbing a volcano. Liner Notes: Tower of Babel, by Josiah Bancroft The Storyteller's Tarot Spread Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler One common structure—both macro and micro—is the "story within a story," or "framing story" structure, and yet somehow we've never really explored it on Writing Excuses. Guest host Peng Shepherd is here to help us set things right. Liner Notes: Here are some examples of story-within-a-story structure... Canterbury Tales, by Geoffrey Chaucer Cloud Atlas, by David Mitchell Hyperion Cantos, by Dan Simmons Neverending Story, by Michael Ende One Thousand and One Nights Sun the Moon and the Stars, by Stephen Brust Ten Thousand Doors of January, by Alix E. Harrow Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd continues to lead our exploration of sub- and micro-structures by taking us into the scaffolding of in media res, flashbacks, and other tools for structuring a story by telling it out of chronological order. We also cover how to do this without breaking the flow of the story. Liner Notes: The "trousers of time" book Howard referenced was Jingo, by Terry Pratchett. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler In our second micro-structure episode, Peng Shepherd leads us into an exploration of the ways in which the use of multiple point-of-view characters can create a framework within the larger framework of the story. Liner Notes: In one example we contrasted the single POV Killing Floor, by Lee Childs with its multiple-POV TV adaptation in season 1 of Reacher. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler We're beginning another eight-episode deep-dive series, and this time it's a fresh approach to story structure, led by our guest host Peng Shepherd. Join us as we zoom right through the overarching frameworks defined via things like the Hero's Journey, Freytag’s Triangle, Save The Cat, and Seven Point Story Structure to look at the microstructures which both define and obscure these general narrative shapes. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd How do you translate things from the spark of inspiration into a work that someone else can consume? Like, instead of turning a movie into a book, you're trying to create a book out of the movie in your head. And what if your "spark" isn't a movie in your head, but instead a suite of emotions? In this episode we discuss how we do it. That might not answer the question for you, but hopefully it's a good start. Alchemy is pretty magical, after all. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd What are your influences? What pieces of art, music, literature, or other media have inspired you? In this episode we'll talk about making that inspiration deliberate, and consciously learning from our influences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Oh no! You're in the middle of a thing (a novel, a series, a career) and you suddenly realize that the expectations you set early on are not the expectations you'll be meeting. What do you do now? , We're talking about how go about resetting audience expectations, whether mid-story, mid-series, or mid-career, including some strategies for communicating “everything is changing now, forget what you know” without making the audience feel like they've been betrayed. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Your brand—your name, the cover art for your book, and even the typeface for the title—set expectations for the book's contents. That advice about not judging a book by its cover? It's lovely in theory, but in practice, that's just not how it works. In this episode we'll talk about how your brand gets defined, and how you can work with those elements to correctly set expectations regarding your work. Liner Notes: We've done several episodes about branding. 14.34 is particularly good. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd In the previous episode we discussed how to ensure that your surprise feels inevitable. In this episode we're covering how to make inevitability feel surprising. The title is a nod to the concept of the "red herring," which is arguably the most useful tool for setting up a good surprise. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we're talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov's Gun, which, as a writing rule, is mostly used in inversion. Next week we'll focus on making inevitable things surprising. Liner Notes: Art and Editing of Suicide Squad (YouTube) Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The title of this episode comes to us from the first paragraph of The Name of the Wind, by Patrick Rothfuss—a novel which delights us with turns of phrase and evocative prose from beginning to end. We're continuing our exploration of "promises as a structure" by looking at the promises made by the prose of your first line, first paragraph, and first page. What does your first line say about the rest of your book? Did you mean for it to say that? Is your first line writing checks that your later chapters can actually cash? Liner Notes: We did an eight-episode master class on first lines, pages, and paragraphs with DongWon Song. It begins with 16.27. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The genre of your story is making promises to the reader, and the medium upon which your story is told makes promises too. In this episode we talk about the expectations set by various mediums and genres, and how we can leverage those to ensure that we deliver a satisfying story. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: The entirety of Season 11, The Elemental Genres, is a deep-dive on this stuff.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The structure you're using for your story isn't just helping you organize your plotting. It's telling the audience what's going to happen. Story structures make promises to audiences, and these audience expectations are, in large measure, outside of our control. In this episode we talk about the expectations set by various story structures, and how we can make sure we use our structures to satisfy our audiences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: We've done episodes on the M.I.C.E. Quotient, Seven Point Story Structure, The Hollywood Formula, and many, many more of the structures mentioned in this episode. We haven't done any on Kishōtenketsu, but we probably should!Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Our next 8-episode intensive is all about promises and expectations. Our guest hosts are Kaela Rivera, Sandra Tayler, and Megan Lloyd. They're joining us to talk about how the promises we make to our audiences, and the expectations they bring with them, are a structural format. In this episode we introduce the topic, and talk about some apex examples of success and failure in this area. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: Here's the story of The Tropicana Packaging Redesign FailureOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There's nothing inherently wrong with the tropes. We're just suggesting that they be included only after deciding we actually want them. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Magic and technology are tools that we, as writers, use to tell interesting stories, and they're very, very similar tools. In this episode we'll examine some ways in which both magical and technological elements can be used in our stories. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler As we do our worldbuilding with similarity, specificity, and selective depth (per the previous episode), we should take care to apply these things throughout our stories. In this episode we discuss how these elements we've world-built can become "textures." Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Writers are illusionists, and worldbuilding requires no small mastery of that particular magic. In this episode we'll explore the creation of believable illusions through the techniques of similarity, specificity, and selective depth. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler In our world, the ostensibly "real" one (simulation theory notwithstanding), stuff is changing all the time. Why, then, do we see so many fantasy worlds whose once-upon-a-times seem timeless? A more important question: how might we, as writers cognizant of the ubiquity of change, work that understanding into our writing? Can we make our fictional worlds more believable while retaining the elements of those worlds which first attracted us to them? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: The book series Howard couldn't remember the name of? The HELLICONIA trilogy, by Brian W. Aldiss. Mary Robinette mentioned WX 14.30: Eating Your Way to Better Worldbuilding, which may make you hungry.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Let's follow up on character biases with an exploration of moral frame. When we say someone is "morally gray" or "morally ambiguous," what we're really talking about is the way they fit into the moral frame defined by society. In this episode we talk about that frame, and how we can apply it, through our characters, to our worldbuilding. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler The world of your book is most often shown to us through the eyes of the characters who live in that world. In this episode we discuss the fact that those characters have biases which will distort the reader's perception of the world. Knowing this, we can use it to our advantage. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler We're beginning another master class, another deep dive series of episodes, and this time around we'll be led into the realms of good worldbuilding by Fonda Lee. In this episode Fonda talks about her process, which includes plotting and character creation along with the worldbuilding. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So... your manuscript is done, but something isn't working. How do you figure out where the problem is? If the ending isn't satisfying, M.I.C.E. can tell you whether the ending itself is actually at fault, and in this episode we'll show you how. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal With the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) explained, and the concept of nesting, or braiding the M.I.C.E. threads, we're ready to dive into that most difficult part of the story: the middle. Enough of us dread (or at least struggle with) middle-of-story writing that the promise of a structural tool to make it easier is kind of glorious. Our seventh installment in M.I.C.E. Quotient discussions talks about how to use M.I.C.E. elements to inform try-fail cycles, ask/answer sequences, and conflicts in general. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Now that we've drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it's time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the "FILO" (first-in, last-out) or "nested parentheses" method for symmetrically creating a story using M.I.C.E. elements. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fifth M.I.C.E. Quotient episode focuses on the “Event” element, and explores how to use disruption of the status quo as the driving element for story. From plumbing problems to alien invasions, event stories are often structured by telling how difficult it is to return to normal, whether you're getting the aliens off the planet, or the water back into the pipes. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fourth M.I.C.E. Quotient episode explores the “Character” element, and how these angsty, navel-gazing voyages of self-examination can serve either as complete stories or as elements in other stories. Also, we talk about how to do this in ways that don't result in readers complaining about "navel-gazing" or "angsty." Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our third M.I.C.E. Quotient episode asks about the "Inquiry" element, and the ways in which we can use this element to structure our stories—whether we're writing murder mysteries, thrillers, or anything else in which the turning of pages asks and eventually answers questions. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The M.I.C.E. Quotient is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. In this second episode we cover "Milieu," and how stories can be driven by a sense of place. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The next eight episodes are a deep dive into the M.I.C.E. Quotient, so we'll begin with a definition. M.I.C.E. is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. It helps authors know which elements are in play, and how to work with these elements effectively. Obviously there's a lot more to M.I.C.E. than that, and in this episode we'll lay it out in a way that makes the subsequent seven M.I.C.E.-related episodes much easier to navigate. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Novels deliver a lot of information, and it's helpful to consider that delivery in terms of layers. Novels are layer cakes, and we're not talking about a three-layer birthday cake. We're talking about a dobosh torte, or a mille crepe cake. And if we've made you hungry for stratified pastry, that's okay, because we made ourselves hungry, too. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Few pieces of writing advice get repeated as much as that old saw "show, don't tell." We're here to show tell you that it's not only not universally applicable, much of the time it's wrong¹. Tell, don't show, especially in the early pages of the book when so very, very much information needs to be delivered² quickly. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson ¹ Fun fact: this advice comes to us from silent film, when it made great artistic sense to put things on screen rather than on title cards. ² If you need new terminology, Dan uses "demonstration vs. description." Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of The Killing Floor, by Lee Childs, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of The Killing Floor, for reference. I was arrested in Eno's diner. At twelve o'clock. I was eating eggs and drinking coffee. A late breakfast, not lunch. I was wet and tired after a long walk in heavy rain. All the way from the highway to the edge of town. The diner was small, but bright and clean. Brand-new, built to resemble a converted railroad car. Narrow, with a long lunch counter on one side and a kitchen bumped out back. Booths lining the opposite wall. A doorway where the center booth would be. I was in a booth, at a window, reading somebody’s abandoned newspaper about the campaign for a president I didn’t vote for last time and wasn’t going to vote for this time. Outside, the rain had stopped but the glass was still pebbled with bright drops. I saw the police cruisers pull into the gravel lot. They were moving fast and crunched to a stop. Light bars flashing and popping. Red and blue light in the raindrops on my window. Doors burst open, policemen jumped out. Two from each car, weapons ready. Two revolvers, two shotguns. This was heavy stuff. One revolver and one shotgun ran to the back. One of each rushed the door.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of Moby Dick, by Herman Melville, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of Moby Dick, for reference. Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time tozz get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of The Haunting of Hill House, by Shirley Jackson, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: here is the 1st paragraph of The Haunting of Hill House, for reference. No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against the hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler How do we build trust with our readers? What does that even mean? In this episode we discuss ways in which we let our readers know what they can expect from the book they're holding, and how we set about getting the to trust us do deliver on those expectations. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Let's have a frank, and possibly painful discussion about the ways in which the first page can go wrong. It may seem like hackneyed writing advice, but rules like "don't start with the main character waking up" are rules for a reason. In this episode we'll talk about those reasons, and why it's so unlikely for books which break them to succeed with readers. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler Our controversial episode title comes to us via John Schwarzwelder, and it points up nicely the importance of today's topic, which is first lines, first pages, and how we set about convincing people (who may or may not want to read a book) to read OUR book. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Our series of game writing episodes draws to a close with a discussion about working with teams. This last skill set, these ways in which you learn to excel at collaborative projects, is often far more important than any of your other skills. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler So, after all this talk about designing games and writing for games, it's time to address the big question: how does one go about getting a game-design/game-writing job? It's a competitive field, and there are no easy answers, but we do have some hard answers for you. And some homework... Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Worldbuilding is one of our favorite topics, and it's a domain in which game design and novel writing share a lot of territory. In this episode we talk about how much we love it, and how much we enjoy letting other people love it enough to do the heavy lifting for us. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dongwon, and Dan What's this bonus episode thing? Well, for starters IT'S URGENT, because as of this writing you have just ten more days to get the promised pricing for WXR at sea in 2021. What ELSE is it? Well, this bonus episode describes the difference between workshops, retreats, and master classes. If you've attended WXR in the past, this episode will highlight what's different this time around.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Let's talk about how players interact with the mechanics of the game, and what kinds of requirements those might put on the writers. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Let's have a discussion about scenes and set pieces, and let's lead with this: prose writers often create longer pieces using scenes as building blocks, and in this thing writing for game design is very, very similar. Scenes and set pieces are some of the most critical components in game design, and each of them must deliver several different things to the players in order to work well. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler So, you're the hero of your own story, and the hero gets choices, and in many ways directs the story. In our discussion of interactive fiction and writing for games, the subject of "player characters" is essential. From the array of options given at character creation/selection, to the paths available for character development and the final chapters of that characters story, "player character" touches everything. Credits: this episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler How do you give players meaningful choices while still keeping the story within a reasonable set of boundaries? In this episode James and Cassandra lead us in a discussion of branching narratives, and the ways in which we as writers can create them. Credits: this episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: Dan mentioned this collection of "Choose your own adventure" plot maps. Howard illustrated the concept of "narrative bumper pool" in Tracy Hickman's X-TREME DUNGEON MASTERY Narrative Bumper Pool from X-TREME DUNGEON MASTERY, used with permissionOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler For the next eight episodes we'll be talking about roleplaying games, and how that medium relates to writers, writing, career opportunities, and more. We're led by James L. Sutter and Cassandra Khaw on this particular quest. In this episode we lay some groundwork, define a few terms, and hopefully get you excited about looking at games in new and useful ways. Credits: this episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we've explored language, meaning, and their overlap with that thing we mean when we use language to say "poetry." In this episode we step back to some origins, including, at a meta-level, the origins of this podcast as a writer-focused exploration of genre fiction—the speculative, the horrific, the science-y, and the fantastic. Because there is an overlap between language and meaning, and there are myriad overlaps among the genres we love, and as we step back we see poetry striding these spaces, its path in part defining and in part defying the various borders. Poetry, scouting the fraught borders between the kingdoms of Meaning and Language. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard Rhyming is powerful. It can signal a form, or telegraph whimsy. It can be predictable, surprising, and sometimes both. It may also be seen as childish. When, then, is it time to rhyme? Will rhyming "internally" fit? As opposed to a line-ending bit. For answers, just listen. But rhymes will be missin' Especially where they'd deliver a predictably naughty word at the end of, say, a limerick, because in this context, that would definitely be seen as childish. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard How does a poem happen? Absent an external structure, what makes a thing a poem? The key word in that question may be "external," because ultimately the poem on the page will be the implicit definition of its own structure—even if it borrows a "non-poetic" structure from another form. Structure is as structure does. "Unstructured" is just a way to say "I am unfamiliar with this structure," or maybe "I don't believe that this structure is fit for poetry." And that might be a thing you are currently saying. After all, "blog post describing a podcast episode" is definitely a structure. Does the embracing of that structure make this thing into a poem? If this thing is a poem, how did that happen? Liner Notes: "Girl Hours" by Sofia Samatar (via Stone Telling magazine), "The Hill We Climb," by Poet Laureate Amanda Gorman (YouTube from the Biden/Harris Inauguration) Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard Rigorous structure in poetic form is commonly pointed at when we declare Poems have meters and rhymes, as the norm. Yet words without patterns can roar like a storm So why pay attention, why study with care Rigorous structure in poetic form? Just set it aside, surrender the gorm (means "alertness", a quite-handy rhyme I put there) Poems have meters and rhymes as the norm. Let some of it go, perhaps. Let it transform beyond all the rhyming. Deny, if you dare: Rigorous structure in poetic form Okay, you can maybe keep some of it warm Those toasty iambics by which you might swear: Poems have meters and rhymes as the norm. This episode text I wrote: does it inform? Will all be confused when this couplet doth air? "Rigorous structure in poetic form: Poems have meters and rhymes as the norm." Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson. The villanelle above was the first—and hopefully last—ever composed by Howard Tayler. Yes, the Writing Excuses tagline is a haiku. No, Howard did not know that when he wrote it in 2008.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard We might begin with description. Or we might begin by deconstructing the act of describing. Wait. No, not there. Let's jump in AFTER the deconstruction. Let's leap beyond a statement of topic, let's hurdle clear of mundane declarations of the audio file's length, and together plunge headlong into metaphor, the icy water perhaps calling to mind Archimedes, as we describe our episode (or any other thing) not in terms of its intrinsic attributes, but by taking account of what it has displaced into the spaces it doesn't occupy. How long does the displacement remain? How might one apply paint to the emptiness after the thing has left? What color is silence that follows the end of the episode? (An end which follows twenty minutes and thirty-three seconds in which the four of us discuss the kinds of words we imagine when we say "poetic language.") Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard Patterns in the way we're speaking may betray which 'brain' we're using; often bound by what's familiar, sometimes loosed for free-er choosing. Writing like the day-brain's thinking Singing while the night-brain's winking All the cadence going funky (golden-mantled howler monkey) Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson. XKCD #1412, by Randall Munroe, was referenced during this episode. As was the Greater Cleveland Film Commission.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard Can you hear your writing sing, being intoned instead of read? With the dialogs as tunes whose tags say "sung" instead of "said?" When the rhythm of your prose echoes the rhythm of a song you'll see perhaps you've been a poet all along. Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson. Les Miserables was written by Victor Hugo, set to music by Claude-Michel Schönberg, and ruined here by Howard Tayler.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard This is how we begin our master class on poetry, with Amal El-Mohtar: With not one question, but two. What is poetry? What is prose? Yes, both questions are a trap. Or maybe two traps. But definitely a beginning. Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, Amal, and Howard, with special guest Kevin J. Anderson Kevin J. Anderson joins us to talk about how others have helped us in our careers, and how we might continue that tradition and help others. Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Erin, Brandon, and Howard How many different ways can our writing earn money for us? What additional work, besides "just" writing, do we need to do in order to get that money? In this episode we discuss finding and managing multiple revenue streams, whether that means writing for new audiences, or monetizing existing writing in new ways. Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Erin, Brandon, and Howard Let's talk about how promote yourself and your work, and how to do it well. The tools we use for this continue to evolve, and in this discussion we'll cover things that have worked, things that have stopped working, things we use now, and strategies we apply to not sink beneath the churning disruptions endemic to promoting books (or, really, anything else.) Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson Liner Notes: Here is your invitation link for the TypeCastRPG Discord.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Erin, Brandon, Howard Let's look a the business considerations of whether that thing you're writing is a standalone story, or part of a series. The factors are complex, and a single factor (like, say distribution channel) isn't likely to make the decision clear cut. Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Erin, Brandon, and Howard Branding, in marketing terms for writers, is the process of establishing a recognizable identity—a brand— for you and your works in the marketplace of readers, and people who buy things for readers. In this episode we talk about what our brands need to be doing for us, and how we go about getting them to do that. Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Brandon, and Erin Here's our deep dive into the subject of contracts in the publishing business. We can only go so deep during a fifteen-minute episode, so we ran about twice as long as usual. We discuss some of the things you should look for, things you should watch out for, and resources that can help you out. Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Erin, Brandon, and Howard Networking is an invaluable part of any business, and the business of writing is no exception. In this episode we'll talk about how to do it effectively, genuinely, and in ways that benefit the entire community. Credits: This episode was recorded my Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Erin, Howard, and Brandon Erin Roberts joins us for our third installment in Brandon's business-of-writing series. In this episode we're covering pitfalls and common problems—including some predatory practices—for you to be on the lookout for while you develop your career as a writer. Credits: This episode was recorded my Marshall Carr, and mastered by Alex Jackson Liner Notes: "Accountabilibuddy," which is written here so Howard can remember it.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Howard, and Brandon It sounds like a mean thing to say, but it's not a wrong thing to say. A publisher is a corporation, and a corporation doesn't have friends. It has contractual relationships. We can make friends with people who work for publishers, but those are not the same thing. Liner Notes: here is an archived copy of Dave Brady's essay about "company loyalty" Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Howard, and Brandon Welcome to 2021, and Season 16 of Writing Excuses. This year we're dividing the year into "master classes" or "intensive courses." We're kicking it off with Brandon's episodes, which are all about the business of writing, and the first of those is this one! So... your career is your business. In this episode we'll talk about how that mindset—this is a business—informs our other activities, and how valuable it can be to get our heads in the right place early on. Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, and Dan, with special guest Patrick Rothfuss Did we have too much fun applying ironic humor to the title of this episode? Possibly! Patrick Rothfuss joins us to talk about economy of phrase, and the ways in which big ideas can be expressed with a few of the exactly-right words. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Howard, Mahtab, and Brandon We're often taught that the best critique group feedback is reactions to the writing, rather than advice for fixing it. But prescriptive feedback—critiques that include suggestions for you how to might rewrite something—is an important part of the process. In this episode we discuss how we curate our critique groups and filter their feedback to improve our writing, and our experiences with these groups. Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard Our listeners have asked about how we handle managing a large cast of characters. This is something we've all struggled with, and sometimes we've failed at it pretty spectacularly. In this episode we talk about how we turned our failures into learning, and what we do today to keep our ensembles in line and our stories on track. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Howard, Mahtab, and Brandon This episode comes from a question we're often asked: "how do you stay excited about a story you're working on?" We talk about how we maintain our passion for the stories we're working on, and how that's not the same as being super excited to write every time we sit down at the keyboard Credits: This episode was recorded by Marshall Carr, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mahtab, Howard, and Brandon We've talked about deliberately making our readers uncomfortable. In this episode we discuss writing things that make us uncomfortable. Maybe it's writing strong language, or sex scenes. Perhaps it's a personal narrative that is painful to relive. Whatever it might be, as writers we need to prepare ourselves to embrace that pain, soak up that discomfort, and put the words on the page. Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson Liner Notes: "No, I'm Fine." by Howard Tayler Video Link for this episode, and two other episodesOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Piper, and Howard, with Cory Doctorow Worldbuilding is something you do to some degree in everything you write. Cory Doctorow writes (among many other things) near-future SF, and he joins us for a discussion of extrapolative worldbuilding. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Piper, and Tempest, with special guest Yang Yang Wang Yang Yang Wang, an author, actor, and director (among many other things) joins us for a discussion of language, food, and a whole raft of other cultural elements critical to crafting Chinese-American characters. Credits: this episode was recorded by Ross Smith and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, and Howard, with Patrick Rothfuss Pat joins us for a discussion of worldbuilding, in which we field a couple of challenging questions from readers. Here are the questions! How do you create timeless urban fantasy? How do you create a compelling secondary world fantasy without leaning on a complex magic system? We ran a bit long with this one, but we have no regrets. Because compelling. And maybe timeless. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, DongWon, Mary Robinette, and Howard What do you do when some of the key foundations of your authorial (or otherwise creative) livelihood are kicked away? How do you go about repairing, rebuilding, or rebooting your career? Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Mary Robinette, and Howard, with special guest Bruce D Richardson Bruce D Richardson, who is often credited as BDR, or BD Richardson, is a voice-over actor and audiobook narrator. He joins us for a discussion of reading out loud for an audience, including some mic techniques and best practices for recording. Liner Notes: https://www.accenthelp.com/ "I never said she stole my money."Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard How do you decide what sort of event ends your story? How do you set the scale and the stakes for that event? And once you've made these decisions, how do you set about writing the best possible ending? Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Piper, and Howard, with special guest Cory Doctorow In journalism, that three-character string in our episode title means "Fact Check." Those three characters are a great way to drop a note to yourself, reminding you to get some answers later. In this episode Cory joins us to discuss when we drop FCK into our works, and how we go about removing it later. Credits: This episode was recorded at sea by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper, Dan, and Tempest, with special guests Nisi Shawl and Silvia Moreno-Garcia Writing stories which feature people who are not like you is, in a word, difficult. In another word? Fraught. But good writers do difficult things, and in this episode Nisi Shawl and Silvia Moreno-Garcia join us to discuss how research can make "writing the other" less difficult, and perhaps even less fraught. Credits: This episode was recorded by Ross Smith, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, and Lari, with guest Alex Shvartsman Translation is fantastically complex. In this episode Lari and Alex help us navigate those complexities, both from the standpoint of the translator, and from the standpoint of the author seeking to have their work translated. Credits: This episode was mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper, Dan, and Tempest, with special guest Nisi Shawl Whether you're writing about a real-world religion, or one you've created for your setting, there are numerous factors to be aware of. In this episode we discuss a few good and bad examples of depictions of religions, and the ways in which these examples can inform the way we approach our own projects. Credits: this episode was recorded by Ross Smith, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard What's it like to write under a deadline which has been set for your project by someone else? What strategies might help you bring the writing in under the deadline? Can you train yourself to be ready for this? Those are all good questions. Hopefully we won't run out of time to come up with answers... Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, and Dan, with special guests Shannon and Dean Hale We've had several discussions about collaboration, and we've learned that the answer to "how do you collaborate with other authors" is different with each collaboration team we talk to. Shannon and Dean Hale have written fifteen books together, and in this episode they talk to us about how they do it. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Lari, and special guest Erin Roberts We've received a number of questions about the 'tools of the trade' for organizing our work, especially with regard to worldbuilding. In this episode we talk about what we use, including some old-school analog tools like sticky notes and ballpoint pens. Credits: this episode was recorded remotely, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Lari, and Erin How do you proceed when the story you want to write includes elements that make you personally uncomfortable? In this episode we step out of our own comfort zones to examine this challenge, and to offer some strategies to you. Credits: This episode was recorded remotely, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard Many Writing Excuses listeners have asked us how we muscle through writing second acts, those big, chonky "middles" of our stories. In this episode we attempt to provide answers. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. The title of this episode is a nod to the second Dirk Gently novel from Douglas Adams.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, and Lari, with special guest Erin Roberts Erin Roberts joins us for a discussion of short story markets—a topic which is very susceptible to "churn" because of the way short story markets come and go. We cover how to research and evaluate the various markets based on what you need from publication, and what you might reasonably expect from them. Credits: This episode was recorded remotely during the Great Isolation, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, DongWon, Piper, and Howard You had questions for agents, Dongwon has answers! How do you go about becoming an agent? How do an agent and author work together? At what point do agent and author talk about the "sticky stuff?" Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, and Howard, with special guest Laurell K. Hamilton We've all heard the "write what you know" rule. Laurell K. Hamilton joined us to talk about how she got started by writing what she wanted to know. In this episode we discuss our various paths to learning the things that fascinate us, and which we want to be able to write about. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, and Howard, with special guests Janci Patterson and Megan Walker Janci Patterson and Megan Walker joined us to talk about their pre-writing process, which involves role-playing in a room full of dioramas with Barbie dolls. As pre-writing processes go, this one was completely new to us, and we very quickly decided that we love it. Credits: this episode was recorded live at NASFIC by Dan Thompson, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard Small evils? Yes, please! This episode isn't about writing the big villainy of world domination, but about focusing on the more relatable villainy of small evils—the little crimes, the minor antagonisms—which can be the key to connecting the reader to the book. Liner Notes: The deadly nightshade incident Howard described is something he mentioned on Twitter as well. If you need a concrete example of a small evil and/or an external cost, there it is! Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, and Howard, with special guest Eric Flint Eric Flint joined us at SpikeCon (host of the 2019 NASFIC) to talk about creating alternate histories. His Ring of Fire book series is enormous in scope, and has many, many more people working on it than just Eric Flint. We get a bit of a peek behind the scenes, and a lot of great information about writing alternate histories of our own. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Howard, and Dan with special guest David Weber David Weber joined us at NASFIC to talk about the importance of risking failure on any path (especially a writer's path) to success--whether you're risking rejection in the submission process, or the possibility that the book you write won't be the amazing thing you've been imagining. If you're currently feeling the need to be out of excuses, this episode might be exactly what you're looking for. Credits: This episode was recorded live at NASFIC by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The MICE quotient is a tool for categorizing story elements—Milieu, Idea, Character, and Event—and we've talked about it quite a bit in the past. When a listener asked how we might use the MICE quotient to create, inform, manage, and otherwise help us "do" conflict in our stories, we were excited to start recording, and a bit bewildered that we'd somehow not already done this episode. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Howard, and Dan, with special guest Jim Butcher Jim Butcher joined us at NASFIC for a discussion about how we can keep long-running serials engaging after numerous books. Credits: this episode was recorded before a live audience by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Lari, and Dan, with special guest Jenn Court Let's talk about serials. Jenn Court, whose work includes lots of writing for TV (IMDB link), joins us for the discussion. What are the elements that get us, as readers or viewers, to come back for episode after episode, and how do we, as writers, identify those elements and set about synthesizing them? Credits: This episode was mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us again, this time to discuss how to effectively and convincingly write for¹ children. Children have their own unique sets of expectations for the books they read (as do their parents), and in this episode we talk about how to meet (or subvert) those. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "For," not "about." Shannon and Dean discussed writing ABOUT children last week.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us to discuss how to effectively and convincingly write about¹ children. We cover dialog tools, point-of-view elements, stakes, and character 'quirks' that can help signal to the reader that a character is a child. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "About," not "for." Shannon and Dean join us again to discuss writing FOR children next week!Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard In this episode we'll be talking about the things we do to stay creative, productive, healthy, and happy. For the purposes of this discussion, "mental wellness" is not about coping with mental illness, it's about self-care. Liner Notes: Here's the gridded lifestyle tracker for the homework, lifted directly from Victoria's Twitter feed. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard "As you know, Bob..." is the trope-tastic line we use to refer to expository dialog which has no function beyond exposition. We get lots of listener questions about how to use dialog for exposition without making it feel like we're using dialog for exposition. And as Bob already knows, this episode is about answering those questions. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Dan, and Lari¹, with special guest Shauna Hoffman Many Writing Excuses listeners (especially WXR alumni) already know Shauna Hoffman. She joins us to talk about how to deal with the fact that we, as authors, often feel isolated. The listener question that sparked this episode: "How do you keep the pressure off when you feel alone?" How indeed? If this feels timely, well, some of that is coincidence. And some, of course, is not². Credits: This episode was recorded remotely³, using a variety of VOIP tools, and was mastered by Alex Jackson. ¹ Larissa Helena is joining us as a guest host. She has worked as a literary agent, a translator, and a rights manager, and we look forward to hearing more from her this season. ² Yes, the irony of this being the first of our recorded-during-sparkling-isolation episodes is something we're leaning into. ³ This is the first airing of a Writing Excuses episode in which the participants not physically present in the same room. We suspect it won't be the last, and that we'll get better at it.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Tempest, Mary Robinette, and Howard Generally speaking, asexuality is a sexual orientation or identity typified by the absence of a desire to have sex. It's *way* more complicated than that, however, and in this episode Tempest helps us unpack it so that asexual characters can be written more effectively. Liner Notes: Want to dig deeper? Over at Writing The Other there's a master class on writing asexual characters taught by Lauren Jankowski. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard We're often asked how to balance character arcs with the intricacies of the plots we create. In this episode we talk about the various ways in which we do this. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Listener questions drove this episode, and there are only two of them but they were pretty good drivers. Here they are: Is it a problem that all my dialog ends up as logic-based debates between characters? What can I do to create more variety in my dialog structure? Credits: This episode was recorded by Joseph Meacham, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The title of this episode comes to us from listener questions along the lines of "what do you do when you're 'in the trenches' querying agents?" Our answers, predictably, have almost nothing to do with actual trenches. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Daniel Friend Daniel Friend, who edits SF/F, has worked in election offices, has run for office, and has participated in campaigns. In this episode we talk about the ways elections can be worked into our stories. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper, Tempest, DongWon, with special guest Erin Roberts What can we do to be allies to members of marginalized groups? Many of us want to find ways to help others have safe, comfortable places within our communities, but worry about coming across the wrong way. In this episode, our hosts talk about how we can do this well as writers, as members of writing communities, and in society at large. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Piper, Howard, and special guest Cory Doctorow "How do you break in?" is one of those questions we always get asked in some form or another, and it's also one for which those of us who "broke in" more than a couple of years ago are increasingly unqualified to answer. The path "in" is always changing, and it seems to be changing faster as time goes on. With the obligatory disclaimer out of the way, in this episode we'll talk about how "digital" (read: "social media + everything else internet") applies to building a career as a creative. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard We've talked in the past about how ideas are cheap, and that it's execution upon those ideas which is what really matters. In this episode we'll talk about how we evaluate things over there on the side of the equation where things are cheap and plentiful. Because while we have no shortage of ideas, they vary quite a bit in their value to us. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, DongWon, Piper, and Howard "Should I go self-pub? Should I go traditional? Can I do both? How do I decide where my book fits?" In this episode we'll cover these, and many more questions as best we're able. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Liner Notes: Zoe York on The SisterCast Skye Warren Marketing Class on RWA forums¹ Writer Beware ¹ RWA membership is required for these forums. This episode was recorded in September of 2019Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, DongWon, and Howard At WXR 19 we recorded live, and took audience questions aboard the ship. Here they are! (You'll have to listen to the episode for the answers.) What have you learned in the past year that has improved your craft? When you're having trouble, how do you know if it's "I don't feel like writing" or "there's a problem with the manuscript?" How far ahead do you plan your careers? How do you tell when a fight/battle/showdown is going on for too long? How do you continue to learn and improve on your craft? How do you manage and prioritize your time when you're working on multiple projects? How do you feel about multiple first-person POVs in a single book? What are the most important elements to include on the last page of your book? What are some things we can do to strengthen our voice when writing in third person? How do you decide who to have as alpha and beta readers? In secondary world stories, how do you decide whether to call a horse a horse? How much leeway will an editor or agent give a story when it's not ready, but it shows promise? Liner Notes: "Sometimes Writer's Block is Really Depression" Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard How do you create chapters? What are the rules for carving your manuscript into numbered chunks? Is chaptering part of your outline, is it something you discover while you write, or is it something else entirely? In this episode we talk about how we do it, and how we think about it while it's being done. Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary Robinette, Howard, with special guest Patrick Rothfuss How do you write beautiful prose? How do you set about telling a story with words that sing (and dance, and tell jokes) instead of just conveying information in word-sized chunks? In this episode we talk about how we do it, and how writers might set out to do good word-do like the best good word-doers do. Liner Notes: Gwendolyn Brooks—We Real Cool Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard What kind of career goal-setting do you do? We had a discussion in this vein with DongWon a few weeks ago, but neither Brandon nor Victoria participated then, so it's worth revisiting. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Howard, and Mary Robinette, with special guest Patrick Rothfuss We begin our discussion of revision by addressing a question we hear a lot: How do you know what needs to be changed? We talk about our various techniques for getting distance from our work, incorporating feedback, and breaking the process down into manageable chunks. Liner Notes: Lindsey Ellis on Three-Act Structure Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, with special guests Victorine Lieske, Tamie Dearen, Bridget E. Baker, and Nandi Taylor Howard leads this discussion with four guests who are doing well with self publishing. They share some numbers with us, and talk about their strategies for reaching their audience, and making the most of their market. Liner Notes: Given, by Nandi Taylor, is available on January 21, (just two days from this episode's air date) Credits: This episode was recorded live at WXR by Bert Grimm, and was mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Victoria, Dan, and Howard Victoria Schwab, who also writes as V.E. Schwab, joins us this year, and in this episode she helps us cover that deep concept of "theme," and how we as authors can state our themes without coming straight out and stating them—writing our themes "between the lines." Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, DongWon, Mary Robinette, and Howard Season 15 is going to be a bit broader than the previous seasons have, at least in the abstract. We're going to focus on your questions. In this episode we tackle the topic that dominates our collection of these questions: CAREER. Liner Notes: It hasn't actually been 15 years. It's been 12. Writing Excuses launched in February of 2008, and the first five seasons were not full-year seasons. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Natasha Ence Natasha Ence is a professional game master. (Yes, you read that correctly.) She joins us to discuss collaborative storytelling, and how the principles of game mastering for role-players can be applied to creating a fulfilling, engaging story. Credits: This episode was recorded live at LTUE by Dan Thompson, and was mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard We've spent all year focusing on worldbuilding, and it's time to move on. Almost. In this episode we try to cover some points we may have missed, we talk about what we've learned, and discuss some of our favorite recent examples of worldbuilding. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard We've all heard the adage "write what you know," and in this episode we set out to un-misinterpret it. The phrase is fraught, and perhaps the most perilous bit is that it can be used an excuse to not write. Here at Writing Excuses we're pretty committed to approaching things in ways that let us do MORE writing, so this topic is a great place for us to leave you out of excuses. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab In this episode we discuss how our customs and mores govern our own real-world interactions, and how our understanding of these interactions can be applied to our worldbuilding. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The entire year has been about learning how to worldbuild, and we've learned a thing or two ourselves while preparing material for you. In this episode we talk about some of those lessons, and try to answer stray questions that didn't fit into any of previous episode buckets. Liner Notes: If Dinosaurs Had Body Fat Like Penguins Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper, Dan, and Tempest, with special guest Nicola Griffith In this episode we discuss how to faithfully represent people with physical disabilities through the characters we create. Our guest, Nicola Griffith, walks us through the process of rigorously imagining how the world might look to someone with a particular disability. Credits: This episode was mastered by Alex Jackson  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Among science fiction and fantasy plot devices, the "uncommon resource" trope is common enough to almost seem cliché. Fortunately (?), the economic principle of scarcity is ubiquitous enough in real life that most of us don't even blink when presented with the idea in fiction. So how do we keep it fresh? How do we roll scarcities into the economies we create, and the worlds we build? Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab Economists tend to see everything as economics, which is kind of how proponents of ANY discipline see their discipline, but it's not a bad way to look at worldbuilding through the lens of economics. In this episode we talk about how this works for us, and how it lets us roll our worldbuilding into our storytelling. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson Liner Notes: Mahtab mentioned The Economics of Science Fiction on Medium.com  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Where do you draw the line between what seems plausible, and what would be cool? If you pick "plausible," how do you stay cool? If you pick "cool," how do you avoid knocking the readers out of the story? And finally, how might we structure things so that when the time comes, we don't need to choose one or the other, because we can have both? Credits: This episode was recorded by Dan Thompson, and engineered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and DongWon Let's talk about career planning. It's a lot more than just launching a career by selling a book, and in this episode we talk about the kinds of things we want to be thinking about and preparing for beyond simply selling our next book or project. Credits: This episode was recorded by Bert Grimm at WXR 2018, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Alternate histories (and historical fantasies) are a staple of genre fiction. In this episode we talk about the worldbuilding process, the tools we use, and the pitfalls we try to avoid when constructing these kinds of stories. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's make history! In this episode we talk about doing exactly that—creating real-feeling histories for secondary world settings. We discuss the resources we turn to, the pitfalls we try to avoid, and the places where we think the history has been done really well. Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard How do you decide between digging one really deep, narrow well, and digging one really wide, shallow ocean? In this episode we talk about our desires to build worlds which appear both vanishingly wide and unplumbably deep, when we have time to do neither. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and Dongwon "Positioning feels like the most important question in all of publishing." — DongWon Song In this episode we talk about how to ask and answer the question of positioning, which is "who is this book for?" Credits: This episode was recorded before a live audience aboard Liberty of the Seas by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Jared Quan Jared Quan serves as a volunteer on several non-profit boards, and joined us to talk about the opportunities that exist for writers. Administration, leadership, writing and editing, and teaching are just a few of the many kinds of roles available for volunteers. Credits: This episode was recorded live at LTUE by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Some science fiction and fantasy stories arise from a premise which, under even just rudimentary examination, appear utterly ridiculous. And some of these stories are hugely successful. In this episode we talk about how we manage our worldbuilding when the goal is less about building a world which works, and more about getting the audience to buy in on something outlandish so we can get on with our story. Liner Notes: "Went With The Wind" begins about two minutes into this full episode of the Carole Burnett Show Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab How do we come up with names? How do we do it in ways that enhance our worldbuilding? What are the elements that give our invented naming schemes (even the zany ones with lots of syllables and apostrophes) verisimilitude? In this episode we talk about some of the tricks we've used, the pitfalls we've avoided, and conlangs in general. Liner Notes: In Episode 12.51 we discuss Conlangs ("constructed languages")with Dirk Elzinga. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The advice commonly given to writers is to worldbuild an iceberg, but only to show the reader the tip. This is still too much work. Icebergs are big. In this episode we talk about worldbuilding the tip of the iceberg, and then worldbuilding as little as possible of the rest of the iceberg so that the tip behaves correctly.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and DongWon Authors have brands whether they want to have them or not. It's a simple principle of marketing, and the better we understand that principle, the better able we are to control how it affects our careers. In this episode we talk marketing, and freely use terms like "relationship marketing," "authentic experience," and "brand loyalty," despite the fact that sometimes these words make our inner artists cringe. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard How do you write a setting in which the status quo is one with which you deeply disagree? How do you create a conflict of this sort without being overtly pedantic or preachy? In this episode we talk about creating engaging worlds while worldbuilding around—and yes, over—landmines. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Let's talk about worldbuilding with gender roles. Most of us have grown up with a very strongly defined binary, that distinction need not be how we craft the worlds in which we set our stories. In this episode we discuss the resources we have to help us, and the approaches we've taken to worldbuild with gender in our own work. We drill down pretty deeply on some worldbuilding with Brandon, and yes, we run quite long. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson Liner Notes Axes of Power spreadsheet pronoun.is, #ownvoices, #nonbinaryOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab In this episode we talk about how to put characters in conflict with their setting, and how to structure our work so that these conflicts arise organically rather than feeling mandated by plot. Credits: This episode was recorded by Dan Thompson, and master by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper, DongWon, Amal, and Maurice We like food, and we like to talk about food. Our hosts this week talk about how this influences their fiction, (not to mention how incredibly complex [and interesting, and delicious] the subject is.) Credits: this episode was recorded by Howard Tayler, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard So, you're going to go someplace and learn something you can't learn in any other way. Maybe it's location research for setting. Maybe you're off to interview an expert. Whatever you're planning, you need to be planning it well. In this episode we discuss the field research we've done, how we went about it, and how we might do it differently. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson EPISODE ORDER NOTE: As of this writing, episode 14.28's web-sized audio file isn't ready. We'll run it next week, and eventually swap the dates to get 14.29 and 14.28 in the right order.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab How do you write about warfare in your stories when you've never fought in a war? How do you describe brilliant tactics when you're completely untrained in military movements? How can you portray the emotions of someone on a battlefield without having been on a battlefield yourself? In this episode we tackle these questions and more. (Hint: the answers include "research") Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard In this episode we stories with the "Person-vs-Setting" structure. These are stories where nature fills the role of antagonist, and may also be what governs the pacing, and the delivery of key emotional beats. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, and Dan, with special guest Rob Kimbro Rob Kimbro joins us this week to talk about Aristotle's elements of tragedy, and how they might be applied to our writing. The six elements are (in Aristotle's order of descending importance): plot, character, idea, dialog, music, and spectacle. We discuss this tool in terms of critiquing existing work, and in finding direction in the things we create. Credits: this episode was recorded by Howard Tayler, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and DongWon Guest-host Dongwon Song joined us at WXR 2018 as an instructor, and gave great advice regarding the business side of working as an author. In this episode he takes us through a conversation about choosing an agent. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Political Intrigue stories are less about "politics" (as colloquially defined by pop culture) and more about mysteries. Per Mary Robinette, they're often like heists of information. The word "politics" here is used in its purest sense: POWER. In this episode we talk about how we worldbuild for stories in which the flow of information and misinformation affect the shift of power, and how to craft those stories so they're, well... intriguing instead of being boring. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Answering questions about the power structures you live within can help you with the worldbuilding of politics in the fiction you write.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Sherlock Holmes has his Watson for a reason. Readers need a character to whom some things must be explained. In this episode we talk about how we create these gateway characters without delivering "maid and butler" dialog, or talking down to the reader. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Tempest, and DongWon The single most asked question we get on the subject of writing cultures other than our own is some variation on "can we even DO this anymore?" Short answer: YES, YOU CAN. Our objective with this episode is to encourage you to put in the work, do the research, and write outside of your culture or personal experience. At risk of sounding cliché, it's not easy, but it's worth it.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What is an allegory, anyway? This episode probably won't settle that question, but we did manage a discussion on how to use our stories to teach things, or be stand-ins for things, and to do it in the ways that allegories and/or parables might. We talk about some famous allegories, some things whose authors insisted were not allegorical, and the possible pitfalls of didacticism. Credits: This episode was engineered by Dan Thompson and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab We often worldbuild religions and rituals for the stories we create. In this episode we discuss the decisions surrounding this, and our approaches for doing it well. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Theme is one of those high-falutin' concepts we're often reluctant to approach in a nuts-and-bolts sort of way. In this episode we'll talk about how our themes can be communicated through elements of our settings, deepening reader engagement with the things we write. We offer examples from our own work, and from things we've watched or read which have done this in ways that resonated well for us. Credits: This episode was recorded by Rob Kimbro, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and DongWon This episode is about comp titles (comparative titles), which are those things you use to describe your project in terms of other works. We discuss the ones we've used (both successfully and unsuccessfully), and the criteria we use to come up with good ones. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Your setting can quickly tell the reader what kind of a story they're reading, and in this episode we'll talk about how we make that happen. Think of it as the "establishing shot" principle from film making, expanded to cover whatever worldbuilding details we choose to reveal first. Liner Notes: Here are the Schlock Mercenary Book 19 prologues Howard described, complete with the footnotes which make fun of prologues. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab We've spent a lot of time talking about magic systems in our worldbuilding. It's time to talk about science and technology in that same way. This has been a staple (perhaps the defining staple) of science fiction since before "science fiction" was a word. At risk of opening the "where do you get your ideas" can of worms, this episode covers a little bit of where we get our ideas, and where you might get—and subsequently develop—some more of yours. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard "Show, don't tell," they tell us. Except sometimes showing is not always the best thing to do. Or even the right thing to do. Sometimes we should be telling. In this episode we'll tell you about telling. (We'd show you about telling, but we still don't have a video feed.) Credits: This episode was recorded by Rob Kimbro, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What's the difference between an obstacle and a complication? Margaret Dunlap takes the lead on this episode for us, giving us the tools we need to create 'impediments to main character progress' which will drive our stories across page turns (and commercial breaks) in compelling, twisty ways. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Tempest Bradford, DongWon Song, and Julia Rios Julia Rios joins us to talk about writing characters who come from one of the many Latin-American cultures or subcultures. "Latinx" is a catch-all term for people with Latin-American heritage, including mixed-race people. In this episode we talk about mash-up cuisine, intersectionality, and how to navigate the subtleties to find the specific cultural elements which will help you create Latinx characters. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard When we say "without rules" we're talking about stories whose magic is not held under logical scrutiny for the reader. There are lots of reasons why you might do this, and in this episode we'll talk about not just about the why, but also the how. Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's design magic systems! We talk about how we do it, and how the principles of magic system design apply to the science fiction systems we create, and vice-versa. NOTE: In this episode we're talking about "hard" magic systems, where there are well-defined rule sets (even if the reader isn't shown them explicitly.) Next week we'll talk about "soft" magic. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Let's infodump without infodumping. Let's deliver lots of exposition without sounding expository. Let's talk with the maid and the butler without having maid-and-butler dialog. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and DongWon We invited attendees at WXR 2018 to ask us some general worldbuilding questions. Here's what they asked: What cultural stuff do you need to know during the writing process? How do you treat overlaps between real-world religions and fictional religions when the fictional religions are part of the story's fundamental conflict? How much worldbuilding do you have figured out before you start your first draft, and how much do you discover on the fly? What's the point in a book beyond which you shouldn't introduce big worldbuilding elements? How do you ensure that the world comes through as a character of its own? How much change to terminology is too much? Credits: This episode was recorded live by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard How weird, how far outside the realm of what the reader feels to be familiar, is too weird? Where is the line beyond which the fantasy is too fantastic, the unreal too unrealistic, or the aliens too alien? In this episode we discuss finding that line, and with the tools at our disposal, possibly moving it. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's talk about race, sort-of. Let's talk about creating races—species of people, really—which is a critically important activity in much of our worldbuilding. In this episode we discuss a few of the pitfalls, some of our own techniques, and a few of our favorite alien¹ races. ¹Can of Worms: It's likely you'll subconsciously code your creations after people who are "other" to you. This is both fraught and inescapable, but we don't want to discourage you from trying. On May 26th we'll go into detail telling you "yes, you can," in a Writing The Other episode entitled "Yes You Can."Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard When you're defining your world for the reader, some voice in the text must speak those definitions. This episode is about how we use character voices—their dialog and their narrative view points—to worldbuild. What do they see? How do they perceive it? What are their favorite jokes? What do they say when they swear? Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson   Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Tempest, DongWon, and TJ This is the first of our Writing The Other episodes, in which we set out to help writers portray people who are unlike them. In this episode we're joined by T.J. Berry. She walks us through the language and terminology of bisexuality. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Margaret Dunlap joins us during season 14 to talk about worldbuilding. In this, her first episode with us, we talk about worlds in which a monolithic culture (like, say, 'everyone wears hats') is represented. We cover how to use the trope to your advantage, and how to avoid the trope if it's going to cause problems.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Howard, and Mahtab Mahtab Narsimhan joins us this year for a dozen episodes on worldbuilding, and this week we're talking about geography and biomes. These pieces of our settings can be central to the stories we tell, but they can also be backdrops, and the story purposes they serve may determine which tools we use to describe them. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Season 14 is all about worldbuilding¹, and we're kicking it off with a discussion of when you do that bit of work. Do you handle worldbuilding before you write the story, as you write the story, or after you've finished the story? We'll talk about how we do it, and the benefits and drawbacks of each approach. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson. ¹ The question of whether this term should be a closed compound (worldbuilding), an open compound (world building), or hyphenated (world-building) is an open one. Our decision to use the closed compound "worldbuilding" in our episode descriptions this year is a matter of personal preference. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary, and Dan, with NASA astronaut Thomas Marshburn. Last week's episode may have sounded like the last one for 2018, but that's an artifact of December having five Sundays rather than four. Fifth Sundays are our "wildcards," and something wild seems like a nice way to round out the year. Tom Marshburn, who is both spaceman and parent, talks to us about what it's like to be both. Credits: This episode was recorded by Ben Hewett, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard We decided to wrap up this year on character by letting Brandon ask us some deep questions. "We decided" might be the wrong phrase, because nobody except Brandon knew what the questions were, so it might be more accurate to say "we rolled with it." It rolled quite nicely. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. It was posted to the web by Howard, who is also the one who didn't post until twenty-eight hours and twenty-minutes after he should have.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida Córdova Zoraida Córdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. She joins us to talk about what writers get wrong (and what they can get right and do well) when portraying latinas in the United States. Credits: This episode was recorded live at FanX Salt Lake (formerly "Salt Lake Comic-Con") by Dan Thompson, and mastered by Alex Jackson Liner Notes: The comic book Howard referenced is Guardians of Infinity #3, (2016), which features a back-up story entitled "Yo Soy Groot." Peggy Whitson is the astronaut Mary referenced. As of this writing, she holds the record for longest single spaceflight by an American.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Amal, and Maurice Last week we talked about character death. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we're done with a character arc. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The characters we create are not all destined for long lives. Sure, some are, but a great many of them are on paths that will end in an abrupt fatality of one kind or another, and in this episode we'll talk about how we choose which characters to put on those paths, and how those paths might be shaped. We also talk about characters who walk perilous paths and emerge unscathed (sometimes thanks less to their pluck and wit, and more due to plot armor.) Liner Notes:"The Worshipful Society of Glovers" can be found here at Uncanny Magazine . Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard You had questions about fixing character problems. We had had answers! Here are the questions: How do you fix character voices when you find out that two of them are too similar? How can you tell if a character is, in fact, the problem? How do you maintain interest in a character who is largely inactive? How do you write interesting bad guys when your only POV characters are the good guys? How do you give meaningful challenges to a powerful character? How can you make a normal, everyday character interesting? How do you edit an existing manuscript to give characters interests which mesh with the plot? Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, and Dan, with special guests Bart Smith and Ben Hewett When we talk about space travel we're usually talking about rocket scientists and astronauts. In this episode we spoke with our guests Bart Smith and Ben Hewett, about the "unsexy" (read: possibly boring but don't be deceived) side of the space program—budgeting, logistics, and procurement. RFI and RFP, with toilets, hammers, and business cards; that's this episode. (For those unfamiliar with the above TLAs [three letter acronyms], RFI and RFP stand for Request for Information and Request for Proposal.) Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Mercedes Lackey NaNoWriMo 2018 is half-way over today. Are you stuck? Do you need to get unstuck? Mercedes Lackey joined us at GenCon Indy back in 2017 to talk about writer's block, and how it's very likely a symptom of something else. In this episode we discuss the interpretation of those symptoms, and how we go about solving the root problems.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Amal, and Maurice Narration is that stuff which tells your story, but isn't dialog. It's the voice of your narrator, and it might be multiple voices depending on how you're handling point of view. In this episode we'll talk about the things you can do to challenge yourself and level up your narration.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Mini-Episode Hosts: Amal El-Mohtar and Maurice Broaddus, with Special Asides from Mary Robinette Kowal We're a week in to NaNoWriMo. If you're scared of it, Amal is here to tell you that it's okay to feel that way, Maurice is here with the encouraging words "consequence-free."Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary Robinette, Dan, and Howard As writers of speculative fiction we are frequently tasked with writing a species or race of alien people. In this episode we talk about some of the tricks we use to create non-human characters in ways that make them both comprehensible and compelling, and the pitfalls we seek to avoid in the process. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Mini-Episode Hosts: Brandon, Mary Robinette, Dan, and Howard Back in 2017 we recorded a bonus episode for National Novel Writing Month (NaNoWriMo) and then forgot to air it. Here, then, in the spirit of never throwing anything away, is a spot of motivation which is both timely AND one year late.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary Robinette, Dan, and Amal Many of us write characters who know more than we know, and/or who think faster than we do. Writing those characters is tricky. In this episode we talk about our own tricks, and the tricks we've seen others use. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard, with special space-guest Kjell Lindgren Kjell Lindgren, flight surgeon, Expedition 44/45, joined us for an episode that perhaps should have been called "we ask the space-man all of the things." We asked him stuff that we wanted to know more about, and came away richer for the experience. If there's just one technical term worth bringing home from this episode, it's "expeditionary behavior." It's the sort of thing that can make us all richer for the experience. Credits: This episode was recorded by Benjamin Hewett at the Johnson Space Center in Houston, and mastered by Alex Jackson at Writing Excuses Mission Control in Chicago. BONUS: NASA invited us back to be on THEIR show, Houston We Have a Podcast, and that episode went live about three days before this did. More Kjell Lindgren!Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Amal, Mary, and Maurice This is the second of our pair of episodes in which we talk about how we, your hosts, fix the problems we've identified with the characters in our work. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard This is the first of two episodes in which we'll talk about how we, your hosts, fix the problems we've identified with the characters in our work. Credits: this episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard, with special guest Wendy Tolliver Wendy skis, and snowboards, and writes YA novels. She is also the parent of three, one of whom suffers from mental illness. She joined us to talk about how writers can do a better job of depicting it, and how to avoid the pitfalls and the harmful cliches. Credits: This episode was recorded live at Salt Lake Fan X by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard We begin by making a useful distinction between alpha and beta reader: the alpha reader is an industry professional, while the beta reader is a stand-in for the eventual audience of readers. We then set about discussing how to find alpha readers, and how to employ them in order to make your work better. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary, Aliette, and Howard with special guest J.Y. Yang J.Y. Yang is a Hugo-nominated short story writer from Singapore who identifies as non-binary. They joined us to talk about this non-binary identification, and how writers can do a better job of depicting it (beyond simply using non-gendered pronouns.) Credits: This episode was recorded by Bert Grimm and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Amal, Mary, and Maurice If you live in the northern hemisphere, inland, perhaps above the 40th parallel, you are probably quite sure that there are four distinct seasons. There are, however, many, many people for whom "seasons" are things that happen to other people. This is the conflict between your default and the rest of the world, and in this episode we'll talk about confronting your default. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Tropes, archetypes, and even cliches are tools in our toolboxes. There's no avoiding them, but there are definitely ways to use them incorrectly. In this episode we'll talk about how we shake off our fear of using tropes through understanding how they work. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard You had questions. We came up with answers. The questions are below: How do you fulfill promises about character arcs without being cliché? How do you subvert character tropes without betraying the reader? Do you need to complete each character arc in a single story featuring multiple characters? What separates an iconic character from a caricature? Have you ever had an iconic character necessarily become a character in need of an arc? How do you continue a character's story after they've completed their original arc? How much does a character need to change in their arc?Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with special guest Lawrence Schoen Lawrence Schoen, clinical psychologist, cognitive hypnotist, small press publisher, Klingon language expert, and novelist, joined us at GenCon Indy for a bonus episode about elephants and death. Howard and Lawrence both write uplifted elephants into their stories, and their stories also feature death as a theme, so this is a closer fit than it may seem to be at first blush. Liner Notes: This episode was recorded in 2016, and after falling through the cracks (thanks in no small part to being below the fold on a spreadsheet), was rescheduled to coincide with the release of Moons of Barsk, Lawrence's second novel in the uplifted-elephant setting. Credits: This episode was mastered by Alex Jackson, and was made possible by our Patreon supportersOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary, Aliette, and Howard, with Kristie Claxton Kristie Claxton joined us at WXR 2017 to talk about reading outside of the spaces where we're comfortable and familiar. Specifically, we focused on how to learn about people who are not you by reading stories by and about them. Credits: This episode was recorded by Bert Grimm, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice How can we, as writers, best handle weighty matters? This is our year on character, so we'll approach this with a focus on character creation, depiction, and dialog? This topic is, in and of itself, weighty. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard "Write what you know" gets misapplied a lot. In this episode we'll talk about how to know things by listening well. In particular, we're looking at writing interesting characters by listening to real people. We also talk about the more formal act of interviewing people¹, and how to deal with the attendant complexities. Liner Notes:  Mary references her interviewing of rocket scientists and astronauts, which we just talked about last week. When this episode was recorded the JPL trip was still in our future, and was "will have been" extremely cool. Comment Notes: The audio file wasn't correctly linked until Tuesday. The irony of the our "how to listen" episode having exactly zero "listen" buttons is not lost on anyone. Credits: This episode was recorded by Dan Thompson and engineered by Alex Jackson. Their fine work was obscured from public view by the careless hands of Howard Tayler. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, and Dan, with Kjell Lindgren Spoiler Alert! If you haven't yet read The Calculating Stars: A Lady Astronaut Novel, by Mary Robinette Kowal, you may wish to rectify that prior to listening. In this episode we go into great depth on Mary's novel with the expert technical help of NASA astronaut Kjell Lindgren, who was one of Mary's consulting readers. Like most of our project-in-depth episodes this one runs long. Longer still because we were at JSC in Houston, which was incredibly cool for all of us, so nobody was watching the clock. Liner Notes: The reference to "Type 2" fun comes from an as-yet-unpublished episode. Type 1 fun is fun in the moment. Type 2 fun is fun to talk about later. Maybe much, much later. Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard The term "iconic hero" allows us to differentiate between different kinds of heroes who appear in series. Nancy Drew and Conan the Barbarian are iconic, but Leia Organa and Aragorn are epic. In this episode we discuss how (and why) to go about writing a hero with no arc. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

At GenCon Indy 2017 we were joined by Wildstyle (@MrWildstyle on Twitter), who wears many hats, and many of the hats he wears are donned in service of producing hip-hop. One of the most interesting revelations (especially for Howard, whose background in audio engineering predates MP3 technology by half a decade) was just how many hats there are. The role of producer in the hip-hop scene may include the roles of audio engineer, composer, and and even musician. Liner Notes: For a deeper look at Wildstyle's work, search Soundcloud for "Wildstyle DaProducer." He's been producing for a year since this episode was recorded. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice A foil is a character who serves as a contrast to another character. The foil might be a sidekick, an antagonist, a romantic interest, or really any other character who gets enough focus for the contrast to be useful. In this episode we talk about foils, offering examples, and our approaches for writing foils in our own work. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson, neither of whom serves as a foil to the other.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Our characters become far more interesting when they begin interacting with each other. These interactions—these relationships—are often how our stories get told. In this episode we explore ways in which we can fine tune relationships in service of our stories. The tools include the Kowal Relationship Axes (Mind, Money, Morals, Manners, Monogamy, and The Marx Brothers) and the differences between personal and position power. Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard Brandon wanted to ask us how our perspectives on character have changed since the very beginning of our writing. It's a difficult question to answer, and a very soulful sort of thing to answer in front of other people. So Brandon went first while the rest of us racked our brains. What are you going to learn from this episode? Well... you might learn a bit about each of us, but it's also possible that you'll learn something about your own writing, and find yourself able to navigate the next few steps on your journey with character. Note: The apology strips Howard mentioned begin with this strip. They are part of a story that begins here. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Piper Drake, Aliette de Bodard, and Wesley Chu, with special guest Ken Liu Our hosts for this episode are experts in a great many different things. One thing that they have in common is that they're all members of the Asian Disapora, and in this episode we'll learn what kinds of things writers get wrong when writing Asian Diaspora elements, and how we as writers can learn to get those things right. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice Internal conflicts, simply put, are problems your characters have with themselves. In this episode we address the ways in which writers can build stories and subplots around internal conflicts, and how we can tell when it's not working. Notes: the MICE quotient is Milieu, Idea, Character, and Event. Mary's relationship axes are Role, Relationship, Status, and Competence. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she's being conservative. Notwithstanding, we set out to talk meaningfully about character arcs in one episode rather than in fifteen (or fifty.) We look at the shapes of these arcs, how they progress in our narratives, and the tools we use to get them to function properly in the context of our larger works. Notes: Elizabeth Boyle's DREAM tool for plotting character change is easier to remember when written out. So here it is! Denial Resistance Exploration Acceptance Manifestation Credits: This episode was recorded by Dan Thompson and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard Our listeners submitted some great questions! How do you fairly and even-handedly write a deeply compelling character you deeply dislike? What's the best way to discuss a character's underlying motivations without expressly stating them in narrative or dialog? How well should characters understand their own motivations? How do you make non-violent characters interesting? Can there be too much depth to a character? How do you balance character depth across multiple attributes? How do you make a character motivation seem deep when most people's motivations are actually pretty shallow? Do you create standard dossiers for your characters? Does your story have to have a villain? How do you know whether or not a character's voice is working? Do you track words or phrases that are unique to a particular character's voice? Liner Notes: Brandon mentioned Howard's "Tyrannopotomus Rex" doodle as part of the writing prompt. Here it is, should you need visual reference. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary, Aliette, and Howard, with special guest Emma Newman Emma Newman, author, audio book narrator, and podcaster, joined us on the Baltic sea for WXR 2017, where, six days after a brilliant presentation on overcoming fear, she recorded a session with us on the same topic. The class was just that good. Credits: This episode was recorded by Bert Grimm, and was mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice Character backstories: these are the tales that describe how the characters in your story became who they are by the time they arrive in the book. How much backstory needs to be written before you start in on the manuscript? How much needs to be in the manuscript itself? And how much backstory is too much?Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? What really motivates us? Why? (Note: our motivations are probably not in service of some overarching plot.) How can we use this information to believably motivate characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard, with Jamahl Crouch Jamahl Crouch (Illusmm1 on Instagram) joined us at the GenCon Indy Writers Symposium to talk about what writers get wrong about street art. Jamahl is many things, and one of those is "street artist." Jamahl Crouch, pen on sketchbook, GenCon Indy 2017 We discuss the differences between graffiti and street art, where things like commissioned murals fit into the scene, and how the societal pressures (read: "it's not legal to paint on this wall") affect the form. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard For our purposes, the term "flat character" refers to a character who lacks the depth required to maintain reader interest. In this episode we discuss how to avoid putting flat characters front-and-center in our writing, and how we go about fixing manuscripts that have flat character problems.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Recorded live at WXR 2017. Your Hosts: Dan, Mary, Aliette, and Howard, with special guest Mike Stop Continues Mike has multiple areas of expertise, but for this episode he's talking to us specifically about the things that writers get wrong about being a gay man. Credits: This episode was recorded live by Bert Grimm, and mastered by Andrew Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice Let's talk about characters who have conflict built right into them; characters whose attributes and attitudes might seem to contradict one another; characters who like, y'know... actual people. (And let's talk about how to write them.)Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Character voice, the flow, order, and feel of words that is unique to a particular character, is extremely useful in defining characters for the reader. In this episode we discuss our tools for shaping character voices, and the ways in which we make sure each one unique. Liner Notes: We talked about authorial voice in episode 12.10, and about 1st-person Voice in 12.2. Credits: This episode was recorded by Dan Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Cast: Brandon, Valynne, Dan, Howard You had questions about heroes, villains, and main characters. We have answers! Here are the questions: How do you make planned power increases not seem like an ass-pull¹? What do you do when your villain is more interesting/engaging than your hero? How do you know when a character is unnecessary and needs to be removed from the story, or killed off in the story? What tricks do you use when you want the reader to mistakenly believe a character is a hero, rather than a villain? Which is more fun for you: creating a villain, or creating a hero? How many side characters can you reasonably juggle in a novel? What are the drawbacks to making your villain a POV character? If your villain doesn't show up until late in the story, how do you make their eventual appearance seem justified? How do you get readers to like a character who is a jerk? Liner Footnotes ¹ We hadn't seen "ass-pull," the a nouning² of the idiom "pull it out of your ass³" as a noun before. ² Bill Watterson gave us the verb form of the word "noun" indirectly in the final panel of this strip. ³ For those unfamiliar with the extraction-from-orifice idiom, it means "make it up on the spot," with a negative connotation, suggesting that the reader can TELL that this was invented in a hurry.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard, with special guest Charlaine Harris Charlaine Harris joined us in front of a live audience at the GenCon Writers Symposium to talk with us about secondary characters—why they're so important, why they can be difficult to write well, and how she brings her secondary characters to life without giving them a POV.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice What are our favorite techniques for managing large casts of characters, and how do our processes differ from when we're writing small casts? What does "large" and "small" mean for us? Liner Notes: No, Howard was not in the room. Yes, despite his absence, he was wearing both trousers and pants while he ventured into the wilds to obtain Maurice's character sheet. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson, both of whom have more points in "perception" than most people have points.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard How do you go about defining a character for your readers when you don't have many words to devote to the project? What are the tricks for quickly establishing someone's individuality within your story? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard What do we do to make our characters distinctive? Often we categorize the distinctions as flaws or quirks, and in this discussion we use those as our starting points. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Lou Perry joined us in front of a live audience at GenCon Indy to talk about law and courtrooms, and what writers get wrong when setting their stories amid legal procedures. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice An external conflict is a story driver that originates outside the protagonist. In this episode a large part of what we'll focus on is person-vs-environment as opposed to person-vs-person. PvE rather than PvP, if you will. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson, both of whom understand that environmental noise is a key external conflict driving their narratives. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard What's the difference between villains and antagonists? How is an obstacle character different from those other two? How are they alike? And most importantly, how can we use this information to write effective opposition to our heroes, protagonists, and main characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Valynne, Dan, and Howard This week we're joined by Valynne Maetani, who'll be one of our hosts all year. We're discussing protagonists who, per writer intent, do not engender audience sympathy. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan, Mary, Aliette, and Howard This year's third-week episodes will all follow a common theme: "what writers get wrong." Each of these episodes will feature an expert guest who will help us understand what writers get wrong about something in which they have expertise. Aliette de Bodard will be co-hosting several of these week-three episodes, but this week her role is "subject matter expert." She has several fields of expertise, and among the hats she expertly wears which writers often fail to correctly describe is a hat labeled "motherhood" (note: not an actual hat.) Credits: This episode was recorded at WXR 2017 in the Baltic Sea by Bert Grimm, and mastered on dry land by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Amal, and Maurice This week we welcome Amal El-Mohtar and Maurice Broaddus to the Writing Excuses cast for a discussion of active characters. We cover characters who move stories forward, who make decisions that influence plot-critical events, and whose actions draw the reader into the book. Liner Notes: you'll be hearing from Amal and Maurice during the second week of each month of 2018. And if Maurice sounds familiar, he joined us at GenCon for episode 7.40 back in 2012. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson, and despite the fact that both Andrew and Alex are very active characters we never give them any dialog. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard 2018 is our Year of Character, and we kick it off with a quick exploration of the differences between heroes, protagonists, and main characters. Beginning with addressing the question "wait, aren't they all the same person?" Because that's the elephant in the room. Or maybe it's three elephants. Or two. Sometimes there's no elephant, and if you look carefully you can see an elephant-shaped hole, which is probably more like a negative number of elephants. Liner Notes: We referenced The Hollywood Formula, which was introduced to us by Lou Anders in Episode 6.18. We also keep saying "protag" as a verb, which to us means "doing proactive protagonist things." Howard may have made up this word, but its true provenance has been lost to the mists of anxiety of influence. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. For audio quality purposes the studio contained zero elephants. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's the end of 2017, so let's talk about the things that we've tried to make work, and failed at. Not things that we tried before arriving at career-level measures of success—things that we've folded, spindled, and/or mutilated since then. There were a lot of them! This episode runs close to thirty minutes long... Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Howard, and Dan What are the books which have drawn us from the bookshelf genres where you're the most comfortable into bookshelves you haven't read from? What can we learn about our own writing by reading these gateway books? How can we set about writing them ourselves? Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered at the intersection of Cowboys and the Great Lakes by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary, Dan, with guest host Beth Meacham Dirk Elzinga, an associate professor of linguistics, joined us live at LTUE to talk about constructed languages, and how we, as writers, might go about constructing them for our work. Liner Notes: The big stack of notes from Dirk required its own page. Below are links to specific tools mentioned during the episode. Duolingo Everchanging Book of Names Credits: This episode was recorded live at LTUE by Dan Dan the Audioman Thompson and mastered beneath a pyramid of stone tablet encyclopedias by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley How does the shape of your physical medium change the art you're making? What are the tools that affect our storytelling, and what are those effects? Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We begin the final month of our year on structure with a discussion of non-linear structures. These include flashbacks, POVs that are out of chronological order, and a host of other storytelling techniques. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brian McClellan joined us to field questions about writing novels and series. Here are the questions: How do you write an ending that is open for sequels, but isn't a cliffhanger? Is it a good idea to take a large novel, and release it instead as serial novellas? Can you debut with a series, or should you establish yourself with standalone novels first? How do you keep readers coming back for each new novel when there's a long time between them? Should you have more than just one book done before querying agents? What do you do if your novel turns out to be too short to be a novel? Is it possible to write a series as a discovery writer? How do you foreshadow big things that are a long way out?Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Screenwriter JD Payne joined us before a live audience at LTUE to talk about writing for the screen, specifically regarding doing this work with others in a room full of writers.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley We discuss the idea of "reinventing yourself," which can mean anything from "trying something new" to "completely re-branding yourself as a writer," and how it's a difficult thing to do without figuring out what it actually is that you're currently doing. We talk about how we've done it, how others have done it, and how important it is to continue learning as a writer. Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Before you can decide on a structure for your series, you may find it helpful to decide what kind of series you're actually building. We talk about a few of the available options, and how each of them affects the structure. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard We're going to share some of our experiences with NaNoWriMo (National Novel Writing Month) in an effort to encourage you to participate in ways that will advance you toward your goals. Note: After a week, this is the only photo we've found of Wounded Howard. Dan took it, and Howard was clearly putting on "angry face" for show. Also, he doesn't look nearly as pale as any of us remember him looking. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard We're talking about the extreme long-form serial story here, and how to keep things interesting without forcing the main characters into an absurdly high number of character-developing moments. Brandon leads by aiming the question at Howard, since Schlock Mercenary has been running now for seventeen years (it was only 16 at the time we recorded.) We also talk about how long romance serials avoid "sequelitis" by swapping out the love interests, and how the tools used here apply across multiple styles and genres. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary, Dan, and Howard, with guest host Beth Meacham Alan Bahr of Ragnarok Publications, joined us at LTUE 2017 to talk about adapting a licensed property for a game, and preserving the feel of the work while doing so. Credits: this episode was recorded live at LTUE 2017 by Dan Dan the Audioman Thompson, and mastered by Alex JacksonRecordedOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley When we talk about "raising the stakes," we mean making the outcomes of the events in a story increasingly important to the reader. In this episode we talk about the tools we use to raise the stakes in ways that are more sophisticated than just queuing up larger and larger explosions. Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard What makes something a novel, rather than just a serialized collection of stuff that happens? How do we use structure to turn collections of stuff into something more cohesive? What tools do we use to outline, map, and/or plan our novel writing? Reference Note: "Scene and sequel" comes to us from Dwight Swain's Techniques of the Selling Writer, first published in 1965 (52 years ago.) Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard Our listeners sent us some questions about writing shorter fiction. Here are the questions: How do you market short stories today? Has ebook self-publishing made novellas more viable? How do you structure a short story? How short is too short? Is publishing sections of a novel a viable way to get traction for that novel? What should I look for in the semi-pro market if professional publications have rejected my work? What aspects are crucial in novels, but which don't belong in short fiction. Publication "reputation" references: Preditors and Editors, Absolute Write, Writer Beware Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan and Howard Toni Weisskopf and Cat Rambo joined Dan and Howard to discuss what it is that editors "really want." Question To Help You Decide Whether Or Not To Send Your Editor Bad News: "Will this news get better if I wait?" Credits: this episode was recorded at GenCon Indy 2016, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley What makes a plot a subplot? Must subplots and main plots be linked by something more binding than the actual binding of the book? In this episode we answer these questions, and ask and answer plenty more. Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Larger than a short story, smaller than a novel... there's quite a bit of space between those two thresholds, and in this episode we discuss the ways in which we go about filling that space with a well-structured story. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary, Dan, and Howard, with guest host Beth Meacham Spencer Ellsworth and Beth Meacham joined us before a live audience at LTUE 2017 for a discussion of short fiction markets, which ones we love, and why. Credits: this episode was recorded live at LTUE 2017 Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard Brian McClellan joins us for a discussion on fulfilling the promises we make to our readers—specifically the genre-specific promises made by the simple fact of where the book is shelved. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley We've talked about some of the structural guidelines for short stories. In this episode we'll discuss how to write in the short form while still putting down enough words to convey the story powerfully. Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard We begin our exploration of short story structure with a re-cap of the MACE quotient (Milieu, Ask/Answer, Character, Event). Then we apply that tool to how we structure the pieces we write—specifically the short ones. Liner Notes: Here's "Evil Robot Monkey" by Mary Robinette Kowal And here's a handy MICE quotient chart! Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary, and Dan, with guest host Susan Chang Courtney Alameda joined us at LTUE 2017 to talk monsters, and what makes the best ones so good. We discuss some of our favorites, and how the criteria we apply to them can be applied in the creation of monsters of our own. Credits: this episode was recorded live at LTUE 2017 by Dan Dan the Audioman Thompson, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard We are often asked what software we use to get our work done. In this episode we answer that question in a bit of detail. Liner Notes: Here's a linked list of the tools referenced during this episode. Aeon Timeline Asana Time Management Dropbox Excel OpenOffice Scrivener Wikidpad Word WordPerfect Write or Die Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with Steve Diamond, and special guest Joe McKinney We invited Steve Diamond, who has been a guest before, and who has some law enforcement background, to help us grill Joe McKinney, who has tons of that background, and who also happens to be a best-selling author. This Week's Liner Notes are extensive. Follow the link for a Google Doc, or click here for our local mirror of Lyn Worthen's notes. Credits: Mastered by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Revision: it's when you make a too-short piece longer, or a too-long piece shorter.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard Our listeners had questions about outlining and discovery writing. Here are a few of the very best: Do you outline scenes? How? How do you know when to STOP outlining something? How much do you have to know about your character and/or world before you start writing? What do you to to diagnose and fix a structural problem with a discovery-written draft? What do you do to 'get into' an outline that you're struggling with. Are each of your projects similar in terms of procedure? What are some major indicators that a piece needs more structural work? Soundbite moment: DAN: "I had to learn the difference between a story, and a bunch of stuff that happens." Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with special guest Callie Stoker Callie Stoker joined Howard and Dan at the World Horror convention to answer our questions about hiring an editor, which is part of the process by which self-published authors build the team of people who will make the manuscript far better than they can make it by themselves. Credits: Mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley How might you go about creating great outlines? There are many processes, and we cover several of them. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Let's talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling it to the general public. Liner Notes: This episode pairs very nicely with episode 11.50, "Hand-Selling Your Book," with Michael R. Underwood. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered deep beneath a rugby pitch by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.) Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with special guests Bill Fawcett and Carrie Patel Bill and Carrie both have extensive experience writing for games, and they joined us at GenCon Indy to talk about writing for an interactive story, like a tabletop RPG, or a video game. Narrative Bumper Pool: This term comes to us from Tracy Hickman's XDM: X-Treme Dungeon Mastery. Narrative Bumper Pool from X-TREME DUNGEON MASTERY, used with permission Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley We're speaking again, at least in part, to discovery writers. In this case, we're talking about how to take a non-outlined work and apply a structure to it in revisions. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard This episode is for you discovery writers, especially those of you for whom our current season of structure seems to be locking you down, or pointing up methods which you just don't like to use. We talk about how these methods, these structural principles, these mechanical advantages in the mental toolbox can be applied during the discovery writing process. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered on the north face of a dormant volcano by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard, Mary, and Dan, with guest-host Susan Chang, and special guest J.R. Johannsen J.R. Johannson joined Howard, Mary, Dan, and guest-host Susan Chang at LTUE 2017 for a discussion of gendered dialect. We lead with a quick introduction to the Genderlect theory, by Deborah Tannen, which uses a very broad brush to describe key differences between the ways men and women in western societies communicate. We then explore the way some of the individual voices we're familiar with have been influenced through gender role, cultural socialization, and even neuroatypicality. Our goal in this discussion is to learn to write dialog which serves our stories and our characters, and to do so in a way that both leverages and defies the existing stereotypes. Liner Notes: Here is the "My Favorite Murder" Buzzfeed article Susan referenced Gmail Plugin: Just Not SorryOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard We fielded some questions on style, diction, and paragraphing: Is it okay to have pretty prose in a straightforward adventure story? How do author voice and character voice differ? How do you prevent paragraphs from rambling? I feel like my writing is derivative of the writers whose work I read. How can I find or develop my own voice? How much does diction play into genre fiction? Is it okay to write in a natural speaking voice? During which part of the writing process do you pay attention to style? By Way Of Correction: "Unaccompanied Sonata," by Orson Scott Card, is the story about anxiety of influence. "Tunesmith," by Lloyd Biggle Jr., is about music, and even has the name "Bach" in it, but it's not the story Howard described.  Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brian Keene joined Dan and Howard at the World Horror Convention to talk about writing crime fiction, including how he goes about getting readers to feel the things he wants them to feel to drive the story forward. Liner Notes: The Horror Show with Brian KeeneOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley What makes a chapter? WHY is a chapter? How do we chapter, and do we always chapter the same way? Should our chapters be this many parts of speech? This episode will answer these questions and more, except for that last question, to which the answer is "probably not." Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Let's talk about the structural tools we use to control pacing. These include sentence length and punctuation. Also, white-space. Liner note: Here is the Feb 12, 2017 Schlock Mercenary strip mentioned around the 18-minute mark. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered aboard a fleeing generation-ship by Alex Jackson Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The rising, golden sun crested the snowcapped eastern mountains, its first morning rays pouring like molten lemon through the window to glisten and gleam from the chrome grille of the studio microphone.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard and Dan, with Special Guest Linda Addison Linda Addison joined us at the World Horror Convention in 2016 for a discussion of the shapes and sounds of words as seen from the perspective of the poet, and how this approach can inform our prose.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley Let's talk about word choice. And when we say "let's" we mean "we're going to talk to you about it. You don't actually get to talk back." So maybe "let's" wasn't the best of the possible openers. Our discussion covers what we want to say, how specific we need to be, and what we want to evoke in the reader. Sometimes the wrong word is the right one, and the right word is the wrong one. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brandon, Mary, Dan, and Howard talk about authorial voice, and how to stop being afraid of examining how you "sound" when you write.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brandon, Piper, Dan, and Howard answer listener questions on viewpoint.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard Tananrive Due, whose short-fiction expertise is exemplified in her collection, Ghost Summer, joined us on the Oasis of the Seas to talk about how to use short stories to explore aspects of the craft. We discuss the importance of allowing ourselves to fail, and how we can learn from those failures, and continue to push our own limits. We also talk about how we go about pushing those limits, and what we do in order to most effectively explore new techniques. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we'll talk about where we deploy these tools, where the pitfalls are, and how to do it well. Credits: This episode was recorded by Andrew Twiss, who heard the AC turn back on, and mastered by Alex Jackson, who was happy to not need to digitally filter the AC out of the mix.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley This week we talk about the genre of Literary Fiction. Our first hurdle is the word "literary" whose use in this context can imply that all other genres are somehow not literature. In that vein, then, we're talking about mainstream, or "non-genre" fiction which is crafted with close attention to the finer points of the prose. After framing our discussion, we dive into the nuts and bolts of writing in the Literary Fiction genre. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Piper, Dan, and Howard, with Sandra Tayler Piper J. Drake joins the cast for our week-four episodes, of which this is the first. This week we'll be drilling down into hybrid viewpoints—blending 1st and 3rd person, framing stories, stories-within-stories, and unreliable narration—and how to best serve our work with these techniques.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler This Project in Depth episode contains spoilers for "Risk Assessment," which is included in Force Multiplication: Schlock Mercenary Book 12. The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn't about that part. Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Mary Anne, and Wesley This week we talk about character voice, and how to get it right in First Person. This POV is a strong tool for developing memorable characters. We cover sentence structure, linguistic tweaks, accents, and much more, as well as some exercises you can try out to develop these tools. This week is also your introduction to our Chicago cast. You've already heard from Brandon and Mary; the new voices belong to Mary Anne Mohanraj and Wesley Chu. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Mary, Dan, and Howard We're beginning a new season, and during 2017 we will be focusing our topics on structure. We are also going to shake things by expanding our cast a bit. You'll be hearing some new voices soon! They belong to: Wesley Chu Piper J. Drake Mary Anne Mohanraj We'll post more on that in a few days, but we've already begun updating our "About" page. This week your hosts are Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler. We spend a few minutes on the administrative stuff above before jumping into January's structural topic, the first person voice, with a discussion of the variations in how that POV is presented. We cover some of the different first person POV styles, what sorts of stories they're often best-suited for, and how we go about writing them well. Spoiler Alert: Episode 12.3 will feature Sandra Tayler, and is a Project In Depth on her story, "Risk Assessment," which was illustrated by Natalie Barahona and Howard Tayler. It appears in Force Multiplication: Schlock Mercenary Book 12, available direct from Hypernode Media, or through Amazon. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Here are the questions: Can you fit an ensemble into a short story? What the minimum size for an ensemble? Is there a perfect length? Can you put a traitor into an ensemble story? How do I give my ensemble characters equal emotional weight if I only tell the story from a single POV? How do you introduce your ensemble without infodumping? If an ensemble is about falling in love with a group of friends, how does killing a character work? How do you give every character a role in the climax without making it seem like the plot was cut to fit the team? Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lynne M. Thomas joins us to continue our discussion of the Elemental Ensemble, which is one of our favorite elemental tools. It's not just for heists. It adds interest, emotion, and lots of plot possibilities to everything from sense of wonder to the hard-hitting issue. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. This time around he's talking about placing your product in the hand of your customer, the reader. With Michael's help, we cover some specific sales techniques, guidelines for convention displays, and strategies for bookstore appearances, with an eye toward helping you make that sort of activity effective. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Michael Damien Thomas, co-publisher and co-editor-in-chief of Uncanny Magazine, joined us for a discussion of the elemental genre that contains most of the stories we refer to as "heists." It's all about a well-rounded cast in which the group relationship is what's pulling us forward. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Elizabeth Bear and Scott Lynch joined Howard and Dan at GenCon Indy to talk about fantasy food, and how we engage our readers' appetites with our fiction. We talk economics, logistics, sensory engagement, and we goof off quite a bit in the process. We might have been hungry at the time. There is good fun to be had here, and plenty of (pun intended) food for thought. Credits: This episode was mastered by Alex Jackson, and was made possible by the generous support of the GenCon Indy Writer’s Symposium, and the Writing Excuses patrons at Patreon.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

DongWon Song, literary agent with HMLA, joins us for a Q&A on the elemental genre of "Issue." Here are the questions, which were submitted by the attendees at WXR '16: Can only certain people tackle certain issues in certain stories? Science Fiction often explores issues by changing the context. Why does this work? How would you handle an issue story in short fiction? How do you make sure to research the issue enough without paralyzing yourself with the fear that you cannot do it justice? How do you convincingly write a position with which you disagree without convincing your readers that you agree with it? How do you write about a deeply personal issue without making it sound like a personal sob story? Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steven Barnes joins us to tackle Elemental Issue, round two, in which we look at how to address it as a sub-element. He describes the thesis/antithesis approach, and we move then to logical frameworks, and how to avoid making our stories dogmatic. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our listeners have been asking for an in-depth, "crunchy" episode on colonialism, and related issues like cultural appropriation, for a couple of years now. Our voices, however, are not the ones our listeners should be hearing on the subject. Finding the right voices has not been easy, but it has been worth it. This episode runs for over 25 minutes. Steven Barnes, K. Tempest Bradford, DongWon Song, and Shveta Thakrar discuss colonialism with Mary Robinette Kowal. Brandon, Dan, and Howard simply listened, and learned. We encourage you to do the same. Liner notes: Here's the recommended reference reading — "Of Warrior Chiefs and Indian Princesses", Stephanie A. Fryberg, Hazel Rose Markus, Daphna Oyserman, and Joseph M. Stone Discussion Note: The topics of colonialism and cultural appropriation are controversial in some circles. Our discussion here focuses on how to thoughtfully and sensitively address these matters in our work. We're taking it as a given, then, that this sensitivity is important. In order to best foster that discussion, and out of respect for our guests, comments are being moderated. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For November, our elemental genre is "Issue," and we were joined by actor, writer, and comedian Desiree Burch. The Elemental Issue is similar to the Elemental Idea, but the type of idea being explored is a point of social conflict, like racism, teen pregnancy, or corporate greed. Authors writing Elemental Issue stories raise questions for the readers. We talk about how to go about writing these without sounding preachy, and without writing polemics. Soundbite Moment: "The more specific a work gets, the more broadly it relates to other people." —Desiree Burch Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Three days late for the beginning of NaNoWriMo 2016, here's a bonus episode about maps. Because nothing says "keep writing" like "hey, let's draw a map now!" Dan and Howard were joined by Maurice Broaddus, Mur Lafferty, and James L. Sutter, who wanted to talk about maps. As Napoleon Bonaparte is rumored to have said prior to invading Russia, "geography is destiny." We talk port dwarves, rolling glaciers, star systems, and more. Liner links: Logarithmic star map Tolkien's map of Middle Earth Center-Pivot Irrigation (75 years old, not 50 as Howard said) Credits: This episode was mastered by Alex Jackson, and was made possible by the generous support of the GenCon Indy Writer’s Symposium, and the Writing Excuses patrons at Patreon.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Happy Halloween! Darren Shan talks horror with us in this bonus episode, made possible by our Patreon supporters.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Spoiler Alert! If you haven't yet read Ghost Talkers, by Mary Robinette Kowal, this episode will spoil great swathes of book for you. Also, you probably won't get as much out of it. This week's episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. We begin with the difference between the catalog pitch and the pitch given to editors, and how critical that distinction is. Mary then talks to us about the decisions she made while plotting the book, and the things she did in order to best execute on the story she set out to tell. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our third Elemental Drama episode is a Q&A, featuring Tananarive Due. The questions are from the attendees at the Writing Excuses Workshop and Retreat: Rather than having a protagonist change themselves, can elemental drama have the protagonist change others? What happens when a character refuses to learn, refuses to overcome their flaw(s)? What are the lines between drama and melodrama? Do you have tips for describing body language that communicates character states? Are there cases where you should not show character growth or change? How do you keep it realistic when writing a character who undergoes a great change? Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Focusing on elemental drama can be tricky. Remember, elemental drama is basically "character change." A great many stories use character change in some way—it's almost ubiquitous. In this episode we'll pick at the ubiquity, and look at the many different ways in which character change can be featured, and what sort of tools we have at our disposal to make this happen in our stories.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. And by "discussion," what we really mean is "we ask Robin all the questions." We learn about Robin's process for creating characters, wrapping stories around them, and making these characters distinctly different from each other. Credits: This episode was recorded by Joel Burnham, and mastered by Alex Jackson, and was made possible by the generous support of the GenCon Indy Writer's Symposium, and the Writing Excuses patrons at Patreon.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. Ordinarily we don't encourage people to write to the market, but Navah asked specifically for the opportunity to tell our listeners what she's looking for. As it happens, tracking Navah's wish list as you write is unlikely to send you haring after the latest trend—you're far more likely to develop some new writing skills that will make your work more enjoyable, more fulfilling, and ultimately easier to sell. Spoiler Warning: In three weeks we'll be doing a Project in Depth on Ghost Talkers, by Mary Robinette Kowal. If you want to get the most out of that episode, you have three weeks to acquire and read the book. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson. Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The word "drama" gets thrown around a lot. What do we mean when we use "drama" as an elemental genre? For us, Elemental Drama focuses on one character's transformation, and how that transformation affects everyone around them. This is a narrow definition of the word, but it's a very useful way to look at books where the character journey is what has us turning pages. We talk about the tools we use to write these stories, and what kinds of things might trip us up. Credits: this episode was recorded by Jeff Cools, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greg van Eekhout joined us at Phoenix Comic Con for a live-audience Q&A session about Elemental Relationship writing. Here are the questions: What is your favorite way to establish relationships? How do you recover when a relationship starts to feel forced? How do you show a "best friend" relationship? How do you decide the pacing of the romance? Do you try to make the nature of character relationships clear, or do you leave it to subtext? How do you go about writing transsexual relationships? What are your favorite relationships to write? How do I write the beginning of a relationship between characters the reader has not yet really met? How do you transform love into hate, and vice-versa? When writing a love triangle, how do you avoid telegraphing the final resolution? Do you have recommendations for books that focus on familial friend relationships rather than romance? Credits: this episode was recorded live at Phoenix Comic-Con by Jeff Cools, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We find the elemental relationship in all kinds of stories that are not fundamentally about relationships. The intimate interaction between characters is part of how we define the characters, how we understand who they are as they go on to do the stuff that the story is about. In this episode we'll talk about how to apply the principles of relationship writing to stories whose page-turning impetus comes from somewhere else. Credits: this episode was recorded by Jeff Cools, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Live from Phoenix Comic Con, Gama Martinez joins us for a discussion of casting your book. This is the process by which you create a cast of characters for your story ahead of creating the story itself, allowing you to stay ahead of your default decisions for who will step into the scene next. Credits: this episode was recorded live at Phoenix Comic Con by Jeff Cools, and mastered by Alex JacksonOur Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We're differentiating "Relationship" from "Ensemble" because in our elemental genre model the elemental ensemble story is quite a bit different from the elemental relationship.Our Sponsors:* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy