Kate Wolf and Eric Newman speak with Caroline Fraser about her new book, Murderland: Crime and Bloodlust in the Time of Serial Killers. Taking an ecological approach to true crime, the book explores how decades of industrial pollution from large smelting plants in the Pacific Northwest may have shaped the social and environmental conditions that coincided with an unusually high number of serial killers in the region during the 1970s and 1980s, including Ted Bundy, Randall Woodfield, and others. Fraser discusses how she came to draw connections between environmental contamination and these terrifying killers, while also considering the wider human costs of unchecked corporate power and deregulation on vulnerable communities.

Medaya Ocher is joined by writer and author Susan Orlean, whose latest book is Joyride: A Memoir. In Joyride, Orlean recounts how she became a writer: the strokes of luck, as well as the ambition and talent that led her from alt-weeklies to Esquire, Vogue and The New Yorker, where she has been a staff writer since 1992. Orlean has written essays and books that have since become classics of contemporary narrative nonfiction like The Orchid Thief (which inspired the film Adaptation), Rin Tin Tin, On Animals, The Library Book as well as many others. Here she discusses her life and career, her curiosity, her approach to change and opportunity, as well as the state of journalism today.

This week, we are revisiting our episode with photographer and writer Sally Mann about her book, Art Work: On the Creative Life. Medaya Ocher and Kate Wolf speak with Mann, whose book describes her path to becoming an artist and provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann's rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann's advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it's a job like any other: you have to work at it.

Today's episode features a live recording from a LARB Luminary Dinner honoring writer, performer and actor Jenny Slate. Author Sarah Manguso sits down with Slate for an intimate conversation exploring the complexities of balancing artistic practice with the demands of parenthood and the ways personal transformation shapes creative expression.

Kate Wolf is joined by two of today's finest film critics to discuss the current state of Hollywood—including the sale of Warner Brothers Discovery—the art of writing about movies, and some of the year's best films. Up first is critic A.S. Hamrah, author of two new books: Last Week In End Times Cinema, which compiles the relentless follies of the film industry from March of 2024 to 2025 in an annals of ever-winnowing corporate conglomeration and AI speculation, and Algorithm of the Night: Film Writing 2019-2025. Next, Melissa Anderson discusses her latest book, The Hunger: Film Writing 2012-2024. A self-proclaimed "acteurist" whose attention often centers on a film's star rather than its plot, Anderson's criticism engages with movies on an affective level, charting her own pleasure, desire, and occasional disgust. Here she talks about grounding her writing in queer and feminist politics and how her ardent cinephilia is born of a sense of open-minded curiosity, hopefulness, and the willingness to be transported.

It's that time of the year again! Hosts Kate Wolf, Medaya Ocher, and Eric Newman look back on some of the bright lights from a pretty dark year with a rundown of their favorite books, movies, TV shows, music, and scandals from 2025. For a full list of this year's picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Eric Newman speak with director Julia Loktev about her new documentary My Undesirable Friends. Filmed in 2021, just before Russia's invasion of Ukraine, the five-hour epic follows independent journalists at TV Rain as they navigate escalating government repression and the "foreign agent" laws designed to silence dissent. The film is a moving, unsettling portrait of resilience and a stark reminder of the global stakes of Russia's suppression of independent media. Medaya and Eric talk to Julia about her experience filming the documentary in a moment of intense political upheaval, as well as what the disturbing parallels between the campaign against the press in Russia and the United States.

Kate Wolf and Eric Newman speak with Robin Coste Lewis about her new poetry collection, Archive of Desire. The four part collection emerged out of a collaboration with other artists commissioned by the Onassis Foundation to celebrate the 160th birthday of poet Constantin Cavafy, exploring Lewis's encounters with Cavafy's life, work, and sexual history. Lewis discusses her experience poring over the materials from Cavafy's archives in Athens, how his poetry still speaks to us so profoundly more than a century later, and their queer kinship.

Eric Newman speaks to Brandon Taylor about his latest novel, Minor Black Figures. It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.

This week we are listening back to an episode from earlier this year. Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, The Fantasy and Necessity of Solidarity. With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

Kate Wolf and Eric Newman speak with Angela Flournoy about her novel, The Wilderness. Moving back and forth from the early 2000s to the present, the novel looks at the stories of five women living in New York and Los Angeles, capturing the mess and power of their deep, complicated friendships as they navigate love, motherhood, careers, and everything in between. Angela discusses how she developed these characters, how she works with scenes and dialog, and why she wanted to write about Black female friendship.

In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams – from iPhones to social media to AI – have become nightmares. How did these decade-defining innovations end up making modern life feel sadder, lonelier, and scarier? And what, if anything, can we do about it? Using two recent books — Cory Doctorow's Ensh*ttification  and Paul Kingsnorth's Against the Machine—as reference points, the hosts discuss labor practices, government regulation, the place of spirituality and religion, cottagecore fantasies, and how they personally navigate unplugging from the machine.

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, The Mastermind, out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, Herculine.  Set between the freelance rat race of New York and an equally cutthroat commune for trans women in rural Indiana, Herculine follows a narrator trying to put her life together.  Featuring demons, conversion therapy,  and blood rites, the novel is part horror part coming-of-age tale. Byron discusses how the book emerged from a memoir project, as well as the joys and struggles of making community and a life as a trans woman. Byron is also a critic and essayist, whose work has appeared in the New Yorker, New York Magazine, Los Angeles Review of Books, The Nation and other publications.

Chris Kraus joins Kate Wolf to talk about her new novel, The Four Spent the Day Together. Organized into three linked sections, the book begins with a portrait of Kraus's avatar, Catt Greene, and her family, as they struggle to overcome the isolation of the suburbs after moving into their first home in Milford, Connecticut, in the late 1950s. The book's second part takes place many decades later: Catt is now a well-known novelist grappling with sudden fame and her failing marriage to an alcoholic ex-con named Paul Garcia with whom she lives part time in the woods of Minnesota. The final section finds Catt investigating a crime that has taken place near her home with Paul, in the neighboring town of Harding, when three teenagers senselessly murder a man after spending a full 24-hours together. What binds the stories together is alienation, chance, the acceleration of history and the spoils of late capitalism, the devastation of addiction, and an attempt to reconcile something even darker and more ineffable about the American project as it exists today.

Kate Wolf speaks to J. Hoberman about his latest book, Everything is Now: Primal Happenings, Radical Music, Underground Movies, and the 1960s New York Avant-Garde. It recaptures the frenetic, creative simultaneity of New York in the 60s, rendering the era's cultural explosion in real time. The events of a single decade, let alone a single year, or month, or even day, can be staggering. Hoberman compiles the work of various musicians, painters, filmmakers and poets who gave birth to everything from Conceptual Art, Fluxus, Free Jazz, Guerrilla Theater, Protest Folk, Black Arts, and Underground Film, and more often than not, faced censorship and legal consequences for their innovations. The book reifies the link between artistic vanguardism and progressive politics, exploring the web of connection between artists and fate of the city—and country— at a time of ruthless redevelopment, labor strikes, atomic bomb scares, and emerging civil rights battles.

Eric Newman speaks to Alejandro Varela about his latest novel, Middle Spoon. Told in epistolary form through the narrator's unsent emails, the novel opens in the immediate aftermath of a devastating breakup. The breakup, like the relationship, was complicated. It was the narrator's first experience with polyamory, and his now ex-boyfriend ended things because the narrator refused to leave his husband and two children. As it grapples with the self-shattering experience of heartbreak, Middle Spoon explores how we think about love beyond the romantic couple, and how we navigate the faultines of intimacy, desire, race, and class.      Eric and Alejandro dive into the cultural discourse around polyamory—why it seems to be more visible in recent years and what's driving the backlash to it–as well as how capitalism shapes modern love. They also discuss the challenges of thinking and writing through heartbreak, and how grief and love can make us unreliable narrators.

Medaya Ocher and Kate Wolf speak to the photographer and writer Sally Mann about her new book, Art Work: On the Creative Life. In describing her path to becoming an artist, Mann provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann's rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann's advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it's a job like any other: you have to work at it.

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the "crisis" du jour in American publishing: the erosion of male literary stars and their readers across the landscape of contemporary fiction. Is this even happening—and if so, why? Tackling cultural anxieties about the waning centrality of the straight, white male author alongside spurious statistics and questions about the material realities of publishing in the 21st century, the hosts break down the forces they see lurking behind the discourse. Links:  https://www.nytimes.com/2024/12/07/opinion/men-fiction-novels.html  https://www.nytimes.com/2025/06/25/style/fiction-books-men-reading.html https://lareviewofbooks.org/article/against-high-brodernism/ https://www.vox.com/culture/392971/men-reading-fiction-statistics-fact-checked https://www.lrb.co.uk/the-paper/v47/n16/emily-witt/do-you-feel-like-a-failure https://theconversation.com/a-new-publisher-will-focus-on-books-by-men-are-male-writers-and-readers-under-threat-255874 https://defector.com/the-plight-of-the-white-male-novelist

Kate Wolf speaks with historian Fara Dabhoiwala about his new book, What is Free Speech? The History of a Dangerous Idea. A foundational aspect of the U.S. Constitution, free speech is a relatively recent invention and one rooted less in democratic ideals than first may be clear. Tracking its evolution from the pre-modern age through the Enlightenment to our present day, Dabhoiwala explores how free speech and freedom of the press initially served imperial and corporate interests rather than those of common citizens. His book also examines the counterintuitive ways free speech continues to be an engine for questionable ends today, benefitting tech companies and upholding misogyny and racism. But while it has never been equally distributed, free speech has also resulted, at times, in more freedom rather than less, so what are we to do with this abiding concept and how might we modify its absolutism to better serve those it claims to protect?

This week we're listening back to Eric Newman and Medaya Ocher's interview with the Palestinian poet, short-story writer, and essayist Mosab Abu Toha. Abu Toha is the author of the award-winning collection of poetry, Things You May Find Hidden in My Ear, as well as the founder of the Edward Said Library in Gaza, which he hopes to one day rebuild. In 2025, Toha was awarded a Pulitzer Prize for his series of essays about Gaza in the New Yorker and his work has also appeared in the New York Times and the Los Angeles Review of Books. This conversation took place in 2024 when Forest of Noise, a collection of poems, grappling with Abu Toha's memories, experiences, and many losses was published. Last week the UN officially declared a famine in Gaza for the first time since the beginning of the war.

Eric Newman speaks with Nicholas Boggs about his monumental new biography, James Baldwin: A Love Story. Drawing on fresh archival research and interviews, Boggs offers an intimate portrait of the literary legend anchored by the romances that shaped his life, writing, and political vision. Spanning Baldwin's formative mentorship under artist Beauford Delaney, his romance with Lucien Happersberger, and lesser-known relationships with Turkish actor Engin Cezzar and French artist Yoran Cazac, the book explores how these relationships, alongside periods of isolation, served as the engines of Baldwin's literary production. Arriving amid a renaissance of interest in Baldwin's life and work, Boggs' biography offers a fresh perspective on the iconic writer for longtime fans and younger generations who may be encountering him for the first time.

Kate Wolf speaks with Nathan Kernan about his new biography, A Day Like Any Other: The Life of James Schuyler. It's an intimate look at the great poet who was born in 1923 and would become one of the original members of the so-called New York School along with John Ashbery, Frank O'Hara, Kenneth Koch and Barbra Guest. With the restraint, precision and wry humor of one of Schuyler's own poems, Kernan's biography delves into Schuyler's tumultuous upbringing in the midwest and Washington DC, his early years in 1940s New York City where he became close with and worked as the secretary to the poet W.H. Auden, his fateful meeting of Ashbery and O'Hara, which led to the composition of his first poems, and his many struggles with mental illness.  A winner of the Pulitzer Prize in 1981 for his collection, The Morning of the Poem, Schuyler's decades of instability began to ease only by his later years, but the lucid observation and "inspired utterance" of his work remained a constant throughout his life.

Eric Newman speaks with director Sam Feder and producer Amy Scholder about their new documentary Heightened Scrutiny. The film follows ACLU attorney Chase Strangio's journey to the Supreme Court in United States v. Skrmetti, which sought to overturn Tennessee's ban on gender-affirming care for trans youth. Alongside Strangio's work on the case, interviews with journalists, activists, and others reveal how media coverage of trans issues by publications including the New York Times have fueled legislative attacks against trans people as well as a burgeoning anti-trans cultural turn fed by disinformation. Feder and Scholder's documentary offers a sobering look at the current assault on trans rights.

Writer and scholar Michael Clune joins Kate Wolf and Medaya Ocher to discuss his debut novel, Pan. It captures the frenetic mind of a 15-year old boy named Nicholas as he undergoes his first panic attacks. Trapped in suburban Illinois in a time before the internet, Nicholas has little basis to understand what is happening to him. His search to understand his panic leads him to the condition's namesake, the Greek god Pan, and a series of strange rituals Nicholas will go on to perform that involve him with a group of close friends. But the presence of Pan in the book also underscores an even more fateful aspect of Nicholas's awakening: the connection between feeling, language, and literature, and anxiety as the catalyst for spirituality, insight, and criticism.

Eric Newman and Medaya Ocher are joined by writer and professor Sebastian Castillo whose new novel Fresh, Green Life is the LARB Book Club pick for the summer. Fresh, Green Life follows a narrator, also named Sebastian Castillo, who has resolved to spend a year alone, exercising, watching self-improvement videos and thinking about how he has arrived at this particular point in his life: a lapsed adjunct philosophy professor, obsessed with a former classmate named Maria, but disconnected from everyone around him. Castillo discusses a certain type of lost literary man, the creation of art, and the why it may or may not all be worth it.

Medaya Ocher and Kate Wolf speak with writer Catherine Lacey, author of the novels Biography of X, Pew, The Answers, and a short story collection, Certain American States. Her most recent work is The Möbius Book, which is split in two — one half is fiction and the other memoir. The novel tells the story of two friends, catching up on a grim Christmas Eve. The memoir is about Catherine herself, set adrift after a brutal breakup. Lacey discusses new beginnings, the formal experiment in the book, the connection between memory and storytelling.

Medaya Ocher and Eric Newman speak with Traci Thomas, host of the "The Stacks" podcast. They discuss the impact of social media on publishing, the content creator life, and the way readers discover books today. At the end of the episode, Medaya, Eric, and Traci offer readers a rundown of recommendations for the books getting us through 2025.

For Independence Day, we dive into the archives to bring you an episode that still feels timely. Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her collection, Abolition Geography: Essays Toward Liberation, which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism.

Susan Choi joins Kate Wolf and Medaya Ocher to speak about her new novel, Flashlight. An epic story that spans multiple generations of a single family, the book is an astute exploration of identity, migration, memory, kinship and the irrepressibility of the past. It begins in the wake of the mysterious disappearance of a young academic named Serk. An ethnic Korean, who was raised in Japan and decided to continue his studies there when his family returned to Korea after WWII, Serk later moves to the US and marries Anne, who is also estranged from her family and has her own secrets. Their daughter, Louisa, is with her father on the night of his disappearance, from a beach back in Japan, where the family has come for Serk's year-long academic appointment. Washing up on the shore in the morning, Louisa has little memory of what has taken place, and it will take her many decades, and the course of the novel, to discover the truth.

In this double episode celebrating pride month, Kate Wolf speaks with the critic Vince Aletti about his new book, Physique, an assortment of hundreds of physique photos from Aletti's own personal collection. The images in the book represent a time when homosexual life in the US was illegal, existed mostly underground, and was by necessity furtive and coded. Yet throughout the country there were photo studios producing erotic and often very beautiful photographs of barely clothed men, and distributing them through mail order catalogues and small magazines. Aletti revisits these images and their quiet revolution in his book; post-Stonewall physique photos may have appeared timid or kitsch but today they point to a largely unknown story and genre of imagery that is worthy of reconsideration as well as enjoyment. Then Milo Todd discusses his novel The Lilac People with Eric Newman. Set in the aftermath of World War II, The Lilac People follows three queer Holocaust survivors—Bertie, a trans man; his girlfriend, Sofie; and a young trans man named Karl—as they attempt to flee a hostile postwar Germany. As they evade Allied forces who are re-imprisoning queer and trans survivors, they must also navigate betrayal, suspicion, and the ongoing threat of violence from neighbors and hidden Nazis alike. Todd's debut shines a light on a buried chapter of Holocaust history, one in which the queer and trans people, who were among the Reich's first victims, became victims anew after its fall.

Eric Newman and Medaya Ocher speak with Alison Bechdel about her new graphic novel, Spent. Bechdel is the author of "Essential Dykes to Watch Out For," "Fun Home,"  and "Are You My Mother?" Spent fictionalizes Bechdel's life with her wife Holly on their pygmy goat sanctuary in Vermont. The comic chronicles political and local dramas, generational shifts, experiments with polyamory, and navigating the relationship between success and art. In conversation, Alison shares her struggles with fame, success, and the Trump era with a view toward the steadying forces of our relationships with others.

In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman wrestle with the question: What are we to do about shame? Using Frédéric Gros's recent book, A Philosophy of Shame, as a guidepost, they discuss shame's place in culture, politics, and our personal lives. Are there social benefits to feeling shame? And what are the repercussions of trying to avoid it? The hosts debate the possibility of a post-shame society and share personal stories about what they feel most ashamed of.

Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, Crumb: A Cartoonist's Life. The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb's work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.

Eric Newman speaks with journalist and author Vauhini Vara about her new book Searches: Selfhood in the Digital Age. The book hybrid blend of memoir and modern tech history explore how the internet, AI, and the corporate tech giants behind them have shaped the way we see ourselves and connect with others. Through Vara's personal anecdotes and digital history deep dives—including a nostalgic look at AOL chat rooms, a rundown of her Google search history and prolific Amazon product reviews, and her reporting on the rise of AI and how an early version of ChatGPT helped her write an essay about her sister's death—Searches shows how our search for meaning and identity online defines life in the digital age in ways both fascinating and concerning.

Eric Newman speaks with Jon Hickey about his debut novel Big Chief. The book is a gripping political thriller about the struggle for power, belonging, and destiny set against a tribal election campaign on a fictional reservation. It follows the story of Mitch Caddo and his childhood friend Max Beck, who is seeking reelection as the tribal president of the Passage Rouge Nation. As Max's reelection turns ruthless and agitated protesters turn out in force, Mitch is caught between loyalty, love, and his own conflicted sense of purpose—not least because Max's opponent, Gloria Hawkins, is backed by his estranged sister Layla, Mitch's former love. When a tragic plane crash reveals a political and financial bombshell, Mitch and the tribe's future hangs in the balance. Eric and Jon discuss the many meaty questions that suffuse Big Chief, including tribal identity and the long legacies of historical trauma the US government has inflicted on Native Americans.

Medaya Ocher is joined by TV writer, memoirist and librettist Sarah Labrie, author of the book No One Gets to Fall Apart. The book is a memoir of LaBrie's fraught relationship with her mother, who suffers a psychotic break in 2017 and is found on the side of a freeway, convinced that she is being followed by FBI agents. LaBrie is then forced to confront the difficulties and mysteries of her childhood, the way her family dealt with mental illness, and the many questions we all face around fate and inheritance.

Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, The Fantasy and Necessity of Solidarity. With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

Maggie Nelson joins Kate Wolf to discuss her new book Pathemata, Or, The Story of My Mouth. It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor's visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, "Audition," which explores a tense, complex relationship between a middle-aged actress and a young man who may or may not be her son. The book raises questions about the roles we play, the stories we inhabit, and the many choices we make. "Audition" is  LARB's Book Club pick this month. Join in on the conversation at https://lareviewofbooks.org/event/larb-book-club-discussion-audition-by-katie-kitamura/

Eric Newman and Medaya Ocher speak with Andrea Long Chu about Authority a collection of previously published and new essays and criticism. Authority interrogates what it means to be a critic today, analyzing the work that the critic does in interpreting a book, film, or TV show for us as well as how the status of the critic has developed from antiquity to the present. Andrea, Medaya, and Eric talk about finding one's voice as a critic, how the critic approaches an object of analysis, and the increasingly siloed role of the full-time critic in an era of tectonic shifts in the media landscape.

Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, Thrilled to Death, a collection of short stories selected from over four decades of her work. The stories in Thrilled to Death attest to Tillman's range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.

The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, The World After Gaza: A History. It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.

Eric Newman speaks with Bruce Robbins about his latest book, Atrocity: A Literary History, which explores how literary accounts of mass killing came to shape our collective moral indignation against such violence. Moving from the pre-modern era to the twentieth century, Robbins's book wrestles with how texts from the Bible to Kurt Vonnegut's "Slaughterhouse-Five" reckon–or fail to reckon–with atrocity, drawing out the risks of representing such violence, namely forgetting it altogether or normalizing its horrors.

Eric Newman speaks with Torrey Peters about her new story collection, Stag Dance, which spans genre, time, and place to explore the shifting sands of gender, sex, desire, and identity. From a post-apocalyptic world in which everyone is trans to a pirate logging camp in the early 1900s where desire and gender explode in surprising ways, the stories in Stag Dance plumb the murky and often ugly feelings that contradict the "good politics" narrative of the transgender experience. Eric and Torrey discuss how our desires and identities often remain unintelligible to us, how the materialist force of capitalism shapes those desires and our relationships with others, and what history might tell us about today's unprecedented assault on trans rights and lives.

Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about No Fault: A Memoir of Divorce and Romance. The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother's work as a divorce mediator. At a time when it's easier than ever before to access divorce, No Fault looks at the many questions that still persist around "what divorce should be, who it is for, and why the institution of marriage maintains its power."

In this special episode, host Eric Newman joins LARB senior editor Paul Thompson and Film Comment co-editors Devika Girish and Clinton Krute for a look at this year's Oscar nominees ahead of this weekend's award ceremony. Surveying this rather strange year in film, the gang discusses the gory camp of The Substance, the omnipresence of Wicked, the multi-genre madness of Emilia Pérez, and much more.

Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, Fail Better: Reckonings with Artists and Critics. A collection of essays that brings together over three decades of Foster's work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in Fail Better he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Eric Newman speaks with Colette Shade about her book "Y2K: How the 2000s Became Everything." Revisiting the strange hallmarks of that era–remember inflatable furniture and phones without touch screens?–Colette's essays explore the social and political antecedents that formed the fashion, culture, and style of the millennial turn. With a sharp eye to the neoliberal forces that shaped the tech-fueled utopianism of the era and its aftermath, Colette's writing brings into focus the promises of Y2K against the considerably less hopeful reality we're living two decades on.     "Is the Media Alright" event tickets: https://lareviewofbooks.org/event/is-the-media-all-right-larb-radio-hour-live/ Become a member of LARB: https://lareviewofbooks.org/membership/

Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, Good Girl. Aber is the author of the poetry collection Hard Damage, which won the Prairie Schooner Book Prize and the Whiting Award. Her writing has appeared in The New Yorker, New Republic, The Yale Review, Granta, and elsewhere. Good Girl follows 19-year old Nila, who's trying to make sense of her family's history in Afghanistan and their expectations for her own life in Germany. Nila attends university and lives with her widowed father in a housing project in Berlin, where she escapes into the city's nightlife and a love affair with an older American writer. The novel probes identity, history, shame, racism, and desire, along with real life political events in Germany over the last decade.

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, "Trump L'Oeil," here at the Los Angeles Review of Books.

In this week's episode, we are talking about the wildfires that have ravaged L.A. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA here. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery.

In light of the recent fires in Los Angeles, we're re-airing an episode featuring a panel discussion titled "Writing Climate Futures" with David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake. They discuss the role and efficacy of environmental writing, education, and the public discourse around climate change. The panel was hosted by the Los Angeles Review of Books in partnership with the Berggruen Institute.

In this encore special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips's recent book On Giving Up, in which the psychoanalyst observes that "we give things up when we believe we can change; we give up when we believe we can't." The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he'd prefer not to.

In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, Wave of Blood. A hybrid text that includes poems, diary entries in verse, and various forms of public address, Wave of Blood spans the six month period between October 2023, after the outbreak of war in Gaza, and April 2024. In it, Reines wrestles with the genocide and what she calls "the mind of war," as well her own ancestry as the descendant of Holocaust survivors, her late mother, and a contemporary culture steeped in violence, shame, and anxiety. Searching for power within a moment of seeming powerlessness, and for words in a time of unspeakable tragedy, the writing in the book seeks to address the recent past with deep introspection and personal responsibility, while also upholding poetry as a way to "open the space of the miraculous—and keep it open. Forever." Also, Kathryn Davis, author of Versailles, returns to recommend Thursbitch by Alan Garner.

It's time for our favorite episode of the year. Hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss their favorite books, movies, TV shows, music, scandals and (new category!) memories of 2024. For a full list of picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis, the acclaimed author of many novels, including Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, The Thin Place, Versailles, Duplex, and Silk Road, and a memoir, Aurelia Aurélia. Davis discusses her novel Versailles, originally published in 2002, recently reissued by Graywolf. Versailles is the story of Marie Antoinette, beginning when she's a teenager traveling to France. The book is a lyrical meditation on personhood and girlhood, amidst the objects and structures of power, politics and history.

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

Medaya Ocher and Eric Newman are joined by writer and artist Renee Gladman to discuss the re-release of "To After That (TOAF)" and her latest book, "My Lesbian Novel." TOAF focuses on one of Gladman's abandoned manuscripts, working through its creation and revision in an attempt to parse what literary failure means. "My Lesbian Novel" completely reinvents and reimagines the lesbian romance. Gladman discusses form and its possibilities, as well as the artist's struggle to realize the vision of a project. Also, Edwin Frank, author of Stranger than Fiction: Lives of the Twentieth Century Novel, returns to recommend Louis Aragon's Paris Peasant.

Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank's book charts its winding path of development, beginning with Fyodor Dostoevskey's Notes from the Underground, published in 1864, and ending with W.G. Sebald's Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the "minorness" of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein's stress on sentence itself, and James Joyce's stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.

In this special episode, Kate Wolf, Medaya Ocher, and Eric Newman are joined by writer and psychoanalyst Jamieson Webster to talk about the role of psychoanalysis in politics. Their discussion emerges from Webster's essay, "Freudulence," published in the latest issue LARB Quarterly Journal, which reassesses a controversial book co-authored by Sigmund Freud that gives a psychoanalytic reading of the presidency of Woodrow Wilson, including his disastrous handling of the Treaty of Versailles. Taking the recent election into account, the panel debates if psychoanalysis indeed belongs in politics. Could it help the electorate as a tool for making wiser decisions or understanding why we're attracted to certain leaders? How much does self-knowledge, or lack thereof, tip the scales of history?

Eric Newman and Medaya Ocher are joined by the Palestinian poet, short-story writer, and essayist Mosab Abu Toha. He is the author of the award-winning collection of poetry, Things You May Find Hidden in My Ear, as well as the founder of the Edward Said Library in Gaza, which he hopes to rebuild. Toha recently published a series of essays about Gaza in the New Yorker and his work has also appeared in the New York Times and the Los Angeles Review of Books. His new book is Forest of Noise, a collection of poems, grappling with his memories, experiences, and many, many losses. Also, Forrest Gander, author of Mojave Ghost returns to recommend Liontaming in America by Elizabeth Willis.

Kate Wolf and Eric Newman are joined by Pulitzer Prize-winning poet, novelist, and translator Forrest Gander to discuss his new book, Mojave Ghost. A long poem situated along the 800-mile length of the San Andreas Fault, which runs from Northern California where Gander lives to his birthplace in the Southern California Desert, the work reflects both exterior and interior landscapes with tender precision and heightened awareness. Gander moves through memory, grief, and fault lines— in the earth, our country, and himself. He confronts what it means to be a self that contains divisions born out of time, experience, and relationships to other people, both living and gone. Also, Simon Critchley, author of Mysticism, returns to recommend A Most Remarkable Creature by Jonathan Meiburg, and give a tip of the hat to Housekeeping by Marilynne Robinson.

Kate Wolf speaks with filmmakers Brett Story and Stephen Maing about their new documentary Union, which is out in theaters now. It follows, in real time, the forming of the first ever Amazon union in the country, the ALU, at the JKF8 plant in Staten Island. Later in the conversation Chris Smalls, the president of ALU, joins as well. Chris began to petition for the Amazon union after he was fired by the company in March of 2020 for walking off the job in protest of the lack of Covid safety precautions at the plant. The film picks up about a year later as Chris and his fellow organizers are gathering signatures to ratify their petition to formalize the union process. It captures the ensuing months of grueling work by Chris and other ALU members as they try to convince the 8,000 plus workers at the JFK8 plant that a union is in their best interest. The film is an object lesson in the many tactics needed for political organizing, and the inevitable discord that comes with it, both from the outside—in this case, one of the biggest companies in the world—and from within as well. Also, Alexis Pauline Gumbs, author of Survival Is A Promise: the Eternal Life of Audre Lorde, returns to recommend Audre Lorde's The Black Unicorn.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a "tendency, a distillation of existing devotional practice," the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the "world of enchantment opened in art, poetry and—especially—music." Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Catastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about Survival Is A Promise: the Eternal Life of Audre Lorde. A deeply researched and impressionistic biography of one of the most iconic figures of 20th century Black, queer, and feminist thought, Survival Is A Promise is a love letter to Lorde, pushing past her broad circulation in social media memes, inspirational quotes, and other forms of contemporary iconography. Gumbs' book locates the tectonic forces Lorde at once brought into view and moved through herself. Also, Rumaan Alam, author of Entitlement, returns to recommend Visitors by Anita Brookner.

Kate Wolf speaks to the author Deborah Levy about her new book, a collection of essays called The Position of Spoons: And Other Intimacies. The piece collected here cite Levy's early influences from French writers like Colette, Simone de Beauvoir and Marguerite Duras to JG Ballard and Anna Quinn. The collection also moves through snippets of Levy's life: her relationship to her mother, her youth in dreary London, her abiding interest in surrealism and psychoanalysis, the way inspiration strikes and then takes shape for her novels, and the sensual and aesthetic pleasures of food and nature. In her review of the book for LARB, Grace Linden writes: "It is evident to everyone who reads Levy that language is her plaything….her words are lit from within." Also, Emily Witt, author of Health and Safety: A Breakdown. returns to recommend A Song for the River by Philip Connors.

In this special episode of the LARB Radio Hour and LARB Book Club, Medaya Ocher talks with Rumaan Alam about his new novel, Entitlement. We begin with the story of Brooke, a product of the upper middle class, who works for an aging billionaire looking for places to give away his fortune. Brooke comes to recognize all that she could do with a vast fortune of her own. Taut, unsettling, and alive to the seductive distortions of money, Entitlement is a riveting tale for our new gilded age, a story that confidently considers questions about need and worth, race and privilege, philanthropy and generosity, passion and obsession. It is a provocative, propulsive novel about the American imagination. Also Garth Greenwell, author of Small Rain, returns to recommend Michael Gorra's Portrait of a Novel: Henry James and the Making of an American Masterpiece.

Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, Health and Safety: A Breakdown. A personal history that reflects on this past turbulent decade, the book begins right before the election of Donald J. Trump, a time when Witt finds herself ever more drawn to Brooklyn's underground techno music scene. Quitting Wellbutrin in 2012, she'd already started experimenting with psychedelics, but once she's going out dancing all night, her drug use transforms from a focused ritual under the rubric of the vaguely therapeutic to something more like hedonism: a brief accessing of utopia one party at a time. Then she meets a DJ named Andrew who's at the heart of the scene, and the kind of conventional domestic life she thought she was foregoing suddenly comes into focus, before the pandemic and social uprising of 2020 arrive and change everything. Health and Safety is about trying to find different ways to survive, live, and make family, as well as the changing landscape of New York, the ingenuity and creativity of promoters and DJs, and the shaky line between the collective and the individual in a world gone mad. Also, Danzy Senna, author of Colored Television, returns to recommend Another Word for Love by Carvell Wallace.

Eric Newman speaks with Garth Greenwell about his latest novel, Small Rain. The novel picks up the story of the same unnamed narrator from Greenwell's earlier novels, What Belongs to You and Cleanness, a poet and teacher now in his forties and settled down with his partner in the Midwest. Their placid life is upended when a sudden and excruciating pain sends the narrator to the hospital, where he's diagnosed with an aortic tear -- a life-threatening condition. Unfolding from this point, the novel explores how the narrator navigates his recovery as he's treated in a cramped hospital room in the midst of the COVID19 pandemic. Dilating on the power of art and intimacy to buoy us up in moments of extreme suffering, as well as the moments in which suffering overwhelms the transcendent capacity of art, Small Rain reckons with how we make our way through the agonies and ecstasies, unique and mundane, of life itself. Also, Sofia Samatar, author of Opacities, returns to recommend two books by Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives.

Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye to Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.

Kate Wolf talks to Danzy Senna about her latest novel, Colored Television. It follows a writer named Jane Gibson who's finally making headway on her second book, a magnus opus her husband calls the "mulatto War and Peace" that's been nearly a decade in the making. Jane's helped along by her family's stay in the tony, Eastside Los Angeles home of a friend of hers—a former fiction writer who long ago sold out to work in TV. Jane and her husband, Lenny, help themselves to this friend's wine and clothes, and Jane yearns for his financial stability. When her novel is rejected by her agent, she decides to try on his career in Hollywood as well. Colored Television is a hilarious unpacking of class, marriage, race, midlife, exploitation, Los Angeles, and what it takes to be an artist when no one cares about your work. Also, Charlotte Shane, author of An Honest Woman, returns to recommend a trilogy of historical novels by Sharon Kay Penman: Here Be Dragons, Falls the Shadow, and The Reckoning.

Sofia Samatar speaks with Kate Wolf about her new book Opacities: On Writing and the Writing Life. Opacities is addressed to a fellow writer, Samatar's close friend Kate Zambreno, and considers both the process of composing a book—the wellspring of inspiration, wishes and anxieties that accompany it— as well as the distance between a work and its author. Samatar explores how to stay alive as a writer through things such as community, extensive reading, and research alongside the dissonant ways writers are often asked to codify their identities and constantly promote themselves. Drawing on the words of writers like Eduard Glissant, Maurice Blanchot, Clarice Lispector, and Theresa Hak Kyung Cha, Opacities is at heart a book about the furnace of creativity, and the fuel that keeps it burning despite its many trials, risks, and disappointments. Also, Eugene Lim, author of Fog and Car, returns to recommend Too Loud a Solitude by Bohumil Hrabal.

Charlotte Shane joins Kate Wolf to speak about her latest book, An Honest Woman: A Memoir of Love and Sex Work. Detailing Shane's many years as a sex worker, the book is also a candid examination of her own sexuality, as well as her deep fascination with the sex lives and interior worlds of men. Shane writes about the importance of her early "sexperimentation" with a group of close guy friends in high school; the nuances of her relationship to her father, her husband, and her clients—especially the almost decade long bond she shared with one of them named Roger. She comes to sex work, and even heterosexuality, with both curiosity and empathy, as well as a feminist perspective. Her book focuses less on matters of harm and power than the intricacies of desire and the variety of intimacy possible between women and men. Also, Sarah Manguso, author of Liars, returns to recommend Soldier Sailor by Claire Kilroy.

Eric Newman speaks with Eugene Lim about his novel Fog & Car. First published in 2008 and freshly brought back into print this year, the novel dilates on the experiences of a couple making a life on their own in the wake of their divorce, the novel explores loneliness, grief, and the struggles of human relation through rotating perspectives of each member of the former couple as well as the friend they share in common. Walking through the novel's key moments, the discussion also explores how the passage of time has changed Lim's relationship to the characters and the existential loneliness that orbits the core of Fog & Car. Also, Mark Krotov co-editor of The Intellectual Situation: The Best of n+1's Second Decade, retruns to recommend Alan Hollinghurst's The Swimming Pool Library.

On July 18th, Los Angeles Review of Books and The Berggruen Institute hosted a panel discussion titled "Writing Climate Futures," featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake. As our planet faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency by the day. Through education, envisioning fictitious new worlds, and pushing forward the public discourse, writing holds the power to move the conversation we have around the future of our planet. LARB and The Berggruen Institute convened exciting voices in the climate movement from across genres to discuss how writing can enact change. David Wallace-Wells is the author of The Uninhabitable Earth: Life After Warming (Penguin Random House, 2019), which argues that the state of the world, environmentally speaking, is "worse, much worse, than you think." He is a weekly columnist and staff writer for the New York Times, deputy editor of New York Magazine, and he was previously the deputy editor of The Paris Review. He writes frequently about climate and the near future of science and technology. Jenny Offill is the author of three novels, Last Things, Dept. of Speculation, and most recently, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize. She is also the recipient of a Guggenheim fellowship. She teaches at Bard College and lives in upstate New York. Dr. Bharat Jayram Venkat is an Associate Professor at UCLA with a joint appointment spanning the Institute for Society & Genetics, the Department of History, and the Department of Anthropology. His forthcoming title—tentatively titled Swelter: A History of Our Bodies in a Warming World— is about thermal inequality, the history of heat, and the fate of our bodies in a swiftly warming world riven by inequality. Dr. Venkat is the founding director of the UCLA Heat Lab, which investigates thermal inequality from a variety of disciplinary perspectives, ranging from biology and history to anthropology and urban planning. Jonathan Blake directs the Planetary Program at the Berggruen Institute. He is the coauthor, with Nils Gilman, of Children of a Modest Star: Planetary Thinking for an Age of Crises and author of Contentious Rituals: Parading the Nation in Northern Ireland.

Could feeling bad actually be good? In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman consider the uses of pessimism in our approach to contemporary politics. Digging into Joshua Foa Dienstag's 2006 book Pessimism: Philosophy, Ethic, Spirit they discuss this branch of philosophical thought: its core beliefs and practitioners, how it's been misunderstood, and how we might use it to navigate the boomeranging emotions of our present political climate.

Kate Wolf and Medaya Ocher speak to Sarah Manguso about her new novel, Liars, which focuses on a marriage and its disintegration. Jane is a writer, and her husband John is an artist and entrepreneur. Even early on in their relationship, John gives Jane plenty of reason to doubt their future. By the time they have their first child, Jane is subsumed by the role of wife and mother, responsible for tackling the domestic work as well as the chaos of John's finances and shifting career ambitions, and ultimately his betrayal. The novel focuses on the trespasses of a single relationship, but it's also about art, wifehood, and the institution of marriage itself, as well as the stories we tell about it from inside and outside its vows. Also, Dayna Tortorici, co-editor of The Intellectual Situation: The Best of n+1's Second Decade, returns to recommend All Fours by Miranda July.

Editors Dayna Tortorici and Mark Krotov join Kate Wolf and Medaya Ocher to speak about 20 years of the magazine n+1, as well as their new anthology The Intellectual Situation: The Best of n+1's Second Decade. The book collects n+1 essays, short stories, and reviews from the last ten years, covering the rise of Bernie Sanders and democratic socialism, the George Floyd protests, #MeToo, and the Covid pandemic. The guests discuss the ins and outs of running a small magazine, the current media landscape, their commitment to formal experimentation and political discourse, and their vision for the future of print. Also, Yasmin Zaher, author of The Coin, returns top recommend The Kingdom by Emmanuel Carrere.

Kate Wolf speaks with writer and journalist Yasmin Zaher about her debut novel, The Coin. An allegorical tale of alienation, loneliness, and repulsion, the book follows a Palestinian woman who's recently fulfilled her family's dream of moving to America. In New York, working as a middle school teacher, she finds herself disillusioned with the filth of the city and its poverty. She's beset with a deep unease at her own body and haunted by memories, especially that of a coin—a shekel—she swallowed on a car ride as a child just moments before a horrible accident. Estranged from the few people she knows in the city, her behavior becomes increasingly unhinged and bizarre in ways that complicate standard stories of immigration, and instead imagine the path of a character who sees through America's promise and realizes she has nothing to lose. Also, Nell Irvin Painter, author of I Just Keep Talking, returns to recommend three books and one magazine: The Plague Edition of Konch Magazine edited by Ishmael Reed and Tennessee Reed's; Black Art and Aesthetics: Relationalities, Interiorities, Reckonings edited by Michael Kelly and Monique Roelofs; James: a Novel by Percival Everett; and Changing My Mind: Occasional Essays by Zadie Smith.

Eric Newman is joined by historian Nell Irvin Painter to discuss I Just Keep Talking: A Life in Essays, a compendium of Painter's writing about art, politics, and race across nearly four decades. The wide-ranging discussion moves from how researching Sojourner Truth inspired Painter to get her MFA in visual art, to the struggle over what can be taught and known about American history, to the ways modern information technology impacts our experience of the present and its echoes in the past, and to how we might navigate a bleak present in which fascism seems newly on the march. Also, Emily Nussbaum, author of Cue the Sun! The Invention of Reality TV, returns to recommend Strangers to Ourselves: Unsettled Minds and the Stories That Make Us by Rachel Aviv.

Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book Cue the Sun! The Invention of Reality TV. Nussbaum's overview of the most dominant genre of our time moves from reality TV's origins in radio to its role in forging the public image of a US president. In a sweeping conversation, the hosts and Nussbaum break down some of the unsung heroes and incredible stories behind the creation of our nostalgic reality TV touchstones, the harbingers of a darker genre to come, and its relationship to broad, tectonic social and political changes in American life. Also, Patrick Nathan, author of The Future was Color, returns to recommend Housemates: A Novel by Emma Copley Eisenberg.

Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month's LARB Book Club pick, The Future Was Color. The novel chronicles the life of Hungarian immigrant writer George Curtis. When we meet George, he's writing the hacky sort of monster movies that are today's cult classics, trying to find sex and love amid the closeted ambiance of life between the wars and in the midst of the McCarthyite purges of communists and homosexuals that plagued the mid-century film industry. As George demurs writing the studio's next big hit to create something of greater substance about Hungary and the war from his exile perspective, he follows a passionate affair with his coworker in the writers' room. But when he departs the studio office for a residency of sorts with a Malibu actress and her gay husband, a dramatic chain reaction brings new motivations and possibilities to light. A novel about a moment in time that is also in so many ways timeless, The Future Was Color is an exploration of the line between the personal and political, between safety and risk, the art we create and the art that creates us. Also, Claire Messud, author of This Strange Eventful History, returns to recommend Susie Boyt's novel, Loved and Missed.

Medaya Ocher and Kate Wolf are joined by celebrated writer Claire Messud, the author of six works of fiction including the highly-acclaimed bestseller The Emperor's Children.  Messud's latest novel is This Strange Eventful History, which follows the Cassars, a Pied-Noir family from Algeria, who find themselves constantly displaced by the changing tides of history, first by World War II and then by Algerian independence. Partly based on her own family's story, the book traces the story of each family member, across three generations, as they encounter the world as well as their own personal joys and tragedies. The novel is, of course, about history, both personal and global, as well as the ways people build homes outide of their homelands.

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman debate an age-old question that's being taken up in new ways amid an increasingly atomized landscape for thinking and writing about the literature and art that moves (as well as enervates) us. What does it mean for criticism to "matter"? And what indications do we have that it does beyond the measure of the marketplace? The hosts discuss what they think has changed—and hasn't—about how and where reviews circulate, the art of the take down, what they look for in a good piece of criticism, and if you can trust the New York Times Book Review. They also discuss the many roles critics play—from forming canons to puncturing them, using specific language, and transforming personal taste and sensibility into something that can, occasionally, change culture.

Rachel Khong joins Eric Newman to discuss her latest novel, Real Americans. Divided into three parts that each trace the experiences of different generations of a Chinese American family, the book delves into the thickets of identity, exploring how cultural strictures and the chaos of love shape our reality. The first section, set in 1999, recounts the romance between Lily, a second generation Chinese American media intern in New York, and Matthew, the WASPy private equity investor of the company where she struggles to eke out a living. The second section transports us to Seattle in 2021, where Lily's son, Nick, is navigating the end of high school and early college years with his father, Matthew, conspicuously absent. When Nick reconnects with Matthew through a DNA ancestry test, old wounds heal even as new ones are opened up in the wake of long-buried family secrets. In the final section, Nick's grandmother reflects on her experience fleeing Mao Zedong's China to make a new life in the United States, while trying to reconcile with a tattered and scattered family in present-day San Francisco. As these three lives are woven together and torn apart, Real Americans moves propulsively through questions of race, class, and gender as its characters work to understand their relationship to inheritance, variously conceived, around the tripwires of silence, desire, and pain. Also, Erik Davis, author of Blotter: The Untold Story of an Acid Medium, returns to recommend Dale Pendell's Pharmako Trilogy.

Erik Davis joins Kate Wolf to speak about his latest book, Blotter: The Untold Story of an Acid Medium. The book is a study and history of the emergence of acid blotter paper from the late 1970s to the present day. It charts not only how the distribution and legal definition of LSD has changed over the decades—along with shifting cultural attitudes towards the drug—but also how blotter makers reflected these changes in their designs. The book examines the many recurring themes and aesthetics of blotter from cartoon characters, underground comics and advertising, to religious and political imagery, as well as associations with modern art movements like pop and minimalism. As psychedelics move closer to legalization for therapeutic purposes, Blotter is a reminder of the freak culture, anti-establishment origins of LSD and the inventive and playful path one of its main mediums has cut across countless minds over the last half century.

Writer and curator Legacy Russell joins Kate Wolf to discuss her new book, Black Meme, which theorizes the history of viral images of Blackness in America from the dawn of the 20th century to the present. The book argues for the centrality of Black culture in the formation of the digital sphere; it also points to the many ways images of Black people have been exploited, decontextualized, and abused both before and after the internet. Russell draws on a variety of examples, from the open-casket photos of Emmet Till that appeared in Jet Magazine, to the phenomena of Michael Jackson's Thriller video, which helped popularize the VCR, to more recent viral videos of police violence and Black social death. Calling for a reexamination of notions of private and public property, Black Meme urges a reconsideration of what an equitable exchange might look like for Black creators online, as well as engagement on the internet that goes beyond a reshare. Also, Miranda July, author of All Fours, returns to recommend Small Rain by Garth Greenwell.

Miranda July speaks to Kate Wolf about her latest novel, All Fours. Its narrator is a woman in the middle of her life, a recognized artist who's worked steadily for years with "the confidence that comes from knowing there is no other path." Shortly after her 45th birthday, she decides to take a road trip to New York to celebrate with money she's recently made from a whiskey commercial. She leaves her husband and child one morning and ends up stopping in a small suburb outside of Los Angeles for breakfast. But instead of continuing on, she rents a motel room there and proceeds to stay for the next three weeks. Part of her decision is based on her intense desire for a Hertz rental car employee she meets named Davey, a younger man, who yearns to be a hip hop dancer. But other aspects of her reasoning are more ineffable, fueled perhaps by the uncertainty of the future, aging, mortality, and struggles with the confines of domestic life. Her sojourn in the motel room becomes the catalyst for a reckoning with that life upon her return, and the basis for a deeper philosophical and visceral inquiry into desire, the female body, social and sexual possibility, caregiving, and what truly makes life worth living. Also, Danielle Dutton, author of Prairie, Dresses, Art, Other, returns to recommend The New Animals by Pip Adam.

Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of Prairie, Dresses, Art, Other as well as Margaret the First and Sprawl. Dutton is also co-founder of the outstanding press Dorothy Project. Prairie, Dresses, Art, Other is a collection of stories and essays that exemplify Dutton's approach to writing: ekphrastic, collaborative, laced with dread, wonder, and silence, as well as the power of landscapes (outer and inner) to transport both characters and readers beyond the normal bounds of being. Many of the stories in the book are set in the open plains of the Midwest—a space that becomes rife for projections of bodily harm and climate collapse, where the real world and the digital sphere frequently overlap. Also, Jennifer Croft, author of The Extinction of Irena Rey, returns to recommend Entangled Life by Merlin Sheldrake.

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips's recent book On Giving Up, in which the psychoanalyst observes that "we give things up when we believe we can change; we give up when we believe we can't." The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he'd prefer not to.

Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It's also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues. Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds; Memories; and Tolstoy, Rasputin, Others, and Me.

Scholar Randol Contreras joins Kate Wolf and Eric Newman to discuss his new book  The Marvelous Ones: Drugs, Gang Violence, and Resistance in East Los Angeles. The book is a study of the history and present lives of veterans of the legendary Maravilla gang that long dominated the scene in East Los Angeles before a bitter rivalry with the La Eme during the 1990s and early 2000s that had Maravillas scrambling for their lives in the streets and in prison. Though centered around the experience of that epic gang rivalry, The Marvelous Ones is also an examination of how masculinity, race, and cultural identity are shaped and reshaped within the context of organized crime inside state institutions and in the everyday lives of those living in Los Angeles. It is also a story about what it means to matter and to be remembered as a man, as a husband, as a father, and as a Maravilla amid the roiling waters of political, social, and historical change. Also, poet Victoria Chang, whose latest collection is With My Back to the World, returns to recommend an anthology of poetry entitled You Are Here: Poetry in the Natural World edited by the current Poet Laureate of the United States, Ada Limon.

A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she's pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet psychic who has been communicating with her great-grandmother, Irina. Paul needs Zhenia to translate Irina's story, from Russian, about her role in the Russian Revolution and why she decided to place Zhenia's beloved grandmother in an orphanage; Irina meanwhile needs Zhenia to understand her choices, and just perhaps, forgive her.

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin's paintings and is also often accompanied by Chang's own visual interpretations of Martin's work. Regarding Martin's intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, "solitude grabs my phone and takes a selfie."

Eric Newman speaks with director Morgan Neville about his new film "STEVE! (martin) a documentary in 2 pieces," which explores the legendary comedian's meteoric rise to standup stardom, his abrupt pivot to TV and film, and his return to stage in the present as he and close friend Martin Short prep a new comedy tour. Eric and Morgan discuss the treasure trove of never-before-seen archival that brings Martin's early career to life, what Morgan has learned about fame and the psychology of entertainers from his storied work documenting the lives of cultural luminaries, and much more. writingComedystandupSNLMoviesTVStageactingDocumentaryMorgan NevilleEric NewmanLos Angeles Review of BooksSteve Martinfame

On this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman talk about the ethics and politics of memoir in the wake of several recent controversies. Touching on Blake Butler's Molly, Emily Gould's essay in The Cut on her flirtation with divorce, and much more, the gang considers who gets to tell whose stories, how, and why.

Eric Newman speaks with writer Tommy Orange about his novel Wandering Stars, a multigenerational epic that is both prequel and sequel to his award-winning 2018 debut There There. Beginning in the immediate aftermath of the Sand Creek Massacre of 1864, the novel follows a Native family's journey across more than 150 years as they struggle to maintain their connection to one another and to their Cheyenne history and identity in the face of addiction and the brutal legacy of forced assimilation. Also, Gretchen Sisson, author of Relinquished: The Politics of Adoption and the Privilege of American Motherhood, returns to recommend The Turnaway Study bhy Diana Greene Foster.

Kate Wolf speaks with sociologist Gretchen Sisson about her first book, Relinquished: The Politics of Adoption and the Privilege of American Motherhood. The book is based on interviews Sisson conducted over the last decade with birth mothers who relinquished their children for private adoption in the US. Most often Sisson found that these women deeply regretted their decision, and that poverty was the driving force behind it. Alongside the harrowing stories of the women who Sisson spoke with, her book also looks at the history of adoption in the United States and its ties to conservative Christianity, as well as family policing systems of the state. In an age of narrowing reproductive freedom, when adoption is touted by the Supreme Court as an answer to the need for abortion, Relinquished asks hard questions about the compatibility of the practice with the possibility for true reproductive justice. Also, Brad Gooch, author of Radiant: The Life and Line of Keith Haring, returns to recommend Candy Darling by Cynthia Carr.

Eric Newman and Kate Wolf speak with Brad Gooch about his new biography, Radiant: The Life and Line of Keith Haring. A deep-dive into the life of an artist whose work can be seen today on everything from museum walls to t-shirts and tote bags, Gooch's book unearths the cultural moment that gave rise to Haring's meteoric career before his untimely death in 1990. Moving across topics including the commercialization of art, cultural appropriation, the AIDS crisis, and more, Radiant brings the highly-recognizable artist into nuanced focus. Also, Tana French, author of The Hunter, returns to recommend Watership Down by Richard Adams.

Medaya Ocher and Eric Newman speak with megawatt mystery maven Tana French about her latest novel, The Hunter. Set in the fictional rural Irish town of Ardnakelty, The Hunter is a dark, slow-burning story of the ties that knit together small communities–and the animosities that tear them apart. French talks about how American Westerns influenced the tone and texture of her latest novels, where she gets the ideas for her dark stories, and how her globe-hopping childhood made her the mystery writer she is today. Also, Leslie Jamison, author of Splinters: Another Kind of Love Story, returns to recommend Eliza Barry Callahan's The Hearing Test: A Novel, as well as Emmeline Clein's Dead Weight: Essays on Hunger and Harm.

In this special episode, Eric Newman chats with LARB Film & TV editor Annie Berke and Film Comment co-editors Devika Girish and Clinton Krute for a preview of this year's Academy Awards. Breaking down the top Oscar contenders, the group talks the best and worst of the year in movies, from Barbie to Oppenheimer, Killers of the Flower Moon, Poor Things, Maestro, and more. If you loved–or hated!–the year in film, this episode is for you.

Leslie Jamison joins Medaya and Kate to discuss her latest book Splinters: Another Kind of Love Story, a memoir that chronicles the birth of her daughter and the collapse of her marriage soon after. Jamison writes about the bond with her own mother, as well as the intense, consuming love for her child. The book is not only a story about her most intimate relationships, but an examination of doubt, betrayal, forgiveness and, as the subtitle says, love. Also, Phillip B. Williams, author of Ours, returns to recommend The Black Book, edited by Toni Morrison. Literaturememoirmotherchildmarriagebreak-updoubtbetrayalforgivenessLoveLeslie JamisonSplinterMedaya OcherKate WolfLos Angeles Review of BooksPhillip B. WilliamsOursThe Black BookToni MorrisonEric Newman