The contemporary face of garage talks about obsession, overnight success and his turn towards a more mature image and sound. Over the last few years, Zac Bruce—better known as Interplanetary Criminal—has become the definitive face of a global garage resurgence. He seemingly appeared overnight with his 2022 chart-topping anthem, Baddest Of Them All, made with singer Eliza Rose. But his story extends far beyond this career-defining moment. His journey is one of deep-rooted obsession: from the quiet stillness of producing lo-fi and jungle in his bedroom in Leeds, to co-founding the ATW (All Thru the Night) imprint, a label that has become a lighthouse for a new generation of garage heads. This last year was a whirlwind for Bruce. He headlined a show at Brixton Academy and played at major festival stages around the world. But as you’ll hear in this conversation with RA editor Gabe Szatan, Bruce isn’t interested in the shallow shine of accolades. He’s a selector in the truest sense—someone who spends as much time digging for obscure white labels as he does A&Ring the next wave of talent. He and Szatan also touch on the epidemic of “edit culture;” the cost of maintaining artistic integrity; his transition from the "silliness" of his early viral moments to a more mature sound; and the community of peers that make his ATW universe feel less like a brand and more like a family. This one has been a long time coming. Listen to the episode in full.

A kaleidoscope of polyrhythms and post-dubstep. "Music was a way to speak Arabic… It's my way of being confident that I am, in fact, Lebanese," Jared Beeler AKA DJ Plead told Crack Magazine in 2022. Often framed as an Australian producer threading Arabic rhythmic structures through techno and post-dubstep, DJ Plead's music is better understood as tradition embedded inside contemporary club forms, where percussion and bass move as one. First surfacing in the late 2010s with releases on DECISIONS and Nervous Horizon, he has since become one of the most consistent voices in leftfield dance music, defined by the tactile clarity of their drum programming and Maqam-informed phrasing. RA.1028 opens with Bruce's "Just Getting On With It" from Livity Sound's ten-year compilation, a fitting nod to the kind of rhythmic experimentation that runs through the set. From Iran to London to Miami and back again, the 90-minute mix pulls a wide frame into focus, including several unreleased DJ Plead tracks. Whether it's the dry snap of hand-drum hits or sub-bass that lands with chest-caving weight, RA. 1028 is a reminder that rhythm can be a direct path back to the self. Find the tracklist and Q&A at https://ra.co/podcast/1047 @1djplead

Two hours of groove, texture and Black excellence from new-school New York royalty. New York native JADALAREIGN has always represented Black excellence, but in recent years her vision crystallised. The in-demand act and former Nowadays booker has fine-tuned her creative practice, experimenting with tempo and selection in ways that have led to a deep, nuanced relationship with Black artistry, one that centres musical education through storytelling. Behind the decks, JADALAREIGN is principled. They say wisdom brings sorrow, but RA.1027 suggests the opposite. It opens with a vocal sample whose message mirrors her wider creative practice: "I'm an African woman who believes in justice for all people. The priorities of this planet have to completely change." From there, the mix ricochets through rumbly drums and sci-fi whirr, peppering house melodies with slo-mo bleeps and techy steppers. She moves across club genres with fluid ease, keeping the cadence loose-limbed yet dynamic throughout. It's strange and tactile—and it sounds like freedom. JADALAREIGN seems surer than ever about all aspects of her career, and it shows in her RA Mix. If you see her at the function, her joy for her work is ever bountiful. For US Black History Month, it's a timely reminder that history isn't only something we look back on; JADALAREIGN is making it, live. Find the Q&A and tracklist at ra.co/podcast/1046

The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

A b3b for the ages, straight from Detroit techno's Hall of Fame. "Let's just go through some shit, let's see what we got here." In that unmistakable drawl, Moodymann opens RA.1026—and from there, you know you’re in good hands. Mike Banks, Carl Craig and Moodymann are artists of the utmost standing. As founders of Underground Resistance, Planet E and Mahogani Music respectively, their catalogues have shaped electronic music in profound ways, from Moodymann's 2004 LP Black Mahogani and Craig's era-defining remixes, to Banks's uncompromising output as Underground Resistance. But the records are only part of it. All three artists show you can build something lasting without corporate backing, that creative freedom is a discipline as much as a right. Through their work, house and techno became vehicles for resistance, identity and pride. Recorded live at Movement in Detroit, RA.1026 captures Banks on keys, Craig on the decks and Moodymann on the mic, weaving through Motor City staples, '80s classics and deep cuts, including "The Final Frontier" and "Knights Of The Jaguar." As Black History Month continues in the US, the mix feels especially momentous Coming in at just under two hours, it’s about chemistry, shared history and timeless records. Read the Q&A with Carl Craig at ra.co/podcast/1045. @moodymann313 @carl-craig-official @underground-resistance

For the Exchange's Season Two relaunch, the visionary duo discuss their first release in 13 years and the inspiration behind their trailblazing sound. Neel and Donato Dozzy, who perform and make music together as Voices From The Lake, first joined forces in 2011, when what was supposed to be a one-off performance in the Japanese Alps changed the trajectory of ambient techno forever. The music they made for the occasion was released as a self-titled album in 2012—a record that achieved mythical status in the underground and is still described as the Selected Ambient Works for the Berghain generation. Instead of following techno's standard linearity and instrumentation, the duo deployed a soft pulse, massive reverb trails and carefully placed silence to make their music feel like a living, breathing organism. Dozzy and Neel then went silent for 13 years, each pursuing their individual careers while fans pined for more music. And in December 2025, they finally delivered. II, which is dedicated to their late friend Nuel, manages to be both a continuation and a reinvention of the sound they pioneered more than a decade ago. In this RA Exchange, they uncover its guiding concepts, which draw deeply from the well of improvisational practices, concepts in Japanese design and aesthetics, and the minimalist visual art of contemporaries like Mike Parker. The duo also reveal their plans to veer away from the ambient blueprint altogether. Listen to the episode in full.

The Brazilian party starter unveils 60 minutes of sun-drenched house. Minas Gerais isn't the typical Brazil of postcards. Yet from this landlocked terrain emerged one of its most accomplished sons. As OMOLOKO, João Vitor has mastered the art of summoning summer on the dance floor. Armed with a pair of CDJs and a USB, he carries sun-kissed house dreams shaped by countless hours lost in Discogs rabbit holes, forgotten corners of YouTube and the dust of hidden record shops. Vitor was born in Rio Grande do Norte, in Brazil's northeast, before moving south as a child when his family set out in search of new opportunities—a well-worn path in the world's fifth-largest country. Adopting the alias OMOLOKO in the late 2010s, he quickly became a beacon in Belo Horizonte's bubbling electronic scene. Carrying sounds from home deep in his memory alongside a restless desire to make the world dance to his own findings, he carved out a singular voice with genre-hopping sets, grounded in an affection for infectious grooves and warm, rolling kicks. In recent years, Vitor's fine-tuning of his craft behind the decks have made him more than a familiar face at countless essential nightlife hubs around the world, from Panorama Bar to Dekmantel, São Paulo's Gop Tun to Ibiza's DC-10. His résumé, already impressive, is expanding nicely. So to mark the beginning of carnaval in Brazil, who better for RA.1025. Vitor's RA Mix draws deeply from the lineage of house's most celebrated names, alongside obscure gems your Shazam wouldn't dare recognise. With slow-cooking patience, the session follows wherever the language of dance leads: South African kwaito, diva vocal flashes, funk-laced deep house, vibraphone-led strides and salsa-laced drumwork. It’s like a dream team of house offshoots, all meeting for the very first time at the beach. Read more at https://ra.co/podcast/1044 @OMOLOKOO

The Memphis artist also known as Cities Aviv delivers 60 minutes of stirring electronics and industrial abstractions. Since his first release in 2010, Gavin Mays, AKA African-American Sound Recordings and Cities Aviv, has been living multiple lives. The D.O.T. label boss has put out work under various aliases, spanning post-hip-hop, ambient electronics and soul-inflected abstraction, consistently challenging and rearranging the scope of every genre he works within. African-American Sound Recordings is Mays' "side project"—as hobbies go, it's a formidable one. Since its launch in 2019, he's released ten albums built from a dense palette of samples: distorted voices drift alongside warm currents of jazz and acoustic instrumentation, painting ambient vignettes that swerve between the serene and the industrial. It's no coincidence that Mays cites Sunday service as a formative space. Samples of gospel worship and memories of communal ritual are the fil rouge running through the project, reimagining Black musical traditions as a living system. RA.1024 has one of the shortest tracklists in the series to date: three total. The final two tracks, gospel recordings ripped from his own CD collection, arrive like sunlight breaking through the clouds. Find the tracklist and interview at https://ra.co/podcast/1043 @user-512973206

The Texan prodigy transmits the sound of sci-fi techno in 2026. What does the future feel like in 2026? In an era dominated by nostalgia and electronic revivalism, even techno—a genre once defined by futurism—has begun to feel stagnant. Enter Gautham Garg, aka Decoder. Raised in Dallas, the 21-year-old offers a refreshed vision of techno for the present moment. While comparisons to techno stargazers like Mills and Richie Hawtin are inevitable, RA.1023 reveals a broader palette. Microtonal flourishes recall Aleksi Perälä’s Colundi era, while the patient structures lean closer to Perlon-style minimalism than early-2000s severity, with nods to Ricardo Villalobos and Margaret Dygas. Built largely from unreleased material, RA.1023 captures Garg’s vision of techno for this decade. There’s weight, but it’s more body than bite: elastic, finely tuned drums and a buoyant hypnotism that persists even in rougher moments. Though often labeled sci-fi, Garg’s sound adds layers to cold futurism—instead, optimism shines through. In his hands, techno’s future still feels bright. Find the Q&A and tracklist at ra.co/podcast/1042 @iamdecoder

The newest XL signing delivers 60 minutes of blistering explorations across the hardcore continuum. Don't expect KAVARI to take anything too seriously. The Glasgow-based artist thrives on contradiction: a pop-adjacent instinct colliding with a love of discomfort, abrasion and noise. After years of releasing independently, 2026 marks a new chapter with PLAGUE MUSIC, her debut on XL, out in February. But her instincts remain the same: push harder, strip things back, make it stranger. It comes as little surprise, then, that she's earned the support of fellow mould-breakers like Aphex Twin, Ethel Cain and Hudson Mohawke. Of her RA Mix she shrugs: "I honestly don't remember making it." That irreverence is audible: disembodied voices mutter club-floor mantras, as she drags grime, drum & bass and dubstep through distortion, friction and collapse. If that all sounds chaotic, well, that's kind of the point. The aim is to unsettle but o nce you find your footing, RA.1022 reveals itself as genuinely thrilling dance music, far removed from convention. Because nobody gets anywhere interesting without ruffling a few feathers. Find the tracklist and interview at ra.co/podcast/1041 @kavarimusic

Sensational ambient techno, dub pressure and acoustic visions, sculpted for dreaming and dancing. In 2023, we called Mariachiara Troianiello one of techno's most exciting producers. And time has only confirmed that statement. Belonging to a new school of head-spinning artists following in the lineage of Donato Dozzy and Cio D'or, the Turin producer put out her debut EP as Katatonic Silentio, Emotional Gun, in 2019, exploring breakbeat and IDM through a distinctly introspective lens. Since then, her evolution has been striking: from hyperkinetic, post-rave intensity to the sound design-rich tapestries heard on releases for Delsin, Ilian Tape and Mantis. At first glance, Troianiello's RA Mix ends on an unlikely note: "Technologystolemyvinyle," Moodymann's gloriously disjointed 2007 house cut. But this is a mix best understood in two halves. The opening stretch leans heavily into acoustic, organic sonics before kick drums gradually emerge in the second half. Even at its most stripped back, RA.1021 feels full-bodied: immersive, meditative and transportive. There's also an unmistakable sense of freedom throughout, the sound of throwing caution to the wind, playing purely on instinct and joy. It's the feeling of being invited into Troianiello's inner world, and revelling in it together. That unguarded spirit defines RA.1021. Find the tracklist and Q&A at ra.co/podcast/1040

Stumble into 2026 with the 3XL favourites' uncanny vision of ambient. It's become a tradition that the first RA Mix of every year eases listeners into January with soft, gentle and unhurried tones. For RA.1020, though, crimeboys take a different approach. Made up of Ben Bondy, Special Guest DJ and Pontiac Sterator, the US trio are all loosely associated with 3XL. Over the past decade, the Berlin-based label, run by Special Guest DJ, has helped define a strain of ambient that foregrounds strangeness, texture and eccentric detail. This energy comes through immediately on RA.1020. Listen to the first ten minutes and you might not quite feel soothed. Stick with it, though, and a different logic begins to emerge, as church bells, corroded electronics and industrial abrasion give way to long passages of dub pressure, shadowy rhythm and low-lit propulsion. Across two hours, the trio draw a map of influences both internal and external to the 3XL universe, from foundational reference points like Skinny Puppy, M.E.S.H. and DJ Krush to artists embedded within the label’s wider orbit, such as Perila, james K and Critical Amnesia. Together, these selections trace a throughline from '90s industrial and jungle into dub techno, experimental club and contemporary ambient's more unsettled edges. RA.1020 isn't comfort listening in the conventional sense, but it does offer its own form of recalibration and release. Stay put, and you'll be rewarded. Find the tracklist and interview at ra.co/podcast/1039 @triplexlarge @benbondy @pontiacstreator @specialguest-dj

We close out 2025 with a rare studio mix from the gifted London DJ. DJing is a craft. It reveals itself over time rather than all at once, and few embody that better than OK Williams. Active since 2019, the London DJ has built a reputation through steady accumulation rather than acceleration, becoming one of the city's most trusted and widely admired selectors in the process. Williams has never been interested in narrowing her taste into a single calling card, and it's no coincidence that her roots lie at NTS Radio. She learned to DJ at the Hackney station, starting out as a volunteer producer in 2017. Musically, she moves easily between moods—sometimes cheeky, sometimes deep—and tempos, playing everything from 160 BPM jungle and amapiano to baile funk, deep house and dub techno. For her RA Mix, Williams offers up her "purist" side. Despite her background in radio, Williams doesn't share mixes often and RA.1019 arrives as a relatively rare studio document. Recorded at home on vinyl, the 90-minute session mostly leans into '90s and early '00s techno and prog house. "Ten years ago I tried learning how to play [vinyl] on a friend's 1210s and gave up after a couple of weeks,"Williams tells us below. "Those same decks were then gifted to me years later and were used to record this mix. It's quite nice to see how far I've come." In returning to vinyl, and to the decks that once marked a rocky start, Williams' RA Mix arrives as a fitting marker for the year's end. As 2026 approaches and new resolutions begin to crowd the horizon, RA.1019 serves as a welcome reminder that the best things seldom arrive in a hurry. Find the tracklist and inteview at https://ra.co/podcast/1038 @okwilliams

"The Budots Three" showcase the thrilling sound of Filipino dance music. If you were on TikTok in the summer of 2024, there is a good chance you heard "Emergency Budots (Paging Doctor Beat)." The DJ Johnrey track spread fast, soundtracking countless dance clips, and just as quickly sparked a wave of corrections. Budots, viewers were told, wasn't new. And most people weren't dancing it right. To understand Budots, DJ Love, DJ Danz and DJ Ericnem are a useful starting point. The three producers have been making Budots music since the early 2000s, developing the genre largely outside formal club infrastructure, and across the trio's RA Mix, the genre's playful character comes into focus. Bouncy like a ball, it's primary elements are clipped vocal samples, pitched-up synth hooks and tightly looped rhythms. Heard in full, RA.1018 plays out as an hour-long joyride, making it difficult to square the music’s buoyancy with Budots' earlier local associations with disorder and crime. DJ Love has been central to reframing Budots, positioning it as a form of release for the working-class neighbourhoods he calls home. "People fight in the slums," he told The Face. "I wanted to turn that energy into enjoyment." RA.1018 offers a glimpse into that world. Working collectively as The Budots Three—extra points if you catch the nod to a certain pioneering Detroit outfit—Love, Danz and Ericnem showcase the richness beyond TikTok's compressed snapshots. Across the hour, the mix moves between classic Budots reworks and newer mutations, tracing both the genre's roots and where it might head next. It's Budots, in full view. Find the tracklist and interview at ra.co/podcast/1037 @easternmargins

The Leisure System co-founder talks psychology, behavioral science and his standout album of the year, Stochastic Drift. Sam Barker's influence on contemporary electronic music culture spans many levels—not only as a producer and DJ pushing against traditional genre boundaries, but also as key figure behind the scenes as head of the label Leisure System. He came into RA HQ to talk about the central thesis in his current work: exploring organic, human timing in a genre that has become increasingly obsessed with mechanized grids. The Berlin-based artist tells us about how he puts this theory into practice in his standout album of the year, Stochastic Drift, and his recent collaborative project with saxophonist Bendik Giske. Beyond the technical, he also reflects on the evolution of the Berlin scene, the surprising arguments for liberation in the streaming economy and the role of art in imagining a utopian future. Listen to the episode in full.

The London-via-Bilbao DJ marks 15 years of Cartulis with two hours of punchy techno and electro, recorded live at FOLD. When you think of London label and party Cartulis, dark, muscular electro and tough tech house spring to mind. But the name is more revealing than it first appears: in founder Unai Trotti's native Bilbao dialect, cartulis translates to "nerd." Like any labour of love, the project is driven by a deep, obsessive dedication, centred around sound, mood and community. Recorded at Cartulis' 15th anniversary party this autumn, RA.1017 captures why Trotti is such a compelling DJ. Playing only vinyl, he has a deft ability to balance functional club pressure with more leftfield selections, and as he outlines in his Q&A below, it comes from a belief in creative limitation, committing to a finite set of records and trusting instinct over abundance. Across the two hours, there are plenty of big, physical tracks built for the dance floor, but also some genuinely strange, confrontational stretches. Around the 15-minute mark, church bells ring out as a gothic female vocal looms overhead—David Lynch, if he needed an electro soundtrack. It's the kind of material you only hear at parties where dancers feel truly at ease, unafraid of the weird. That's Cartulis. @unai-trotti @cartulisday Read more at ra.co/podcast/1036

One of the defining producers of the 21st century steps up for a rare, era-spanning mix. We've been in a reflective mood lately. All things bend around eventually, but if you lived through the mid-'00s the first time, it felt tricky to envision some specifics of those interim years making a second splash. More fool us. Amongst many other things, dubstep is well and truly back. This appetite for low-end has been a central storyline lately. Tells were there in the form of 2025 highlights like Introspekt's Moving The Center and Tracey's "Sex Life." Alternately, cup your ear to the tremors rumbling across the world and you'd find Mala packing up crowds with gusto. Which makes closing out the year with a mix from the man himself serendipitous. The South Norwood-born sub sensei has held an anchor role in the movement since its earliest days. A little like what Upsetter was to Black Ark, the principles Mala, Coki and Loefah's DMZ laid down have been expanded on by Deep Medi, whose loyal fandom watch over the catalogue like a hawk. (Six years of frothy debate and knowing in-jokes between MEDi 99 and MEDi 100 paints a picture of both steep expectations and a warmth for ribbing their leader.) But Mala's banner 2025 hasn't relied on the heads alone. Those fissuring basslines and barrel-chested vocals draw people into his orbit, and that's without mentioning qualities like pacifism, reinforced on DMZ's greatest tune; or contemplation, inked on flyers beseeching the crowd to meditate on bass weight. In that spirit arrives a mix we've asked after for years. Subtitled The Listening Session, it's rare on two counts. Despite his enduring popularity, Mala is a conspicuous absence on most DJ series. It's not that he doesn't enjoy recording, we're told: he just gets spooked by the reaction. A three hour studio set—spaciously paced and laced with freshly-cut dubplates and some of the biggest anthems in the genre's history—is unheard of. No tracklist for now, though, on Mala's request. RA.1016 is the kind of document that jogs the memory back to when dubstep was a discrete enterprise, something you could only fleetingly access by, say, dialling into Youngsta on Sub FM, ripping 320s of "Circling" off long-forgotten blogs or hugging the back wall of Mass. Which, in service of thinking the evolution of 21st century electronic music, is pretty perfect really. – Gabriel Szatan Find the interview at ra.co/podcast/1035 @maladmz @deep-medi-musik

A statement mix from the Dutch artist also known as A Made Up Sound, 2562 and ex_libris. What makes something sound like Dave Huismans? His music carries a signature you can't quite name, a tension which has defined every chapter of his career. And unlike most producers, he really does operate in phases. A man of many monikers, Huismans resurfaced this year after nearly a decade away with two new aliases, ex_libris and In Transit. His latest ventures, though sonically a world away from the work under his most recognised projects, share the same slipperiness, intricacy and disregard for tidy genre borders. "Naiveté and a lack of prejudice… a really wide-eyed type of open-mindedness," Huismans once told RBMA, recalling his youthful forays into dance music and that ethos is alive and well on RA.1015. Huismans's second RA Mix is as equally thrilling as his first one 15 years ago, traversing a map of influences from Madlib and Gyrofield to Prince and Autechre. There's no shortage of atmosphere (Losoul's "Sunbeams and the Rain" is one particular highlight), but the throughline is groove: soulful, vocal deep house into driving techy depths, walls of glitchy drums and frantic percussion into guitar funk. "I got carried away a bit," Huismans says of RA.1015 below. And that's no bad thing. It sounds like someone enjoying himself again, and perhaps, after letting a few old skins fall away, Huismans is ready to shift shape once more. And if it's anything like the last time, a lot of good music awaits. Find the tracklist and interview at ra.co/podcast/1034 @2562amadeupsound

The Honduran artist talks about the rise of reggaeton, the dark side of beauty standards and her new album, Vanity. In the past decade, reggaeton has taken the world by storm, expanding from beyond its origins in Panama and Puerto Rico to become an undeniable global force. Yet, within this massive cultural explosion, few artists are navigating the sound with the distinct, subversive energy of Isabella Lovestory. Originally from Honduras but shaped by a formative migration to the US and the liminal spaces of the internet, the Montreal-based artist has developed an aesthetic she calls a "plastic fantasy"—a hyper-stylised world of bootleg luxury and cinematic flair. In this Exchange, she talks to Resident Advisor's Chloe Lula about her new album, Vanity, which she calls a response to her obsession with the "dark side of beauty standards." She also discusses her place within the wider reggaeton landscape; her efforts to reclaim and feminise a historically male-dominated genre; the financial erasure of women in the scene; and how her experimental approach challenges the self-seriousness of electronic music. Listen to the episode in full. -Chloe Lula

A sun-soaked broadcast from two of Naarm's most loved selectors. Asked once how the name for their joint project started, Simon TK and Edd Fisher responded casually: "We were asked to produce a record fair many moons ago, Wax'o Paradiso was the name of that event," they recounted in an interview. Happy accident or not, the name rings true more than a decade later. What started as a record fair has since evolved into an event series and now a record label, with Fisher and TK becoming true pillars of Naarm's local scene in doing so, crafting paradisiacal musical worlds wherever they go. Wax'o Paradiso is a live act first and foremost. Rarely relying on conventional venues, their parties have become the stuff of urban lore, held everywhere from Fairfield Amphitheatre to an old convent and even a children's farm. Often outdoors, these gatherings carry a breezy, open-hearted feeling, and that flows directly into their sets. Think of it as Australian Balearic: eclectic explorations through warm and rolling shades of dance music, laced with licks of '90s prog and tech house, the spiritual foundation of any good bush doof. Their RA Mix captures the essence of why the pair have become stalwarts of their local circuit. It isn't a recreation of those beloved open-air sessions, but at nearly three hours long, it settles around you like a summer night—and, for listeners in colder climates, perhaps a bittersweet reminder of one. Most tellingly, RA.1014 is bookended by tracks from two Australian artists across two generations. Ten years in, TK and Fisher's focus remains steady: build community, elevate local voices and share the eclectic, joyful sound that has made them a cornerstone of Naarm's scene. Their RA Mix is a clear extension of that mission: warm, generous and rooted in the place they call home. Find the tracklist and interview at ra.co/podcast/10333 @waxo-paradiso

The drum & bass veteran talks about bass music eras, dance culture in America and his new album, Contact. British artist Nicolaas Douwma, AKA Sub Focus, has been steadily putting out big-room drum & bass since the early 2000s. In more recent years, he's become staggeringly popular, releasing a string of Top 40 UK pop hits that have made him synonymous with a more mainstream sound. His influence looms large across a whole generation of young producers, particularly in the US. In this Exchange, Douwma sits down with Resident Advisor editor Gabe Szatan at the beautiful Red Rocks Amphitheater in Colorado. They speak about how he hit number one in the US dance music charts last year, as well as how drum & bass moved from being popular with a "secret clique of people" to becoming what, for lack of a better term, could be called "brostep." There's a new Sub Focus album dropping on November 21st called Contact, which includes collaborations with Grimes and Katy B. Grab your copy when it comes out. Watch this interview in full on our YouTube channel, or listen to the audio via SoundCloud, Spotify or Apple Music. -Chloe Lula

A lesson in "diva house and horniness" from a modern New York darling. Ask Kilopatrah Jones who their favourite DJ is, and they'll give you an unequivocal answer: Junior Vasquez. And the influence is telling. Both born and raised in Queens, the two share a sense of house as a life force. Not in a new-age, spiritual sense. For Jones, it means being "sweaty, panting and free." The NYC DJ can play anything from techno to drum & bass, but when playing house, there's a particular sense of clarity: they understand the genre in the same lineage as Vasquez, Larry Levan and his peers, as the sound of reinvention, transgression, glamour and joy. Across the following two hours, RA.1013 immerses you in that world. It feels like walking into the Sound Factory at peak-time, bodies in glorious motion, fog thick in the air. The Lot Radio resident runs through familiar classics, bringing it home with a gag-inducing sweep of Donna Summer, Celine Dion, CeCe Peniston—and fittingly ends with Madonna, a wink to Jones's hero and his defining moment, "If Madonna Calls." Jones' RA Mix also reasserts the idea that clubs should be a place of joy. Not only for our individual needs and fulfillment, but as a political act—especially for marginalised folk. Arriving at a time when systemic regression and cultural decay feels increasingly pervasive, they is a model for what DJs and dance floors can, and arguably should be. As they put it, "I'm just so happy and grateful to be alive and in this body." Find the tracklist and Q&A at ra.co/podcast/1032

The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground. One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world. This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula

57 minutes of sharp, fast, freaky techno from the underground pop star. Long before SoundCloud made him famous, RJ Glasgow was already producing edits from his bedroom in Philadelphia. The artist now known as LSDXOXO spliced R&B classics with DMX Krew and Madonna, then graduated from bedroom producer to internet provocateur with his 2010 mix series Spit or Swallow, where La Roux met Ratatat and Rihanna collided with Crystal Castles. A decade later, that same DIY energy has taken him far beyond the online underground. Now based in Berlin, Glasgow has opened for Beyoncé on her Renaissance tour, remixed Kelela, Lady Gaga and Björk, and taken his Floorgasm party worldwide. His RA Mix captures that evolution in full flight. Across 57 minutes and 26 tracks, RA.1012 tears through shades of contemporary techno—from big-room precision (Adam Beyer) to looping hardgroove (Italia 90, River Moon) and razor-sharp edits (EsDeeKid & Fakemink). “Maybe my music invokes that freaky feeling,” he told Resident Advisor in 2022. “A lot of people have that inner freak.” That spirit still drives him today—sensual, chaotic, unapologetic—and reminds us that wherever he plays, LSDXOXO will always be a club kid. Find the tracklist and Q&A at https://ra.co/podcast/1031 @lsdxoxo

The longtime BBC Radio 1 host talks about the liberation of leaving broadcasting, her pivot to fiction writing and her party series, Before Midnight. If you grew up in the UK, chances are you've heard Annie Mac on the radio. The Irish native started on the airwaves in 2004 when she was 26. She hosted a nightly programme called Future Sounds, before eventually moving to a Friday night dance music show, which catapulted her into the pop cultural zeitgeist. Being at the BBC was a boon to her career, but as she reveals in this Exchange—her second appearance on the series—it also came with its limitations. She left the media giant in 2021 to spend more time with her family, and to pursue her own projects without the inhibition of BBC codes of conduct on matters around free speech. Since departing, she has been outspoken about politics and engaged in ongoing advocacy work and calls for change as an independent curator and podcast host. Annie Mac also speaks to Exchange host Chloe Lula about the art of interviewing; her popular party series, Before Midnight; her pivot to writing; how getting older has shaped her view of success; and what it means to lead the "good life." She has also published two novels, both of which pull from loosely autobiographical topics: The Troubles in Ireland, the music industry in London and bigger thematic arcs such as navigating motherhood and grief. Listen to the episode in full.

Dubwise atmospherics flood Guy Brewer's third RA Mix. Hear the word "Dionysus" and you picture the Greek god of ecstasy: overflowing tables, delirious revelry, chaos. Not the austere soundworld of Guy Brewer, AKA Carrier. On the surface, the UK artist's latest alias feels almost Spartan. But look closer and the Dionysian link starts to show: it's about shedding fixed forms and identities, to allow something more true, more alive, to form. RA.1011 marks Brewer's third entry in the RA Mix series, following editions as drum & bass outfit Commix (RA.269) and, later, the techno alias Shifted (RA.310). "I guess it's an effort to step away from purism," Brewer told Resident Advisor back in 2023. "Right now the thresholds between genres are where you find the most exciting music." Carrier's phenomenal debut album, Rhythm Immortal, delivers on that promise. Low-end pressure cloaks like foreboding shadows, punctured only by eerie, otherworldly percussion comparable only to Photek or T++. Listen to the LP in full and it feels like walking through a scene in a true-crime drama: a fog-drenched city street in the deep of night, ambushed by gusts of wind, whispers and strange noises—and it sounds totally, utterly original. Tracing a line through dub pressure, fractured percussion and narcotic ambience, Brewer explores that same world on RA.1011. As with the album, there's a primal pulse that threads through the recording. Walls of negative space seem to hover before dissolving inexplicably, their tension intact; drums move more like the weather than rhythm. - Bella Aquilina

The German legend talks about the state of modern trance, what it takes to create a legacy and writing his most recent album. Poll the average dance music fan and they'll have almost certainly heard of Paul van Dyk. The German DJ and producer is so synonymous with trance that it's impossible to talk about the genre's history without mentioning his name. He's also been one of the most successful electronic artists full-stop since the '90s, when he first started touring around Berlin. His 1994 hit "For an Angel" launched him into the limelight, and he's been selling out clubs and arenas ever since. In this RA Exchange recorded at the Berlin Synth Museum, he reflected on the current state of trance and how its modern DJs are missing the mark; his lifelong engagement with politics and his efforts to enlist Americans to vote alongside Bono; his experience growing up in East Berlin; and a life-threatening accident he suffered at a festival in Utrecht, which left him with multiple spine and brain injuries. He said the experience taught him to cherish every part of life, and that love is the greatest and most healing power that exists. Van Dyk's most recent album is called This World is Ours, and in this conversation he unpacks the accompanying tour and some of the key themes that run through the tracks—namely, the rise of AI and our need to unite in the face of a non-human ruling elite. You can watch it on our YouTube channel, or listen to the episode in full. -Chloe Lula

"Combining sounds that wouldn't normally be thought of together." So reads the final line of Mexican DJ and producer 1OO1O's short-but-sweet artist bio. It's a claim many make but few pull off. Are truly new fusions still even possible in 2025? Hasn't electronic music reached saturation point? Not in the hands of 1OO1O, AKA uno cero cero uno cero, or one O O one O. For the best part of a decade, the Xalapa-born artist has been mashing up footwork, jungle, techno, electro, UK garage and breaks with Latin America's myriad folkloric styles, from salsa and merengue to mambo and dembow. The results, like 2023's SALSA & BREAX, or last year's SALÓN CANDELA, feel electrifyingly fresh, connecting threads across eras and traditions with a subtle dexterity. The secret is a deep respect for the source material. Indeed, foregrounding the best of Latin America—and specifically Mexico—is the dominant theme on RA.1010 (do you like what we did there?). By his own admission, 1OO1O switched up his DJing a couple years ago to prioritise music made locally or regionally by himself and his friends. At a time when Latin American culture is both at its peak and yet still constantly "reshaping itself to accommodate tourists and 'expats,'" his sets in clubs, festivals and radio stations around the world are his way of spreading the gospel. This 70-minute mix, then, is heavy on both Mexican talent—Regal86, DNZA, AAAA, Loris, FRAN G—and unreleased 1OO1O tracks. It's tough, rhythmic and strikingly modern, with just the right balance of light and intensity. Given the glut of local music, a late cameo from London grime MC Trim glistens like an emerald in the sun. If you want to know what the cool kids are raving to in Monterrey, Guadalajara and Mexico City right now, here's your answer. - Carlos Hawthorn

The first-ever live recording from an elusive icon of dubby electronic music. Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know? It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most. In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias? But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged. From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025. Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else. Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan @shinichiatobe Find the interview at https://ra.co/podcast/1028

There are few names as widely loved in clubland as Bristol-based producer Omar McCutcheon, AKA Batu. His label Timedance, currently celebrating its ten-year anniversary, has been instrumental in shaping a certain corner of contemporary electronic music. It champions a mutant, rhythmic, UK-flavoured sound that escapes any obvious genre touchstones, as well as spotlighting the careers of artists like Verraco, Ploy and Hodge who push musical and cultural boundaries. In this Exchange, McCutcheon sat down with Resident Advisor's editor, Gabriel Szatan, in London to reflect on the label's Afrofuturist philosophy, its journey over the past decade and the sense of purpose and direction that have developed over time. He spoke about the impact that scenes beyond the UK—such as China, South Africa, Brazil and Mexico—have had on his productions and label curation, and how they offer fresh perspectives that contrast with Europe's sometimes overly nostalgic take on dance music. He also discussed finding positivity in a dark time, and music's enduring potential to inspire and connect.

A joyride through rave-ready tech house, speed garage, jungle and more. To the casual onlooker, Enzo Siragusa may seem easy to pigeonhole as just a UK DJ playing chunky house music. Wrong. The Maidenhead native has serious pedigree, earned from 30-plus years fully immersed in the rave, first as a dancer at jungle and hardcore parties, then as a hobby DJ and finally as the cofounder of one of London's most influential club nights: Fuse. What began life in 2008 as a ramshackle afterparty on Brick Lane is now a global brand with multiple festivals and roving events, and Siragusa its figurehead. For years, Fuse's MO was doggedly down to earth, built on a love for intimate shows where the residents took top billing. Its impact on modern dance culture is clear to see in the runaway success of the so-called UK tech house movement (think Michael Bibi, PAWSA and Chris Stussy). And yet Fuse always cut deeper, darker and dubbier. "I felt you could bring the emotion of jungle and hardcore into minimal house, which is what became the Fuse sound," Siragusa told fabric last year. A child of Metalheadz as much as Perlon, his tastes—and vast vinyl collection—run wide, and today the breadth of these influences inform his creativity behind the decks more than ever. As RA.1008 illustrates acrpss nearly two hours, dazzling tech house, minimal, speed garage, jungle and more all fit under Siragusa's roof. The blending is sublime, each new transition a window into a fleeting sonic world. There's no tracklist, with a clutch of totally unreleased tunes aired for the first time. Happy IDing. @enzosiragusa @fuselondon https://ra.co/podcast/1027

The gifted London DJ and curator goes big on bass futurism. "To pull a thread." This old English adage means to follow a small detail that might unravel into something larger and more significant. It's also the inspiration behind London artist mi-el's NTS Radio show, and a neat way of understanding her approach as a DJ. Take mi-el's rich archive of mixes. From NTS to The Trilogy Tapes, they show her to be a deeply personal selector and curator, pushing past functionality into something more expressive, narrative and often political. A show about Refugee Week? Afrofuturist world-making? Interlocking systems of domination? All material is putty in her hands. Now based in Berlin, mi-el is simply a wicked club DJ. In just a few years she's played Panorama Bar, De School and FOLD, as well as festivals including Waking Life, Terraforma and Field Maneuvers. Alongside peers and predecessors like Josey Rebelle, she represents a new generation of Black British artists reinventing the wheel, and as we mark the beginning of UK Black History Month, no other candidate felt more fitting. RA.1007 shows why. The 55-minute session is a deft balancing act of depth and playfulness, humour and heaviness, rooted in club intensity and the futurism of the UK hardcore continuum. It's firm confirmation that, in mi-el's hands, the art of the DJ mix is alive and well. @miellllllll Find the tracklist and interview at ra.co/podcast/1026

Three hours of incendiary techno, as two veterans go head-to-head. When Speedy J described his studio dynamic with Chris Liebing back in 2014, he put it bluntly: "I try to piss him off a little." The result? Dance music that's as functional and precise as Liebing demands, with just enough chaos to keep it interesting. That tension has defined the duo's partnership, Collabs 3000, since their first releases, and it's alive and well on their debut RA Mix. Both artists are techno heavyweights in their own right. Jochem Paap, AKA Speedy J, helped Europe slow down after the breakneck '90s, proving that techno could chug as well as pummel. Liebing, meanwhile, commanded his popular label CLR and went from transforming schranz into the hard techno sound that recently swept up a younger generation of ravers. As a pair, Collabs 3000 undeniably has its ear trained on the big room. Paap and Liebing are both former Berghain regulars, and the Berlin club's influence is clear across RA.1006: taut, muscular techno, or "effective and structured" in Liebing's words, with Paap injecting the right amount of unpredictability. Their 2005 full-length, Metalism, remains a landmark: polished, uncompromising and dynamite for any large sound system. With the album now remastered for its 20th anniversary, Collabs 3000's RA Mix brings that same ferocious energy into sharp focus: smouldering textures, peak-time pressure and three unrelenting hours of classic techno. @chris-liebing @jochempaap Read the interview at ra.co/podcast/1025

A rare mix from the critically acclaimed experimentalist. Lucrecia Dalt isn't your typical electronic artist. The Colombian singer and composer approaches music-making in the way a fantasy writer builds worlds. Over the past two decades, she's produced a catalogue that reads more like a bookshelf of strange, interlinked novels, each with its own laws, characters and textures, extending the one before it. Dalt's RA Mix is a fascinating entry into the series (and will sit comfortably with RA's recent archival playlist, Mixes From Artists Who Don't Call Themselves DJs, But Probably Should). Take the opening track, "Cellophane," by Beak>, the band led by Portishead's Geoff Barrow. The lyrics set the tone for the hour to come: "Now the wind has blown down / Now the truth is laid out there." True to Dalt's oeuvre, RA.1005 has little regard for convention. Kick drums and beatmatching are nowhere to be heard; instead, she offers a collage of inspiration, drawing connections across eras, moods and geographies. The mix includes the work of close collaborators (David Sylvian, Juana Molina and Niño de Elche) as well as excursions into psychedelic jazz (Lloyd's Miller's "Gol-E-Gandom"), sombre downtempo (Muslimgauze's "Enchante, Monsieur") and Korean pop (Leenalchi's "Magic Pocket). Spanning just over an hour, it unfolds like another chapter in Dalt's ongoing project of world-building through sound. @lucreciadalt Find the tracklist and interview at https://ra.co/podcast/1023

Sultry low-end grooves from a rising house enchantress. "What kind of music do I actually want to play?" Every artist asks themselves this at some point in their career. What is a sound? And why do we personally identify with it? For Lea Lang, AKA dj sweet6teen, this question is the guiding force behind her RA Mix. Born in Aachen, a German spa city close to the border with Belgium, Lang found her musical feet in the vibrant student hub of Cologne. It was while studying social work at the Technische Hochschule that she fell into the nightlife scene. Finding her sound wasn't an instant process. Lang cut her teeth on breaks-heavy house and prog (think Angel D'Lite), traces of which you can hear peppered across RA.1004. But as she explains in this week's Q&A, the pandemic years were, musically, a turning point. "High BPMs and short-lived trends became very dominant and I realised I couldn't stand the pace anymore," she writes. "That's when my sound naturally shifted into something more minimalist and timeless." Nowadays, you'll find Lang in Berlin during the week, and on weekends… well, take your pick. A busy touring schedule means she's on the road almost constantly —this summer she's debuted at Horst Arts & Music, Butik, Dimensions and Panorama Bar (to name just a few). And her RA Mix? It oozes charm from the jump. Buoyant with gyrating low-end, it's hard to think her sound was ever anything else: vocals twirl around analogue basslines, material à la Eddie Richards and Terry Francis's historic Wiggle parties, as well as the kind of bongo action that wouldn't feel out of place in an Apollonia session. Call it waft, wiggle, smooch house—whatever it is, we like it. @djsweet6teen Find the tracklist and interview at https://ra.co/podcast/1022

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno. There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB. Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes. That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring. Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks. His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there. It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint. @xdb Find the tracklist and interview at ra.co/podcast/1021

From speed garage to Arabic pop, one hour of borderless club energy from the Saudi DJ and curator. "We're making history tonight," hollered the MC at the start of Nooriyah's London Boiler Room in 2022. Sat next to the decks was her baba (Arabic for father), dressed in traditional Saudi garb. He opened the one-hour performance by playing the oud, a Middle Eastern instrument similar to a lute. Surrounded by smiling faces and pumping arms, it's a picture of joy. The set was a turning point—and not just for Nooriyah's career. Scroll through the comments on YouTube and you'll find notes of endearment, gratitude and teary appreciation, proof of how powerful it was for people to see Middle Eastern music placed at the centre of contemporary club culture. This speaks to Nooriyah's MO. Born in Saudi Arabia, raised in Japan and now based in the UK, her musical vision reflects her global upbringing. But her style isn't eclecticism for eclecticism's sake—she's spoken about the importance of carving out space for underrepresented voices in dance music. Her RA Mix makes that mission audible. The result is a breathless hour: 47 tracks darting between speed garage, amapiano, Jersey club, Arabic pop edits and percussion-heavy workouts from Cairo to Accra. But don't mistake pace for carelessness: RA.1002 never feels rushed. Each switch is considered, revealing a knowledge of how global dance traditions can speak to one another. All in all, it's not only a celebration of her own heritage, but an invitation to imagine dance floors unconstrained by borders. @nooriyah Find the tracklist and interview at ra.co/podcast/1020.

Expansive dub vibrations from the On-U Sound maestro. Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions. That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor. His RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from The Collapse Of Everything alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes. Find the interview and tracklist at ra.co/podcast/1019

A four hour document of dance floors in the 2020s, from one of modern club music's most passionate advocates. One major shift since we went 5 for RA.500 ten years ago has been the rapid adoption of anything-goes DJing. What goes us there? Upgraded technology, audience appetite for thrills, instant access to music from every corner of the globe: take your pick. To corral the infinite possibilities of our age, glide seamlessly across lanes and be a trusted conduit in a sea of over-saturation takes chops. And few do it with more gusto and charisma in the 2020s than Jyoty. Recorded at a raucous Nowadays party just a few weeks ago for maximum freshness, Jyoty's RA.1000 finds room for 122 tracks dotted over the clubbing map (although, when you tally up all the blends, you can probably round up to 150). From aya to Logan Olm, Hardhouse Banton to DJ Babatr, Busy Signal to Baalti, a delicious double splice of Kelela and a staggeringly unlikely remix of Noir & Haze's "Around" (yep), it's an audacious statement from a DJ who has made borderless selection their calling card. With a heavy lean on bubbling and the far frontiers of Brazilian club wares, long passages of the set are maze of microgenres and regional movements worth getting lost in. Jyoty's RA.1000 is a reminder not just of her dynamism in the booth, but a reminder to keep ears open and expose their audience to as much of the future as possible, as quickly as possible. And what could be truer to the foundations of DJing than that? @jyotysingh Find the tracklist and interview at https://ra.co/podcast/1014. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like? The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.) To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop. In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place. The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there. Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special. When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon? All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete. The fourth-longest mix in the series' history is an unrepeatable masterclass, recorded in 2012 at a superclub that no longer exists. (2012, incidentally, is farther away from 2025 than 2012 was from 2000, and if we have to clock it, so do you.) It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall. The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around rare combinations playing start-to-finish. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. What follows is a 385-minute marathon of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. If you've got time to spare, a fun side game is sussing out who plays what. Disco-dub covers of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM practically feels like an F1 car. When we kicked off our RA.1000 campaign, we outlined a few full-send goals: tick off long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA) @andrew-weatherall Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza. Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty." For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A. And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip. Faced with such a genocide, what can music really do? How political can it truly be? For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater. Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

One of the enduring powerhouses of our era returns for RA.1000 with a riotous mix. When Helena Hauff made her first RA Podcast appearance back in 2013, she was on the eve of releasing her debut production on Actress' Werkdiscs imprint. In the 12 years that have elapsed, she's become not just a household name within electronic music, but the kind of rare talent that lives in seclusion from industry tumultt. (Hauff, enviously, has never even owned a smartphone.) Her calling card continues to be her penchant for rough and ready EBM, electro and new wave. Her unique ability is creating a singular listening experience from disparate or out-of-favour tracks, with a raw immediacy that functions as a redress to over-choreographed modern DJing. Her outsider approach is on show once again for RA.1000. Threaded together by strobe-lit DIY electronica, old-school acid house and corrosive machine funk that chews up the ear, the nearly two-hour set raises the bar once again. In the sci-fi themed first half, Hauff drops two Cybotron tracks, nodding to Juan Atkins' blueprint for electro. You'll also hear "Riot" by Underground Resistance, the definitive mission statement for a world ablaze. This is musical anarchism, executed to the highest degree. Find the tracklist and interview at ra.co/podcast/1017. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making. A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep. The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs. If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating. Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk. RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest. @feelmybicep Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

Seven and a half exhilarating hours from one of modern club's sharpest. Tim Reaper's mammoth entry for RA.1000 is all about range. You thought the Future Retro London boss was just a jungle and hardcore head? Think again. The mix's infinite-scroll tracklist (the longest we've ever published in full!) includes a who's who of top-rate producers, from A Guy Called Gerald and Cari Lekebusch to Batu, Mia Koden and the one and only Shackleton. Opening with weighty grime and ending on head-spinning drum & bass, the mix journeys through US club, wobbly dubstep, classic techno and, of course, many shades of jungle. Rather than go the easy route, the Londoner approached the assignment with the curiosity, integrity and vulnerability of fellow shapeshifters like dBridge, Calibre and ASC. "The idea was to represent other styles of electronic music that I've been a bit self-conscious about openly expressing my interest in," he told RA. RA.1000 isn't just another side of Tim Reaper's artistry: thankfully for us, it feels like only the beginning. @tim-reaper Find the interview and tracklist at ra.co/podcast/1012. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 continues with the pride of Palestine's techno scene, Sama' Abdulhadi. What makes the sound of resistance? For Palestinian DJ and producer Sama' Abdulhadi, it's the freedom to explore her artistic expression in all its authenticity and complexity. What stands out in her mix for our 1000th celebration is defiant energy, the kind that galvanises more than just dance floors. Born in Ramallah but a student of Beirut's underground scene, Abdulhadi plays charging, self-assured techno, as calibrated for basement parties as for conquering festival main stages. Her sets are powerful journeys through moods, tempos and stimuli, connected by a deep sense of love. A love for the music, the craft, the soil from which Abdulhadi grew. It's a love we've explored in a cover story, a film and now one of our ten RA.1000 mixes. As Abdulhadi notes in her accompanying interview, her entry to the series forms a link back to another "pride and joy of Palestine," with Bethlehem-descending Nicolás Jaar's entry on RA.500. Yet ten years on, the landscape is altered beyond all recognition. As we all watch the ongoing destruction of Palestinian land, this mix is an unequivocal reminder that we cannot look away. It continues techno's decades-old lineage as vital resistance music. @sama_abdulhadi Find the tracklist and interview at ra.co/podcast/1010. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception. Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero." From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before. As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres. Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela" to the devotional glow of GemValleyMusiq's "Something Spiritual." Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward. @opengroundclub @hardwax Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions. There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again. Parrish's debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations. Recorded live at fabric last December as part of RA's party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2000). A capture of the Sound Signature boss on the dancefloor is hard to come by. Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride. On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. It's Theo through and through. Once again, he proves that anything and everything is possible with the right records. @theoparrish @fabric @soundsignaturedetroit @crownruler Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

Part four of RA.999: the sound of shared history, courtesy of two legends of minimal house in full flow. A lot can happen in 20 years. Especially in dance music, where movements rise, collide and dissolve at dizzying speed. It takes conviction, dynamism and a formidable record collection to stay the course. That’s why Margaret Dygas and Sonja Moonear have remained such enduring underground favourites. Step into one of their sets, solo or side by side, and an assured calm takes over the floor. You're in the sleekest, safest hands imaginable. Recorded live at fabric's 25th birthday, their RA.999 captures that feeling perfectly. High-tempo, irresistibly groovy and full of quiet authority, it marks a return to the series for both: Moonear with RA.520, and Dygas with the fourth-ever RA Podcast all the way back in 2006. They also gave rare interviews, reflecting on a deep musical connection that began in 2007, the legacy of minimal and lessons from a life spent in DJ booths the world over. "I felt excited and lucky to be invited so early in what I now see as a much longer journey," wrote Dygas. "Music holds memories in its frequencies, and the right track can transport you instantly to a past version of yourself. That’s powerful. That’s the kind of power I respect." Amen. @moonear @margaret Read the full interview at ra.co/podcast/1008

Part three of RA.999: a celebration of soulful footwork and the timeless influence of DJ Rashad. As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days. First up was 1morning and Regal86, then Prosumer and Peach. Today, we turn our eyes to Chicago, with two of footwork staples, DJ Spinn and Manny, taking the reins of the third installment of RA.999 (both make their RA Podcast debut). Ten years ago, Teklife Records was founded, following the untimely death of DJ Rashad in 2014. His collaborators started the label to honor the Chicago-born producer’s musical genius and continue his legacy of soulful footwork. Its first release would be Afterlife, a compilation of unreleased Rashad material that, in the words of Pitchfork, "captured the spirit of familial connection and experimentation integral to the Teklife crew." Listening to RA.999, it doesn't take long for any footwork fan to realise that this is an hour-long homage to Rashad's phenomenal discography. The first lyric we hear is "Throw your L's up for Rashad!" on "L's UP FOR RASHAD," and a string of Rashad classics follow, many of which Spinn and Manny collaborated on. It's a that reminder you of not just how staggeringly talented Rashad was, but how central collaboration was, and still is, to the Teklife project Although many of these songs are more than a decade old, not one song sounds out of place in 2025. This is an emotional, riveting listen documenting the work of the best to do it in footwork. Back then, Rashad was the future, and he still is. @deejay-manny-2 @dj-spinn-1 @teklife57 Find the tracklist at ra.co/podcast/1007

Part two of RA.999: two NYC Downlow favourites go back-to-back for the first time with a jubilant homage to classic house. The RA Podcast launched 19 years ago in 2006, making it one of the world's longest-running online mix series. As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days with a cohort of artists who've left a singular mark on electronic music over the past few decades. The chemistry and legacy of these duos make for something very special—and worthy of such a huge milestone. First up was 1morning and Regal86 with a live recording from New York's Bossa Nova. Next up? We move to NYC Downlow, and who better to capture Glastonbury's beloved queer utopia than Prosumer and Peach, going back-to-back for the first time. If house is your thing, then Prosumer and Peach going one-for-one on the decks is nothing short of a treat. With Glastonbury still just about in the rearview mirror, this mix captures the spirit of NYC Downlow. If you're familiar, you'll know this means steamy euphoria all-night long, sweat dripping from the ceiling and an intoxicating feeling in the humid air. And Prosumer is a true Downlow darling—a treasured custodian and storyteller of dance music who delivered his first RA Podcast way back in 2007. "If a record doesn't move me emotionally or physically, I won't play it out," he said at the time, befitting of the impeccable curation and irresistible body groove that became his trademarks. He is, in the words of the Johnny Dangerous track in the mix, the "King of Clubs." For Peach, RA.999 marks a full-circle moment: Prosumer's 2019 closing set in the Downlow is one of her all-time Glastonbury memories. Since her first RA Podcast in 2021, the London-based artist has only grown more in-demand, with sets that typically traverse the house and techno lexicon—and occasionally R&B—with a distinctly peppy energy. "Neither of us are afraid to go deep," she said about playing with Prosumer. "We just had fun with it." @ohpeach @prosumer Read the full interview at ra.co/podcast/1006

Five days, five mixes. RA.999 launches with two of the 2020's most exciting techno producers tearing a portal to the future. When it comes to purveyors of contemporary hardgroove, it's hard to top 1morning and Regal86. The duo have emerged from a buzzy, and decidedly funk-oriented techno scene on the American West Coast, repping Los Angeles and Monterrey respectively. Bound by a shared love of old-school flair and intuition behind the decks, you'll often find Regal86 ditching headphones altogether in favour of studying waveforms in real time, while 1morning's vinyl-only sets are steered by the movements of the dance floor and the fire in his heart. So it comes as no surprise that we had to invite them back in session. In the last week before we celebrate the 1000th RA Podcast, we'll drop five back-to-backs over the course of the week. From the NYC Downlow to Berlin's Bar25, what unifies this cohort is a sense that they capture where dance music has been—and crucially, where it's going. Kicking off the week, we have this exclusive recording from the duo's co-headline show at New York's Bossa Nova Civic Club—the "extra special" final stop of their recent US tour. As the first instalment of RA.999, this one-hour set makes a strong case for what it means to achieve ultimate freedom in the booth. Regal86 and 1morning might be known for their raw, swung techno explorations, but here, their more sensual leanings carry the most impact. You'll find hardgroove's very own daddy Ben Sims, Paul Mac's 2002 melodic beauty Struggling Event and the lavish stomp of Percy X's As Is. And, of course, it wouldn't be a Regal86 and 1morning linkup without a healthy dose of Mexico City rising star—and the former's frequent sparring partner—1OO1O. But really, this mix proves just how perceptive the two are. It opens a portal into the beating heart of groove-first techno, masterfully flowing between impulse and restraint, tradition and modernity. And who are we to resist? @bregal86 @1morning Find the tracklist and interview at ra.co/podcast/1004

The trance queen opens RA.998 with her cheeky, break-heavy vision. The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture. This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward. Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole. Roza Terenzi opens with a high-impact A-side. Clocking in at just over an hour, her second mix for us picks up where the first left off, connecting breakbeat, acid, UK garage and trance with an ear for tension and a sense of play. Peppered among the skippy percussion and earworm vocals are moments of proper heft that build and release with purpose. It's cheeky, confident and tailor-made to get any dance floor moving. While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle. Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP. @rozaterenzi Find the tracklist and read the full interview at ra.co/podcast/1002

A queer icon steps up for RA.998's B-side. The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture. This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward. Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole. Foxman takes the B-side and makes her RA Podcast debut. As a vocalist for Hercules & Love Affair and a sought-after producer in her own right, the New York-based artist blends club heft and melodic flourish with a distinct pop sensibility shaped by '90s dance music. (She got her first job making smoothies at an all-ages club in Hawaii while Deee-Lite performed live behind her.) Like Roza Terenzi, Foxman draws from across eras. Her contribution to RA.998 is warm, expressive and emotionally tuned, unfurling a palette of house, breaks and trance laden with bright pads, bold hooks and an ear for atmosphere. Listen out for the Whitney Houston sample and you'll know what we mean. While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle. Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP. @kimannfoxman Find the tracklist and interview at ra.co/podcast/1003

The Medellín maverick opens RA.997 with another mind-altering home run. As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format. This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic. After years of being all but overlooked internationally, the explosion of distinctive club sounds emerging from Peru, Brazil, Colombia and beyond has finally begun to get its due. Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe, and the former handles the A-side of RA.997. Is there a more compelling electronic artist around right now? Both in the studio and behind the decks, the Medellín-based DJ and producer currently sits in that coveted creative sweet spot, where every fresh musical morsel feels like a moment. To bask in any of his singular tracks on VOAM, Timedance and now XL Recordings, is to be bowled over by their rhythmic brilliance, madcap hooks and whirlpool basslines. ("Basic Maneuvers," anyone?) His mix is tough to pin down—a blend of dubby techno, tribal atmospheres, slanted bass and sharp edits. Or, as he puts it in the accompanying interview: “an intersection between dub-infused techno but with some flow, reduced atmospheric tribal, edgy bass cuts, mental emo-tek.” There’s plenty of unreleased TraTraTrax material here, alongside tracks from artists like Virginia, A Made Up Sound and a euphoric flip of Ploy’s “Ramos.” Slippery, emotional and surgically precise, it’s Verraco doing what he does best. Find the tracklist and interview at ra.co/podcast/1001

Bitter Babe takes the second half of RA.997, revelling in the fullness of the Latin electronic continuum. As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format. This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic. After years of being all but ignored internationally, the glut of special club sounds coming out of Peru, Brazil, Colombia and beyond have finally received their flowers. Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe. Bitter Babe, naturally, takes the B. As a DJ, she reflects the fullness of the Latin electronic experience—"diverse, messy, emotional, political and full of contradictions," as she says in her interview. Her rollicking rides through guaracha, dembow, cumbia, techno and everything in between are powerful counters to anyone who believes the culture begins and ends with Shakira and Bad Bunny. And, as she'd like to remind everyone, "not every offbeat rhythm with Latin percussion is reggaeton." Skip through the 60-minute mix and you'll hear wildly different rhythms at every juncture. Surely, you might assume, at the expense of flow? And yet enjoyed (as intended) from start to finish, the tunes gel like milk and honey, each silky transition subtly phasing in fresh tones and percussive flourishes. It's fast, feverish and intensely riveting. @bitterbabe Find the tracklist and interview at ra.co/podcast/1001 Correction: the final version of this mix was uploaded on Tuesday, July 15th.

The first half of RA.996 is Ron Trent's take on luxurious house. As part of our countdown to RA.1000, a milestone in the 24-year history of RA's weekly mix series, we're switching up the usual format. The next few editions will pair two acts who complement each other's strengths, offering a fresh take on a particular community, scene or style. This week, we're zeroing in on Ron Trent and Ash Lauryn, two names who fly the flag high for old-school US house—a foundational pillar of the electronic underground. Trent takes the A-side. Hailing from Chicago, the birthplace of house, the pioneer is a master of finding the sweet spot where machine music meets organic instrumentation. Listen to any DJ set or record in his extensive back catalogue and you'll find a wealth of exquisitely expressive melodies and deep, spiritual frequencies, making him the ideal narrator for any survey on house. (If you've only got a moment, sink into "Morning Factory," nine minutes of perfection.) Trent's return to the RA Podcast, 19 years after his debut in 2006, represents his many decades of expertise in fusing funk with gorgeous musicianship under the umbrella of heart-stirring house. Some may call it a masterclass but to us, it's just Trent doing what he does best. Listened to as a whole, RA.996 is a powerful snapshot of house's elegance, class and most importantly, understated yet innately euphoric joy. Find the interview and tracklist at ra.co/podcast/997

Part two of RA.996 comes from a modern-day house luminary. As part of our countdown to RA.1000, a milestone in the 24-year history of RA's weekly mix series, we're switching up the usual format. The next few editions will pair two acts who compliment each other's strengths, offering a fresh take on a particular community, scene or style. This week, we're zeroing in on two names who fly the flag high for old-school, US house—a foundational pillar of the electronic underground. The first half comes from Ron Trent, which you can read more about here. On the B-side is Ash Lauryn. Hailing from Detroit, she's a modern-day house savant. Her comprehensive understanding of the genre's history—knowledge gained from the Detroit greats who that inspired her—and her own inimitable blend of old-world soul meets new-school grooves make her a force to be reckoned with. A former RA contributor, Lauryn keeps it real, whether in the booth or beyond. A role model to a new generation of DJs, she can just as easily be found teaching workshops at Underground Music Academy in Detroit or sharing tricks of the trade in the green room at some of the best clubs in the world. An unwavering champion of Black dance music, the Atlanta resident makes it a point to play as much Black American music as possible, as she told us in her 2019 podcast. Not much has changed since then. Her contribution to RA.996 spans favourites like Larry Heard, Mood II Swing, Byron The Aquarius, Moodymann, Ron Trent and plenty of Detroit heavy-hitters. Listened to together, both mixes are a powerful snapshot of house's timeless elegance and, most importantly, understated yet innately euphoric joy. Find the tracklist and interview at ra.co/podcast/998

Kampire's half of a double-sided mix by two Nyege Nyege all-stars. Share Nyege Nyege is synonymous with radical sonic innovation. Since 2015, the boundary-pushing Ugandan festival and its associated label have become a vital hub for adventurous, experimental sounds emerging from East Africa and beyond. Its alumni roster includes some of the past decade's most thrilling and forward-thinking artists—DJ Travella, Nihiloxica, Juliana Huxtable, MC Yallah, and even New York's mayoral frontrunner, Zohran Mamdani. In the process, the collective has reimagined what club music can be. On the B side mix is Kampire. The Kampala-based DJ has been a core member of the collective since the label's inception. Her mixes often feel like a lesson in musicology, weaving together narratives, tempos and genres while losing nothing in dance floor vitality. These talents are reflected in her contribution to RA.995. A typically kaleidoscopic blend of tough percussive workouts, infectious edits and raw, unreleased gems, the hour-long mix spans batida, singeli, bruxaria and countless more urgent sounds from the global underground. The other half of this special release comes from the enigmatic DJ TOBZY, which you can find on the A-side. Presented together, as the first edition of a new format marking the countdown to RA.1000, this two-sided mix offers a bracing snapshot of a label that has redefined electronic music over the last decade. Find the tracklist and interview at ra.co/podcast/996

DJ TOBZY's half of a double-sided mix by two Nyege Nyege all-stars. Nyege Nyege is synonymous with radical sonic innovation. Since 2015, the boundary-pushing Ugandan festival and its associated label have become a vital hub for adventurous, experimental sounds emerging from East Africa and beyond. Its alumni roster includes some of the past decade's most thrilling and forward-thinking artists—DJ Travella, Nihiloxica, Juliana Huxtable, MC Yallah, and even New York's mayoral frontrunner, Zohran Mamdani. In the process, the collective has reimagined what club music can be. The enigmatic DJ TOBZY is one of the freshest voices in this ever-expanding ecosystem. At the tender age of 23 years, he's at the forefront of the effervescent cruise scene in his adopted hometown of Lagos. Breakneck, unpolished and fiercely DIY, it's a sound journalist Giulio Pecci described as "a delirious blur of vocals and drums, influenced by other African dance music styles but moving only to its own strange, internal logic." TOBZY's mix captures the frenetic energy of a scene evolving in real time—bold, street-born and completely unfiltered. His contribution to RA.995 sits alongside that of Kampala-based Kampire, a core Nyege Nyege member since the label's inception, and she takes the B-side. Together, the two-sided mix forms the launch of a new series marking the countdown to RA.1000—offering a bracing snapshot of a collective that has redefined electronic music over the last decade. Find the tracklist and interview at ra.co/podcast/995

Waves of pulsing, layered techno from the revered Mala Junta resident. If the electronic music industry is caught in the crosshairs of a battle over what makes for true techno, then D.Dan is one of the underground's great modern emissaries. A figurehead from the new guard of DJs to arise in the '20s, the Berlin-based artist and Mala Junta resident is an ambassador for a sound that is strongly anchored in the classic roots of techno. His productions, like his mixes, are revved-up takes on the hypnotic wormholes that defined dance floors last decade, but with a fresh (and high BPM) millennial twist. Originally from Seattle, D.Dan became enamoured with the spectral stylings of psych rock and shoegaze in adolescence. It's not difficult to see how the cosmic tapestry of bands like Cocteau Twins became a blueprint for the entrancing music he's gone on to make as an adult. His releases on Mutant Future and summerpup are latticeworks of loops and layered percussion, custom-tooled for lost hours on the dance floor and drawn-out mixes behind the decks. This approach directly extends into his DJ practice, where he pairs song selections from contemporaries that mirror his own reduced, controlled approach to techno. RA.994 is a Grade A display of contemporary four-to-the-floor from flagbearers like Roll Dann and Marcal. And like D.Dan's standalone records, his RA Podcast finds room for sweetness—the intermittent peal of an open clap, the steady ripening of a chord—while ultimately emphasising the beauty of function and form over flair. @ddan-sounds Find the full interview and tracklist at ra.co/podcast/994

A new studio set from one of the foundational icons of drum & bass. Few names in drum & bass carry as much history as Peshay. Paul Pesce came up in the crucible of early rave and left fingerprints on labels like Mo' Wax, Good Looking and, most obviously, Metalheadz. By the time drum & bass was surging in the mid-'90s, he was bolted as one of the scene's most distinctive voices. Where others were pushing clinical austerity or waves of dark pressure, Pesce's ear drew him to featherlight, jazzy chords instead. The atmospheric drum & bass movement—or intelligent, as it's sometimes known today—cohered in his hands with timeless staples like "The Piano Tune" and "Miles From Home." To a contemporary generation, he may now be best known for Studio Set, which caught alight as a prime slice of algorithm fodder on YouTube in the late 2010s, racking up millions of plays. Alongside Bailey’s Intelligent Drum & Bass, the mix has taken on a second life as a seminal document of a genre in flux. All of which made its removal from the internet, based around a spurious copyright strike, a hot concern. Although a little tad reserved than some of the scene's most dominant names, Pesce has remained a loyal custodian and historian of the sound. While Studio Set was down, we offered him a crack at making something fresh, and though it's thankfully back up, the Kafkian nightmare galvanised his commitment to preserve recorded history. Known as a DJ for his dynamic way with a groove, extended blends have long been Pesce's signature. You’ll hear plenty of those on his RA Podcast, as golden-age rollers and contemporary vocal cuts push in and out for up to four minutes, painting a portrait of the genre’s vitality from someone who helped define its terms. True to form, RA.993 carries the touch of a jazz conductor and the assured cool of a veteran who's been deep in the culture for over 30 years. @peshay-official Find the interview and tracklist at ra.co/podcast/993

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure. Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it. The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why. Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force. Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS. RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed. @laurelhalo Find the full interview at ra.co/podcast/992

Club futurism and a stack of new material from one of São Paulo's boldest shapeshifters. BADSISTA doesn't do stasis. In fact, he prefers to be in a constant state of motion. It was immediately obvious when the São Paulo artist broke out with his 2016 self-titled EP, in which a bass-heavy melange of baile funk, dembow and trap demonstrated an ability to satiate almost any dance floor. But BADSISTA continued to evolve through the different moods and textures of the club: from experimental compositions with Brazilian trans icon Linn Da Quebrada to ballroom bass and heads-down funk shellers for TraTraTrax. This RA Podcast finds BADSISTA in a fluid place once more. The mood starts out slow and moody—one of a slew of unreleased BADSISTA tracks—before seamlessly morphing into the soul-stirring synthwork of Al Lover Meets Cairo Liberation Front. Then he gets playful: tasteful, techy house morphs into smutty baile funk. (And as for the guests, look out for Sully's "XT" and a spicy Batu rework.) BADSISTA's style is connected by a uniquely Latin sense of rhythm and groove. Here, dramatic synths build up to even more dramatic funk crescendos. Perreo rattles appear in and out of the mix, as if acting as a reminder for people to move. But really, above all, this mix radiates with aliveness. When you whittle it down to the bare essentials, all that matters is the joy and connectivity you feel within yourself and the world around you. BADSISTA is an excellent facilitator, and you'll hear as much on RA.991. @badsista Find the tracklist and interview at ra.co/podcast/986

One hour of resolutely DIY club workouts, from one of the West Coast's most exciting producers. If you've been in the club recently, chances are you've heard the work of Julian Edwards, AKA bastiengoat. Maybe it was the standout 2022 track "Tell Me If You Like It," which blends jungle breaks with a slinky sample from Cassie's R&B anthem "Me & U" to create a 130 banger perfect for modern dance floors. The Oakland-based producer has become a go-to name for party cuts that bounce, favoured by the likes of Bianca Oblivion and fellow Bay Area artist—and frequent back-to-back partner—Bored Lord. Born and raised in the Bay Area, Edwards is deeply connected to Oakland's underground rave scene. Reflecting on his early experiences, he explained how the region's unique blend of crowds—from "raw hardcore sound to hyphy house parties"—and legacy of DIY warehouse raves has always shaped his music. While gentrification in the region has limited opportunities to throw parties in those spaces, Edwards, as part of the label and collective NO BIAS, is carrying that torch for a new generation, pushing jungle, UK garage and all manner of US club variety while maintaining a strong DIY ethos. As dance music grows increasingly global and commercial, Edwards and co offer a refreshing antidote. A prolific producer, Edwards is hard to pin down musically. He can apply his distinctive touch to virtually any genre. Take "Slander," where he blends hardcore and electro with Jersey club. Or "at em" a collision of 2-step, bassline and furious breaks. At the core of his work is a transatlantic bass connection, much like fellow West Coast star Introspekt. Both have a serious knack for fusing intricate rhythms with the kind of deep, murky bass weight synonymous with so much UK dance music. For RA.990, Edwards jumps between genres with flex and ease—one moment it's grime-like basslines evoking "Pulse X," then aqueous, melancholic club, before twisting into fast and furious breaks. Rough, ready, and rowdy, it’s music that’s equal parts technical showcase and peak-time firework display. @bastiengoat Find the interview and tracklist at ra.co/podcast/990

Three hours of high drama, recorded live at Nowadays in New York. We know what you're thinking: why did it take so long to get Binh on the RA Podcast? There's no easy answer, especially given that he's been a favourite of ours for over a decade now. So to make up for lost time, the revered digger lands on the series with a tantalising three-hour mix, recorded live at Nowadays in New York earlier this year. Crammed with rare and unreleased gems spanning house, techno, and electro, RA.989 is heavy on drama, catching the Düsseldorf native in unbridled performance mode. This is Binh in 2025. But rewind across the past two decades and you'll find a DJ who excels in pretty much any situation, whether warming up for Zip or Margaret Dygas, going back-to-back with masters like Nicolas Lutz or rolling out solo sets that stretch across ten or even 12 hours. He's acted out all these scenarios most often at Berlin institution Club der Visionaere, the cosy canalside club that became a kind-of spiritual home. (He'd sometimes spend every night of the week there, before parenting duties got the better of him.) To play for half a day you need a lot of records, and the backbone of Binh's craft has long been a freakish passion for vinyl. Along with Lutz, Vera, and others in CDV's orbit, he approaches the pursuit of wax, new and old, with next-level dedication and a fondness for blind buys. That's true of RA.989, although among the un-Shazamables are many tracks that are either out or coming out on Binh's popular Time Passages label. The mix finds him on a house-y tip, luxuriating in roomy basslines, driving 303s and twinkly melodies—with just the right amount of evil. Lock in and savour a one-of-a-kind DJ, completely in the zone. @binh Find the interview at ra.co/podcast/989

A clinic in minimal from the elusive Acting Press boss. Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet). Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away. Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs. Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. @p_el_oh Find the tracklist and interview at ra.co/podcast/988

Kinetic club energy generated by one of the sharpest talents in drum & bass and beyond. Much of the best electronic music rests along the axes of versatility and curiosity: being able to a pull a broad array of influences into your orbit and alchemise it into something distinctive and fresh. That's gyrofield to a tee. Kiana Li began making waves in drum & bass as a teenager, years before setting foot in a club or experiencing the sound on a proper rig. That's a key factor which helps explain how the deeply-considered, Hong Kong-born producer arrived at a style that eludes easy description. Li, one of the foremost trans women working in drum & bass today, marshals complex rhythms like a sluice and has a knack for detailed bass programming that floods the stereo field without ever dominating it. 2024's spellbinding These Heavens was the apotheosis of an already quietly prolific catalogue; we named it the seventh best record of last year, but in truth, it could have actually nudged up a bit higher. Li's RA Podcast is a blur of rapid motion, featuring stalwarts (Dillinja, Skee Mask, Calibre, upsammy, Marcus Intalex), contemporary limelights (Nestax, Ehua, Aquarian, Maude Vôs), 17 of their own productions and a grip of truly uncommon selections, like Burnt Friedman & João Pais Filipe's "18-140." It's an ambitious mix from one of the most exciting talents at the vanguard of outer-zonal club music right now. @gyrofieldmusic Find the tracklist and interview at ra.co/podcast/987

Deep house with heaps of soul to guide spring into summer. "House music to me is about emotion… it's about how it moves you," says Suze Phaff, better known as Suze Ijó. Emerging from a thriving Dutch scene, Ijó belongs to a generation of DJs reshaping dance culture from the ground up, restoring soul and musicality to the centre of house music. It's a conversation happening not just in her home town of Rotterdam, but globally, among kindred spirits like MUSCLECARS and Dee Diggs in New York, Errol and Alex Rita of Touching Bass in London, and OMOLOKO in Belo Horizonte. You could call Ijó a deep house DJ, but it's much deeper than that. Her sets embody house music in its most musical sense, rich in nimble percussion, woodwinds, calypso drums, gospel vocals, and romantic string sections. They channel the jazz-inflected heartbeat of the East Coast, the breeze of Balearic shores, and the light-footed rhythms of the Caribbean. As Ijó explains in her Q&A, her RA Podcast "hopefully feels like a loving embrace." Opening with Key Trunks Ensemble's "Calypso of House (Paradise Mix)," she sets a buoyant, life-affirming tone that carries through the next 90 minutes. As the mix unfolds, her affinity for timelessness is clear, with selections that hark back to the golden age of house, from Lonesome Echo Production's "Sweet Dream (Shrine Sweet Mix)" to the euphoric swell of Blaze's "Klubtrance." Listening to RA.986, it's no surprise that The Loft—David Mancuso's legendary, much-missed New York party—serves as a key influence for Ijó. "He wasn't confined to just one genre but would just play 'good music' in the right context," she explains. "He allowed the music to breathe." If ambient music is defined by its ability to breathe in and reflect its surroundings, then Ijó's RA Podcast is ambient in the truest, most human sense: a deep, enveloping soundscape that feels like sunrise, like community, like home—wherever you may choose to listen. @suze_ijo Find the tracklist and interview at ra.co/podcast/986

Relentless rhythms and Latin dance history, courtesy of the TraTraTrax innovator. Percussion is, at the root, a conversation. It's about different instruments meeting each other, and interacting to form something bigger than the sum of its parts. Few engage in this dialogue as boldly as Pablo De Vargas, AKA Uruguayan experimentalist Lechuga Zafiro, who draws from tradition, to make sounds like candombe and clave feel, well, completely new. De Vargas' music reaches outward, building bridges between Montevideo and Bogotá, Tijuana, Berlin and beyond. He's a key figure in the hybridisation of Latin American club music, with releases on labels like NAAFI and an album on TraTraTrax. His RA Podcast plays like a manifesto in motion. RA.985 opens with a recording of Jorginho Gularte, a Uruguayan composer, playing a jazz rhythm, from there, it expands: cuban guaguancó, Venezuelan drums, batida, tribal, techno—it's all here, stitched together with precision and intention. De Vargas is also, crucially, reckoning with these roots. His 2018 EP Testigo confronted the colonial violence embedded in the history of the Río de la Plata. His sets are similarly alive with memory—asking, without nostalgia: what does it mean to inherit rhythm? Who gets to carry it forward? He's also just a killer DJ, one of those rare artists who uses CDJs like an instrument. His sets are full of hot cues, delay FX and left turns. It's technical, but never cold. It’s, in a word, funky. @lechugazafiro Find the interview and tracklist at ra.co/podcast/985

A mix beamed in from the future by singeli's young star. If singeli has a new era, DJ Travella is its leading light. At just 23 years old, the Tanzanian producer is pushing the genre into fast, frenetic and unmistakably futuristic territory. And while there aren't too many entries in the RA Podcast's 20-year history where you can say, "this has no parallel whatsoever," RA.984 shatters that assumption in style. Singeli emerged from Dar es Salaam's underground in the early '00s, forged from limited resources and unlimited creativity. Producers looped and sped up taarab instrumentals using basic software like Virtual DJ, creating a sound that was chaotic, witty and lightning fast. With support from local studios like Sisso and Pamoja, singeli took root as the breakneck pulse of Tanzanian youth culture. Travella—real name Hamadi Hassani—came up outside that infrastructure. He began producing music aged ten, self-taught and internet-savvy. By 2022, he was touring Europe with Kampala-based collective Nyege Nyege and gaining global attention for a distinct style he's dubbed "cyber-singeli." Like gabber, hardcore and jungle before it, singeli is unapologetically go hard or go home. It's unique and utterly infectious. After all, what could possibly connect pop provocateur Arca to the late president of Tanzania? Not much—except singeli. Travella's RA Podcast is a white-knuckle ride through this blistering sonic universe. It's wild and joyful yet controlled—a window into one of the most exciting young minds in global club music. @user-643479850 Find the interview and tracklist at ra.co/podcast/984.

Tripped-out excursions through percussive club music with the Nowadays resident. Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction." Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push. RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory. As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward. @aye5ha Find the interview and tracklist at ra.co/podcast/983

Another Barker masterclass. Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself. British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster. Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space. Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.” Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless. @voltek Find the tracklist and Q&A at ra.co/podcast/982

Big feelings for big rooms with the Club Heart Broken founder. Club Heart Broken is perhaps a misnomer. The party and label, founded in Cologne by MALUGI, may take its name from one of life's tougher emotions, but the vibe is all about unfettered, unadulterated joy. It's a state of mind its founder fully embodies—he's called himself the "happiest man in dance music." (We tried fact-checking this, but watching him perform seems proof enough.) Club Heart Broken's motto is simple: a party should be fun. A "party for lovers, loners and losers," the crew also made up of ferrari rot, SURF 2 GLORY and fellow maximalist Marlon Hoffstadt, represent the sound of young Berlin in the 2020s, notorious as they are beloved. Since relocating from Cologne, the party has snapped the German's capital infamously serious techno stereotype with its anything-goes, unpretentious music policy. It's made him and Hoffstadt especially in-demand worldwide—queues used to extend out of the door of Watergate and across Oberbaumbrücke. Musically, MALUGI is the most eclectic in the crew. His metaphorical record bag carries a lot of label material, from zingy Eurodance to upbeat pumpers, but also plenty of steppy, tuff UK bass music. Releases from Main Phase and Interplanetary Criminal, the likes of dubplate label ec2a, and even the odd Big Ang record pepper his sets, much of which you'll hear here. MALUGI's RA Podcast is a window into the more house-y side of his sound. From bubbling garage to chunky chords, RA.981 is a testament to MALUGI's belief: the best parties should leave you grinning, not crying. @malugienergy Find the tracklist and interview at ra.co/podcast/981.

Modern hypnotics from a new techno star. It's a tale as old as time: techno DJ moves to Berlin to chase a dream. Philippa Pacho is part of the latest wave of talent to tread that familiar path. But don't let that fool you. She's one of the classiest artists around—no TikTok gimmicks here. Pacho's formative years were spent in her native Stockholm, navigating a vibrant DIY party scene that included warehouse raves and illegal parties. She eventually took up a long-standing residency at beloved local club Under Bron and the experience, as she details in this week's Q&A, sharpened her technical skills, teaching her to handle every type of set—whether opening with patience, supporting a headliner or closing with finesse. She also played with countless touring DJs, from Answer Code Request to Antony Parasole, which ultimately inspired her move to Berlin. That relocation has firmly paid off. It's a testament to Pacho's talent that you'll find her playing pretty much every big club and festival across Europe, from Berghain and Dekmantel to FOLD and Monument (we were exhausted just looking at her upcoming listings on RA). Other recent highlights include closing out Bassiani's tenth birthday, and back-to-backs with Fadi Mohem and Sandrien. Pacho's RA Podcast showcases her preference for classy, hypnotic techno, striking a balance between muscle and subtle groove. Her aptitude for what makes dance floors tick is also evident on her two labels—Phorum Records and positivesource (co-run with Blue Hour)—both of which mirror her DJ style, blending intensity with delicate textures. positivesource has released several standout records, including this year's "Psycho" by BLANKA and Phil Berg's "Psyckik" (which you'll hear on this mix). Spanning 70 minutes, RA.980 is a window into Pacho's thoroughly modern sound (the oldest track is from 2018). And yet it retains a refined, sweeping quality. Give it a spin and you'll soon twig why she's in demand on dance floors worldwide. @philippapacho Read the interview and find the tracklist at ra.co/podcast/980

Mesmerising dance floor tapestries from a singular experimental musician. Can you reinvent the human voice? The oldest musical instrument in existence, our voices are the foundation of music as we know it, and few push its limits in electronic music today like Lyra Pramuk. On her masterful debut, Fountain the Berlin-based, US-born artist's voice was the only instrument. No drums, no synths—just her voice warped, synthesized and layered to achieve orchestral-like electronics. Five years on from her breakout, Pramuk's practice has steadily evolved, with a continued interest in ideas of folk and futurism, and how technology can enable us to build community beyond boundaries of time and space. There’s a holistic nature to her artistry, one that extends seamlessly into her DJing. As she explains in the Q&A accompanying this week's RA Podcast, she sees her work as "part of a continuum of sacred, folkloric, and communal music represented by many different subcultures and communities across the world." It's an approach that, like much of Pramuk's output, feels explicitly choral in nature. The first voice we hear on the mix comes from Lonnie Holley, his woozy Southern drawl calling out, "Earth will be there to catch us when we fall." (Although, you have to wonder, if we keep flogging the Earth, will it?) More voices follow across an eye-catching tracklist, from the poetry of friends (Nadia Marcus) to esoteric French chantresses from the ’80s (Anne Gillis), while Pramuk wraps an extensive amount of her own forthcoming material around tracks from SD Laika, Leyland Kirby, rRoxymore and 33EMYBW, to name just a few. By the end, voice and noise become indistinguishable—stammering, glitchy vocals colliding with an orchestra of instruments. The effect is mesmerising. Unfolding as one continuous composition, RA.979 exists somewhere between an ambient set at Kwia and the main stage at Unsound, voices and textures blurred into a fluid tapestry of sound. It's a singular offering to the series from a singular artist. @lyra_songs Read the interview and find the tracklist at ra.co/podcast/980

Regis and Function's first mix in over 10 years is a unique paean to Silent Servant, heavy on unreleased material. When it came time for RA to compile our Albums of the 2010s, one record with a tauntingly limited availability of 500 copies was never in doubt: Sandwell District's era-defining 'Feed-Forward'. Encompassing Karl O'Connor (Regis), Peter Sutton (Female), David Sumner (Function) and Juan Mendez (Silent Servant), Sandwell District had the underground in a vice grip for over a decade. The collective imploded in 2013, with Sumner and O'Connor's relationship appearing beyond repair. And yet, an unlikely second phase is here, featuring imminent comeback LP 'End Beginnings' and their return to the RA Podcast after 16 years. In 2023, the trio of Function, Regis and Silent Servant had been performing and laying down new material before the latter's shock death last January. It's in the shadow of loss that this unique mix was forged. Founded in 2002 as a spiritual sister to seminal Downwards, Sandwell truly began to hit its straps in the late '00s, as shadow-stalking cuts sliced through clubland orthodoxy like a switchblade. In parallel, the label's artwork—a noir recombination of Burroughs cut-ups, DIY zines and arthouse amour that Silent Servant made his own—helped fortify a movement which placed an aesthetic premium on grit, grain and sadism. By the early 2010s, this fixation on the dark arts had utterly permeated the mood inside techno's masonic temples. Labels like Blackest Ever Black, Stroboscopic Artefacts, Avian and Modern Love were in their pomp, razorwire legends like Severed Heads and Chris & Cosey benefited from second winds, and it was briefly a jailable offence to not have a press photo in black and white. 'Feed-Forward' was the exceptional coronating statement. RA.978 features a stack of unheard recordings from each of the trio, as well as close allies Stefanie Parnow and Tropic of Cancer, while also gathering many of Silent Servant's all-time favourite songs, including Psychic TV, Grace Jones and Galaxie 500. It's a strikingly vulnerable listen, one without many parallels on the Podcast. We're glad to run it. – Gabriel Szatan Read more and find the tracklist here: ra.co/podcast/978 Read our new feature with Sandwell District here: https://ra.co/features/4426

Raucous club jams from the trio setting pace for a new generation of electronic fans: Dazegxd, gum.mp3 & Swami Sound, AKA EldiaNYC. Something exciting is happening on the margins of online club music. As one generation ages out, another, predominantly made up of Zoomers and Zillennials who fell into rave music mid-pandemic or arrived via gaming, is on the rise. Some of the most dialled-in electronic fans out there have threadbare connection to formalised nightlife, filling their diet instead with DJ Ess, Jane Remover, Jet Set Radio and a thriving ecosystem of global splinter styles that would draw stares from anyone who settled into their preferences pre-2019. Leading the charge—while pointedly reaffirming the value of connection as they go—are EldiaNYC, whose combination of jungle, garage, vintage Black American dance music, regional rap and screen-glued splinter styles hits like a shot of adrenaline. Swami Sound broke first with sexy drill-laced 2-step edits, and last year we named gum.mp3's "Black Life, Red Planet" as one of our favourite records—but it could have just as easily been Dazegxd's breaks-splicing "exhibition mode" instead. Eldia stack sets on radio and at parties with startlingly-fresh producers, many still in their teens. This might also be the only RA Podcast to fold in soulful ghettotech from Mr De', head-in-the-clouds plugg from rising star 454, edits of both Bounty Killer and Toro Y Moi, and multiple names (Guido YZ, synta3x, DJ B) who haven't registered on the series before. With one eye on the occasion, Eldia tip their hats to lineage, too. The trio kick off with a double scoop of Fred P, before ramping up steadily through slick forthcoming material and ironclad modern anthems on their way to a crescendo of footwork chops, baile drums and breakbeat delirium. Leaders of a new wave in the US, it surely won't be long before Daze, gum and Swami have swept the international circuit. For now, RA.977 will leave your subs smoking. @dazegxd @eldia000 @masutaswami @gum_mp3 Find the interview and tracklist at ra.co/podcast/977

21st century electro-futurism, Helsinki style. Sometime around a decade ago, electro started to surge onto dance floors again. A new generation of DJs, from Helena Hauff and DJ Stingray, brought the sci-fi, cyborg funk to new audiences, as a modern retool of the style began enjoying the ubiquity of its four-to-the-floor cousins. And few embody its future for our current decade like Sunny Seppä, AKA Sansibar. Cutting his teeth in Helsinki's underground with residencies at Kaiku and Post Bar, Seppä's sound draws from a broad range of influences far from the Finnish capital. His first releases channeled the high-definition Motor City school of electro, but he has since evolved. Not one to be confined by the narrow confines of any genre, the Finnish producer and DJ's discography has steadily begun to encompass a wider palette of influences, including releases with fellow new-gen electro artist Reptant. It's no wonder Seppä has found a home on Kalahari Oyster Cult. Sans Musique was released by Rey Colino's label, and both are united by a love for an amalgamation of gritty and ecstatic sounds of the '90s. As Colino put it himself, the Cult espouses "nostalgia with a modern sound design." You can hear that peppered throughout Seppä's RA Podcast. From Simulant's stone-cold classic "Wav.Form" to shades of tech house from the late '90s and early '00s (as well as some of his own unreleased material), the full vision of his broad sound world comes alive on RA.976. You won't technically hear too much electro in this mix—but underscoring many of the selections is the retro-futurism that electro elicits, that bleary-eyed optimism of dance music's halcyon era. @sunnysibar @sin-sistema-sin Find the interview and tracklist at ra.co/podcast/976

The in-demand US DJ unfurls dubby, dance floor poetry. Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. "How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder. @livwutang Read more and find the tracklist ra.co/podcast/975

Three hours of high-intensity heaters from the trio lighting up US club music. "If the baby boomer generation had the three from Belleville, millennials can say…we have Black Rave Culture." Lofty praise from Spain's WOS Festival, and yet the undeniable buzz surrounding the Washington, D.C. trio of Amal, James Bangura and Nativesun makes it feel merited. The Black Rave Culture experience is physical from start to finish. The trio's glide through the rich canon of Black dance music is, naturally, a huge chunk of the appeal. You can hear them slamming ghettotech into gqom, threading UK garage through East Coast club, stitching antic juke and swung techno, and landing the odd Mad Mike all-timer with flair. Their productions mine a similar store of energy, and you'll find plenty of those on RA.974 too. Perhaps most importantly, their tangible chemistry and sincere, undimmed enthusiasm for tunes are what makes this group so magnetic. While their RA Podcast is split threeways, it could just as easily be a round-robin session behind the decks. RA.974 is an exhilarating exercise in creating serious dance floor pressure while having a ball in the process. @black-rave-culture @jamesbangura @dj-nativesun @ama_l Read more at ra.co/podcast/974

Kaleidoscopic psychedelia from one of Australia's finest. While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound. Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M. This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve. Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D. As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent. @kia-sydney @animalia-label @cirruslabel Read more at ra.co/podcast/973

Party-starting stompers from a crossover star. Even if you've never met Adam Longman Parker, AKA Afriqua, you can get to know him pretty well through his music. His lyrics ("Would you house me in a house, would you house right in my mouth?" from "Dr. House"), track titles ("Wagwan Bhagwan?") and cover art exude a charmingly cheeky demeanour that makes his music personable. It helps that his latest records are absolute smashers–funk bombs with jacked beats and bouncy grooves. Once ensconced in the minimal world, the Virginia-born artist gravitated towards Miami bass, Midwest house and zesty techno before the pandemic. Thankfully so: his recent discography combines Moodymann's slinky swagger with The Neptunes' killer sense of rhythm. Just like those legendary acts, Parker carries weight in both the underground and mainstream—he's released with Tomorrowland label CORE Records and DJ'd at Ibiza superclubs, while still appealing to more headsy crowds. His career expansion hasn't cost him his principles, either. A champion of Black history and culture, the classically-trained pianist infuses overlooked Black musical traditions like psyfunk into his work. Coloured, his debut full-length, was a tribute to what he called the "Black musical tree." "Genre is just temporary housing," the now Berlin-based producer noted in a recent Instagram post. That mentality informs his RA Podcast. From '90s-inspired house and luxurious harp melodies to some of his originals and even a "Satisfaction" remix, it's a celebration of unpretentious, feel-good music. Put simply, it slaps—hard. @afriqua Read more at ra.co/podcast/972

Enter the wormhole with one of the techno artists we're most excited about in 2025. Born in Osaka and now based in Tokyo, DJ MARIA. joins a decorated lineage of Japan's psychedelic elite, cut from a similarly explorative cloth as Wata Igarashi, Haruka and esoteric icons ¥ØU$UK€ ¥UK1MAT$U and DJ Nobu. This nerdy sanctum of deep techno is a notoriously hard world to break into: only the very best make the grade. DJ MARIA.'s head-spinning sets emphasise why she's already part of the club firmament at home, and is now in the midst of a global breakthrough. Her trademark is tapestries of acid, trance and techno that strike a perfect balance between vibrancy, impact and restraint. She bit the bug through a teenage discovery of DVDs showing legendary psytrance raves like Solstice and Vision Quest, yet it wasn't until 2014 that she started DJing, balancing gigs with shifts at Tokyo's Face Records and, as of late, motherhood. Today, as well as producing and touring venues such as FOLD and Bassiani, she helps run two boutique forest festivals—Moment and Transcendence—both of which play a big part in upholding Japan's storied techno tradition. DJ MARIA. has reached these heights principally because of her exceptional talent as a DJ, which is on full display on this week's RA Podcast. The two-hour mix is pure manna for psychedelic techno heads, though we're confident the depth of feeling, subtle pacing and seamless stitching will lure in fans from across the electronic spectrum. RA.971 is a total treasure—the latest wow moment from an artist destined to have a career littered with them. @djmaria-jp Read more at ra.co/podcast/971

The Dekmantel favourite kicks off 2025 in an exploratory mood. Since her breakout in 2017, Thessa Thorsing has built an enviable CV: a debut release on Nous'klaer Audio, an album on Dekmantel and a residency at former Amsterdam clubbing institution De School. Over these years, she's honed a singular sound, navigating wild variations in tempo and mood that dance along the edges of techno, IDM and drum & bass (we could list many more, but you know the drill). Her creative arc has seen her delve into ever more abstract concepts, such as 2024's ambient-leaning album, Strange Meridians, exploring the interplay between synthetic and natural textures through drumless experimentations. As she explained in her 2018 RA Breaking Through profile, "I just want to hear the weirdness in the music." Thorsing's RA Podcast showcases exactly why she's one of the most consistently adventurous names in dance music. Describing it as "a mix with a narrative," the former landscape architecture student flexes her ability to build sonic environments, beginning in a landscape more akin to a swamp than a club. Across 90 minutes, she moves through numerous layered terrains, exploring everything from Skee Mask's lucid, beatless techno to the piercing acid of Mike Parker. Unfolding with a restless sense of curiosity, RA.970 captures an artist challenging the boundaries of electronic music, ever upward. @upsammy Read more at ra.co/podcast/970

Ring in 2025 with a three-hour flex from a hero of UK club culture. They don't make DJs like Lukas Wigflex anymore. The Nottingham DJ and promoter has a love for UK club culture that borders on the unfathomable—and he does it all with a gusto that is unmistakably, one hundred percent pure Lukas. Wigflex started out as a "Wigflex Wednesdays," a free bar night in Nottingham with two-for-one pizzas to hook punters in. In the 19 years since, it has grown into one of the UK's most established party series, welcoming dance music giants while still championing homegrown talent. Recalling its journey from a modest bar night to powerhouse party, he told Stamp The Wax: "I created a mixtape and called it Wigflex 2000. It all just evolved naturally from that." "Evolved naturally" is, perhaps, too modest. In an increasingly hostile operating environment, it's hard to overstate the achievement of Wigflex's longevity, a testament to his tenacity and distinctive spirit. Who else, let's be honest, could get away with taglining their event, "Survival of the Wrongest." But don't let the tongue-and-cheek persona fool you, mind—he's deadly serious about tunes. His RA Podcast is a window into what Wigflex is all about: electro in all its shades, from the Hauffian to the Drexciyan, alongside wigged-out EBM and a healthy amount of Wigflex classics. Even if you didn't know it was coming from him, you would certainly get the impression it sounds a lot like somebody who adores dance music. What better way to ring in the New Year? @wigflex Read more at ra.co/podcast/969

A wintry collage from one of 2024's breakout stars. As far as crossover electronic success goes, Barry Can't Swim's 2024 scorecard would take some beating. His singles have racked up hundreds of millions of streams, he bagged a Mercury Prize nomination and has the range to both pack out festivals as a DJ and sell out tours worldwide with a string-accented live show. Barely 12 months on from the release of debut album "When Will We Land?", it's fair to say Josh Mannie is one of the most in-demand artists working in dance and electronic music right now, with a follow-up LP nearly done, he says. For RA.968, he pulls in the complete opposite direction from any of that. Sure, there are nods to Mark Leckey and late-night jazz haunts throughout his catalogue, and the ruminative clouds drifting across his signature golden-hour glow do suggest an artist with a sharp grasp on meteorological melancholy. But a beatless collage featuring Suso Sáiz, Slow Attack Ensemble and Lorenzo Senni? It's a surprise, and a welcome one at that. Speckled with exclusive airings of brand-new ambient material, Barry Can't Swim's RA Podcast charts a path from This Mortal Coil to Ryuichi Sakamoto, with a detour through some Linkwood and Anthony Naples deep cuts we've not heard for a good while. (He even includes a Stars of the Lid favourite which namechecks Fulham's home ground, an act of mid-table grace for the diehard Everton fan). RA.968 has the crackle of a frosty night walk set to tape—a holiday gift from one of the most popular acts in the game. 'Tis the season. @barrycantswim Read more at ra.co/podcast/968

A lesson in rhythm from a former De School resident. When it comes to minimalist dance music, Ruben Üvez, AKA Konduku, is one of the best in the game right now. With a masterful and ever-shapeshifting understanding of rhythm, the Berlin-based artist crafts sublime dance music with a staunchly leftfield bent. Don't just take our word for it: how many DJs, after all, can claim to have moved De School to a puddle of tears? Musically, Üvez is hard to pin down. He's often billed as a techno artist, but actually you'll find his sound sits outside of the genre's many conventions. With an outsider's curiosity, he leans into diverse moods, tempos and genres, though one throughline is always how he arranges his drums. Whether it be deep, Nobu-core techno such as 2023's Hayal EP or UK beat science á la Peverelist on 2019's Gegek, he leads with rhythm across his DJing and production. The end product is a hypnotic, one-of-a-kind sound that hits the body before the brain has time to catch up. In short, it slaps. As Üvez's RA Podcast demonstrates, he's got a serious knack for crafting and selecting tunes that can deeply captivate a dance floor. Clocking in at just over 90 minutes, RA.967 is an excursion through a timeless sound, packed with long, layered blends, flick-of-the-wrist transitions, locked grooves and spine-tingling atmospherics. In 2020, we called Ruben Üvez one of techno's brightest new talents. This mix sees him ascending to a seat at the top table. @kondukukonduku Read more at ra.co/podcast/967

One of Mexico City's key players in session. Paulina Rodriguez, AKA Paurro, came to club music relatively late in life. It took hold of her for the first time when she was in her twenties, during a chance visit to the legendary London institution, fabric, in 2008. One look at her CV today would confirm that she's definitely made up for the late start. Sixteen years later, Rodriguez has worn nearly every hat in the industry, from radio programming, label management and PR to residencies at Mexico City's finest clubs. Nowadays, she's just as hard to pin down as ever, with a global reach: she currently holds a residency with Munich's Radio8000 and tours extensively across Europe, Asia and the Americas. The House of Paurro, her party series, is much like its globetrotting founder: this year alone it's hosted events at Tresor in Berlin, Making Time in Philadelphia and Public Records in New York City. Oh yeah and don't forget, she's also producing absolute bangers, such as 2022's "Galavision," in the moments in between. It sounds like a lot, but you get the feeling the sky really is the only limit for Paurro. Rodriguez's journey wasn’t without struggle. She's openly addressed challenges like breaking into the industry as a Mexican artist and facing sexual harassment. Today, she's a champion of community-focused global club culture, embodying optimism and ambition. At the heart of it all: sharing unabashed joy, wherever that may be. Her RA Podcast is no different—it's a joyride through the House of Paurro, weaving together influences spanning a rich fusion of UK, Latin and truly borderless sounds. @paurrro ra.co/podcast/966

The producer best known as Huerco S. accompanies One Day, our record of the year, with two hours of minimal and dub introspections. This summer, Kansas-raised DJ and producer Brian Leeds released One Day under his revived Loidis alias. Enamoured with the restrained, loopy sounds of early '00s dance music, the album’s eight tracks linger in the air, luxuriating in dubbed-out chords, swung beats and sub vibrations. It's our favourite record of 2024 for a reason. It's a sound he's coined, in his typically teasing fashion, "dub mnml emo tech." All winks aside, it’s no wonder One Day became the soothing balm we all needed. In a scene overwhelmed by hard and fast trends, the softer—and Leeds might argue, more sincere—stylings of minimal and dub techno enjoyed a welcome second wind. Not only was One Day one of our favourites of the year (more on that this week), but it also inspired us to break our usual no-repeats rule, inviting Leeds back to the RA Podcast under a different alias after his 2019 turn as Huerco S. "The prevailing trends in dance music are more and more maximalist," Leeds noted. "I missed restraint, subtlety, and sensuality." Clocking in at just under two hours, RA.965 embodies that ethos in spades. @huerco_s Read more at ra.co/podcast/965

The longtime Perlon affiliate goes for big basslines and big grooves. It's 1996, and a young Fumiya Tanaka is shelling out hefty yet minimal percussive techno at Club Rockets in Osaka to an audience enraptured. Released as Mix-Up, the 90-minute recording captures Tanaka sounding rather like Jeff Mills or Surgeon. It's far cry from the sound he's known for today. Fumiya Tanaka's creative arc has seen him move away from these thunderous sounds to warmer shades of house and minimal. Since 2016, he's found a home on the inimitable German minimal label, crafting out a distinctive sound within the labels roster with an affection for tumbling basslines and spooky atmospheres. From 1996 to 2023, Tanaka ran a party series in Tokyo, Osaka and Berlin called "Chaos," which encapsulates the ethos of freedom Tanaka brings to a party. "When you hear music you've never heard before and encounter unknown territory, you will be so happy and totally absorbed," he told us back in 2019. "I want to keep that feeling." RA.964 achieves exactly that. Nearly three decades removed from his burst onto the scene, and after a good few years of asking, Tanaka's RA Podcast captures him in full house mode. Recorded at a Slapfunk party in Manchester, the Perlon maestro keeps the vibe funked-up, chunky and warm, punctuated by the occasional big breakdown and the odd lick of garage rudeness. No tracklist for now—but as Tanaka knows well, half the fun lies in the mystery. @fumiyatanaka_official Read more at ra.co/podcast/964

Punk house and techno from a modern Midwest icon. Every DJ has their own genesis story: a pivotal sound, a formative scene, a defining philosophy. In Kiernan Laveaux's case, her philosophy, rooted in psychedelia and experimentation, sets her apart. Inspired by Nine Inch Nails, Depeche Mode and New Order, she came of age in Cleveland’s acid house and queer party scenes, developing an ethos that constantly pushes dance music’s limits. Her DJ style is scrambled (in the best way), with zany tricks like scratching, creative EQing and modulation. This approach reflects the Midwest's DIY tradition, where artists thrive in isolation and cultivate a radical disobedience, as seen in contemporaries like Eris Drew and ADAB. As Laveaux recounted in a 2023 interview with GROOVE Magazin, "Titonton Duvante once told me that being a Midwest DJ is about playing music from anywhere and making it sound like a piece of your spirit." Spanning two and a half hours, Laveaux's RA Podcast showcases this spirit. It’s a testament to her decade-long career, blending tracks from friends and cherished memories into a transcendent mix. It’s "music to shake your hips to and decalcify your pineal gland." (For the curious, the pineal gland helps regulate your circadian rhythm.) RA.963 will make you dance and think in equal measure—a beautiful, restless and resolutely wicked journey through a singular imagination. @kiernan-laveaux Read more at ra.co/podcast/963

A dubstep legend roars back. When dubstep ruled the roost in the late '00s, electronic music had no shortage of icons and spinoff variants to rally around. But one rumble from Bristol stood out: the Purple sound. Popularised by Joker, AKA Liam Mclean, with Guido and Gemmy in support, it hit like a beam of bright light flooding through the basement dank. When America cottoned onto bass quakes in the next decade, Mclean's taste for chiptune-coded synths and maximum intensity kept his vision alive at arena level, even while he retreated from view as an actively touring performer. In 2023, "Tears," a collaboration with Skrillex and Sleepnet, helped remind the world just how much Joker's juddering sound could put us in a headlock. True to form, this year's gargantuan "Juggernaut"—Mclean's first solo single in six years—crashes through the speakers with as much glorious crunch as earlier classics like 2009's "Purple City." Mclean has kept busy in the studio applying his perfectionist streak as a producer and engineer to many sound system anthems, which means his influence is never far from a dance floor being turned inside out. The fact that Joker had never laid down an RA Podcast before was, being honest, a blemish in our copybook. RA.962 fixes that in style. @jokerkapsize Read more at ra.co/podcast/962

Dubstep-tech hybrids from one of 2024's most forward-thinking breakouts. Born in France to English parents, Beatrice M. is a product of two environments. And like many third culture kids, this lends the Rinse France resident and Bait label head a knack for seeing the realm of possibility beyond arbitrary borders and binaries. Beatrice M. is a part of a wider cohort of artists spearheading an elastic take on dubstep: take Carré and Introspekt in the US, EMA in Dublin and Mia Koden in London, to name a few. Collectively, they are not only pushing greater representation and diversity, but ensuring a broader palette of sounds find home within the genre's renaissance. Where dubstep got trapped down a brostep cul-de-sac in the early 2010s, 2020s already seems to be all about a charming phrase Beatrice M. employs: siblingstep. Their RA Podcast, a "full femme, non-binary, trans productions set," is testament to that. RA.961 finds Beatrice M. embracing the softer, more intimate edges of their sonic world. There's cuts from Grace Jones and rRoxymore, a fresh tech-house venture under the alias B. McQueen and heaps of siblingstep. All in, it's an hour of past reverberations, present rhythms and glimmers of future horizons. @beatricemasters Read more at ra.co/podcast/961

A new record for the longest RA Podcast ever: Ten hours from the powerhouse duo sweeping techno, Chlär and Alarico. Both commanding performers in their own right, sparks fly when the Swiss-Italian duo of Funk Assault combine. The buzz surrounding their productions, DJing and their label Primal Instinct is at fever pitch, and short wonder: when it comes to gritty, high-impact sets that barrel through multiple shades of techno, few are in their league right now. RA.960 was laid down at Watergate this March during a signature Funk Assault marathon. The pair ramp up incrementally, and even before they hit top velocity, you can hear them ripping through records with tenacity and verve. You don't need elbows in your face to tell the place is rocking. We're informed that ID'ing the set would probably take longer than playing it (fair enough), so no tracklist for this one. Instead, fill in the blanks at your leisure. As well as 150+ BPM stompers and groove wormholes, there's everything from tribal to ballroom, electro to bassbin rattlers, and plenty of classics. As an encapsulation of a night out's full arc, RA.960 does the business—and best of all, you won't even need a trip to the bar for water. The gauntlet has been thrown down. @primalinstinctrecords @funkassault_og @chlaer @alarico_katana Read more at ra.co/podcast/960

Effervescent club cuts from one of Southeast Asia's rising DJ stars. In Indonesia, the term santai (relaxed) is more than just an adjective—it's a lifestyle, one endearingly embodied by DITA. The New Delhi-born, Bali-rooted DJ's breezy attitude to life is reflected in dreamy, blissful euphoria. DITA's RA Podcast is a window into both her disposition and sound, blending wiggly breakbeat into tweaking acid, Detroit house into Spanish electro, Balearic to '90s house and some grittier club fare, too. Her sets are rooted in a feel-good philosophy that allows her to freely play with energy and mood. Don't just take our word for it: DJ Harvey hand-picked DITA to be a resident at his new club Klymax, nestled within the world-renowned Potato Head Bali, where DITA is also Head of Music. With gigs at everywhere from Panorama Bar (the first Indonesian woman to play) to Rainbow Disco Club and Dekmantel under her belt, the world is now taking notice of DITA's killer groove. A breakout 2025 surely beckons. @dita-putri-widyanti @headstream Read more at ra.co/podcast/959

A journey through 35 years of house from the godfather of UK rave. In popular mythology, the '90s are without question, the halcyon days of dance music—an era of free raves and unadulterated hedonism. It's a myth that Matthew Nelson, AKA Slipmatt, knows better than most–he was there. During the late '80s, as the rave scene in the UK began to boom, Nelson began moonlighting as a DJ. He would land his first residency at Raindance, the East London rave that launched in September 1989 and would become the UK's first legal rave. By 1991 , he'd reach number two in the UK charts with "On A Ragga Tip" as one-half of SL2 and two years later, sell over 10,000 copies of the first pressing of SMD#1. Nelson has got a lot to share (as you'll see in his interview) so we'll let him do the talking. He's been variously called the godfather of rave and happy hardcore, but what you'll hear on RA.958 is as "a journey through my 35 years of house." A DJ with this much pedigree brings much more than that, of course: touching on the breakbeat, jungle and acid house that soundtracked that golden age, as well as nods to the rich cross-pollination with scenes beyond the UK, from Joey Beltram's "Energy Flash" to Stardust's "Music Sounds Better With You." @slipmatt-1 Read more at ra.co/podcast/958

The singular Príncipe artist showcases her shapeshifting sound. Before she was simply Nídia, Nídia Borges was Nídia Minaj. Modelled after a musical idol of hers, Nicki Minaj, in 2017, she shed the borrowed surname. As she later said in an interview with The New York Times, "Today I have my own identity. I'm not going to imitate something that someone has done already." And Nídia couldn't be further from an imitator. As one of Príncipe's two non-male members, her body of work stands apart even within Príncipe's unique sonic universe. She traverses a broader emotional territory and extends to collaborations with Fever Ray, Kelela and Yaeji. Her RA Podcast is a restless affair–60 minutes of pushing, pulling, tiptoeing and gliding through the sounds of the Príncipe universe. True to the label's communitarian foundations, the mix contains predominantly original and unreleased material from her colleagues. In 2014, DJ Lilocox told RA: "Whatever your age, skin colour, sexual orientation, money in the wallet, clothes on: Noite Príncipe is for all who come to dance... forgetting the outside world." A decade on, RA.957 echoes this sentiment, a celebration of Príncipe's enduring magic: delirious, transcendent dancing for all. @nidiasukulbembe Read more at ra.co/podcast/957

Maximalist house from the sibling duo at the forefront of Berlin's new wave. Berlin is built on dance music. But of the many DJs who live, work and play there, few represent the evolution in the city's club culture like Tania and Dominik Humeres-Correa, AKA S-candalo. If the city was once governed by the tyranny of minimal, the post-pandemic era has cemented its reputation as the spot for "more-is-more" club soundtracks. It's still house and techno, but the chords are big, the drums are big and the basslines are even bigger. Nowadays, S-candalo are firm favourites at hotspots across the German capital, from Panorama Bar to Multisex and Radiant Love (not forgetting La Noche, their own burgeoning party). The duo find rich inspiration in '90s-era Latin house, a sound that takes New York house and incorporates rolling percussion from Latin genres such as samba, popularised on labels like Cutting Records and Strictly Rhythm (there's not one but two records from the latter in this mix). RA.956 fittingly lands at the beginning of Hispanic Heritage Month in the US (more on that to come) and it's a resolutely fun affair. The duo's RA Podcast has got drive, sultry vocals and enough bounce to make you want to keep dancing way beyond the 90-minutes, marrying percussion-heavy house and ballroom with trance-inflected Eurodance from the '90s and early 2000s. (Oh, and a Shakira moment.) Genres aside, the duo's musical raison d'etre is pleasure. Perhaps the real scandal here is how it took us so long to get them on the series. @s-candalo @thc_dj @dhc_bln Read more at ra.co/podcast/956

Living, breathing, banging techno from an artist defining the highly-textured new frontier of the sound in 2024. Lindsey Wang, AKA Polygonia, has an amorphous style you could call organic—or, better yet, harmonious. She interweaves unfamiliar elements with a mercurial touch. Wang can make something completely otherworldly sound totally, well, natural. It's made her a fixture everywhere from Munich's BLITZ to major festivals like Sustain-Release and Draaimolen. Unsurprisingly, Wang is not one to be pinned down. Be it the sound design-anchored side project Lyder, her own label QEONE, or co-producing an album's worth of experimental percussion alongside jazz drummer Simon Popp, it's fair to say her personal output matches the feverish energy of her mixes. There's multidisciplinary, and then there's Wang: Poly-disciplinary, you might say. Wang's entry into the RA Podcast series is no different, another stellar emphasis of her artistry. RA.955 is a voyage into wild variations of texture, rhythm and feeling, guided along by the principle of endless metamorphosis. Supple driving grooves meet crinkled surfaces, scuttling hi-hats meet chattering sonics, and good luck keeping hold of a consistent drum pattern for long. Behold a living organism raised by the club and the great outdoors in equal measure. @polygonia Read more at ra.co/podcast/955

Three sizzling hours from the mind behind one of the world's best labels, Kalahari Oyster Cult. What you'll hear on this week's RA Podcast is the closing slot of 2024's Organik Festival—already a coveted moment. But as the sun dipped on Taiwan's north coast, something else was going on: Rey Colino was laying down quite possibly the set of his life. We're big fans of Colino, AKA Colin Volvert, here at RA. Few do it better when it comes to the type of pacy, lysergic thumpers that have become synonymous with both Kalahari and the distro One Eye Witness. A quick glance over the Belgian label's impressive alumni confirms how deeply his work flows through contemporary clubs. On RA.954, Volvert's sharp ear and swaggering DJ style are on full display. He locks in with many shades of his record bag, alongside a grip of new and forthcoming KOC cuts—some so fresh, the ink on the deal is barely even dry. We could go into the particulars, but it's best to just get stuck in: this one's a deep, deliriously effective trip. @reycolino @kalaharioystercult @oneyewitness @smokemachinetaipei Read more at ra.co/podcast/954

In time for 9/9, here's… 999999999. The Italian duo's reputation as a rave demolition crew has made them one of the most in-demand acts on the global circuit. Too nosebleed for 'business', and too close to Defqon.1-level hardstyle to be hard techno in the classic sense, 999999999's headline sets practically require a new category to convey the sense of scale: let's call it megatechno. Following a string of unsubtle yet undeniably impactful hit records in the late 2010s, Carlo B. & Giovanni C. became fast favourites of a generation who prefer their 303 cranked to 11. Their rampant velocity arrived at the right moment, proving parallel compatibility with acid lifers and younger audiences making the leap from EDM to hard dance. Flash forward to 2024 and they're flanked by flamethrowers while mashing down colossal crowds at festivals like Awakenings. Here, they purposefully strip it back and emphasise the core elements of the 9x9 formula—high drama, jackhammering kicks and the kind of tweaked-out acid air sirens that would make the likes of Hardfloor and Miss Djax scrunch their noses in approval. In other words, non-stop wrecking balls trained squarely at the foundations of a hangar near you. @999999999music Read more at ra.co/podcast/953

90 mins of Two Shell, live from Horst. We've been angling for an RA Podcast from Two Shell ever since they shifted from lowkey producers into hijinx hackers rummaging around the dance music mainframe. Now that we've bagged a mix from clubland's premier iconoclasts, it still poses more questions than it answers: Was this pre-recorded? What's the deal with that AI voice guiding the set along? How can we be sure it was even them? Hang on: is "even them" even them? What we can tell you is that the duo floored RA's stage at Horst Arts & Music 2024. Few genres were left untarnished as they veered off-piste on a thrill seeking mission toward breaking the 170+ BPM speed barrier. No tracklist, so ID crew over to you (Alex Gaudino makes an appearance, you can have that one as a freebie.) True to form, Two Shell always do it their own way. @twoshell @horstartsandmusicfestival Read more at ra.co/podcast/952

Ask Berlin's network of revered deep diggers who their favourite "DJ's DJ" is, and there's a strong chance you'll hear one name immediately pop up: KRN. Phil Kearney, AKA KRN, is one of those rare types who has built a reputation away from the limelight. Formerly a resident at The Ghost's Hoppetosse party as well as a Get Perlonized devotee (plus, full disclosure, reviewing events and working at RA in the mid-2010s), he's well-versed in both wiggle and waft. The hubbub around KRN can be put down to the fastidiousness of his approach: he unearths rare gems from the roots of the underground, before mixing it up with a deft hand. Kearney's RA Podcast, sweetly subtitled "Dadhouse," is an ode to his partner and newborn, as well as a window into his personal palette. He starts in serene IDM territory, before shifting into playful grooves and tactile house oddities. Good lucking ID'ing many of the tunes—we asked for a tracklist but, deep down, already knew the answer. We know this, too: one listen and you'll be hooked. @k_rn @theghost Read more at ra.co/podcast/951

A glorious ode to sound system culture. For her RA Podcast, Brooklyn-based DJ Ayanna Heaven celebrates vibrations echoing down the ages, connecting seven decades of trailblazers and trendsetters. It's a soundtrack we've timed with an eye to that golden late summer run of Notting Hill Carnival, Brooklyn's West Indian Day Parade and several crucial dates in the Jamaican calendar. Since 2020, the Brooklyn-based DJ, ethnomusicologist, dancehall advocate and promoter has held down two shows on the city's most popular stations: the monthly "Sounds of Heaven" on The Lot and biweekly "Across 110th Street" on WKCR. That's roughly 72 hours of radio every year. Light work for Heaven, though, whose sound traverses the limitlessly fertile ground of reggae, dancehall, funk, soul and beyond. From Sly & Robbie, Aswad and Vybz Kartel through contemporary heaters and reskins of platinum-plated standards like "No Games" and "Sun Is Shining," RA.950 is a story of a thriving culture, grounded in the past yet with intentions set firmly on the future. @ayanna-heaven Read more at https://ra.co/podcast/950

A roaring hour from one of the most vital talents in Naarm: First Nations producer Paul Gorrie, AKA DJ PGZ. The Gunai/Kurnai and Yorta Yorta artist is a fixture of forward-thinking dance music in Australia, with releases on labels like Butter Sessions, Pure Space and !K7, as well as numerous club and festival gigs on the circuit. An international breakout moment for the Naarm (Melbourne)-based talent feels inevitable. There's much to be said about the lack of visibility and support for Indigenous artists within the global electronic ecosystem, but at the root of all PGZ's disparate interests are community building and the advancement of marginalised peoples. To that end, DJ PGZ's RA Podcast is notably laced with multiple cuts from Nene H's Gaza fundraising compilation. It's distinctly fresh—the oldest track you'll find is from 2022—as he gallops through Kalahari-style wigged-out prog and techno, through to harder drum syncopations. Consider this a firm tip from us: PGZ is the truth. @dj-pgz Read more at ra.co/podcast/949

Speedy percussion meets screwface basslines: the Parisian club maestros are in session. Trying to find one word to describe the music of Amor Satyr and Siu Mata could run you into difficulty. But if we were to try, we'd reach for amphibian: slippery, nimble and evading borders with ease. With solo and shared releases on labels like SSPB, HARDLINE, TraTraTrax and their own WAJANG, they have evident kinship with what moves contemporary dance floors. The pair are also linked to the rise of an alchemical style they like to call "speed dembow"—taking the looping rhythm of dembow before pitching it up to modern club tempos and adding muscle. Combining tribal techno, baile funk, dubstep, jungle, dancehall and beyond, their RA Podcast makes for one hell of a ride, with over two hours of romping percussion, lysergic effects, high drama and plenty of wobble. @amorsatyr @siumata Read more at ra.co/podcast/948

What does great techno sound like in 2024? Enter LYDO. This week's RA Podcast captures @lydole in full flow, combining the old-school vernacular of European and North American techno—reduced rhythms, hi-hats and punchy 909s—with tracks from the new guard (Sev Dah, GiGi FM, D.Dan) sprinkled throughout. After moving to New York in 2015, the Vietnamese-American sound artist and X-XTRA.SERVICES founder became one of BASEMENT's first residents; the scene built around the revered Queens club has helped nurture their adventurous sound. Lately they've been making waves beyond North America, playing with the MARICAS crew in Barcelona and locking down slots at De School, Bassiani and Draaimolen. RA.947 is the sound of artful hypnosis: it's techno with elegance, depth and just the right amount of thump. Rig this up on a proper system, turn off the lights and any worries—about the genre's direction of travel, or otherwise—might melt away. Read more at https://ra.co/podcast/947

Bangers from around the globe. Dar Disku launched with a question: how to channel heritage into dance floor elation? Well, when your name translates to 'home of the disco,' the brief feels pretty self-explanatory. In the first few years, that meant crafting edits of Khaliji hi-NRG and Bollywood soundtracks to fit contemporary 'crates. They took off as DJs through a run of radio and parties in the UK—where they currently reside—flexing deep finds from across the SWANA region. Their vibrant debut album, out in September on Soundway, furthers the mission. True to form, their RA Podcast is stuffed with heaters from all over the map: Algeria, India, Chile, Jordan, Australia, Turkey, Libya and Morocco get a look-in, as well as a few staple acts that betray the kind of high-wattage European festivals the duo increasingly frequent. It's not hard to see why—this mix is 90 minutes of sunshine. @dardisku @soundway-records Read more at ra.co/podcast/946

Wormhole techno from a DJ you need to know. KYRUH is a high-impact specialist forced in the crucible of modern NYC's notable spaces, including WIRE, Dweller and Bossa Nova Civic Club. Their sound is that of a DJ skilled at pressure without requiring shortcuts through obvious terrain, adept at hammering it without defaulting to speed alone. After years burning a hole through the American underground, 2024 is proving to be a tipping point. KYRUH's appearance on Kelela remix compilation RAVE:N in spring lit the touchpaper for a run of gritty productions and increasingly prominent slots across North America and Europe. The tracklist for their RA Podcast goes deep, accommodating producers like x3butterfly and Faster Horses alongside veterans Lady Starlight, Femanyst, House of God resident Paul Damage Bailey and underrated Swedish ripper Tobias Von Hoftsen. To those still wondering where to find 'proper techno' in 2024: look no further. @kyruhx Read more at ra.co/podcast/945

As a producer and DJ, TSVI is in the form of his life—which you can't always say for an artist a decade in. He's been an enduring presence through several underground cycles for a reason: the man knows how to flow. TSVI's RA Podcast features a solid number of new and forthcoming cuts from the current vanguard pushing club music forward, amongst them Verraco, Surusinghe, DJ Plead, Doctor Jeep, DJ JM, WOST and Dj Babatr—who just dropped a split 12" with TSVI on TraTraTrax last month. Alongside the names you might expect, TSVI also leans into a streak of personal history. On RA.944 you'll hear fast, deep and percussive '90s and '00s cuts from Spain, Latin America and his native Italy, with a particular focus on the kind of playful progressive trance minted by the late, great Franchino. It makes for a truly dynamite mix. @tsvisions @nervoushorizon Read more at https://ra.co/podcast/944

Pure energy from one of electronic music's brightest lights: Sofia Kourtesis. Clamour had built around the Peruvian artist's poignant brand of house music following a string of EPs and 12"s, culminating in last year's Madres—a passionate, vulnerable and excellent album that resonated widely. Madres packed in rare specificity for a dancefloor record, combining paeans to the power of sound with direct tributes to the neurosurgeon who saved the life of Kourtesis' mother. (Kourtesis even took him clubbing in Berlin as an additional thank you.) The album's earworm melodies and approachable aura helped launch Kourtesis from bubbling to breakthrough on the global stage. In both sound and impact, it mirrors another record: Swim, the 2010 classic made by Kourtesis' friend and mentor, Dan Snaith. Speaking of @caribouband: RA.943 kicks off with a brand new Sofia Kourtesis & Daphni collaboration, before powering through summer-ready cuts from LUXE, Floating Points, IceMorph, DJ ADHD and an old Oliver Lieb classic. Even as her reputation as a recording artist swells, this power-hour mix is a sharp reminder of Kourtesis' DJing chops, teeing up a victory-lap summer ahead. @sofia-kourtesis Read more at ra.co/podcast/943

DJ Flight has been a constant throughout the many peaks and troughs of drum & bass. She's one of the genre's key chroniclers, with a real-time history of drum & bass in her archives as a radio presenter, and a level of behind the scenes involvement that spans decades. While Flight's advocacy for equitable gender representation in drum & bass through her EQ50 collective is the most visible, it's by no means the sole initiative. Her work also extends to the Prison Radio Association—the only radio station made specifically for incarcerated people—as well as the Windrush Stories series, which focuses on the cultural history and contributions of Afro-Caribbean migrants to the UK. Flight is also, plainly, a wicked DJ, who doesn't prefer one scene or subgenre over another—which also makes her a font of knowledge. (Her history of 2000s drum & bass is among the best genre deep dives we've ever published.) This RA Podcast is two hours of majestic, freewheeling beats that touch on every corner of drum & bass: from the minimalistic and razor-edged to ragga looseness, with a killer downtempo outro to smooth out the final landing. RA.942 is a first class journey from one of the scene's most enduring heroes. Big up Flight. @djflight Read more at https://ra.co/podcast/942

The first thing you might realise during a MUSCLECARS set is the sheer musicality of the duo's selections. Vocals glimmer at the centre, unfolding into enchanting, soulful coos, while drums strike captivating rhythms and gilded synths reach towards the sky. It's a jazzy New York house sound mythologised by pioneers like Joe Claussell, Carlos Sanchez and Timmy Regisford (whose songs all make it to this RA Podcast). For years, New York natives Brandon Weems and Craig Handfield have run their Coloring Lessons party as a way to introduce a younger generation to this vital piece of dance music history. In a city that prides itself on fast walking, fast talking and, as of late, fast BPMs, their music is an invitation to ease into a more relaxing pace. This RA Podcast comes at a golden time for MUSCLECARS. In May, they released their RA-recommended debut album, Sugar Honey Iced Tea!, whose sultry (and undeniably catchy) lead single "Tonight" has gotten the stamp of approval, and a remix, from New York legend Louie Vega. And this Sunday, they hosted their annual Juneteenth block party outside the Lot Radio, where scores of Black dancers latched onto one another during sets from a multigenerational crew of Black DJs including Ron Trent, Lovie, Shawn Dub and MUSCLECARS themselves. This two-hour-plus mix takes us through the spiralling jazz of Herbie Hancock, the flashy disco of The Originals and lands us, finally, in "Water," the track that also closes out Sugar Honey Iced Tea!. @musclecarsnyc Read more at https://ra.co/podcast/941

Young partygoers might know Man Power, AKA Geoff Kirkwood, as the earnest geezer going back-to-back with DJs like Ewan McVicar, Paul Woolford, La La and Skream—peak-time specialists with a fine line in boofy bangers and ravey techno. Kirkwood is also a dab hand at the kind of elliptical house and deep cut detours favored by '00s labels like DFA and Optimo. In spite of a long track record as a producer and promoter, if you had to boil Kirkwood's work in recent years down to a single quality, it might be altruism. He hails from North Shields, a small town fringing the boundary of Newcastle in England's oft-neglected North East, and wears his heritage proudly. The Me Me Me label boss's involvement in a flurry of civic restoration, and no-filter paeans to the importance of working class involvement in culture, have become as central to his life as music-making itself. For an accomplished DJ who has played at nearly every good club you could name, that’s no small feat. So which side of Man Power were we in for? The answer on RA.940 is: both. '60s free verse poetry, Zebra Katz, Gesaffelstein and John Carpenter in the opening stretch? Makes sense. Octave One punching through Rozalla? You got it. An extended Joe Claussell workout atop Radiohead's "Everything In Its Right Place"? Why not. In Kirkwood's hands, it all goes down as smooth as a pint of Newcastle Brown. @manpower-1 Read more at https://ra.co/podcast/940

People tend to remember the first time they see BEIGE DJ—and a lot of the times after, too. One RA editor described them as "doing some crazy shit" after seeing a set. The Detroit DJ is all about playing to party rock, but also gently subverting expectations. It's a cliché now that good DJs can make whole new tracks out of blending existing songs together. Few embody this as easily or effortlessly as BEIGE, who loves to take sounds you already know and present them in a context you've never heard them in before. BEIGE started DJing after they moved to Detroit roughly a decade ago, and has since become a vital DJ in the Motor City's ecosystem, bridging gaps, scenes and genres. Their DJing style is adaptable and versatile, but you can count on a few things: a techno foundation, rollicking drums, throbbing basslines and vocals coming at you from all angles. Their RA Podcast flows beautifully, with just the right amount of bumps and left turns to keep you from getting comfortable. And the edits? There's plenty of head-turning moments here, like DJ Chap's downtempo drum & bass remix of seminal emo band American Football, a 150 BPM version of "Energy Flash," a cheeky Skrillex flip from Darian and excellent weirdo beats from the freakier ends of the US underground, including producers like Davis Galvin, Alien D and the late Jasen Loveland. @justbeige Read more at https://ra.co/podcast/939

Actress' highlight reel needs little exposition. Darren J. Cunningham has been a prominent yet inscrutable figure in electronic music since the late 2000s, typically flickering to life from the margins before receding into the shadows. Beloved albums like R.I.P., Karma & Desire and Splazsh may switch up the template, but the Actress hallmarks of haze, murk and showstopping beauty remain. As you'll see in the interview below, he's a man of few words—that's in character for him. What's characteristic, too, is a taste for surprises. Ahead of the release of tenth studio album Statik on esteemed Norwegian label Smalltown Supersound next month, here's the "Дарен Дж. Каннінгем RA Mix"—a tapestry of 100 percent original and exclusive Actress music you won't find anywhere else. Flowing between pensive, rugged and stargazing moods across an album's worth of unaired tracks, Actress' first time stepping up on the RA Podcast was clearly worth the wait. @actress1 Read more at https://ra.co/podcast/938

Julia Govor is one of those artists who can take the fundamentals of techno and make it sound hers. At this point in her career, the Georgia-born, New York City-based artist has established a style that feels half-Rome school, half Japanese hypnotic techno, but fully Julia Govor. Her label Jujuka has become a home for the stuff, featuring plenty of her own work along with like-minded folks like EMIT and Victoria Mussi, and she recently put out the biggest and best release of her career with the hefty Laika And Ulka Were Here on Semantica. Her production style carries over to her DJing. Govor's RA Podcast is made up over half her own tracks, and the cuts she picks from others match her style: twirling arpeggios, rushing cascades of synth, heavy but groovy kicks. Much has been made of her childhood in a military family, and how she fell in love with techno via her classical musical education, where she felt drawn to the darker, romantic shades of composition. You get some of that here, but to call Govor's style "dark" would be overly simplistic. Instead it's sleek, aerodynamic and fluid, the kind of techno that gets you lost in a wormhole. @juliagovor Read more at https://ra.co/podcast/937

"All in my life, I've gone back and forth between North and East London," Karen Nyame KG said in a recent mini-doc about her studio process. "These areas are multicultural [...] you just become a sponge for that type of energy." More than two decades into her career, these parts of the UK capital remain a defining influence on The Rhythm Goddess, whose music weaves together ideas from across London and the diaspora, blending R&B and soul with global dance music forms. A leading face of London's hybrid club sound, KG's sound is seductive and luxurious. Her excellent productions, which span UK funky, amapiano and East Coast club, have a velvety touch, as if cut from high-end fabric. Her ear for smoky, sultry grooves, showcased on her Rhythm In The City party-turned-label, is impeccable, and her tracks have become more song-oriented, ranging from sultry to braggadocious. Her classy DJ mixes are a study in bounce and groove, incorporating everything from highlife to Afrotech to dubby rollers. Since re-entering the club circuit in 2018 after a six-year hiatus, KG has become a role model for women talents in the electronic music world. Her stance on racial and gender disparities within the industry has helped orchestrate safer spaces in music, inspiring aspiring Black creatives in the process. KG's RA Podcast is nothing short of sexy, loaded with swung rhythms and lithe drums across gqom, Afrohouse and jazzy deep house. It radiates a level of confidence and intimacy that can only come from years of vision—and a constant passion for sensual, soulful music. @KARENNYAMEKG Read more at https://ra.co/podcast/936

This past February, Tesfa Williams released his debut album—over 20 years into his career. Raves Of Future Past distilled decades of experience on London dance floors into a potent and powerful blend of grime, house, rave and techno. Made with an Elektron Digitakt to imitate the rough textures of early '00s UK dance music, the LP is an anachronistic history lesson that throws everything in a blender, imagining what gqom might sound like as an Eski track and giving new life to the short-lived "sublow" sound Williams helped invent with classic tracks like "Invasion," released under his earlier alias DJ Dread D. Since the sublow days, however, Williams has become a torchbearer for UK house music and African diasporic sounds like Afro house and gqom in London. He's put out soulful hits like "Heartbeat"—recently reissued by Local Action—and released a steady stream of dance records for PMR and Strictly Rhythm. He's what you might call a jack of all trades, except for that he's actually a master of them all. His RA Podcast charts his musical journey in reverse chronological order, starting with smooth, African-influenced sounds and winding through grime and dubstep, eventually landing at jungle. He threads a needle through diverse genres (and eras), and posits that the traditional UK hardcore continuum is a bigger spectrum than you might think, with gqom's heave and amapiano's log drum equally important in the musical equation. It's nearly two hours of UK dance music past and present, from a DJ who has lived it all. @twilliamsmusic Read more at https://ra.co/podcast/935

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded. The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time. @simocell Read more at https://ra.co/podcast/934

By anyone's standards, KI/KI has had a meteoric rise. She started DJing at queer party SPIELRAUM in Amsterdam in 2018, and by now she's one of Europe's most-talked about DJs. She blends modern strands of techno with trance and acid in a way that feels all her own, veering away from the sugar highs of other DJs or the clobbering kick drums of so much fast dance music. Her style is aerodynamic and sleek, not bludgeoning. In addition to her DJ career, KI/KI runs the label slash, which has put out music from the likes of Alpha Tracks, Peachlyfe and Newa, artists who share her canny blend of trance and techno aesthetics and sneaky pop sensibilities. Acid is another big love, as shown by her 5HRS OF ACID concept. The decades-old sound has become a key part of her style and appeal, as you'll hear on her RA Podcast. It's a barreling 90 minutes through techno and trance with trap and dubstep accents, breathless but perfectly paced. @ki_slash_ki Read more at https://ra.co/podcast/933

Earlier this year, we described Los Angeles act 1morning as one of the funkiest young producers in modern-day techno. And we stand by it. The fast-rising upstart is building a solid fan base around North America and beyond with a rugged, vintage style of swung techno and hardgroove. His all-vinyl DJ sets and pumping productions on the likes of Fixed Rhythms and Mála Ádh stand out for their distinctly old-school flavour—steamrolling hi-hats à la Robert Hood, swift choppage behind the decks and deep, deep grooves. Like many of his all-vinyl heroes, he's also a treat to watch behind the decks The up-and-comer had a hell of a year in 2023, from playing in Japan to going on his first European tour, and his momentum shows no signs of slowing. He debuted at New York's dweller festival this year and K9 Unit, his duo with Bloodhound, recently did a night with fellow hardgroove king Regal86. It's only a matter of time until 1morning gets to a festival or a club near you so until then, enjoy his RA Podcast for now. The mix unfortunately came with some less than stellar circumstances, as the records 1morning pulled were stolen from his car, and so instead this RA Podcast became a statement of resilience and creativity—and, in his words, "an outlet for my rage." @1morning Read more at https://ra.co/podcast/932

Sam Coates took to techno like a diligent pupil, falling in love with the genre through labels like CLR in the late '00s. It didn't take long for the student to surpass his proverbial teachers. Almost immediately, the Manchester native was putting out pitch-perfect, functional techno records with everything intricately balanced. The requisite move to Berlin only sealed his fate as a future techno luminary, and by now, based in Kyiv, he's one of techno's most reliable, yet exciting, workhorses. Setaoc Mass records (and those on his label, SK_eleven) are minimalist but colossal, deceptively simple but not easy to pull off. We've praised him in these pages for his "sense of economy—how to get the hardest impact out of just a few elements," and that's the idea behind his RA Podcast as well. Put together from records old and new, and intricately layered, Coates's mix is like a time-travelling wormhole connecting disparate eras from techno, and highlighting the genre's most timeless attributes: mechanistic rhythms, careful pacing, rudimentary melodies made out of the strangest sounds and, of course, the power of the bass drop. It's hard to imagine anything that sounds more capital-T techno than this mix, which is a high compliment. It's easy to hear why his records and DJ sets are only more in demand from techno heads across the geographical and generational spectrum. @setaoc_mass Read more at https://ra.co/podcast/931

Most underground movements in the arts can be boiled down to one key ingredient: friends doing dope shit together. Childhood BFFs Luca Medici and Delbert Perez have been doing just that with INVT (that's "innovate"), a multidisciplinary art project that spans club music and streetwear. Before exploding onto the international stage and playing to massive crowds in Ibiza and Tulum, the Miami natives built a solid community at home through electrifying DJ sets, releases and fashion. They might be globe-trotting artists now, going back-to-back with artists like Skream and playing Panorama Bar, but their raw DIY spirit stays strong. Their tunes and live hardware shows fuse jungle, techno, East Coast club and dubstep—and lately, tech house and tribal house—with bass-heavy Latin genres like cumbia and guaracha. A reflection of Miami's diverse demographics, their genre cross-pollinations bring together skaters, dancers, artists and various subcultures. Their clothing lines are equally cross-cultural: repurposed vintage items made from screen printing and acid washing, using photos and designs that represent their home city's vibrant street culture. True to their grassroots ethos, everything's done in-house, from mixing and mastering tracks to embroidery. The next-gen duo's ultra-rhythmic productions, characterised by deep, swinging drums and trippy textures, is delivered to the world at a rapid-fire pace, testament to Medici and Perez's seemingly insatiable hunger. Their explosive career has helped bring fresh shine to Miami talents who feature heavily in their sets, including this RA Podcast. Featuring DJ Babatr, Coffintexts and plenty of their own unreleased heaters, INVT's mix represents their friendships, community and Miami's thrilling melting pot of dance music that they're still a core part of even as they move across the globe. @invt305 Read more at https://ra.co/podcast/930

Last year, when we wrote that "the best UK garage is coming out of Los Angeles," we were talking about Introspekt. The US DJ, who has since moved to New York, really understands the genre—its appeal, swing and unique, bassy whomp. Listen to any of her tracks, like last year's "Forlorn," and you'll hear someone who produces like she's been making UKG all her life. This is probably partly because she comes from a dubstep background, but either way, if you're looking for new UK garage beats, Introspekt is one of the best going right now. Her DJing also hits a distinct sweet spot, zeroing in one of the proto-dubstep, dark UK garage days when producers like El-B were making the hottest shit around. Her sound is both retro and forward-looking, as you'll hear on her RA Podcast, which balances vintage Big Apple cuts from Skream & Benga with new-school tunes from Amaliah and Surusinghe. It's not so much a throwback as it is a rejuvenation of an old sound—a new way to look at it and a new way to make it. If hindsight is 20/20, then Introspekt has perfect vision, and mixes like this are the perfect way to educate listeners, make them move and innovate a little in the process. @sageintrospekt Read more at https://ra.co/podcast/929

Berlin label and collective Live From Earth crew does things its own way. And it works. Over the past ten years, the team has become a major force in the city, mixing a killer ear for techno and house with a sense of humour and pop sensibility that has proven irresistible to audiences and scenes around the world. That's why we chose Live From Earth for our latest cover story: its DIY attitude, humble origins and tenacious spirit are everything we love about underground dance music. Accompanying the cover story, this RA Podcast features a recording of a live back-to-back between two of the label's chief artists, DJ Gigola and MCR-T (the latter of whom has produced some of Live From Earth's biggest hits, including horsegiirL's "My Barn My Rules"). The hour-plus recording makes for a handy microcosm of the label's sound, rushing through contemporary and vintage techno with plenty of raunchy vocal samples and hip-hop a capellas. It's blazing but never too hard, catchy but never predictable. Above all, it's fun—the group's guiding principle. @mcr-t @djgigola @livefromearth Read more at https://ra.co/podcast/928

Of all the Berlin DJs who make a living spinning strange, I'm-not-sharing-the-tracklist kind of records, Sugar Free, originally hailing from Madrid, might be the most fun. She plays bold, colourful tracks with an air of sci-fi and sleaze, somewhere between Italo, hi-NRG, electro and house. (Her Dimensions Mix last year was one of our favourites of 2023.) She's the kind of DJ who messes with your perception of genres and tempos by how she blends tracks together, and also a DJ with a rare grasp of mixing melodies and moods—just check out the first transition of this RA Podcast for a spine-tingling example. Sugar Free doesn't speak much publicly, and you won't find a lot about her on the internet. She prefers to let her DJing speak for itself. And her RA Podcast says a lot: proggy basslines, heart-in-mouth descents into reverb-heavy breakdowns, eerie vocals and a general feel of psychedelia and '80s decadence. It's difficult to tell what era these records are from, which is part of the charm. For a bonus point, try and pick out two just-completed Sugar Free originals, some of her first productions ever after her debut track came out on Limousine Dream in 2022. @freesugarfree Read more at https://ra.co/podcast/927

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle. In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play. FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you. @FAUZIA Read more at https://ra.co/podcast/926

Shubostar's RA Podcast begins and ends with video game music. (The beginning kind of sounds like Mary Poppins, actually.) Lots of DJs and producers play or make music that emulates the nostalgic sounds of old-school gaming, but the South Korean artist goes direct to the source. Before falling in love with dance music, she went to an animation-focused high school and learned how to make video games—so it's basically in her musical DNA. And while her DJing isn't as out-there as you might expect from that description, '90s and '00s Japanese video game (and anime) soundtracks offer a good idea of what her playing sounds like: lush, synthetic and a little naive, full of wonder and positive vibes. With releases on labels like Permanent Vacation, Internasjonal and her own uju Records, Shubostar is also a student of cosmic space disco, inspired by artists like Daniele Baldelli, Lindstrøm and Prins Thomas. Lately she's been rubbing elbows with Âme and Dixon. She picks tracks from across eras and genres on her RA Podcast, with cuts from Yellow Magic Orchestra, Baldelli and Kraftwerk alongside selections from DJ City and Private Agenda. It's a mix full of mood shits, dazzling keyboard runs and, of course, melodies that seem to reach out towards the heavens—or outer space. @shubostar Read more at https://ra.co/podcast/925

If Bitter Babe was a perfume, her scent would be animalic—heavy musk, bergamot, worn leather and burnt spices. The Bogotá-born, Miami-bred and now Berlin-based artist has a heady, ultra-rhythmic sound that feels made for sweltering summer nights and feral fantasies. Combining pan-Latin styles with hard drum and industrial touches, she's crafted a singular mood that defines her DJing and production: hazy, high-energy and sensual. Bitter Babe's ascent on the international circuit has been tied to her role in Miami's electronic renaissance. Whether it's proto-reggaeton, dense ambient or guaracha, her sets and productions are characterised by evocative low-end, darting synths and distorted frequencies that exude drama. With releases on TraTraTrax, Air Texture and SVBKVLT, she's cemented her position as an experimentalist, leaving the door open for more deconstruction and abstraction. As cofounder of multidisciplinary project LATITUDES, Bitter Babe seeks to unify Latin America's electronic music communities. Her mixes are a great source for discovering under-the-radar acts from Peru, Brazil and beyond, some of whom are featured on her RA podcast. Starting with subby downtempo before moving onto swampy baile funk, technoid mutations of dembow and cheeky UKG, it showcases her expertise for trippy yet deeply kinetic grooves. @bitterbabe Read more at https://ra.co/podcast/924

Detroit might be synonymous with techno, but it also has a rich house tradition. And Rick Wade—FKA Big Daddy Rick—is one of Detroit house's key players. Along with the likes of Keith Worthy, Theo Parrish and the late Mike Huckaby (who Wade had a lifelong friendship and friendly rivalry with), he created a hybrid sound that is both techno and house, effortlessly soulful, sculpted and glowing—and Midwest to the core. As Tajh Morris said in a retrospective review of one of his classic records, "growing up in Buchanan, Michigan, meant that Wade was much closer to Chicago than he was to Detroit." Many of Wade's best records were released on Harmonie Park, his era-defining label that also featured plenty of work from Huckaby. Those EPs still sound fresh and timeless today, qualities that extend to Wade's RA Podcast, which features 90 minutes of smooth-as-butter house old and new. Over the years he's kept the flame burning for the smouldering sounds of Detroit house, working in sounds from younger producers like Folamour along the way. Enjoy listening to a master at work. @rick-wade Read more at https://ra.co/podcast/923

Mogwaa is a Seoul-based DJ, producer and multi-instrumentalist who can seemingly do no wrong. Since his debut EP in 2017, he's developed a stellar track record of releases and live performances that have made him an in-demand name across East Asia and beyond. And he's only just getting started. The South Korean artist's multi-genre palette and hardware expertise have earned him the description of boy wonder from peers and collaborators. His work is awash in bright textures and dreamy moods, whether it's electro-fused techno for Peggy Gou's Gudu Records, limber jungle for Klasse Wrecks or dubby dancehall for Sound Metaphors. At Wonderfruit festival in December, he played a thrilling live set of spacey techno and loopy acid, infusing rich sound design into elastic groove. His stamina and enjoyment of music is tangible—he could probably play all night long and still be raring to go. After learning classical piano, guitar and trumpet in his early years, he taught himself to compose and produce. He's now determined to work with South Korean producers through Walls And Pals, a label he runs alongside Jesse You. Mogwaa's RA Podcast offers a glimpse into his multi-faceted sound. It's full of club-ready heaters, from trippy house to breakbeats, that pack a serious punch. Read more at https://ra.co/podcast/922

In the music video for her new single with Manni Dee, Manuka Honey embarks on a money heist, robbing a venue with a comically tiny Louis Vuitton bag. Wearing a barely-there outfit, her cutesy goth girl demeanour and memeworthy one-liners capture many facets of modern-day pop culture. Whether through her music, fashion or astrology practice, the artist, born Marissa Malik, speaks to a large demographic of fans. Her sound is a composite of club genres from across the globe—everything from baile funk to gqom to pop edits. She he describes herself as an "unhinged, hostile girl" and is known for unfettered self-expression. "When you come to my sets, often, my tit will accidentally fall out or I'll step on the decks," she once told RA. Malik brings a sort of sensual chaos to the dance floor. Her DJ sets and productions are rooted in hot and humid rhythms that often distort into acrobatic shapes or blend into one another in a maximalist approach. Last year's Machete / 777 for Club Romantico combined elements of reggaeton with ballroom, while one Boiler Room show last year went from Waka Flocka's "No Hands" to new-school guaracha banger "Calentura Vaginal" (which translates to "vaginal heat"). She's dedicated to supporting the worldwide Latin diaspora through her music, which heavily skews towards regional styles like guaracha and raptor house, as well as with her collective and party SUZIO. Malik's many influences shine on her RA Podcast. Moving from dancehall to Afro house to bassy dembow, the hour-long high-intensity workout captures her core sound palette. It's energetic, steamy and a little disorienting—just how she likes it. @manuka_honey Read more at https://ra.co/podcast/921

Whoever Client_03 is—their official bio says "neither human nor machine"—they certainly love electro. In the interview below, they say making it is "all I do." The stubbornly anonymous project has been making waves across continents and scenes, introducing audiences used to dubstep, drum & bass and trap to the distinctive joys of electro. Through a series of self-releases dating back to 2019, Client_03 has earned a fanbase with simple graphics and wonderfully jargon-y titles—"Prosperity Stream Divider," "Interpersonal Relationship Assessment"—that more than live up to the genre pastiche with genuinely funky electro grooves. Pitched between loose and robotic, their tracks are what we call rollers: stackable, interlockable and reliable. This RA Podcast was recorded live at last year's Bass Coast Festival, where the masked producer's set was among the most anticipated. They—or it—didn't disappoint, and here we've got 60 minutes-plus of smooth and occasionally raucous electro that eventually mutates into dubstep, jungle and beyond. There are several spinbacks, tons of Client_03 material new and old and a few select tracks from artists like Sam Binga, Nikki Nair and Fixate. It's the sound of a certain kind of future, as refracted through its past. @Client_03 Read more at https://ra.co/podcast/920

Ariel Zetina is as charming as she is talented—one of the many reasons she was named "Chicagoan of the Year for Pop Music" by the Chicago Tribune last month. A straight shooter with strong principles, her witty personality shines through on social media and in person. She radiates both best friend and boss energy. Musically, she wears her heart on her sleeve, infusing her personality into her DJing and production. Her sets and mixes are adventurous, moving from hard to soft to playful with precision. From producing theatre shows and opening for Beyoncé to releasing her RA-recommended debut album on Local Action in 2022, the smartbar resident approaches each venture with meaning and depth. That LP explored the complex experience of being a Belizean-American trans woman, using fiery house and techno to express vulnerability and triumph. Ariel Zetina's multifaceted personality is on full display in her RA podcast. There's baile funk-infused techno, crisp drum & bass and plenty of tracks from queer producers from all sorts of scenes, including Michael Cignarale, StrikeStone! and Perfect Lovers. It's a grand statement of power, flow and seriously good taste. @arielzetina Read more at https://ra.co/podcast/919

Soul Summit is a New York institution. The DJ trio have been putting on a summer festival in Brooklyn's Fort Greene park for well over a decade now, and those gatherings have become a yearly house music pilgrimage for fans from all over the Five Boroughs. The party embodies the ethos of house music: free for everyone, open to families both blood and chosen, a place where everyone is welcome to groove (or just relax) to uplifting, old-school dance music with inspiring lyrics and bumping basslines. Sadiq Bellamy, Tabu and Jeff Mendoza have created something truly special, and more and more lately, they've been spreading their gospel outside the park, too. They've become residents at Nowadays, where this RA Podcast was recorded as part of a Mister Sunday party. It was also released as part of the Mister Saturday Night's cassette box set to celebrate the party's 15th birthday. This one features an hour of the cassette's 90-minute runtime, plus an additional 20 minutes only available here. It captures this trio at their soulful best, letting vocal tracks play out long and leisurely with expert blends and gentle transitions. The feelings of warmth, love and welcome land with every kick drum and flow through every bassline. @soul-summit-music Read more at https://ra.co/podcast/918

Purelink have been described more than once as an "ambient boy band." (They themselves say "jam band.") It's not meant dismissively—the American trio purposefully mean to function as a band, even if their main instruments are laptops. Ambient might not quite cut it as a descriptor, though. The group's music crosses eras and scenes, touching on the late '90s clicks & cuts boom as well as the billowy ambient techno put out by labels like 3XL, West Mineral Ltd. and NAFF. Their most recent LP, Signs, released on enigmatic imprint Peak Oil (and one of our favourite albums of 2023), is especially impressive, made of stuttering rhythms and glassy textures. In other words, it's ambient-not-ambient. While members Concave Reflection, kindtree and Millia have all made excellent music on their own, something special happens when they come together. Purelink's RA Podcast is another stellar contribution to our post-New Year's tradition, where we highlight a more laid-back sound to soothe weary minds and frazzled brain cells after the heavy holiday celebrations. This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality, with plenty of exclusives and unreleased cuts from the likes of Nick León, James K, Downstairs J and more. It highlights Purelink's position as a bridger of worlds, sounds and tempos. Read more at https://ra.co/podcast/917

Dr Banana is a name that commands a lot of respect in certain corners of the dance music world. The man has his Ph.D in record digging—not literally, mind you, but play along—and key to his success is the sense of fun, joy and ecstasy he brings to his DJing. UK garage historian? Sure. Blinding DJ? Definitely. He likes to play records you've never heard before, records that not only make you dance but might remind you of some of your favourite, formative records of yore. The UK artist started out with a fashion line and some records and ended up an influential label boss, collector and DJ. He made his name with skippy, retro UK garage—sometimes from new producers and sometimes unearthed from the archives—and nicely coincided with the genre's explosion in popularity. Since then, he's highlighted everything from old-school German garage to new-school producers like K-LONE. His DJ sets have only become more adventurous and, crucially, even more bumping. Jungle, R&B, tech house, you name it. His RA Podcast zeroes in on a vintage-sounding, rollicking kind of house music, full of seismic disco basslines and quirky vocal samples. It's as celebratory as it is mysterious. Once, Dr Banana was a not so well-kept secret for the heads—the kids in Berlin and London who were starting to realize the similarities between UK garage, minimal and tech house. Now, he's for everyone, and starting to earn the wider recognition he deserves. @dr-banana Read more at https://ra.co/podcast/916

Quest's RA Podcast starts slowly, with a thrum of synths that feels like watching a rocket take off in slow motion. Before you know it, you're in outer space, floating through zero gravity with waves of synths and gentle breakbeats. The Italian DJ is a premiere selector in the world of digging for rare records, but his outré taste shouldn't be confused with willful obscurity. He's a beloved DJ partly because of his approachability. There's a serene, early '90s feel to RA.915 that's reminiscent of some of the earliest and best ambient techno. When he's not DJing, Quest runs the label La Nota Del Diablo. He's only put out two records, including this year's Red Tears EP from his dear friend (and fellow esteemed DJ) Christian AB, which RA's Henry Ivry described as "a careful balance of late-night tension and early morning twilight." That's not a bad way to describe Quest's RA Podcast—if it's not a soundtrack for an astral journey, then it's perfect for an afterhours, for when the laid-back vibes come to a simmer for one last stretch of dancing. @questwax Read more at https://ra.co/podcast/915

Detroit dance music thrives on intergenerational connections. In the late '70s and early '80s, the late Ken Collier mixed disco, soul and early electronic dance music in eye-opening DJ sets that left a mark on up-and-coming artists like Delano Smith. Once Smith established himself in the city's explosive techno community, he, in turn, influenced soon-to-be legends like Juan Atkins, Eddie Fowlkes, Jeff Mills, Norm Talley, Mike "Agent X" Clarke and others. Now an elder statesman, Smith is etched into our history books as a crucial contributor to Detroit dance music, both house and techno. He's known especially for the Detroit beatdown sound he pioneered alongside Talley and Clark—slower, sexier records than what Detroit techno is generally associated for. (The trio even put out an RA Podcast under the name in 2010.) It's more recently that Smith has become known as a producer. He started his own label, Mixmode Recordings, and became a regular on Berlin imprint Sushitech, where he released many of his albums, including the jazzy deep house masterclass An Odyssey. His style has evolved over the years to incorporate ambient, dub and more contemporary techno influences. More recently, Smith's career has been sidelined by an ongoing battle with a rare and untreatable form of cancer. He's hosted livestreams throughout his ordeal to keep in touch with his fans. His RA Podcast, which he calls his "Legacy Mix," is a celebration of his favourite sounds: euphoric chords, jacking drums and deep-space melodies, the elements that have and will continue to reverberate through Detroit and beyond. It also marks the beginning of a more hopeful period for Smith, as he gets ready to travel again, especially with his Legacy Detroit series, which celebrates the lineage he's an indelible part of, and always will be. @delano_smith Read more at https://ra.co/podcast/914

It would be no exaggeration to say that 33EMYBW is one of the most original club music producers we've heard in recent years. In addition to being a talented visual artist and a bass player in the experimental band Duck Fight Goose, her solo productions are a highlight of Shanghai’s bustling underground scene—home to forward-thinking artists like Tzusing, Osheyack, Swimful and Hyph11e—moving with their own rhythmic language. She has a lexicon of drum sounds borrowed from all over the world, including tablas, bongos and mallets. As 33EMYBW, she puts together strange, multi-limbed rhythms that bring to mind images of dancing spiders and insects, something she addressed directly on 2019's showstopping Arthropods LP, released on the influential SVBKVLT label. As she says in the interview below, you basically need more than two legs to dance to her music. Maybe even eight. Her music deals with creatures that vary from the mythical to the everyday (her first album was called Golem). On her latest record Holes Of Sinian, also out on SVBKVLT, she imagines the mostly-unknown organisms from the recently discovered Ediacaran period. It's more esoteric, atmospheric and arguably even funkier than her previous work, with Marina Herlop on one hair-raising track that you can hear in a demo version on her RA Podcast. This mix is actually a version of her live set—a favourite at influential festivals like Unsound and CTM—featuring plenty of productions from across her career in mutated and improvisational forms. It's creepy, crawly and undeniably danceable. If you can keep up with it. @33emybw Read more at https://ra.co/podcast/912

What some refer to broadly as "Latin club music"—from dembow to raptor house—is having a moment on dance floors around the world. Since making his mark at Manchester's legendary Swing Ting parties in the 2010s, Florentino, who is of Colombian heritage, has melded high-pressure perreo, cumbia and other styles with high BPMs and fat-bottomed bass in his DJ sets and productions. The result is an ultra-kinetic, cross-cultural sound that's influenced by UK soundsystem culture as much as the sounds of the massive, diverse scenes across Latin America. The pan-Latin influences are a big part of Florentino's sound palette, but they by no means define him. Interspersed with dancehall and baile funk are dubstep, pummelling techno, house, UK funky, grime and more. Over the years, his experimental side has also crystallized, whether it's through the deep, sometimes trippy, reggaeton of Sangre Nueva, his collaborative project with Kelman Duran and DJ Python, his sought-after bootlegs of deconstructed guaracha, or the releases on his Club Romantico label. Most recently, he's signed with UK giant XL Recordings, including for his latest EP, Kilometro Quinze. His dizzying range and propensity for rhythmic contortions is on full display in his RA Podcast. This is a riotous mix with big drops, bouncy basslines and crispy textures, showcasing Florentino's talent as a proper party-starter. @deejayflorentino Read more at https://ra.co/podcast/912

At this point, Shy One might be familiar to most music fans as one of the hosts of NTS's daily breakfast show, Soup To Nuts, where she helps listeners across the UK and Europe settle into their morning routines with an eclectic and soulful selection of dance music and downtempo. But the London artist has been around a lot longer than that, with a discography that goes back well over a decade. She started releasing music as a regular on Scratcha DVA's label, and it was there that she sketched out a recognizable but impressively varied approach rooted in her home base of London. On her records, Shy One sometimes feels like London incarnate, synthesizing the histories of Black British dance music—drum & bass, grime, UK funky, broken beat, jazz, you name it—into one syncretic and immensely appealing sound. But her music glows with the warmth of American deep house, too, which lends it a timeless, ageless quality that has proven immensely appealing. She furthers this mission with Private World, a party she started with Ruby Savage. The name kind of says it all: she's inviting you to her own personal space, but what awaits is a whole wide world of music and culture. Her RA Podcast feels like a hybrid between a club DJ set and her morning show, and here, she zeroes in on a the lineage of American house music from the '90s and beyond, featuring tracks from the likes of Green Velvet, Marcellus Pittman, Roy Davis Jr., Wbeeza, Jay Daniel and more, plus a spotlight from Baltimore club king DJ Technics. It's patient and easygoing but perfect for a small dance floor (or a livingroom party), focused but stylistically diverse. It's everything we've come to expect from an artist like Shy One, who weaves stories and histories with her DJ sets, and does it effortlessly, too. @shyonebeats Read more at https://ra.co/podcast/911

Last month, with Goldie's guest curatorship of Resident Advisor, we focused on the history of one of the most important music genres and scenes to come out of the UK: drum & bass. With this RA Podcast from Kasra, we switch over to the style's cutting edge. He's probably best known for his long-running Critical Music label, whose name is instructive. You'll find some of the most essential, crucial drum & bass of the last two decades through its 20-plus year-old back catalogue. As a DJ and producer, Kasra embodies everything great about Critical and its approach: drum & bass with flair and personality, forward-thinking while staying true to the roots of the sound. The kind of music he plays is wide-ranging, but it usually leans towards the tight and minimalist. The basslines stop and start like stuck engines, drums hit with the mechanical precision of a Swiss-made watch, the MCs move with a tactical flow. Kasra's RA Podcast is a blend of new and old cuts from the likes of Skeptical, Halogenix, Break and the boundary-breaking Ivy Lab, plus a few cuts from the man himself. @kasra-critical Read more at https://ra.co/podcast/910

909 is a special number for us at RA—the name of one of the most hallowed drum machines in all of music, and one of the foundations of techno music—and we're more than happy to offer it up to a DJ who has been a long-time favourite of our team: Glasgow's Bake. In fact, we commissioned this mix roughly ten years ago, but you can't rush perfection. When Bake emerged as one of the heads heads behind the label All Caps—a relatively short-lived but influential imprint that released massive tracks like Flørist's "Marine Drive" and Kowton's "TFB"—he also quickly became one of the most impressive DJs in the post-dubstep access, appearing frequently at Hessle Audio events and sharpening his skills behind the decks at the country's best parties. Now he runs his own, Spirit, at Sub Club. He has a wide-ranging style that touches on all kinds of leftfield techno and broken drum patterns. His nearly two-hour RA Podcast finds him at the end of a sort-of comeback year, and it touches on tracks from Shackleton, Laksa, Batu, Karima F and Levon Vincent, to give you an idea. It's the kind of mix that oozes expertise and practice without feeling showy—the signs of a truly great DJ. If you don't know Bake, then now you do. @bake-all-caps Read more at https://ra.co/podcast/909

With their Wisdom Teeth label, British artists Facta and K-LONE are at the vanguard of a sound that mixes New Age-inspired ambient music with loopy tech house and the staggered swing of Bristol techno. Now split between the West Country hotspot and Brighton, the duo have perfected a balance of carefully considered long-players and wicked club EPs, making Wisdom Teeth one of the most essential labels anywhere in the UK right now. As DJs, their sound leans more towards the clubbier end of Wisdom Teeth—and don't sleep on K-LONE's lovely other labels, Sweet 'n' Tasty (for garage) and Wych (dubstep-ish)—but they've got a slightly softer, slow-and-steady approach than many of their peers from their spiritual home of Bristol. It's clubby, but it's more hypnotic and loopy than loud and banging. The duo jump through a fair amount of sounds—and you'll still get some bass wobbles—touching on tracks from Genius Of Time, Martinez Brothers, Jan Driver, Polygonia and more, bridging not only genres but local scenes and continents. There's a measured and steady touch to the way they DJ, like musicians who know the instruments like the back of their hand, and as always, it's a pure pleasure to hear them put tracks together like only they can. @facta @k-lone93 @wisdomteeth-uk Read more at https://ra.co/podcast/908

Before moving to San Francisco, Iranian-Canadian artist AIDA got her start in one of the world's more unlikely, yet nourishing, rave scenes tucked away in the southwest corner of Canada: Vancouver. There, amongst the basement raves, forest parties and yeast-perfumed gigs on top of bakeries, she found a home amidst a small but strong scene of record-digging minimal lovers, finding power in their pure passion for music. This is where she started, though over time her sound has developed along with a lot of the minimal scene, touching on electro, breaks and progressive house. The latter is the focus of her RA Podcast, which comes amidst a year-long sabbatical from her dayjob to focus on music. It seems like the extra time is paying off: she's playing out more than ever, around the world, and playing more kinds of music, too. This mix revolves entirely around her love for the original wave of progressive house, gathered from records chosen over a period of weeks and then put together with a firm but idiosyncratic touch, as she explains below. It's as much a testament to the timelessness of this music as the cyclical nature of dance music, though it's also a bit of history lesson, a reminder of the broad world of sounds and rhythms beyond the au courant revival. When she's not DJing, AIDA also runs a record label rooted in activism around her Iranian heritage. Inspired partly by the Woman Life Freedom movement in Iran, her imprint Apranik Records focuses on artists of Iranian and Persian heritage from the country and across the diaspora, as well as raising money for charities and nonprofits. @aida-dj Read more at https://ra.co/podcast/907

Back in the day, drums were used as signals for festivities and war because their sounds travelled the furthest. Azu Tiwaline has long understood that. A master in the dark arts of percussion, she makes deep and profound percussive music that seems to communicate forgotten rituals from centuries past. Her sound is dense, as if pulled from the depths of the Sahara desert in Tunisia, yet still feels spacious thanks to polyrhythmic contortions and sparse, elegant melodies. Her productions largely fall into the confines of percussive techno, but unlike the genre's springier variants, her dubby textures and psychedelic rhythms command seriousness and move with immensity. Her Livity Sound debut, the Magnetic Service EP from 2020, connected Amazigh music with dub and techno and is a masterclass in restraint and hypnosis. Her latest release, The Fifth Dream, continues to showcase her skills in balancing light and dark tones using field recordings from her home in Tunisia's El Djerid desert, minimal ambient techno and haunting notes. Mirroring her discography, this RA Podcast features plenty of twisted rhythms, trippy techno and straightforward club cuts. Created for movement rather than hypnosis, these selections show off a different side of her drum palette—perky breaks and syncopated kicks—wrapped in her usual weighty atmospheres. @azu-tiwaline Read more at https://ra.co/podcast/906

For our 905th RA Podcast, we're proud to welcome Goldie, one of the most famous, talented and important electronic music artists of all time. Starting out as a graffiti artist, he eventually made music under the name Rufige Kru, helping push the then-nascent genre of jungle forward with tracks like "Krisp Biscuit (Power)" and "Terminator." The latter was released under the name Metalheads, which would later become the name of his label (with a z instead of an s). Metalheadz—which he cofounded with DJ Storm and the late Kemistry—celebrates its 30th anniversary this year and remains the defining outlet of drum & bass, the genre that grew out of jungle that Goldie helped invent with records like 1995's massive crossover album Timeless (alongside countless other classics). He's a producer, DJ, actor and all-around celebrity, a huge personality in UK electronic music. Goldie is also RA's guest curator this month, and his tenure starts with this mix. We'll have more to come starting this week—check our editor's letter later today for more information—but for now, here's a survey of drum & bass past and present from a man who helped invent the genre. With plenty of new Metalheadz material plus a healthy dose of older tracks, these two hours lay out the history of Metalheadz, drum & bass and its various subgenres, from twinkling liquid to rumbling techstep. It's the first part of a month celebrating Goldie's legacy, and we can't wait to show you the rest. @goldie-official Read more at https://ra.co/podcast/905

When Smoke Machine started doing parties in Taipei, and then created a revered online mix series, it was clear that it was the work of someone with impeccable taste. That would be Diskonnected, once a resident at the beloved Taiwan club Korner who now posts up at Pawnshop and 宀 in Hong Kong. He's also behind Organik, a festival that takes place on the coast of Taiwan and has become one of the world's top techno gatherings in just over a decade. True to his alias, the elusive artist likes to switch off from the world. He rarely makes his presence known online, sparingly accepting press and mix requests. He's not one to seek attention—in fact, he actively avoids it—but there's a spotlight on him regardless. Everything Diskonnected does is executed with patience and class, but don't mistake that for restraint. His style of weightless techno shimmers with the spirit of nature, moving with aerodynamic force. On his RA Podcast, we hear a six-hour all-night set recorded at 宀 earlier this year, keeping an open-ended view of techno as it barrels on, gradually getting faster all the while. It's clichéd to say that if you know you know, but truly, anyone who knows about Diskonnected knows that he's one of the world's greatest techno DJs, with a style and flair that feels both old-school—or maybe just late '00s—but also cutting-edge. @diskonnected Read more at https://ra.co/podcast/904

For the past few years, RA cover star Jlin has been churning out complex percussion compositions that sit at the intersection of IDM, trap, mutant techno and sound art. Her tracks are tactile and structurally complex, stacked drums interlocking with glistening melodies and heaving basslines on groundbreaking albums like Dark Origami. Her rhythms gracefully crosscut over one another like towering blocks in an architecture sketch for a truly cerebral experience. Growing up in Gary, Indiana, the former steel factory worker wears many hats. She produces mind-bending club music—usually for Mike Paradinas's label Planet Mu—scores modern dance performances and arranges for instrumental ensembles. Her process of collaboration is deeply symbiotic, as shown on her new EP, Perspective The acoustic version of the record, written for and performed with Chicago's Third Coast Percussion, was nominated for a Pulitzer Prize this year, an unprecedented honour for a dance music artist. Jlin's style is sometimes described as avant-garde, but modernist is a better word. She originally started out making footwork and despite moving away from the genre in recent years, footwork's jittery energy still flows through her productions, a testament to her ability to experiment across styles. Being a math whiz only adds to the angular, carefully calculated feel of her production. In celebration of Jlin's career, Mike Paradinas serves up a 40 minute mix that shows off her range and most importantly, her passion for this music. @mikep @jlinnarlei Read more at https://ra.co/podcast/903

Di Linh name-checks Ben UFO and DJ Masda as two of her favourite DJs in the interview below, which underlines the lovely duality of her style: her sets are adventurous but buttery smooth. One of Vietnam's most buzzed-about DJs—and a resident at the all-important Hanoi club Savage, as well as Equation festival—she was a punter before she was a DJ. She fell in love with the music at Savage and eventually playing her first-ever gig there, as if it were all kismet. Her sets are remarkably diverse but also remarkably consistent, with a refreshing, mid-tempo pace marked by well-placed bursts of energy. And so her RA Podcast is impeccably mixed, with the pacing and patience you'd expect from someone who has been DJing for decades. Bookends from Dust-e-1 sandwich an hour of house and techno from the likes of Kerrie, Schacke and Mac Declos. Linh finds a common thread that's all about tactile textures, catchy melodies and beautifully mixed-down drums, a sound you'll hear across the current wave of increasingly revered Southeast Asian DJs who prefer mood and storytelling over genres. Di Linh is one of the best of them. @dilinhofficial Read more at https://ra.co/podcast/902

New York party Merge is often described as a queer techno extravaganza. Over the past two years, it's built a loyal community from the ground up while integrating everything from high-energy trance to disorienting acid into its rave repertoire. Resident Clarisa Kimskii has played a defining role in the collective's growth, largely thanks to the ultra-kinetic and rhythmic pace of her DJ sets. Time and time again, the Washington DC native has demonstrated her ability to lock in dancers through captivating and hypnotic selections across various sub-styles of techno. There are tribal, witchy cuts. Jacking, Detroit-style funk. Psychedelic, DJ Nobu-style grooves and austere sounds that nod to Sandwell District. It's the kind of range that explains why Kimskii has been booked worldwide many years over, and more and more as of late. Her deep understanding of techno's myriad flavours come from two decades of industry experience as well as esoteric productions on labels like Mysteries Of The Deep and L.A.G. (her own short-lived, underrated, essential techno platform). Kimskii's long time in the techno scene, her experience and her expertise is expressed in full form on her RA Podcast Moving from industrial grit to gentle transcendence to heady acid, the mix feels free, fluid but also remarkably precise, just like Kimskii herself. @kimskii Read more at https://ra.co/podcast/901

Ashland Mines, AKA Total Freedom, AKA Big Gay Idiot DJ, AKA Bobby Beethoven, is one of the best and most influential DJs of the 21st century. Starting out at pioneering parties like Mustache Mondays and Wildness (which he cofounded with Wu Tsang)—and a regular at GHE20G0TH1K—Mines helped to define the style that would become known, however cringe-inducingly, as experimental club or deconstructed club, directly inspiring fellow visionaries like Arca. Like some of the best DJs before him, Mines uses the CDJs as an instrument, but that doesn't mean just fancy tricks and looping. Instead, he artfully throws together clashing sounds—effects, samples, monologues, pop and R&B acapellas, and beats that run the gamut from dancehall to kuduro to breaks and techno. He's not afraid of the grotesquerie of human life and movement (just check out the monologue at the beginning of this mix), and he likes to push buttons. Once he put on a party where dancing wasn't allowed. Some of his sets are intentionally anxiety-inducing, evoking horror movies and modern classical composers like Penderecki, while others are bouncy and ebullient, weaving between genres and tempos like an old-school platformer. The best are both. On Mines's RA Podcast—a milestone 900th in the series—he shows off this inimitable style, sharpened and reinforced over a decade-and-a-half of playing some of the world's best parties, fashion shows, you name it. He's the kind of DJ who creates his own music as he goes along. He makes you hear old tracks—especially pop music and R&B—in a whole new way. Titled "Cursed Piercing," this is a near-hour of controlled chaos that'll confound you at one moment and deeply move you the next. Read more at https://ra.co/podcast/900

Talk to any veteran artist and they'll tell you consistency is the secret to longevity. Staying relevant in a competitive industry requires unwavering dedication to the craft—a lesson that nobody knows better than the godmother of house music, Stacey Hotwaxx Hale. The gear head, educator, music nerd and Detroit legend is considered the Motor City's first woman DJ to play underground house music. Her inquisitive mind, passion for audio equipment and community spirit has led to a decades-spanning career that has inspired countless women and expanded Detroit's rich musical heritage.  As a teenager, she learned to record on reel-to-reel tapes before learning the ropes from club king Ken Collier in the late '70s. Mastering the art of what she called "sneak-a-mixx"—seamlessly mixing vinyl records continuously—she beat over 600 artists to win the 1985 Motor City Mix competition. DJing remained a given in her life, even when she pursued a full-time engineering degree. She's often described in interviews how she would do math homework in between mixing tracks during gigs in her 20s. When she's not behind the decks or playing in the live ensemble Nyumba Muziki, she teaches DJing and production classes with the goal of teaching her students self-expression. Hale's sound is warm and dynamic, incorporating everything from gospel, electro, hip-hop, techno and live instruments with the goal of spreading positivity and happiness. Those feelings and cross-genre moods are all tangible on her RA Podcast. Moving gracefully between disco, funky techno, R&B and classic house, Hale's mix feels like the perfect night out, showcasing her versatility, love for vibrant rhythms and her sharp ear. @hotwaxx Read more at https://ra.co/podcast/899

People in Los Angeles usually remember the moment they first saw Colored Craig DJ. He cuts a memorable figure: throwing down records on the turntables and dancing like he's in the crowd, not behind the decks. He's one of those rare selectors who's almost as fun to watch as he is to listen. But the rest of the world should be listening. Over the past few years, Colored Craig has become one of the LA area's most in-demand DJs, not just because of his considerable skills, but because of his old-school, loved-up ethos. He plays classic house records with a verve and style that you can't really teach or learn. You just have to have it. A choreographer by trade, everything about Craig has to do with movement, the joy of it, the energy you both gain and lose through dancing. His RA Podcast, recorded in his living room (a sort of nightclub in itself) gets across the infectious, uplifting energy of his sets, blazing through tracks from Kerri Chandler, Masters At Work and Chez Damier, and even including a disco house track that samples the Price Is Right theme. You might call this sound nostalgic, but it doesn't feel that way coming from Colored Craig, who is obsessed with the now, and the power of the moment. That outlook is all over this mix, and with any luck, you'll be hearing and watching him DJ around the world outside of LA sometime soon. @coloredcraig Read more at https://ra.co/podcast/898

Broken beat, or bruk, is intrinsically collaborative. Its London originators often recorded together, taking inspiration from jazz, hip-hop, deep house, drum & bass and Afrobeat. Because the genre was born of fusion, it brought together heads from all corners of the music spectrum—sound system purists to junglists to Latin Nuyorican aficionados—who each resonated with bruk's complex rhythms in their own ways. Ian Grant, AKA IG Culture, is an early pioneer of bruk, and his story underlines the style's synergetic nature. Starting out as an MC, he struck fame in the early '90s as one half of Dodge City Productions but quickly grew disillusioned with the major label business. After immersing himself in early George Duke records, Fela Kuti, Fuji music, The Headhunters and the like, he started experimenting in the studio. The jazz inspiration, plus his roots in reggae and background in hip-hop and acid jazz, led to his now-seminal, late '90s productions as New Sector Movements—widely considered as the starting point in bruk history. Since then, Grant has kept building infrastructure for the hybrid sound. Alongside Bugz in the Attic, Phil Asher, Dego of 4hero, Demus and Orin Walters, he cofounded the legendary CoOp party, which became a meeting place for diverse musical minds and enabled bruk to keep evolving. Grant remains deeply committed to co-creating, as seen by the Selectors Assemble artist collective he runs with Alex Phountzi (the two are also known as NameBrandSound), his releases with Psykhomantus as Shall I Bruk It, his Afrofuturist take on bruk as Likwid Continual Space Motion and various other projects. On his RA Podcast, the veteran artist presents a forward-thinking portrayal of bruk, adjacent styles that were directly inspired by it and other global club cuts. There are cerebral, jazzy cuts from his CoOp label, Nigerian cruise music, percussive UK garage, 2-step swing, dancehall dub and much more. This is Grant's world, where rhythmic and swung beats reign supreme. @ig-culture Read more at https://ra.co/podcast/897

Kerrie started a label called Dark Machine Funk, a name which hints toward the kind of music she plays. And while the Irish artist might be a capital-T techno DJ, her idea of "dark" is a little different than the black-clad legions of her generation. You won't find whiplash-inducing BPMs or racy pop edits in her sets. Her idea of techno is more classicist, without veering towards the stuffy or the retro. Her DJIng and her productions bridge the divide between Euro and American styles. Hints of breakbeat or other broken patterns bring in ideas from the UK techno that she loves so much, such as the pivotal label Blueprint, where she's become a regular as of late. With her, the devil's in the details (listen to those deliciously twisted hi-hats in recent track "Transient Belief"), and that comes down to mixing records, too. Her RA Podcast is a fast but measured run-through of 90 minutes of techno by artists like Exium and Tensal and from labels such as Token and Soma. Though none of her own tunes make the tracklist, this mix perfectly captures Kerrie's style. She's someone who appreciates that the real power and force of techno comes from its groove, not just the impact of the kick drum or pure speed. @kerrie_DJ Read more at https://ra.co/podcast/896

RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/atikka-music https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph

RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/cockwhoreandmacho https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph

RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/lyravalenza https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph

RA CC Copenhagen brought together online radio station Drift Radio for a livestream and local community builder and record store Proton Records for a pop-up record sale at cultural hub Øen in celebration of the interconnectedness of their community and the distinctiveness of the Copenhagen sound. https://soundcloud.com/teateatea123 https://soundcloud.com/drift-radio https://www.pr-t-n.org/ https://soundcloud.com/oencph

Like most multi-genre music fans, London-based Ruby Savage approaches DJing through a wide-angle lens. Whether she's touring, playing her post-punk disco party, In Flames, or hosting her monthly show on NTS, the Amsterdam native opts for warm, bouncy tunes that traverse dub, jazz and '80s proto-house. As she once Mixmag, she isn't beat-matching but "heartbeat-matching." For her, a dance is a means to feeling the full spectrum of emotions in a healthy way. Years spent behind-the-scenes at influential institutions have added to her understanding of energy and flow. She's worked the counter at Honest Jon's Records, managed Theo Parrish's Sounds Signature label (plus created the Wildheart Recordings sister label) and Gilles Peterson's Brownswood imprint, in addition to helping the Worldwide FM don launch Arc Records. When she's not DJing, Savage is spearheading community initiatives like Don't Be A Creep, an educational platform about club safety, as well as Artist Recovery Club for creative growth among music-makers. For her RA podcast, the vinyl enthusiast crafted a house music odyssey through soul, disco and gospel-inflected cuts like "Glory" by Waajeed and Dames Brown. It's an uplifting excursion through joy, catharsis and self-affirmation, relayed straight from the heart. @kwasiba3000 Read more at https://ra.co/podcast/895

House music started in Chicago, but what gets lost in history lessons is how it evolved and mutated in New York. None of that would have happened without Todd Terry. Bringing together hip-hop and house with his distinctive drum sounds, Terry not only created a whole subgenre (hip-house—check out Jungle Brothers' 1988 classic "I'll House You") but helped redefine the sound as a whole, bringing it to the mainstream with a string of classic remixes that stretched well into the '90s. Through his catalogue of records as Hard House, Orange Lemon, Bombshell, Masters At Work (before Louie Vega and Kenny Dope would take that name) and many others, Terry built a discography unlike any other in dance music. Even if you only have a vague idea of who he is, you've definitely heard a record of his, probably ten. (That legendary remix of Everything But The Girl's "Missing?" That's him too.) His sound is loose, punchy and often deliriously catchy, rooted in the ethos of the classic hip-hop he started out playing. Terry's RA Podcast focuses on a golden era of house from the late '80s to the early '90s, including classic cuts from Marshall Jefferson, Inner City, Crystal Waters and, of course, Terry himself. There's also a modern update from Amine Edge & DANCE. As he says in the interview below, it's a way to "show where house came from." Whether you're a newcomer or have heard these tracks hundreds of times before, there's nothing like hearing them from an innovator of the form. @todd-terry-inhouserecords Read more at https://ra.co/podcast/894

This RA Podcast is a celebration of all things Moodymann, and by extension, Detroit. The long-time DJ and producer Dez Andrés calls Moodymann his "big brother," and here pays tribute to the true expanse of Kenny Dixon Jr's music, from core house cuts to rambling funk jams to remixes of artists like Dua Lipa and Solomun, which really hammers home how important Moodymann is on dance music from across the world and across genres. Andrés himself is also a legend. Active in Detroit since the '90s, he's a dance music Renaissance man, known for incredible hip-hop beats, disco and house, including massive hits like "New 4 U," one of the last decade's biggest dance music hits and RA's favourite track of 2012. His archive of records and mixes are essential listening for any house music or hip-hop fan, and he represents that distinct blend of influences and genres that defines Detroit—the same thing you can hear in this all-Moodymann mix. Read more at https://ra.co/podcast/893

As a producer, Lamin Fofana makes ambient music that makes you think. His painterly compositions may be beatless, but they're full of movement, expanding and contracting from modulations and shifting frequencies to create a sense of infinite vastness. This immensity of sound creates a cerebral mood, allowing the Sierra Leone-born talent to explore sociocultural issues close to his heart, like the geographies of the African diaspora and what he calls Western rationality in music. He translates this heavy subject matter into textural sound using narrative structure, field recordings and archival material. The final product could be an album or an audio-based installation. Rooted in themes of identity and belonging, his exhibitions seek to disorient the senses and have been shown around Europe, including the Biennial in Venice and Liverpool. On his RA Podcast, the New York-based artist presents an all-original mix of loopy techno that mirrors the dynamism of his ambient productions. Laced with acid and pulsing synths, these cuts are faster paced and geared for dance floors, but they share the atmospheric touch of his earlier work. Based on the interview below, it seems like we'll be seeing more of this side of him in the year ahead. @laminfofana Read more at https://ra.co/podcast/892

A spark of light erupting from a naked, crouched body adorns the cover of Sodomy, the new EP from Jorkes on their label Freeride Millenium. The image, serious yet playful, seems to represent an outburst of ideas and emotions from a person's inner core, literally. It's the perfect metaphor for Jorkes, whose palette of rugged house music, slick disco, '80s synth-pop and booming acid always feels unapologetically earnest. Their sonic identity, built around their queerness and self-described empathetic nature, is both cheeky and deeply thoughtful, washing listeners over with feelings of love and human connection (and lots of catchy vocal hooks). Anyone who's attended their resident nights at Stuttgart club Romantica or listened to their shows on Munich's Radio 80000 can attest to Jorkes' sense of unbridled enthusiasm, sweetness and passion for their queer community. All of that is tangible on their RA mix, a lively and poignant journey through exuberant house and emotive nu disco with plenty of classics like Club 69's "Let Me Be Your Underwear" thrown in for pure, feel-good energy. @jorkes Read more at https://ra.co/podcast/891

Of all the one-word techno project names out there, Truncate has to be among the most descriptive. The name started as a name for David Flores's most pared-back tracks, different from the stuff he was making as Audio Injection at the time. As happens with people who are really good at techno—or just understand the genre fundamentally—Truncate's DJ tools took off quickly, because people in the scene could recognize the craftsmanship. You don't need more than a few elements to make something pop. Rather quickly, Truncate became Flores's main squeeze, bringing him to a new level of international attention and acclaim. Flores is part of a vibrant LA techno community that's probably never been more vibrant or diverse. He helped build the scene alongside producers like Drumcell, and now the city is home to several great techno parties every weekend. You'll see his name on the flyer of quite a few of them, though probably less now that he's an international star. His RA Podcast represents the ethos of not just the Truncate project, but his work writ large: stripped-back tunes, yes, but also electro and some choice vocal cuts. It's a vibrant look at capital-T techno, an approach to the genre that's about building on foundations instead of sticking to templates. @truncate Read more at https://ra.co/podcast/890

This is a re-recording of a set @compuma played at an April demonstration against the redevelopment of a Tokyo park that Ryuichi Sakamoto spoke passionately about before his death. "We gathered in front of the trees scheduled to be cut down in Jingu Gaien to align with Sakamoto's attitude and will," organizers said. Read more on RA: https://ra.co/news/79189 Tracklist: Ryuichi Sakamoto - 20210310 Ryuichi Sakamoto - Thousand Knives Ryuichi Sakamoto & The Kakutougi Session - Neuronian Network Ryuichi Sakamoto - Tibetan Dance（Version) Yellow Magic Orchestra - Neue Tanz Yellow Magic Orchestra - Behind The Mask (Remix） Ryuichi Sakamoto - Ballet Mecanique Ryuichi Sakamoto - Self Portrait Ryuichi Sakamoto - andata（Electric Youth Remix) Ryuichi Sakamoto - Riot In Lagos David Sylvian & Ryuichi Sakamoto - Bamboo Houses Yellow Magic Orchestra - Perspective Ryuichi Sakamoto - Thatness And Thereness Ryuichi Sakamoto - 20220304 Mark Stewart - Forbidden Colour

In 2020, Mell G dropped out of law studies to pursue music full-time and hasn't looked back since. For good reason too—she's far too busy for any potential regret. Over the past three years, the Hamburg-based artist launched JUICY GANG RECORDS, switched up her DJing style from ghettotech to electro, began touring and started producing. Her year-and-a-half old label is now a go-to source for brazen, bouncy club bangers and her refocused, electro-heavy sound has led to bookings alongside DJ Stingray, Pearson Sound and other heavy-hitters. The rising star is certainly having a moment, yet it hasn't been all smooth sailing. These sudden career ascents can be tricky to navigate emotionally and her upcoming debut album ISSUES expresses some of the mental health struggles she's faced along the way. Her RA Podcast is similarly personal. Moving from retro synthwave to acid-laced techno to UK bass before ending on funky electro, it embodies the core sounds that are near and dear to her. Loaded with lots of gritty low-end frequencies, it's a thrilling ride across contemporary club music that cements her status as an in-demand DJ. @djmellg Read more at https://ra.co/podcast/889

You never know what you're going to get if you see the name Hieroglyphic Being on a record or a flyer, but there's a good chance it'll be some of the best, most jacking house you've ever heard. Jamal Moss embodies the the spirit—and the past, present and future—of Chicago's house music scene, but he also carries the torch for Afrofuturism, free jazz and avant-garde music. He follows in the footsteps of important figures like Sun Ra and Ron Hardy, his work blending these traditions with a healthy dose of post-punk, too. For over two decades, Moss's Mathematics Recordings label has been one of the premiere sources of raw, analogue house music, helping put producers like John Heckle on the map. He has a sprawling solo discography, encompassing projects like I.B.M., Members Only and The Sun God. He also put out one of our favourite albums last year with Thank U 4 The Tracks U Lost, released on Modern Love under his given name. Live, Moss usually jams on a few pieces of gear, to fantastic and sometimes bewildering effect. This RA Podcast is a two-hour recording of a live set from public records in New York. It features all the raw, powerful house music you'd expect—made with two iPads and a MIDI controller—but it's also loaded with gorgeous, ghostly melodies and an opening section that touches on trance, trip-hop and '90s electronica. This is a rare live recording that captures a genius at work. Read more at https://ra.co/podcast/888

At the age of 16, Shinedoe was already comfortable in the club. The Dutch artist started dancing at parties as a part-time job while studying before finding her way behind the decks. She landed her first big DJ booking at Amsterdam club Paradiso at the tender age of 19 and her first single, "Dilemma," from 2004, quickly became an Ibiza favourite. All of this is to say that she knows how to move a room. Influenced by Detroit techno pioneers like Robert Hood, Shinedoe's mixes and productions are full of jacking kicks and big-room basslines. Funky, slamming rhythms are her forte and even when she focuses on minimalist tech house or darker sounds, there's always some zest sprinkled in, in the form of electro and breaks. For her RA Podcast, the Intacto Records and Music That Moves founder offers a variety of powerful techno cuts. There's DJ Godfather's turntablist take, her own acid-tinged mindbenders and a hard, no-nonsense banger from Glasgow duo Slam to conclude. It's the kind of punchy mix that can pull in any kind of dance music fan, techno head or not. @shinedoe Read more at https://ra.co/podcast/887

Before the Russian invasion of Ukraine, Daria Kolosova was one of the brightest stars of Kyiv's incredible techno scene, when the city was among the best places for the genre anywhere in the world (and remains so, even under duress). Now living in Berlin, Kolosova's style and sound feel both timeless and progressive. She's been DJing since she was a teenager—after falling in love with dance music via her dad's collection—and has built up a style that has taken her to the world's most renowned techno clubs and festivals. In spite of her popularity, Kolosova does things differently to many of her peers. She's spoken about her respect for and recognition of techno's origins, and her DJing style pays homage to the genre's history. Her sets span eras and continents, with a '90s bent that encompasses not just hard, rolling techno but breakbeats, electro, IDM and prog. Her RA Podcast is a brilliant collection of old and new, from Goa trance to Julia Govor, expertly mixed with a storyteller's hand. @dar_key Read more at https://ra.co/podcast/886

You might describe Cormac as a late bloomer. Or he might describe himself that way. Though he's been in the dance music game for a long time—a regular at Trash and Nag Nag Nag, and a resident and booker at the old Sunday WetYourSelf! parties at fabric—it's only more recently that he's come into a sound that he can call his own, something that connects more clearly with who he is. (These days, you're more likely to find him closing Panorama Bar.) That sound is rooted in the queer history so important to him. You could call his RA Podcast hi-NRG, to be general. It's that vibrant, pounding, melodic and synthetic sound that came out of the post-disco early '80s, combining the flair of disco with the strut of Italo. There's new and old here, because Cormac is a champion of evolving iterations of the genre. Over this two and a half hours, you'll hear Patrick Cowley and Madonna, but also a whole lot of other, less obvious stuff too. We could go on, but Cormac explains himself pretty eloquently in the interview below. Two hot tips: watch out for his label, Polari Records, and his upcoming Queerly Beloved podcast series, where he talks to queer artists about their relationships with music. @cormac Read more at https://ra.co/podcast/885

Since emerging (to most the world) on Ben Klock's Klockworks label, Ukrainian producer Etapp Kyle immediately caught attention of Berlin's techno cognoscenti, with a sound that seemed perfectly fit for the Berghain school: taut, slyly melodic and just the right amount of funky. Over the past ten years, he's refined his sound to a science, but also opened it up: his records on Ostgut Ton, particularly 2020's Nolove EP, showcase a mastery of sound and space. This is techno you can sit in, and let it wash over you. As a DJ, Kyle is generally associated with a functional, if atmospheric style of techno (and, more recently, electro), but on his RA Podcast he invites us into something of a different space. In a way, this mix represents the spirits of his productions, with a wide-open soundscape touching on everything from '90s techno and trance, including some goodies from Canada and Denmark, along with core electronic acts like Future Sound Of London, Autechre and today's modern electronica poster-boy, Skee Mask—BPMs and genres be damned. It's a mix that veers from melancholy to emotive to ecstatic, sometimes even silly, and it's a real pleasure, capturing one of techno's more creative and restless voices. @etappkyle Read more at https://ra.co/podcast/884

Co-mixed with @Aasthma. There are few people who have had as much of an impact on contemporary electronic music as Karin Dreijer, whether with their brother Olof in The Knife or with their solo project, Fever Ray. From massive indie-pop hits to paradigm-shifting dance records, Dreijer's work takes a psychedelic, plasticine approach to synth pop, with their trademark pitch-shifted vocals and psuedo-tropical beats. As Fever Ray, they've tapped into the global club music underground, working with producers like Nídia, Paula Temple, Deena Abdelwahed, Vessel and, on new album Radical Romantics—one of our favourite albums of the year so far at RA, hands down—even Nine Inch Nails. Other important collaborators in Dreijer's world are Peder Mannerfelt and Pär Grindvik, the Swedish techno producers who have been working with Fever Ray since the first album back in 2009. They co-mixed this RA Podcast. The mix is a survey of Dreijer's favourite dance music, some of which informs their one-of-a-kind sound world as Fever Ray. There's plenty of music from the groundbreaking East African scene centered around Nyege Nyege Tapes, plus DJ Haram, Equinkoxx, Tayhana and more, and even two exclusive, upcoming Fever Ray remixes from Avalon Emerson and Nifra. It's a rare look into the musical tastes of a true visionary. Read more at https://ra.co/podcast/883 Photo: Flemming Bo Jenson

Before starting his own label Solar Body, Otik released music on labels like INTERGRADED, Keysound, 3024 and Shall Not Fade, doing his rounds on the imprints that make up a constellation of the UK's most exciting club music. (To keep it simple, we can call it broken techno, but that's not the whole story.) He hails from Bristol, and takes in that city's unique and enduring blend of techno, dub and drum & bass history, but what sets Otik apart is the sense of atmosphere and space in his music. Perhaps RA's Taylor Bratches put it best: "Otik's precise club music floats on a lush, celestial plane." You can hear it in his upcoming EP Xoul Trap, where even a straightforward house beat on "Unorthodox" rides an updraft of choral vocals and eerie synths, as if carried by the wind. Otik says his RA Podcast is meant to be a little more straightforward than usual for him, sticking purely to club music, but it's still full of twists, turns, throwbacks (hello, "Router" by Pangaea) and, of course, the melodic and atmospheric qualities that make Otik tick. @otikmusic Read more at https://ra.co/podcast/882

Hard work can pay off. Just ask Elisa Bee. The Sardinian producer and DJ has been working diligently since 2007, exploring and then refining a style of techno that has that rare, hard-to-put-your-finger-on quality: a soulful reverence, paying homage to the old days and the originators without just copying them. She struck it (relatively) big with an EP on Unknown To The Unknown in 2019 and has since become a fixture on labels like Hardgroove, Symbiosis and Balkan Vinyl, imprints that specialize in a kind of meat-and-potatoes techno that underlines both the fundamentals and subtle innovation. She's also a resident at Milan's Tempio Del Futuro Perduto, which she talks about at length in the interview below. Now, in 2023, Elisa Bee is part of a vanguard of younger techno producers who carry the flag for the '90s without resorting to pastiche or the bigger-is-better aesthetic of much of the rest of the contemporary European techno landscape. Her RA Podcast is as buttery smooth as it is propulsive, flying through tracks from like-minded artists like Austin Ato, Nocow and Black Girl/White Girl. Sleek, vintage and futuristic all at once. @xelisabeex Read more at https://ra.co/podcast/881

Bill Kouligas is the mind behind one of modern electronic music's greatest and most innovative labels, PAN. His remarkable ear for music meant that he released some of the earliest records from luminaries like Yves Tumor, Helena Hauff and Eartheater, helping to jumpstart several remarkable careers. And each PAN release is lovingly and lavishly packaged like an art object in itself, an approach you can read more about in this month's feature-length cover story. The Berlin artist's RA Podcast is an audio companion to that cover story, and it underlines not only Kouligas's range as a label A&R but also as a DJ. Reflecting the label's evolution from straight-up noise to musique concréte to leftfield dance music and then avant-pop, the mix cycles through stages of strange, staggered beats, almost celestial ambient music, passages of overwhelming noise and sound that sublimate into floating clouds before solidifying back into club music, and a couple engaging spoken word passages and endless manipulations of the human voice. In other words, it sounds a lot like PAN. @pan_hq Read more at https://ra.co/podcast/880

Once upon a time, V.I.V.E.K Sharda was unhappy with the sound at UK nightclubs and parties—sound that he felt couldn't capture the deepest, truest vibrations of the music he wanted to play and hear—so he just made his own sound system. (Naturally, he called it System.) That should give you an idea of how seriously Sharda takes his wubs and his sub-bass, and if you have even a passing interest in UK sound system culture or dub's crossover with dance music—including, yes, dubstep—then you've probably heard of V.I.V.E.K, or at least heard one of his chest-rattling records. Along with producers like Om Unit and Kryptic Minds—both of whom feature in the mix below—Sharda has never been one for following trends or concerned about scenes. Instead, he's fully devoted to the pulse of dub and the luxury of bassweight. He's put out slow but steady stream of ultra-heavy releases on his own labels System Music and VIVEK, and now he's on a mission to change perceptions of what 140 BPM music can sound like. That's what you'll hear on his RA Podcast, a meditative and occasionally tectonically-shifting mix that highlights dubstep, dub and its many offshoots—not just staggered drums and subterranean low-end but smooth swing and soulful melodies, too. Read more at https://ra.co/podcast/879

There are DJs, then there are DJs who capture—and live—a moment in dance music's evolution. Born in Los Angeles, but based in New York for the better half of a decade, Akua has established herself as the latter, an important voice in the North American techno scene. Akua's DJing practice is fueled by her research in the '90s techno music archive, with a special interest in the history and roots of techno within America. Akua's sets are raw extensions of the foundations laid by the pioneers of '90s U.S. techno. Most prominently, the work and influence of DJs like Jeff Mills, Claude Young and Jay Denham can all be heard across her mixes, as well as the spirit of Underground Resistance. Her interest in fast-paced techno comes from these traditions as well as own individualist streak—while there's no shortage of DJs who play high-BPM techno, you won't hear anyone else play it quite like she does. Her old-school meets new-school sound has catapulted her from the New York underground into the European techno circuit, where recent gigs have seen her perform at dance music institutions like Berghain and Dekmantel. Akua's RA Podcast is her in full-throttle mode, featuring all the stripped-down, hypnotic groove of early techno aside rushes of searing acid, carefully speeding up until closing at a healthy sprint. @akua_dj Read more at https://ra.co/podcast/878

As he'll happily tell you, Eddie Fowlkes has been DJing for 42 years. That's a long time for anyone, but especially for someone who never really stopped. From his early records on Juan Atkins' Metroplex record label through to newer releases on his own labels City Boy and Detroit Wax, he's been doing his thing and staying true to himself and his timeless combination of Detroit dance music genres. He doesn't always get his dues alongside his fellow Detroit techno pioneers in the Belleville Three, probably because his sound was always more hybrid, a blend of techno and house that he would come to call techno soul, including on his landmark 1993 album with Moritz von Oswald and Thomas Fehlmann, The Birth Of Technosoul. But Fowlkes is still a force of nature, and a master at mixing too, having four decades to hone his craft. You'll hear that skill on his RA Podcast, which comes in the wake of two more prominent releases, for Rekids and Classic Music Company/Defected, that might help (re)introduce him to a wider audience. Touching on soul, jazz and funk, this is functional but deep stuff played by a master selector, whose hands you can always hear in the mixing—a personal, human touch that defines techno soul. Read more at https://ra.co/podcast/877

Mauricio Rebolledo is one of those veteran artists who has stood the test of time. He can play Burning Man, go back-to-back with DJ Tennis and mentor young producers with unwavering finesse, staying true to his signature sound of sparse, psychedelic chuggers. Where many of his peers have embraced a more commercial sound, the Mexican artist likes to keep it weird, opting for touches of Krautrock and hazy atmospherics in both his sets and on his albums. He tends to be associated with tribal drums and screwy trance, but in reality, the Hippie Dance cofounder and long-time Kompakt affiliate is a man of many influences—as heard on his RA Podcast. Whimsical interludes of French dance pop and retro synth-wave are interspersed with shoegazey electronics ("Dive" by Pale Blue) as well as plenty of his own productions, which blur the lines between minimal house and techno. This is a hypnotic, brooding journey that starts and ends with versions of Justus Köhncke's "Elan," which adds to the mix's loopy feel. (There's also a Prins Thomas remix thrown in for good measure.) No peaks or climaxes here, just long plateaus of zigzagging synths and winding chords. Turn on, tune in and drop out, as they say. @rebolledostyle Read more at https://ra.co/podcast/876

There's an old-school touch to ISAbella's sound. Breakbeats, rolling tech house, progressive house and trance pepper both her studio mixes and her debut EP, transporting listeners to a place of peak '90s indulgence. It's no wonder, then, that vintage rave sounds are a signature tenet of MARICAS, the club night and label that she helped start in 2018. Her love for the '90s is tangible on her RA Podcast, an emotional journey across breakbeat house, trancey techno and funky electro. First-rate throwbacks such as Canyon's "Move" and "Lightspan Soundwave" by The Shamen exude a carefree euphoria, while heavier cuts like Desert's "Moods (Club Mix)'' intensify the feeling of rapture. Even the contemporary releases, like Bashkka's excellent "C-quence Of Calamities," feel rooted in nostalgia. MARICAS mixes are usually energetic from the get-go, but ISAbella starts out nice and relaxed this time around. The mix's most striking element is how personal each track feels—a reflection of her intimate relationship with these records. Each one evokes a special poignancy and though these ephemeral selections were largely improvised, ISAbella believes they "show what's going on lately and what's going on forever." @bellasalmonella Read more at https://ra.co/podcast/875

"I am going to take you on a ride where I will challenge you to back down or go with me," Parrish Smith says in the interview below. "If you don't like to do this, and you see a glimpse of me, you will dislike me. But the second time it happens again, I will be there to change your mind again, just to be challenged." It's a confident, confrontational idea that goes with an unusually confrontational RA Podcast, a mix that represents a truly free spirit in the European dance scene. Smith, who also moonlights in the band Volition Immanent with fellow Dutch trailblazer Mark Knekelhuis, makes and plays hard, aggressive techno. But instead of gabber BPMs and overdriven kick drums, he directly incorporates ideas, sounds and influences from rock, punk and metal, a tricky combination that he nails like few others have been able to. (Just check his album Light, Cruel & Vain.) Case in point: this mix blends Regis, Tzusing and Playboi Carti with Sepultura, Juno Reactor and Celldweller. It's a journey to the end of aesthetics, where opposites don't attract so much as crash and melt into each other. It's a fierce hour-and-a-half but never quite overbearing or overwhelming, gracefully weaving in and out of chaos like the work of someone who knows the real impact and art of heavy music. @parrishsmith Read more at https://ra.co/podcast/874

Emma Blake is, musically, something of a nomad. She made her name—Solid Blake—that is, in Copenhagen, where she cofounded the influential Apeiron Crew alongside Mama Snake and Smokey. They were responsible in establishing the city's "fast techno" sound, which blended sleek techno and trance influences into something colourful and retro-futuristic. But Blake's side of things was always more rooted in electro, with a party-starting flair that you might be tempted to pin to her Glaswegian upbringing. (Her first release, Mario, came out on the label of the legendary Glasgow taps-aff basement nightclub La Cheetah.) And she's also spent time in Berlin, so she has those techno bona fides, too. Another EP, released on Modeselektor's Seilscheibenpfeiler, further fleshed out her electro-techno hybrid sound, also explored in her Historical Repeater project with Danish artist Ctrls. DJing has been her major focus, though—she has an excellent Rinse FM show—and you'll hear a refined approach on her excellent RA Podcast, which is like a club set in miniature, starting out midtempo and rushing towards a heady climax with tracks like Pariah's "Squishy Windows." It's loaded with creative grooves, toothsome textures and the kind of sleek melodies that helped define her stint in Copenhagen since the beginning. @solid_blake Read more at https://ra.co/podcast/873

Joe Delon loves music. You might think that would (or should) be self-evident in someone who DJs for a living, but the electronic music world would be a better place if everyone cared and thought as much as he did. In addition to being an increasingly in-demand DJ, he runs a stellar label, Welt Discos and moonlights as a music writer, with a beloved Substack newsletter that he usually updates twice a week. A blend of touring DJ travelogue and mix recommendations, it's a rich source of information and music from an artist with a warm, friendly voice—and perhaps more importantly, impeccable taste. It's that taste that has endeared him to many dance music fans around the world over the last few years, developing a dedicated fanbase who greet every new mix with bated breath (including, hopefully, this one). He's something of a record digger, but not in the clichéd way—he just loves to find records new and old full of melody, springy rhythms and a generally quirky, positive vibe. The music he selects often has an '80s tinge to it, even when it's not from the '80s, but it's hard to pin down what he plays, both because his sets are so unpredictable, and because it wouldn't be fair. His RA Podcast, as he explains below, is meant to sum up his last year of DJing, a carefully put together selection of favourites from 2022 (meaning records he played that year, not that came out last year). As always, it's a mix of familiar and far-flung records, mixed with Delon's breezy, unique style. Part of the reason why people have come to love his DJing so much is that it just kind of puts a smile on your face. Listen and you'll see. @joedelon Read more at https://ra.co/podcast/872

"I'm usually the first person to label Valentine's Day a commercial scam," says Kikelomo in the interview below, "however I recently realised that sharing music and connecting with people through sound is one of the ultimate expressions of love for me." When the Berlin-based DJ sent in her mix to RA, she subtitled it "All about love." It's nearly two hours of dance music that radiates warmth, positive energy and compassion, expressed through the wide, almost kaleidoscopic genre lens that Kikelomo has made her own. House, jungle, electro, hip-hop, you name it. The mix is even split into two distinct sides, like an old-school cassette mixtape. In addition to being a great and adventurous DJ, Kikelomo also started @orokoradio, a station based in Accra, that connects the Ghanaian capital—and other African cities—with the usual electronic music hotspots, and showcases homegrown talent and sounds through a platform of their own making. It's all part of her mission as a DJ to not only share music and love, but also to connect, uplift and create real community, as she also discusses below. It's not just a buzzword for Kikelomo, but a mission. @kikelomooo Read more at https://ra.co/podcast/871

People usually talk about Berlin, London, New York when discussing electronic music hotspots, and Paris doesn't always get its due. Case in point? It produced Jennifer Cardini, one of the most distinctive DJs to to ever come out of the city. (She's lived in Germany for a while, but the point stands.) Her sound lands somewhere between disco, house and EBM, rooted in a groovy, post-modern chug. You'll hear nu-disco, industrial, techno and electro too, usually built around big hooks. It's a sound that is not only instantly recognizable, but instantly likable. As a producer, Cardini also deserves her flowers. She's been putting out records since the mid-'90s, and with her first label Correspondant, she's built up a rock-solid catalogue from artists like Fort Romeau, Man Power, Cormac and more. More recently she started the Dischi Autunno imprint, a place for more crossover-friendly music that indulges Cardini's tastes for all things melodic (and maybe a little goth). Cardini's RA Podcast is a beautiful summary of all these ideas and influences. It's hard and banging, sure, but also lithe and athletic. There are plenty of tracks with the surge of EBM or the stab of industrial. Lots of reverb. Decadent melodies undergirded by tough drum patterns. And it's paced as expertly as you'd expect from someone who's been DJing for over 30 years. In the interview below, Cardini says she "loves how the young generation is digesting four decades of club / rave culture," and you can hear that history living and breathing in Cardini's DJing, too. @jennifercardini Read more at https://ra.co/podcast/870

We're not in the habit of quoting press materials all the time, but in Kajetan Łukomski's case, it feels appropriate. The first sentence of his bio is "Avtomat is a person with way too many interests." If you know any artists from Poland's wide-ranging, always-growing electronic music scene, chances are he's one of them. He's a DJ, producer, organizer and activist, once a member of the queer feminist collective Oramics, and is endlessly passionate about supporting, spreading and playing music from the Central European and Eastern European regions. With roots in metal, goth and electroclash, there's a certain spikiness to Łukomski's style, but also a polyglot knowledge and a hunger for new sounds. Lately he's been trying to mix club music with Polish folk traditions, which is the mission of Łukomski's RA Podcast, but it's also just the jumping off point. In these almost four hours of expert blending, genre-jumping and incredible pacing, Łukomski touches on almost every style of dance music you could think of, with aplomb and occasionally surprise (like that irresistible Bloc Party edit). If you can, it's worth digesting all in one sitting, so you can truly appreciate the ground he covers. @avtomatmusic Read more at https://ra.co/podcast/869

Before she was Femanyst, Akua Grant was called The Lady Blacktronika, also known as the First Lady Of Beatdown. Beatdown was a type of of ultra-deep house characterized by creamy chords, soulful melodies and, in Grant's case, honeyed vocals. She ran an integral label called Sound Black Recordings, home to some of her best tracks. But around 2017, she turned towards what was essentially the polar opposite: industrial-tinged super hard techno, full of distortion and anger. This is where we find Grant now, as Femanyst, with a mix that shows off heavy-duty techno that still has a heart. She started her own new label, called Dark Carousel, and has released on Paula Temple's Noise Manifesto. She manages to take some of the hardest techno around and imbue it with her signature melodic style. This is probably one of the toughest RA Podcasts yet, but it's also full of feeling, dynamism and tension. Get your best listening setup ready and sink in for two hours. @msladyblacktronika Read more at https://ra.co/podcast/868

Name a genre, and you can bet that Luis Garban has tried his hand at it once or twice. Once a staple of the mid-'00s IDM and breakcore scene—think Tigerbeat6—as Cardopusher, Garban found a temporary home in the dubstep scene afterwards, before shooting off in what felt like a million directions. He might be the only artist to release on both Hyperdub and Boysnoize Records. He makes music that can sound like the future or the past, sometimes both at once, and the Venezuelan-born, Spain-based producer's name is shorthand for musical adventurism and variety. Last year, things got even wilder with the debut of Safety Trance, a new alias that explores pan-Latin club music, with a focus on collaboration and shorter, structured songs. (Artists he's worked with include Arca, Iceboy Violet and Virgen Maria.) It's some of the best and most creative work of his career, riding a larger Latin techno wave producing some of the best music around these days. If that weren't enough, returning to Cardopusher, Garban has a career-best EP on the way for EVAR Records, pulling together the various strands of the project into a multi-genre, Gen-Z-friendly raveathon. Loaded with original tracks from both projects, RA Podcast could be billed as Cardopusher vs. Safety Trance, with highlights coming from Atari Teenage Riot, VTSS and Venetian Snares, which should give you an idea for the kind of controlled chaos you're in for with this one. @cardopusher Read more at https://ra.co/podcast/867

Roughly ten years ago—if we pretend the peak pandemic year-and-a-half doesn't count—Lars Dales and Maarten Smeets first came together as Detroit Swindle, before changing their name to Dam Swindle towards the end of 2020. The original name was meant as a tribute to one of their favorite musical legacies, but recognizing that it didn't come across how they meant it, the duo changed their name to pay homage to their other favourite place: Amsterdam. Dales and Smeets have become core parts of the Amsterdam house scene in their time, especially with their excellent Heist Recordings label, which they started back in 2013 (hey, now *that's* literally ten years ago). It's easy to understand why the duo have become so popular. In person and onstage, they're goofy, funny guys, the kind of people you might describe as the life of the party. And musically, they're massively appealing, marrying a European tech house strut to deeper and more soulful inspirations, a preoccupation reflected in Heist's impressive artist roster: Ge-Ology, Demuir, Byron The Aquarius, Matthew Herbert and more. Their RA Podcast comes at a time of reflection and change, looking back on the decade-plus history of both act and label and plotting their new album, which they say will expand their horizons even more. The mix is eclectic but smooth, pulling together tracks from the likes of Omar-S, Lil Silva, Ruf Dug and Genius Of Time (with one of last year's most underrated tracks). It's always a treat to hear consummate club DJs in a more relaxed mode, and this one's no exception. @damswindle Read more at https://ra.co/podcast/866

When it comes to the sound of modern-day techno—fast, melodic and polyglot, working in genres like trance and gabber—it's hard to find an artist more clearly representative than Anetha. The French DJ encompasses all these influences with style, landing on a lithe sound that's both heavy and nimble, earning her a first residency at Paris party Blocaus (and, currently, Awakenings and Fuse, among others) and appearances on labels like Work Them and Oaks. What really sets Anetha apart, though, is her commitment to developing and uplifting the artists around her. She launched her own label, Mama Told Ya, in 2019 with a unique and heartwarming concept: each release would highlight an artist, often young or new to the game, and feature one collaboration with Anetha herself. It's a move that turns the usual label-artist dynamic on its head, making each new record a fully-fledged collaboration, and lending her own gravitas to the artist she features. And a year later she started an agency—or what she calls a "creative engine"—to help those artists in a more holistic way. Her RA Podcast is a perfect way to start 2023: with energy and verve, and a perfect balance of light and dark. This is techno at its most creative, dark and discombobulated beats cut through with glowing vocal samples from some of the most recognizable songs of the past five years. If you wanted to explain to someone what techno sounds like in 2023, you'd do well to start here. @anethamusic Read more at https://ra.co/podcast/865

Skee Mask is one of dance music's greatest crossover stories of the past decade, with new albums greeted with the attention usually reserved for an Aphex Twin or a Caribou. ("Loved seeing this on r/indieheads," said one Reddit user, on the release of the 2021 LP Pool.) It's not hard to understand why: albums like Compro, he blends well-worn dance music tropes with incredible, detailed soundscapes and spine-tingling melodies. And on his 12-inches, he brings that sensibility to the dance floor, with an approach probably best described as articulate. Even on his most ambient of tracks, everything is in its right place. Along with founders the Zenker Brothers, his music outlines everything that makes Munich outfit Ilian Tape one of the best techno labels going. On the decks, it's kind of a different story. It might surprise you if you only know his albums, but Skee Mask is an incredible DJ, balancing his predilection for hip-hop and UK-informed sounds with laser-focused techno. He can adapt to all sorts of situations—there's an incredible recording of him DJing with four of the best grime and drum & bass MCs in the business—and on his RA Podcast he focuses on the techno side of things, with nearly two hours of pacey techno and creative mixing, with dips into acid, electro, garage and more. It's a party-starting mix from a genuine star, perfect for getting through the holiday doldrums or pre-gaming your NYE plans. Like Skee Mask's best records, it's something to enjoy in any number of settings. @skeemask-music Read more at https://ra.co/podcast/864

You might have first heard of Earth Trax under his original alias, The Phantom. Or maybe his given name, Bartosz Kruczyński, which he uses for gorgeous ambient music. Or Pejzaż, where he cuts up Polish records from his vast collection. Or as part of Ptaki, another sample-based project he did with fellow Warsaw resident Jaromir Kamiński. You get the idea—dude makes a lot of music. And a lot of it is very good. Earth Trax is the project that really made us swoon, with a soft-focus, sunset-hued meld of techno, breakbeat, progressive house and trance. On wonderful records like LP1, melancholy is the operative word, but Kruczyński isn't exactly a sadsack. It's more complex than that, nailing the tears-on-the-dance-floor vibe with the part that many people forget: it's still club music. That's why tracks like "Dream Pop," which kicks off this mix, are so successful—they're heavy but never weighed down by emotion, with a skip in their step and a robust low-end to go with the sighing vocals. Kruczyński's RA Podcast is something of an excavation of this sound, using his own tracks and those of like-minded producers to sketch out a style that's equal parts rousing and pensive, midtempo but still propulsive. Over two and a half hours he lets these tracks breathe and leisurely mixes them together, almost like an old-school progressive house double mix CD but in the more vibrant, varied clothes of today—before it starts to unravel into an extended, beatless outro that's worth sticking all the way until the end for. @earthtraxonline Read more at https://ra.co/podcast/863

Yazzus is one of the most exciting DJs out of the UK right now. But she doesn't play the usual UK stuff. Instead, her work—her productions and her DJing—is both a historiography and a dialogue of the Black Atlantic connection, taking in dance music genres from both sides of the pond. Her work, encompassing techno, electro and sometimes house, is an Afrofuturist project that combines past, present and future. Her recent EP, Black Metropolis, accomplishes this with a genuinely innovative take on '90s Black dance music that uses a vintage template to do something fresh. She calls her RA Podcast a "Black excellence" mix, traveling between eras and places, featuring artists like Skin On Skin, Paul Johnson, Drexciya and Huey Mnemonic. It's part of her mission to highlight (and remind people) about the Black origins of dance music, and also the vitality of today's Black dance music. This mix is a history lesson, a narrative and a rave all in one, something we're proud to host from an exciting young mind in the electronic music scene. @yazzus-1 Read more at https://ra.co/podcast/862

Being named a resident at Berghain is likely an unattainable dream for so many DJs, but for Sedef Adasi, it all happened naturally. The Turkish producer grew up in the mid-sized Bavarian city of Augsburg, where a lack of spaces she felt comfortable with—she's mentioned DJing in shoe stores—led her to start her own party, HAMAM Nights. From there she made her name with a vibrant, diverse sound that encompasses breaks, electro, techno and more, with soft-focus melodies and plenty of vocal hooks. She's one of the first residents at the legendary club to truly reflect the glorious cross-pollination of dance music styles in the '10s, when techno absorbed ideas from dubstep, garage and more. Adasi represents both floors of that club, and you could imagine this RA Podcast going down in either room, but of course, she exists outside that club's narrative too. What you'll hear here is a cutting-edge and dynamic blend of electro and Latin techno—with two tracks from 2022 MVP Nick León—mixed with grace and finesse. Her sound is immediately approachable, well-paced and full of catchy moments and breakdowns. Listen and find out. @sedefadasi Read more at https://ra.co/podcast/861

This month, UK duo Mount Kimbie put out a double-album that is essentially two solo records welded together. It's not terribly surprising: each member lives in different countries (the hip-hop inspired Dom Maker in LA, techno head Kai Campos in London) and they've talked about their differences and what each brings to the table in past interviews. MK 3.5: Die Cuts | City Planning splits the duo's kaleidoscopic sound into its constituent parts, with Maker's side focusing on woozy hip-hop and R&B and Campos's reflecting a love of straightforward '90s techno, as dance floor-friendly as anything the group have ever released. It's the latter that we're here to showcase with this week's RA Podcast, which is a recording of Campos's new live set. In a way it's a more fleshed-out, comprehensive companion to the his side of the album, but it stands on its own as a blistering techno performance. Combining the melodic sense and quirky arrangement tics of Mount Kimbie with a pulsating, stripped-back approach borrowed from Detroit techno—classic drum machine sounds used to the fullest—Campos reinvents himself as one of London's best techno artists. Like the new Mount Kimbie album, it's different, welcome and impressive. @mountkimbie Read more at https://ra.co/podcast/860

As part of our celebration of 21 years of club culture, we're featuring some of our favourite DJs from around the world, highlighting the parties and clubs most important to their lives in dance music. The Loft is one of the most storied and sacred spaces in dance music history. Founded in Manhattan in 1970 by the late David Mancuso, The Loft was a party unlike any other: relaxed and gently psychedelic, with pristine audiophile sound played at a medium volume level kinder to the ears. You didn't need to blast the music to appreciate the sonic perfection of the music and the system it was played on. Over the decades, Mancuso invented his own influential style of DJing, letting the records breathe rather than mashing them together. Mancuso, who died in 2016, had many acolytes over the years, perhaps none more prominent than Colleen 'Cosmo' Murphy, who provides our final 2122 birthday RA Podcast: a tribute to The Loft. Murphy has an impressive resume without The Loft: she's a long-time radio DJ, founded the Classic Album Sundays series and started her own Lucky Cloud Loft Party in London, in collaboration with Mancuso. Her DJing style, slow, steady and respectful of the music, channels those years spent at The Loft, and her RA Podcast embodies the disco-influenced sounds that define the party, played with care, love and reverence.

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. DJ Voices will be playing our RA2122 party in New York this Saturday, November 29th. DJ Voices is a prime example of an artist that really can do it all. The New York-based artist, originally from Florida, has been an integral part of New York's electronic music as a DJ and as a booker at one of the city's best venues, Nowadays. Voices got her footing as a selector as a founding member of the DJ collective Working Women, but these days she performs solo through her Nowadays residency and her radio show on The Lot, Nothing In Moderation. Her sets are known for their psychedelic dynamism—her selection, with which she prioritizes "energy and drama over genre," often flits from rolling low-end music, uptempo tracks (that she then slows all the way down) and wonky leftfield beats. "It would be hard to overstate how much Nowadays is part of my story at this point, personally and professionally," Voices told RA in the following interview. Her approach to assembling this mix she recorded for us makes that abundantly clear. The mix she recorded for RA—which sprawls out over almost three hours—features tracks that she has either played in her five-year tenure at Nowadays or that she plans to play there in the future. She organized the set in a similar way to the way she goes about her Nowadays sets. She kicks off with fast and nimble bass music ("I like to start fast in hopes of people dancing half-time"), then transitions into a knotty web of dubstep and bright percussive tracks and closes with weightless jungle. The playlist she sourced from to create this mix featured music from every Nowadays resident. It's this same thoughtfulness and meticulous attention to detail that has made her a household name in her local scene.

For our RA2122 series, we've been focusing on dyed-in-the-wool DJs paying tribute to the places that were most important to them. But what if you're an electronic music superstar and you didn't necessarily get your musical education in a club? That's how we come to Marie Davidson, a Canadian artist who counts among the world's most engaging and electrifying live performers, mixing techno with electroclash and post-punk for a sound that feels familiar but totally new at the same time. In 2019, she announced she was retiring from live club music, and then formed a band with fellow Montreal scenesters. But on her RA Podcast, she returns to dance music with a cannonball-sized splash. To hear her tell it, Davidson only became interested in DJing recently—she's only been doing it for a few months. It's a new way for her to explore club music and also pay tribute to the artists she loves, without putting her whole self out there in the same way required of live performances. But you could never tell that Davidson is new to DJing. Her RA Podcast is a masterpiece of modern techno building and pacing, dipping into straight-up trance several times in a way that reminds us of Sasha's legendary Global Underground 013: Ibiza mix CD, with an hour of steady tension rewarded with one hell of a melodic payoff. She sounds like she's ready to play at some of the world's best clubs, proof positive you don't need to have the usual backstory to be an excellent DJ. @mariedavidson_official Read more at https://ra.co/podcast/857

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. Chris Clayton, AKA Karizma, takes DJing seriously. But he also knows that it's about having fun, or at least helping other people to have fun. This is the formula that makes him such a fantastic DJ, and one of the most technically skilled around (he uses CDJs like few others can). He practices two hours every day, and has been DJing since he was 13. For him, there was no specific party or club that made him the DJ he is today—it was the whole Baltimore scene he grew up in. He is the party. His approach is deeply informed with his history in Baltimore, a city with its own vibrant music scene that always taken a different tack than the rest of the major American undergrounds. House, techno, hip-hop, jazz (and of course Baltimore club), there have never been any boundaries for as long as Clayton has been DJing, which makes his DJ sets as musically adventurous as they are technical. This hour-long set is a neatly-packaged example of his genius, leaning on the jazzier side of his sound, featuring plenty of Atjazz records, his own wide-ranging material and killer edits of Rihanna and Kendrick Lamar.

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. The first time we featured DJ Nobu on the RA Podcast, over ten years ago, we called him "one of Japan's best DJs." In hindsight, i think we can all agree that the country qualifier is no longer necessary: he's one of the world's best DJs, bar none. An absolute master at curating and mixing techno, Nobu has helped to inspire a Japanese school of techno that is psychedelic, hypnotic and often very pretty, without losing the genre's oomph or edge. And he's more popular than ever around the world, playing some of the best parties and clubs in pretty much any country or city you could name. But DJ Nobu's roots and heart are close to home. Frustrated with techno in the Japanese capitol, he created his own party in his neighbouring hometown, Chiba, where nightlife was less pretentious and the vibe was a little looser. Future Terror quickly became known as one of Japan's premiere techno parties, and paved the way not only for Nobu himself, but many other Japanese DJs who Nobu and his later partner Haruka gave the chance to shine. The party also recently celebrated its landmark 20th anniversary with its first-ever party in London. This mix is a direct tribute and encapsulation of Future Terror, what Nobu calls a "condensed story" of the series focusing on the more outré elements at the fore—an "awareness of techno" with plenty of more leftfield tracks thrown in. What follows might be a little gentler than you'd expect from Nobu, but it's all top-tier techno mixed with an expert hand. @djnobu_bitta Read more at https://ra.co/podcast/855

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. It's safe to say that there would be no house music, and no dance music as we know it, without François Kevorkian. The French-born, New York-based DJ started remixing disco records in the late-'70s when he was in his early 20s and became a pioneer of the form alongside names like Larry Levan, Tom Moulton and Walter Gibbons. And though he would become a house icon, he became especially known for the trippy "dub" mixes on the B-sides of records, which often eschewed the structure and vocals of the songs he was remixing in favour of excursions into the unknown. It's that legacy that led him to Deep Space, his Monday-night residency at the once-legendary Meatpacking District club Cielo, which was one of the most beloved (and best-sounding) rooms in Manhattan. Deep Space started at 2003 and ran weekly for 15 years, eventually moving to Output in Brooklyn. The idea was to explore "dub" in all its forms, and to play all kinds of music while manipulating it in real time. The slogan was "Live On The Mixing Board." At Deep Space you would hear all kinds of music. Dub, reggae, dub techno, drum & bass—and later on, as you''ll hear in this mix, dubstep—sure, but also disco, R&B, funk, old-school house. All music was dub in Kevorkian''s hands, and over the years Deep Space became one of the most renowned and consistent parties in New York, a place of refuge and discovery every single Monday (and, eventually, Sunday). This four-hour recording allows you to almost experience what it was like to be in that room—you can even hear the crowd whooping and cheering—as Kevorkian journeys through ultra-deep techno, dubstep and a string of funky disco and post-disco tracks. It''s a sound all his own, and though it was recorded 13 years ago, still sounds full of possibility and potential. Like the future. @fknyc Read more at https://ra.co/podcast/854

As part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. First up we have Tama Sumo and Lakuti, both residents at Berlin's Panorama Bar, the house-focused room upstairs at Berghain. Panorama Bar has played host to thousands—if not millions—of people's most formative dance floor experiences, with an unparalleled vibe, near-perfect sound and window blinds that have taken their own place in dance music mythology. The duo's mix highlights the style that Tama Sumo and Lakuti have brought to the club and represents its anything-goes energy, mixing tracks from iconoclasts like Hieroglyphic Being (including one of his best-ever tracks) in with old-school favorites from Reel By Real, Larry Heard and even Ministry, moving from house to industrial to disco without batting an eyelid. Tama Sumo and Lakuti's loose but impeccable flow ties together house music history with a deep love and knowledge of all genres and, perhaps most importantly, the desire and know-how to just make people dance. We couldn't be more thrilled to feature Tama Sumo and Lakuti for the first mix in our birthday series, and we hope that you enjoy it as much as we do. Read more at https://ra.co/podcast/853

This week's RA Podcast marks something of a debut for Infinity Division, the new solo project from Canadian artist Ash Luk, best known as one half of EBM-techno duo Minimal Violence. (Minimal Violence had itself been a solo project since last year, when cofounder Lida P left the group.) Getting his start in Vancouver's punk scene as part of the band Lié, Luk's approach to dance music is informed not only by those origins but by Western Canada's long history with industrial music and techno (spot Skinny Puppy and Tunnel Canary in the tracklist). 
 Minimal Violence first impressed us with their hardware-focused house and techno, a harder-edged version of the sound that was sweeping Vancouver at the time, before moving on to Ninja Tune sub-label Technicolour and then Tresor for a series of records that saw their sound become more expansive, sharper and more melodic, incorporating not just techno and punk influences but also trance, EBM and more. These are the genres that feed into Infinity Division, and Luk's RA Podcast hurtles through everything from old Prodigy, '90s German hard trance, Canadian breakcore and new tracks from his project. This is heavy dance music that's also heavy on melody, unafraid of huge crescendoes that hit that sweet spot between punishment and euphoria. Buckle up. Read more at https://ra.co/podcast/852

For some dance music fans, Hamish & Toby may be their new favourite DJs thanks to a recent US tour and excellent sets at festivals like Glastonbury, Dimensions, Houghton and Freerotation. 2022 was, after all, a breakthrough year for the UK duo. But in their own, close-knit world of Discogs fanatics and vinyl purists, Hamish Cole and Toby Wareham are admired and established names. They met while studying in Leeds, bonding over a shared love of wiggly bombs at countless clubs and hazy afterparties. They ran events (Butter Side Up, Dog Eat Dog), DJ’d tirelessly and continued to dig for obscure gems. Within a few years, they were both working full-time music jobs in London, booking Dimensions Festival (Hamish) and The Pickle Factory (Toby). (Hamish is now a director at Dimensions.) All in all, they’ve dedicated the past 15 years of their lives to dance music. For all their behind-the-scenes work, Hamish & Toby’s true love is DJing together. They’re known for their long, expressive sets that go, in their own words, “all over the map.” Their RA Podcast, which was recorded live at Philadelphia party Subsurface in May, is a four-hour odyssey through golden-era house, tech house and UK garage. Proper party music, in other words. According to the duo, they were “fully locked in, as comfortable as we’ve ever felt DJing.” It really shows. @hamishcole @tobynicholas Read more at https://ra.co/podcast/851

Whether you're hearing a track or a DJ set, you can usually tell it's Nene H pretty quickly. In just a few years, Beste Aydin has developed a very specific approach within the realm of techno. She inhabits the genre yet colours just enough outside the lines without losing the plot—or the pull—entirely. The focus is on fun, on groove and on hooks, with sets that dip into trance, electro, ghetto house and even hints of hyperpop, tying in neon threads into techno's all-black garb. She's used techno as a jumping off point for orchestral and choral performances, as well as the poignant expression of grief (on her stellar debut album). She's become a regular at Berghain and groundbreaking festivals like CTM, traversing a highbrow-lowbrow line that posits that every kind of dance music deserves the highbrow treatment. Her RA Podcast is an irresistible hour of techno full of what she calls "Neneisms," turns into pop hooks amidst hulking techno beats and dips into funky, electro-informed beats. @nenetreat Read more at https://ra.co/podcast/850

Depending on who you ask, Yousuke Yukimatsu is the best DJ in the world. Or at least in Japan. The eccentric Osaka-born, Tokyo-based DJ has built up an arsenal of fans and disciples—most famously Tzusing—who revere his cross-genre approach and knack for out-of-this-world blends. Case in point: he recently released a mostly ambient mixtape that somehow felt more gripping and propulsive than many techno DJ sets. He also used that release, Midnight Is Comin, to highlight Japan's underrepresented experimental electronic music scene, another sign of his wide-ranging and unusual tastes. To go with his voracious hunger for all kinds of music, Yukimatsu can play alll different kinds of sets, from the meditative to the peak-time, all with the blending ingenuity and expert pacing we've come to expect. Just check his mind-blowing Boiler Room set from 2020. If that performance was nightclub madness and Midnight Is Comin was a slowly unfurling coil of downcast textures and moods, then Yukimatsu's RA Podcast is something in-between. Over two captivating hours, Yukimatsu brings in beats only to jettison them, returning several times to artists like Palmistry, Tzusing and Ryo Murakami. He anchors the mix with familiar tracks and voices before letting it drift out to sea again. It's also deeply personal, focusing on tracks from people he played with at his Zone Unknown parties in Osaka and Kobe, as well as his friends who participated in Midnight Is Comin. Some of these blends need to be heard to believed. But more important is the pacing: the mix moves at such a slow but intuitive speed that it's almost tantric, the work of someone who knows how to keep the party going at a simmer without giving into the temptation to go faster. (He even says that the mix was supposed to be longer.) With hooky tracks from Palmistry and Equiknoxx up against explosions of noise and heavy EQing, Yukimatsu's RA Podcast is like dipping your head above and below water, soaking in and appreciating the beauty of both realms at once. @yousukeyukimatsu Read more at https://ra.co/podcast/849

If you haven't heard of Nikki Nair at this point, we'd invite you to come out from under that rock you're living in. But jokes aside, the last 12 months have been the Atlanta producer's year. He's toured seemingly endlessly, has found his way into a number of local scenes and has put out records for labels like Dirtybird, Lobster Theremin and Scuffed Recordings. If that weren't enough, he's also been putting out an illuminating series of monthly singles on his Bandcamp that show off both his restless muse and his seeming ability to both perfect and put his own stamp on any sub-genre or style he tries. People usually use some form of the word "bass" to describe Nikki Nair, because of the way his music flits between dubstep, drum & bass, electro and more. One moment he's making staggering hip-hop instrumentals that would have fit right into the old LA beat scene, the next minute he's making pneumatic techno or uptempo stuff that would fit right in one Juke Bounce Werk. His voracious appetite for new sounds comes across on his RA Podcast, which is a sprawling two-hours-plus of genre hopping and careful mixing, hopping from mood to mood like a 2-D video game platformer. It starts off perhaps a little slower than you'd expect, but weaves through countless Nikki Nair tracks, older selections from Wolfgang Voigt and Drexciya and mind-melting club tracks from newer producers including DJ ADHD, Despina, Limewax and more. If you want to know what the hippest, most inventive dance music sounds like, bridging continents and oceans, this mix is it. @nikki-nair Read more at https://ra.co/podcast/848

As anyone who's been to a Nordic country in the summer will tell you, there's a certain magic in the temperate air that you only get from a place that is cold and dark for most of the rest of the year. That probably goes some way towards explaining how a country like Sweden produces some of the sunniest music around, whether we're talking about pop or underground dance. Since she debuted on Stockholm label Studio Barnhus in 2018, Bella Boo has been at the forefront of this sound, making clever, fun and joyous house music on records like Once Upon A Passion, where pop instincts embed into deep house grooves. Bella Boo's RA Podcast both highlights her distinct personality and also the sound of Stockholm in full summer bloom, featuring local producers like Kornél Kovács, Axel Boman, Genius Of Time and Samo DJ. It's full of catchy basslines, hooky vocal snippets, luxurious melodies and plenty of brilliant transitions. It's kind of like listening to one of her records: a restless and kaleidoscopic approach to house, where the rhythms shift and a new earworm is always around the corner. Bella Boo has all the makings of a star, and this mix feels like another step in her impressive rise. Read more at https://ra.co/podcast/847

"You can't take a sound and exclude the people who created it and say, this is our sound," DJ Noir said in our 2020 feature about Juke Bounce Werk, the label she-cofounded. "No, it's either Chicago footwork or it's other." Back then, the Los Angeles-based imprint and crew was still primarily focused around footwork, but Noir and co—including artists like Kush Jones, DJ SWISHA, Surly and Sonic D—have branched out into all sorts of uptempo sounds, touching on house, UK garage, jungle and funk, but always with the fleet-footed approach that makes JBW what it is. "We used to sit down and say, we have to make 160, or we have to keep it footwork and juke," Jones said in that same feature, "but we are also like, if you are strong and developed in another sound, then you should also be free." Sitting atop this empire of boundary-breaking, innovative dance music is DJ Noir, who is one of LA's best uptempo DJs, or honestly, of any genre. Her sets can be speedy and intense, sure, but it's the way she lets off steam at just the right moments, or gracefully dips into halftime, maybe even a spot of dubstep, that really sets her apart. The LA scene is spoiled to be able to see her DJ quite frequently, but along with the artists she tirelessly promotes and develops with JBW, she deserves a wider, more global spotlight. We hope her RA Podcast might convince you of that, too, an hour of remarkable DJing and skillful blending that connects continents and scenes, from Alix Perez to INVT to Nikki Nair and Bastiengoat. Buckle up! Read more at https://ra.co/podcast/846

Nadia Struiwigh immediately turned heads with her debut album, Lenticular, on CPU Records. It wasn't her first record, but it was an auspicious release at an auspicious time for a label that was at the centre of a revival of early '90s IDM and electro styles. You could use those terms to describe Dutch producer Struiwigh's music, but you'd have to also mention ambient—just check out her last album, Pax Aurora, for Rotterdam powerhouse Nous'klaer Audio—and techno, which is the subject of her new RA Podcast. Those familiar with Struiwigh only through her records might be surprised by this mix, which is over two hours of alternately atmospheric and pummeling techno. It highlights the versatility and potential of the genre, as well as Struiwigh's own outlook on it. She was a techno DJ before she started making the softer, weirder stuff, and she can recognize the music's innate emotional qualities, even at its most functional. As she says below, her intention is to "glue the best of both worlds" to create a "rare energy" with her DJing and production. Read more at https://ra.co/podcast/845

eviewing their 2021 EP on Livity Sound, RA's Henry Ivry said that the duo—along with collaborator DJ Polo—represented a "micro-history of jungle, garage, dubstep and, of course, their bread-and-butter, UK funky." Now, you might not be familiar with them, but these two London producers, LR Groove and Razzler Man, have been doing their thing in the UK capital for nearly two decades, both together and apart. They reunited in 2018, inspired by the changing and cyclical tastes of UK dance music fans and, perhaps most importantly, the international rise of South African dance music and its interplay with other genres around the world. The duo have now released two records for Livity Sound, which is among the biggest badges of honour you can get in this sector of electronic music. Effortlessly combining UK funky, dubstep and snatches of gqom and amapiano, the duo's music feels organically adventurous, but hardly trendy—in fact, the space and reverb of their beats still sounds a lot like the music they were associated back in the '00s, in the best way. Their RA Podcast is a journey into the musical borderlines they operate, made up mostly of their group tracks and solo, along with cuts from like-minded artists such as Scratcha DVA, KG and Karizma. It's a whole lot of UK and a little bit South Africa, the sound of Black British dance music in flux and perpetual evolution. Read more at https://ra.co/podcast/844

If we were to pick one word to describe Ziggy Devriendt, AKA Nosedrip, it would probably humble. He runs a one-man empire out of the modest Belgian coastal town of Ostend, and his STROOM label is one of the most quietly brilliant outfits in Western Europe. A mixture of obscurer-than-obscure reissues and quirky new material makes for a label as unpredictable as it is essential, and Devriendt's unusual touch is all over it—he prefers to make up his own compilations and sequences instead of just repackaging old records, for example, which explains how important curation and putting songs together is to him. So it's not a surprise that , in addition to being a music nerd supreme, Devriendt is also a remarkably good DJ, whose ear for oddball cuts translates well into intuitively danceable music. Judging from his RA Podcast, he's had trance on the mind—the mix features flighty beats that range from CJ Bolland and Psychick Warriors Ov Gaia to new-school practitioners like J-Zbel, plus a major highlight from Peter Van Hoesen that you might remember from Marcel Fengler's Berghain 05 mix and plenty of new material from Stroom. (He's also putting out a compilation of Belgian trance, which might explain the direction of this mix.) It's a three hour-ride that varies from jaw-dropping mixing to abrupt, almost shocking transitions that might startle you out of your chair. @ziggy-devriendt Read more at https://ra.co/podcast/843

Imagine growing up near Berlin, getting into dance music, going to Berghain for the first time and getting your mind blown by techno. Then, ten years later, you become a resident DJ at the fabled club. Not many people—any people?—can claim this story, but for Fadi Mohem, what would be so many DJs' dreams became a reality. After getting his 2017 debut 12-inch Reckless in the hands of all the right people in Berlin, Mohem established a bold, bouncy techno sound with releases on Modeselektor's Seilscheibenpfeiler, Ben Klock's Klockworks and FJAAK's SPANDAU20, pretty much the cream of the crop of modern techno. Now, this year, he's becoming one of Berghain's newest residents, alongside other exciting names like Sedef Adasï and Naty Seres (and Lakuti upstairs at Panorama Bar). As heard on his recent collaborative with Ben Klock, Mohem has modern techno down to a science, thanks to a combination of reverence for the old-school and clever rhythmic touches, like the irresistible snare pattern on "Prefix." His RA Podcast sounds like what you might expect from a new generation of Berghain resident: aerodynamic, heavy and, honestly a little midtempo compared to a lot of other young techno DJs. It's the sound the club has made world-famous, with cuts from Reeko, Heiko Laux and Truncate, plus some special moments from aya, DJ Deeon and Petar Dundov. It takes a certain kind of DJ to get to this hallowed place, and Fadi Mohem deserves it. @fadimohem Read more: https://ra.co/podcast/842

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor. Her most recent album, LP.8, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel. 
Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices. Read more at https://ra.co/podcast/841

Camila Milieme has been playing techno long enough to experience a few of its boom-and-bust cycles. Starting off in Brazil in the late '90s with the kind of rippling, tooly techno you'd expect from that era, Milieme lost interest once things started going minimal and took a break from techno to take up studying instead. By the time she checked back in, the genre had taken a turn closer to the stuff she used to play, so she packed up her bags and moved to Berlin, where she's become an indispensable part of the techno scene. As The Lady Machine, Milieme has released on Mote-Evolver and also runs her own label, Unterwegs, with UK producer Decka. As you'll hear on her RA Podcast, she prefers a classicist (yet, still, modern) style of techno that mixes toughness with texture and detail. With plenty of unreleased tracks from her cohort and tracks from British Murder Boys, Jeff Mills, Dave Clark and Christian Wunsch, this is a timeless techno mix for heads from any generation, from the '90s to the '20s. @theladymachine Read more: https://ra.co/podcast/840

"Working my ass off, to be honest," is how Eli Escobar starts our interview below. That basically sums up his vibe. The New Yorker might not have the same household name status of other DJs who have been soundtracking Manhattan clubs since the early '90s, but he certainly deserves it. Any New York resident worth their salt should have him near the top of the list of their favorite local DJs. He plays anywhere and everywhere in the city, and he can play pretty much anything he wants to, as his RA Podcast will attest. When it comes to his own music, Escobar puts out records equally informed by disco, hip-hop and house—in other words, a very New York sound. He hasn't been producing as long as he's been DJing, but his albums and EPs for labels like Classic, Night People and Razor N Tape are full of the soul, humor and talent of someone who knows dance music inside out. As Escobar says below, he doesn't really have any one type of sound. His DJing varies greatly from night to night, and he's always adding to his considerable collection, so no one set is quite the same as another. For his RA Podcast, put together painstakingly with many specially edited tracks and recorded in a hotel room in Colombia, he strikes a relatively reflective tone, but it's still eminently danceable. He moves gradually through two hours of house and disco that ranges from celebratory to muted, from minimalist to rich with live instrumentation. It's the sound of New York dance music as passed through generations, from one of its best and most beloved musical storytellers. @eliescobar Read more: https://ra.co/podcast/839

Last year, New Jersey group OSSX wowed us with a mix of completely original material that blended infectious edits of Janet Jackson and September with tracks like "Split Wig"—one of last year's indisputable breakbeat anthems—that showed how the then-duo could bring together generations of American dance music into one compelling, vibrant mix that celebrates all shades of East Coast club. Their RA Podcast might not be an all-originals mix, but it shares the same spirit. OSSX—now a trio, with Juke Bounce Werk member Elise joining original duo Equiss and Lektor Scopes—sprinkle the mix with more of their excellent unreleased originals, in-between canny and clever edits new and old, like DJ Sega's rework of Basement Jaxx's "Where Your Head At," which makes for an early highlight, along with DJ Swisha's Baltimore club edit of Robin S.'s "Luv 4 Luv" and the bouncy DJ Problem version of Mary J. Blige's classic "Family Affair." You can hear both the evolution and history of these genres through this mix, along with cuts that touch on UK garage, ballroom and jungle. Trust us when we say that this is over an hour of pure fun, showing the ingenuity and timelessness of American dance music through the decades. Read more: http://ra.co/podcast/838

Spend enough time at (or listening to) The Lot Radio, and chances are all you'll find Gabrielle Kwarteng. Even though she lives in Berlin now, the American DJ wears New York on her sleeve, repping for the station that helped make her name (she won a Mixcloud award for "Best Eclectic Show" pretty early on). Sure, you could call her sound eclectic—she jumps from house to Afrobeat to Jersey club and beyond—but it seems like "intuitive" might be a better word. She has the taste of someone raised by musical parents on a diverse diet of albums, of someone who eats, breathes and sleeps records. Buoyed by her success in the US, Kwarteng moved to Berlin in 2019, not too long before the pandemic. Like so many other up-and-coming DJs, her momentum almost stalled as a result. But here we are in 2022 and Kwarteng is more successful than ever, with a string of upcoming festival dates highlighting her wide, transatlantic appeal. Her RA Podcast is equally welcoming, with a taste for house music that feels perfectly pitched between the classic and the new. You can hear an old soul, but she also has cutting-edge tracks from the likes of NIkki Nair, and a gutsy, fantastic edit of "Can You Feel It?" by Tom Carruthers. The mix also reflects her recently getting back in touch with her roots, featuring smatterings of East Coast club music and ballroom, all wrapped up with an exquisite finishing touch courtesy of a long Moodymann play-out. Read more: https://ra.co/podcast/837

We probably don't need to tell you who Deadbeat is. (He even did a previous RA Podcast for us, all the way back in 2007.) But if you need a refresher, he's one of the most important and revered artists in dub techno. The Canadian artist came up in the Montreal scene alongside other trailblazers like Akufen and other Canadians (think Cobblestone Jazz, Mathew Jonson, Wagon Repair, etc). His early records for ~scape are some of the most classic and influential minimal there ever was, but dub is always at the heart of his work, and runs in the veins of BLKRTZ, the prolific label he runs himself. Sa Pa, on the other hand, sits somewhere in the ambient zone. Originally from Adelaide, he's found a powerful creative sparring partner in Deadbeat. The two released their first album together, The Mountain, earlier this year. It's the 50th release on BLKRTZ and maybe one of the most monumental records in either artist's catalogue, a triple-LP that harks back to the hypnotic, plink-plonk days of yore with the strong cross-genre underpinning that marks Deadbeat's work these days, and plenty of lovely atmospheric wiggles. The duo's lengthy RA Podcast, taken from two different recordings at their Absurd Dub Lustre party in Berlin, mirrors the LP's sound, weaving through tracks new and old. It's full of warm, dubby vibrations and smooth transitions. Read more: http://ra.co/podcast/836 @sapaofficial

Marco Weibel is the epitome of modesty. Over the past decade, the New York artist has quietly amassed a loyal following through expansive DJ sets that touch on everything from spiritual jazz to disco, but rather than credit himself, he lets the tunes speak for themselves. This humble attitude has won him the respect of veterans such as Lefto, as well as a growing fanbase from all corners of the musical spectrum. When he's not DJing, Weibel curates nights at various New York venues and co-runs Darker Than Wax, a label based out of Singapore (where he was born and raised). His selections showcase rhythm and texture over drops, but he always has an arsenal of radiant house cuts or UK garage to fire up a crowd. Cavernous crates aside, the cadence of his sets is perhaps their most distinguishing feature. On his weekly shows at Lot Radio, Hawaiian funk is followed by broken beat while at the club, 2-step spills into dembow techno and rich amapiano. While his mixes and performances usually start out on the melodic side, his RA Podcast switches things up. Unleashing a whirlwind of jungle before moving onto '90s-flavored house and other loopy styles, his session highlights local talents with plenty of delightful transitions throughout. Peter Brown's spacey soul flows into Aquarian's pulverising breaks, Ayesha's percussive techno precedes heart-tugging house and heavy dub morphs into Kerri Chandler's acid. Fluid and rolling, this is a true digger's delight. Read more: http://ra.co/podcast/835 @marcoweibel

Emerald is a name that should be familiar to any Rinse FM devotee—she's been DJing on the UK dance music radio giant since 2014, and has just started a new flagship slot called The Dance Show on Friday nights. The Londoner is a consummate radio DJ, blending together genres and tempos with pitch-perfect mixing and an ear for hooks that makes each track stand out. (She calls herself "genre fluid.") She's said so much in the lengthy, excellent interview below, so we can keep this part brief. Her RA Podcast combines newer favorites from Lauren Flax, Queer On Acid and Neil Landstrumm with older, recently acquired records from DJ Deeon (1994) and FSOM (1992). If this is your introduction, then take a listen and make a note to check out The Dance Show next Friday. And if you already know Emerald, then you know this is gonna be a good one. Read more: http://ra.co/podcast/834 @ emerald-rose

Nick León is part of a newer generation of Miami producers who infuse modern-day club music with sounds from around the region, everything from Miami bass to reggaeton. In León's case, his most recent—and most exciting—music has focused on beats inspired by reggaeton and its sub-genre perreo, but with a musical palette that speaks to a love of electronic music from Aphex Twin to Burial to music on labels like NAAFI and TraTraTrax. (This is a predilection he shares with DJ Python, whom León just launched a new party with.) It's on the latter label he released the Rompediscoteka EP, one of the canniest genre fusions he's done yet, meant to hark back to the feeling he had when he first discovered reggaeton. (It came with eye-opening remixes from Maral, Kelman Duran and Henzo, producers whose personal-but-global approach mirrors León's own.) He also head a head-turning EP on Future Times, which threw Miami-style electro into the mix, with an ambient touch. Like his productions, the young Miami DJ's sets can range from slow and low to high and tight, and his RA Podcast captures León in peak-time mode. It's a Latin-spin on everything from techno to tech house to cool-kid club music, with selections from Nico, Simisea, Siete Catorce, Ricardo Villalobos and MM adding up to a vibrant and rhythmically restless hour that soars across genres and scenes. Read more: https://ra.co/podcast/833 @NICKLEON

Toronto's Cindy Li, AKA Ciel, has a knack for balancing warmth and pressure. Her productions and mixes often feel coated in an iridescent gloss, evoking the trippy stylings of '90s UK tech house and the swung drums of classic New York house. In between that, though, there's lots of vigor via sleek electro, rippling trance, barrelling techno and big, bad breakbeats. Her style may lean towards the atmospheric but it's loaded with moxie, giving her the versatility to close out a main room or kick off the afters. Her fluid movements between bouncy basslines, spiraling synth patterns and weightless house grooves are just one facet of her impressive rise as a DJ and producer. When she's not behind the decks, presenting radio shows or working on the excellent Parallel Minds label she runs alongside other Toronto acts Yohei S and Daniel 58, Li throws herself into community work. Committed to diverse dance floors, affordable housing and overall equality in the music industry, she's a hard worker in the realest sense of the phrase. Li's RA mix is a treat. Rolling through scintillating drum work, wonky rhythms and dreamy pads, it feels like quintessential Ciel. In her interview below, she described how she enjoys "the challenge of trying to combine and make cohesive all the diverse styles of music I loved in a DJ set." Judging by this mix alone, it's safe to say that Li succeeded. Read more: http://ra.co/podcast/832 @ciel_dj

Read more: http://ra.co/podcast/831 @madam_x

The decade-spanning career of Roy Davis Jr. is intrinsically intertwined with the history of house music. As one of the defining voices of Chicago's underground, he's worked both behind the decks and behind-the-scenes. From handling Strictly Rhythm's A&R sector in the '90s to joining seminal production crew Phuture to launching his own Undaground Therapy Muzik label, Davis Jr. isn't just a veteran but a compendium of dance music knowledge. Daft Punk cites him as an influence while the likes of Disclosure, Zed Bias and Waajeed have sought him out for collaborations. He may be best known for his 1998 single Gabriel with Peven Everett—now a garage anthem on both sides of the Atlantic—but his discography and DJ sets go well beyond club hits. Weaving in soul, gospel, disco, techno and acid into a deep house framework, he marries raw funk, plush melodies, hypnotic synths and stripped-down arrangements. All these elements are beautifully captured on his RA Podcast. Moving from a state of eyes-closed bliss to body-moving grooves, the near two-hour session is as grounding as it is free-floating. Spiritual, sensual and tightly mixed, it's a lesson in multifaceted house music.

There's a track on HAAi's upcoming debut album, Baby, We're Ascending, called "Louder Always Better." That kind of sums up her approach right there. (See also: "Biggest Mood Ever.") Since her first record, 2017's "Be Good" her approach to dance music has been to make as dense, overwhelming and uplifting as possible. Much has been made of her background in psychedelic rock, which definitely informs records like the muggy, intense Motorik Voodoo Bush Doof Musik, but it's not the whole story. A better point of reference might be DJ Harvey lost in the Australian desert, but comparisons are beside the point. At this point, HAAi is completely unique. The Australian producer has made quite a name for herself as a DJ in her adopted hometown of London, and while her album shoots off in all directions—from ecstatic rave-pop to sultry stunners—her RA Podcast captures the spark that makes her such a beloved force behind the decks. Weaving powerful techno from artists like Atrip and Piska Power with weirder, adventurous music courtesy of Cocktail Party Effect and Sha Sha Kimbo—plus a few tastes of HAAi's new album—it's an eclectic mix that's as windy and unpredictable as her records. Plus, it ends with classic track by The Cure. That's just good taste.

Louie Vega shouldn't need an introduction, but we'll do it anyways. The Bronx-born Puerto Rican artist embodies the soulful sound of New York house music, and he's been doing it since the '80s. His history features a litany of legendary names and clubs, from the Devil's Nest to his much-vaunted residency at The Sound Factory in Manhattan, and he's made music with the likes of Todd Terry, Mood II Swing and Barbara Tucker. But it's with Kenny "Dope" Gonzalez that Vega made his most cherished and influential work as the duo Masters Of Work, putting out huge singles and making house remixes for some of the most iconic names in '90s pop music. To listen Vega's discography, especially as part of Masters At Work, is to hear the evolution of house music and garage (yes, both US and UK). It's difficult to overstate the impact those '90s records had on New York and beyond, and they're still some of the most swinging, undeniable house records ever made. Just try playing a MAW Dub for a newbie and see their reaction. House music has been Vega's lifelong mission, and almost four decades in, he's still refining his craft, moving towards ever-jazzier, ever more soulful sounds. His RA Podcast shows off some of his favorite tracks from contemporaries like Mood II Swing, as well as his band Elements Of Life and a handful of new tracks from his forthcoming album, Expansions In The NYC, which aims to capture the sound of his club night of the same name. You'll hear lush live instrumentation, powerful vocals and, of course, those addictive, sometimes skippy house beats—the sound of a master at work. Read more: http://ra.co/podcast/828 @nuyoricansoulnyc

To an international audience, NIKS might be best known as one of the cofounders of Black Artist Database, but she's also an incredible DJ. And public speaker. Over the past few years, through a mix of activism, thought and DJing, the London selector has created an all-encompassing approach to her artistry that centers dance music, social justice and an endless desire to uplift those around her, especially Black artists. Through Black Artist Database, NIKS has created a resource to support Black artists from around the world. What started as a spreadsheet called Black Bandcamp has become a fully-fledged platform with editorial, mixes and, of course, the powerful directory of artists that started it all to begin with. Outside of that, NIKS curates panels, hosts and gives talks and DJs. Her RA Podcast is inspired by a specific night she played in Manchester, but it's also a wonderful snapshot of her style, connecting the dots between Drexciya and Octave One, Nicola Cruz and Seth Troxler, Lyric Hood and James Bangura, and an electrifying section that weaves between tracks from X-Coast and X-Press 2. It's as thoughtful and intentional as everything else she does, an hour-and-a-half in the world of one of London's brightest stars. Read more: http://ra.co/podcast/827 @niksbad

Physical Therapy has as many vibes as he does aliases. You never really know what you're going to get from his sets—you can probably count on a bit of UK garage and some breakbeats, but beyond that, it's a free-for-all. He's gone through phases ranging from DIY pop edits to grayscale Berlin techno to all the fantastic and unpredictable music on his label Allergy Season to his latest EP of vocal-heavy 2-step tracks, part of a recent move towards more emotional dance music that he says captures his "twee" side. If there's anyone that truly believes in the power of crying on the dance floor, it's him. He's an expert at themed mixes, pulling together loosely categorized sections of his vast and sometimes hilarious collection. (Other sets, like his revered Honcho Campout recording, are gloriously all over the place.) But for his RA Podcast he's gone straight for the dance floor, choosing the kind of thing he would play at a club rather than one of his NTS sets. It's typically era-spanning and adventurous, yet woven together with an expert touch, running from an underrated Texas dubstep label (Pushing Red) to old-school IDM to vintage Miss Kittin and even an obscure (or just forgotten) turn-of-the-millennium cover of "How Soon Is Now" that would only really sound right in his hands. Read more: http://ra.co/podcast/826 @physical-therapy

The first weekend of February was a big one for Ahad Elley, AKA Ahadadream. On the Friday, he was featured in Vogue India alongside other South Asian artists and crews currently lighting up UK dance music. 24 hours later, he launched a residency at London club Colour Factory, playing to a packed crowd who, during a brief power cut, chanted his name like adoring teenagers. To outsiders, this might feel like a story of overnight success, but Elley has been grafting away for years: DJing, producing, running a label (More Time), throwing parties (No ID) and, perhaps most importantly of all, co-founding the first edition of London festival Dialled In, which launched last September. As well as showcasing a wealth of South Asian talent, the event fostered a new community of ravers who, in Elley's words, "felt seen in a club space for the first time." When he was younger, Elley shied away from centering his Pakistani heritage in his music. Today, it's a huge part of his identity, from the events he runs and the music he makes to the tunes he plays. But, as RA 825 shows, his DJ sets also go way beyond South Asia and London, spanning gqom, Egyptian percussion, Portuguese Afro house and classic Peverelist. This is Elley at peak time, the kind of thing you might hear at his next Colour Factory gig. "The idea was just to include tracks that bring me joy and make me move," he said. "I hope they do the same for you." Read more: http://ra.co/podcast/825 @ahadadream

Nicolá Cruz is a master of meaningful engagement. Whether he's studying North African melodies or spiritual chants, he shows profound respect for a given sound's cultural context. This is evident across his entire discography. His earliest releases on Multi Culti and ZZK Records layerered traditional woodwinds and percussion with folktronica and tribal house, reflecting a holistic understanding of global rhythms. His more recent work takes an adventurous, polyglot approach to club music, with EPs on Highlife, Rhythm Section and Tra Tra Trax exploring breaks, acid and other spirally sounds. But even his deep, drum-heavy techno cuts feel unusually organic, vibrant polyrhythms bursting with character. For his RA Podcast, the Ecuador-based producer shows off his rave education. This display of futuristic chuggers and electro—Marcela Dias Sindaco's "A Flor Da Pele" is a particular highlight—speaks to Cruz's deep appreciation for body music. He treats dance floor jams with the same nuance as culturally significant sounds, a testament to his versatility, knowledge and experience. Journeying across acid basslines and dubby electronics, the 73 minute-long ride flirts with psychedelia, distortion and experimental bleeps, with many of the selections reflecting his own taste for colorful patterns. It's energetic and warm, flush with life, until the very end. Read more: http://ra.co/podcast/824 @nicolacruz

Chris Clark's music is hard to describe, but if you wanted to explain it to an electronic music fan, you might use the dreaded term "IDM" to encompass the many strange and alluring records, some frantic, some chill, the UK producer has put out through Warp over the years. We can be a bit more specific: he uses field recordings, out-there drum patterns and all kinds of hardware (seriously, there's a lot) to make make meticulously processed music, some of which you can dance to. Lately, though, he's turned his attention to classical music, scoring films and televisions shows and culminating in last year's Playground In A Lake for vaunted label Deutsche Grammophon, which featured guests like AFRODEUTSCHE and Oliver Coates and a member of Grizzly bear on a moving, string and horns-led suite about climate change. You hear all these ideas at once on Clark's stirring RA Podcast, which features music, as he explains, from 1922 all the way to 2022. Classical rubs elbows with Burial and Ricardo Villalobos, as once familiar tracks melt into new (mis)shapes. It also features plenty of Clark originals—maybe some glimpsse of the new album? The best part isn't even the formidable selections, but the way he puts it altogether. Far from a seamless DJ mix, this one is full of peaks and valleys and clever transitions that'll make you check the tracklist and wonder what you just heard. It's the kind of all-over-the-place mix that captures the brilliance of Clark's in a DJ format. Maybe he should do this more often. Read more: https://ra.co/podcast/823

GiGi FM is a trained dancer, which gives her a deeper insight into the intrinsic relationship between music and bodily movement. You can read a lot more about her philosophy and approach in the interview below, but you don't even need to know about it to hear this in her RA Podcast—a collection of swirling deep techno that rivals anything made by the usual cohort of "hypnotic" techno heads. Looking at the tracklist doesn't really do it justice, but the names involved give you an idea of what to expect: Varuna, ASC, Donato Dozzy, The Orb, Sunju Hargun. This is techno that ripples rather than bludgeons, that moves with an ethereal grace, where tracks bleed into one another beautifully, with a few surprises, too. While you're here, you should check out her Magnetite EP for Bambounou's label Bambe, already one of the young year's most bewitching techno records. But if this is your introduction, then turn off the lights, light a candle or some palo santo, and sink into two hours of your new favorite techno DJ. Read more: http://ra.co/podcast/822 @ gigi-fm

Southeast Asia is made up of diverse dance music markets that feel strongest when united. A steady stream of cross-border collaborations has come to define the region's underground nightlife, with Bangkok-based Sunju Hargun at the forefront of many of these exchanges. Over the years, he's honed a signature sound of minimal techno, tribal rhythms and deep downtempo while playing in Singapore, Indonesia and Vietnam. Inspired by the traditional music of these countries, his DJ sets and productions are lush tonal sound baths, with plenty of nature references. Shimmering ambient evokes misty mountain tops while whiffs of Goa trance nod to beach sunrises. His current project, Siamese Twins Records, is also rooted in pan-Asian connections. A platform to explore old-world chants and ceremonial percussion, the label hosts much of Hargun's own work, including Bollywood-inspired acid made as Mogambo, a production outfit he runs with Jerom Doudet. All these myriad styles are present on Hargun's RA Podcast, an hour-long trip where flickering synths reverberate like gongs before morphing into an amorphous mass of dub techno, jungle noises and meandering modular sequences. Read more: http://ra.co/podcast/821

If gqom has a CEO, it's probably DJ Lag. The South African artist has found enormous success since teaching himself to produce and DJ as a teenager in Durban, to the point that he famously worked with Beyoncé on the Lion King soundtrack. His style of gqom, a heaving, powerful type of club music, has become sleek and often catchy, growing from classic tracks like "Ice Drop" into thrilling hybrids like "Lucifer," his collaboration with amapiano artist Lady Du. Like so much dance music around the world at this point, DJ Lag's newest productions are informed by the red-hot, ultra-suave sound of amapiano, another South African-born genre. His long-awaited debut album, Meeting With The King, features plenty of flirtations with amapiano and house styles, working with some of South Africa's most talented artists and coming up with a sound he's christened Gqom 2.0. You can hear DJ Lag's expansive, exciting vision in his RA Podcast, an hour of cutting-edge South African dance music that lays out some of the sounds (and artists) you'll be hearing all year, from amapiano to Afrotech and Afro house and many intriguing things in between. Read more including an interview with DJ Lag: https://ra.co/podcast/820

Over three hours of ambient and rolling rhythms from a master of minimal. Since his early days as a resident at the legendary Montreal afterhours club Stereo, Maher Daniel has been a stalwart in the world of minimal-leaning house music. It was there that he learned and mastered the foundations of his style: deep melodies, rolling beats, extended mixes, all put together with a wash of psychedelia. Following a move to Barcelona, the Palestinian-Canadian DJ more firmly struck out on his own, appearing on Lee Burridge's world-conquering All Day I Dream label before starting his own, The Other Side, in 2016. The Other Side has become an important outpost for a kind of dance music that blends old-school microhouse sensibilities with the rolling basslines and three-dimensional sound design of Rominimal, notably through a series of collaborations with Ricardo Villalobos with the Changes EP trilogy. During the pandemic, Daniel also started dipping his toes into ambient music, which starts off this epic, three-hour-plus mix before it plunges into rolling rhythms. He takes the time to stretch out here, mixing plenty of his own work with tracks from Jesper Dahlbäck, Cristi Cons, Dexter and, of course, Ricardo Villalobos, ending with a stunning custom breakbeat edit of Global Communication's ambient techno epic "14:31."

Flava D brings us into her world of garage, bassline, grime and, now, drum & bass. Read more: https://ra.co/podcast/818 @flava_d

Late-night murmurs and coldwave rhythms from a one-of-a-kind DJ. Read more: http://ra.co/podcast/817 @okodj

A sunny live recording of the Peckham DJ in Melbourne. Read more: http://ra.co/podcast/816 @bradleyzero

Read more: https://ra.co/podcast/815 @sky_h1

Eclectic, global club selections from one of Rinse FM's most beloved DJs. Read more: http://ra.co/podcast/814 @jyotysingh

Warehouse music. Read more: http://ra.co/podcast/813 @melladeemusic

Old-school house from a UK standard-bearer. Read more: https://ra.co/podcast/812 @chesus-aka-earl-jeffers

Read more: https://ra.co/podcast/811 @sound-metaphors

Ballroom club music from one of the genre's most important artists. Read more: http://ra.co/podcast/810 @djmikeq

Breathtaking club music with a cinematic twist. Read more: http://ra.co/podcast/809 @CORINMUSIC

Our 808th podcast comes from one of the most exciting and inspiring names in techno. Read more: https://ra.co/podcast/808 @chippynonstop

A three-hour journey—and we mean journey—through downtempo, disco and techno. Read more: http://ra.co/podcast/807 @fortromeau

Dense and dizzy neon techno from a Georgian artist on the rise. Read more; http://ra.co/podcast/806 @salome-664218599

Autumnal ambient from a master downtempo DJ. Read more: http://ra.co/podcast/805 @grandriver

The world at 118 BPM. Read more: http://ra.co/podcast/804 @0riana

Forward-thinking techno played by a master of the CDJs. Read more: http://ra.co/podcast/803 @julianahuxtable

100 percent amapiano. Read more: http://ra.co/podcast/802 @caltonic-sa

Broken techno and eclectic beats from the DJ formerly known as TSASHA. Read more: http://ra.co/podcast/801 @laeloblack

On our 800th RA Podcast, New Jersey's club queen spreads the East Coast club gospel. Read more: https://ra.co/podcast/800 @UNiiQU3

Groovy house and techno from one of the most influential women in dance music. Read more: https://ra.co/podcast/799 @djminx

A murky ride through dystopian techno and hard dance from a new kid on the block. Read more: http://ra.co/podcast/798 @wantonwitch

Club bangers of all stripes. Read more: https://ra.co/podcast/797 @ djpitchdj

@ dj-darryn @tonebnimble

A moody dance floor mix from the A Colourful Storm founder. https://ra.co/podcast/795 @moopie

Old-school house from Los Angeles. https://ra.co/podcast/794 @mezmonty

Epic Afro house. Read more: https://ra.co/podcast/793 @djkittyamor

A festival-ready mix from the femme culture boss. Read more: https://ra.co/podcast/792 @elkka

A nearly three-hour tour de force of drum & bass and dubstep. Read more: https://ra.co/podcast/791 @quartz

130 to 170 BPM in 60 minutes. Read more: https://ra.co/podcast/790 @cici-cavanagh

Tuareg electronic music. Read more: https://ra.co/podcast/789 @mdoumoctar

Spellbinding percussive twists and turns. Read more: https://ra.co/podcast/788 @ehuamusic

Cutting-edge Afro house out of London. Read more: https://ra.co/podcast/787 @dj-ic

Read more: https://ra.co/podcast/786 @marron-official

Self-proclaimed badass dance music from Vladislav Delay. Read more: https://ra.co/podcast/785 @vladislavdelay

Feel-good chunkers. Read more: https://ra.co/podcast/784 @sallycberlin

Intricate and trippy techno from a pillar of the American underground. Read more: https://ra.co/podcast/783 @experimental-housewife

An all-vinyl session from one of the UK's most exciting DJs. Read more: ra.co/podcast/782 @jossymitsu

Introspective beats from the Chinese-German artist. Read more: https://ra.co/podcast/781 @samgoku

Leftfield London techno. Read more: https://ra.co/podcast/780 @alexis_andrews

The crucial UK DJ looks to the influence of South Africa. Read more: https://ra.co/podcast/779 RA Podcast: @SCRATCHADVA

Cutting-edge club sounds from Latin America and beyond. Read more: https://ra.co/podcast/778 RA Podcast: @dengue

Beguiling club sounds from a master collagist. Read more: https://ra.co/podcast/777 RA Podcast: @floraytw

Bumping tunes with live vocals from the DC jack-of-all-trades. Read more: https://ra.co/podcast/776 RA Podcast: @dreamcastmoe

Heart-on-sleeve club music. Read more: https://ra.co/podcast/775 @therealendgame

Lively house music from an LA star. Read more: https://ra.co/podcast/774 @channeltres

Smooth, eclectic house from the Slow Life DJ. Read more: https://ra.co/podcast/773 @laurine_sl

Dubbed-out ambient from North West England. Read more: https://ra.co/podcast/772 @space-afrika

An electrifying live-DJ hybrid set recorded in Moscow. Read more: https://ra.co/podcast/771 @philippgorbachev

Eclectic bangers with imaginary dance floors in mind. Read more: https://ra.co/podcast/770 @djvenetta

An uplifting ode to queerness and love. Read more: https://ra.co/podcast/769 @octoocta

The dance music titan delivers a rare live set. Read more: https://ra.co/podcast/768 @carl-cox

Shapeshifting techno. Read more: https://ra.co/podcast/767 @andreamusik

Breathless bassline and UK garage from a pillar of the scene. Read more: https://ra.co/podcast/766 @djqmusic

Drum and bass, dub and dubstep from a true original. Read more: https://ra.co/podcast/765 @calibresignature

The Australian producer dusts off her decks for some party-starting vibes. Read more: ra.co/podcast/764 @logic1000

An off-the-wall session from the Swedish-South African supergroup. Read more: ra.co/podcast/763 @offthemeds

Bright and cheerful tunes from the irrepressible London DJ. Read more: https://ra.co/podcast/762 @ohpeach

Imaginative downtempo and ambient to bring in the New Year. Read more: https://ra.co/podcast/761 @forestmanagement

Electrifying club sounds from one of Shanghai's brightest stars. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=760 @hyph11e

Five hours of funk and soul recorded live in Hackney. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=759 @andrew-ashong

Lively UK club sounds from a rising London DJ. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=758 @tailorjae

Modern-day jungle from an old soul. Read More: https://www.residentadvisor.net/podcast-episode.aspx?id=757 @tim-reaper

Two hours of trance bombs, old and new. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=756 @roza-terenzi

Swinging, hummable house music. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=755 @nandozap

A rousing and humbling anti-war mix from Ethiopia's electronic music hero. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=754 @ethiopianrecords

Uplifting house from Detroit and beyond. Read more: @1whodatis

Low-key selections from a key Uruguayan DJ. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=752 @melinaserser

An hour of decade-spanning, rave-ready original material. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=751 @patttten

The New World Dysorder founder lays down a blazing techno session. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=750 @jasmineinfiniti

Rough kuduro and gqom from Hyperdub's breakout star. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=749 @nazareth-1

Lively beats from a London DJ and radio host. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=748 @jamzsupernova

Smooth house from a crucial Japanese DJ. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=747 @kabuto

House music to dance, laugh and cry to. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=746 @finnmccorry

Live techno and house from Melbourne. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=745 @sleepd

Fast, hard, intrepid techno. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=744 @spfdj

The sound of Detroit past, present and future Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=743 @djholographic

RA.742 Vlada by Resident Advisor

Techno, gqom and synth pop, live from Taipei. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=741 @tzusing

A dream sequence of ambient and drone from the Nairobi DJ and producer. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=740 @kamarujoseph

Ambient world-building from Mysteries Of The Deep. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=738 @insideout

The hidden heart of South London's UK garage scene steps out. @theoriginalperception Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=737

Live transmission from a "polyphonic outputting organism." Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=736

After-dark sounds from one of the DJs behind Honcho Campout. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=735 @clarkdprice

The sound of SVBKVLT. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=734 @osheyack

An hour of music, laughter and spirituality. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=733 @laraaji

160 BPM footwork from a New York dynamo. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=732 @kush_jones

A throwback to '90s electronica. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=731 @djtennisdjtennis

An ode to Chicago and Detroit Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=730 @mikeservito

A blistering all-originals mix. https://www.residentadvisor.net/podcast-episode.aspx?id=729

RA.728 Valesuchi by Resident Advisor

Rolling house and garage from Utrecht. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=727 @samuel-deep

Soaring techno from the Bassiani resident. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=726 @nod-rex

Vital drum & bass from the London crew giving it a home. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=725 @rupture

Fresh UK garage from the scene's breakout star. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=724 @conducta

Blissful jams from Panorama Bar's newest resident. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=723 @Paramida

Dark and rowdy club sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=722 @vitiosus

Thumping, sun-kissed grooves. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=721 @geneonearth

Idiosyncratic music for the club. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=720 @joemakemusic

Thrilling new directions for the batida sound. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=719 @dj-nigga-fox-lx-monke

90 minutes of summertime magic. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=739 @jaydagmusic

End-of-days club music. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=718 @low-jack

Bolshy beats from one of Ilian Tape's finest. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=717 RA Podcast: @stennyyy

One of Australia's best electro and techno DJs shows her range. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=716 @andygarveyandygarvey

The Oramics member leans into her darker side. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=715 @molimonster

Spaced-out trance from the Mirror Zone. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=714 @spekkiwebu

The reggaeton sound of Mexico City. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=713 @laura-puentes

Deep grooves, New York-style. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=712 @analogsoul_nyc

Uplifting house from New York's thriving queer scene. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=711 @the-carry-nation

Delicate textures and wistful atmospheres. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=710 @nadia-khan-10

The final mix of 2019 comes from the artist behind our track of the year. Read More: https://www.residentadvisor.net/podcast-episode.aspx?id=709 @schacke

A celebration of East African club music. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=708 @kkaybie

A joyride through UKG. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=707 @changsie

Ultra-modern rhythms in a timeless mould. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=706 @beatricedillon

Floor-fillers full of "big, melodic, emotional synths." Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=705 @i_jordan

Wandering the world with open ears. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=704 @esawilliams

Two hours of ambient, techno and jungle. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=703 @btraits

Bass, breaks and dreamlike soundscapes. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=702 @orla_cd

An inventive exploration of slower tempos. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=701 @pandoras-jukebox

Our 700th podcast is a masterclass in entrancing grooves. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=700 @thinner_groove

A key noise artist gets funky. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=698 @shapednoise

Enter the Labyrinth. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=697

Expert mixing from a pillar of the Midwest scene. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=696 @tduvante

A Detroit-based newcomer steps up. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=695 @nmisha

Global club sounds from Philadelphia. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=694 @djharam

Techno to take you into space. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=693

The sound of Mamba Negra. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=692 @carol-schutzer

Smooth, thumping grooves from a master of his craft. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=691 @truly-madly

Summery sounds from a Sao Paulo digger. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=690 @milloskaiser

A lesson in ambient DJing. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=689

The Atlanta-based, Detroit-rooted DJ keeps it underground and black. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=688 @ashlauryn

An iconic UK duo craft a hip-hop mix. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=687 @autechreofficial

Soft contours and loose grooves. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=686 @russellelbutler

Balmy club sounds from one of LA's finest. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=685 @coopersaver

Electrifying international club sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=684 @deenaabdelwahed

A hypnotic mix from the Golden Pudel resident. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=683 @phuong-dan

House and techno from the Midwest's new wave. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=682 @savile

High-definition psychedelic techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=681 @itsallhalal

70 minutes of experimental music from Iran. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=680

A singular DJ crafts a bold three-turntable mix. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=679 @marcelle

Soaring rhythms from a Panorama Bar resident. @massimilianopagliara Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=678

An evocative mix from a London favourite. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=677

Melodic daydreaming. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=676 @croatianamor @poshisolation

Raw techno from a rising star. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=675

An album's worth of material from an artist carving out his own lane. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=674

A cassette-style mix from Berghain's most eclectic DJ. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=673

Breezy tunes from a star of Sydney's club scene. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=672 @aditoohey

A mix of unorthodox rave music that highlights Latin American producers. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=671 @verraco

A stroll through tempos and genres. @yu_su Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=670

Exquisitely eccentric club sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=669 @the-subliminal-kid

Icelandic rave. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=668 @exos

Tripped-out trance and electro from Canada. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=667 @d-tiffany

An album's worth of new music on our 666th mix. @matrixxman Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=666

Vintage IDM and electro with a modern ear. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=665 @lauransparrow

An hour of funk-infused music for your next living-room dance party. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=664

Minimal wave meets mutant techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=663 @minimalwave

Rowdy club sounds from the cofounder of The Knife. @olofdreijer Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=662

Detroit night-drive music. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=661

Full-throttle tunes from a breakthrough artist. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=660 @nkisi

Fierce club sounds from Kazakhstan. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=659 @naziranazira

Eerie ambience from a master of the form. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=658 @huerco_s

One of 2018's standout DJs steps out of her comfort zone. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=657 @honeydijon

Mystical rhythms. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=656 @nathanmicay

Slithering techno and trance. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=655 @mamasnake

Sleek, spacey, syncopated sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=654

An exuberant tribute to classic New York club culture. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=653

The first-ever DJ set from a key Detroit live act. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=652

Wild selections from one of Bristol's finest. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=651 @iambruce

The ever-evolving artist shows yet another side of his sound. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=650 @keinobjekt

Classy tunes from the Red Light Radio cofounder. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=649 @orpheuthewizard

Deep listening from a master of drone. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=648

The Panorama Bar resident steps up. @roi_perez Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=647

The Tokyo DJ ramps up the tempo. @lil-mofo-business Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=646

Awe-inducing techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=645 @ancient-methods

Dance floor twists and turns from one of 2018's standout artists. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=644 @vynehall

Electro, EBM and techno from a true original. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=643 @the-hacker

Upbeat grooves from a leading London DJ. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=642 @djmoxie

Techno from an Italian master of the genre. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=641

Hi-tech soul out of East Los Angeles. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=640

The Italian DJ shows the depth of her tastes. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=639

Acid and breakbeats from a Glasgow party starter. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=638 @nightwave808

Weaponised techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=637

Music for balmy nights. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=636 @johngomezldn

Techno, electro and a journey through the cosmos. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=635 @tc80

One of techno's most inspired artists steps up. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=634 @4cr0nym

Slamming club sounds from Medellín. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=633 @julianna_move

Hazy summer selections from a Paris digger. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=632

A history of Russian techno, mixed. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=631 @buttechno

Woven sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=630

A modern techno star brings the heat. @amelielens Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=629

Novel rhythms from a vital London artist. @parris_dj Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=628

Controlled chaos from a sonic daredevil. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=627

The Istanbul DJ turns in spacey sounds. @zozo-on-soundcloud Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=626

Groove and soul. @alexander_nut Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=625

60 minutes with a breakthrough Belgian techno artist. @charlottedewittemusic Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=624

Mark Flash presents the sound of the legendary Detroit outfit. @undergroundresistance Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=623

Gritty electro and techno. @alienata Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=622

Spectral folk and electronic ambience from the Oregon coastline. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=621

Drumfunk. @dgohn Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=620

Dynamic rhythms from a rising talent. @gwenans Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=619

Cosmic grooves.

Rich, psychedelic techno. @wata Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=617

One of dance music's biggest new talents steps up. @mallgrab Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=616

The breakthrough Jamaican DJ delivers a gloves-off techno session. @djshyboi Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=615

A storming old-school electro session. @cultivated-electronics Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=614

Hi Tek grime. Read more on RA: https://www.residentadvisor.net/podcast-episode.aspx?id=613

Three hours of hardcore. @the-outside-agency Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=612

Disco love songs. @dj-spinna-1 Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=611

Piss yourself. @deejaybrs Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=610

Bangers in a Balearic haze. @fantastic-man Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=609

Busted breakbeats and psychedelia. @dona-sound Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=608

House, disco and acid from a DJ on the rise. @peggygou Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=607

A Detroit underdog steps up. @scottzacharias Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=606

Ambient. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=605 @mnml-ssgs

The Chicago DJ introduces us to the Motherbeat. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=604

Deep, soulful house music. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=603

Drift into space with the rising French DJ.

Crystalline techno from an Italian sound sculptor. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=601 @Neel

Marea Stamper connects the past with the present for our 600th podcast. @theblackmadonna Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=600

A resident from The Block in Tel Aviv steps up. @partok Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=599

Kinetic techno from one of the scene's fastest-rising stars. @anastasiakristensen Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=598

Melody and soul. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=597

Deeper shades of techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=596 @oscarmulero

An hour of futuristic club music.

A two-hour Arthur Russell tribute mix.

Techno/industrial/EBM.

Funky, bumping house from Detroit.

Searing techno from a Midwest phenomenon. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=591 @djshiva

A darker side of Detroit.

All Tiller, no filler.

Offbeat club music from a curious mind.

A horizontal listening session from a French mainstay.

Party music for the apocalypse.

Light speed techno and electro. @galaxian

Less chin stroking, more dancing.

60 minutes of fresh techno.

Bristolian techno.

Disco, boogie and soul from a Chicago favourite.

Angular beats from a breakthrough Danish DJ. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=579 @courtesy707

Techno with groove in its heart. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=578 @beardman

A wild ride from a DJ on the rise.

Soulful sounds from the last 50 years.

Cristi Cons, Vlad Caia and the art of the loop.

The sound of Vancouver.

The underground sound of Montevideo.

Psychedelic techno from Tokyo's rising star. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=572 @user-938628603

Mellow sounds, crafted in Amsterdam's Red Light district. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=571 @youngmarco

The Kompakt cofounder writes a personal pop music diary. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=570 @wolfgang_voigt

The breakthrough house producer shares her key influences and current favourites. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=569 @willowmcr

Modern techno from Madrid. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=568

Murky beats from a rising talent. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=567 @pablo-mateo-10

Smoldering pop and disco from one of Tokyo's finest selectors.

The Polish artist mixes up dancehall B-sides.

The Janus artist unleashes chaos. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=564 @ka-blam @janusberlin

One of the world's biggest techno DJs steps up. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=563 @joseph-capriati

The much-loved UK artist blends classic house with left-field electronics.

Sweat and tears in the club. Read more here: www.residentadvisor.net/podcast-episode.aspx?id=561 @kkingdomm

Beyond the Fourth World Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=560 @visiblecloaks

From sublime to sludgy with the Salon Des Amateurs resident Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=559 @vladimir

The Canadian artist drops a deliciously warped club mix. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=558 @egyptrixx

One of our favourite new DJs steps up. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=557 @ingamauer

Exquisite techno from an in-form Swedish artist. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=556 @varg

The rising Israeli artist spans decades and continents. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=555 @moscoman

The fabric resident drops three hours of heat. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=554

Ease in the New Year the Balearic way. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=553

Throwback party bombs from Gerd Janson and Phillip Lauer. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=552

Throwback party bombs from Gerd Janson and Phillip Lauer. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=552

One of South Africa's favourite house acts step up. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=551 @BlackMotion

The Oakland artist mixes a masterful house and techno session. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=550 @deepblak

Twisted techno from a New York DJ on the rise. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=549 @Volvox

The new school of Detroit in effect. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=548 @johnf-m

Slow Music Read more: www.residentadvisor.net/podcast-episode.aspx?id=547 @rvds

Dusky club beats from the Tresor resident. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=546 @esther-duijn

Eclectic, hard-hitting club sounds. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=545 @ziurziurziur

Balearic house with a Norwegian twist. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=544 @telephones

Deadly drum & bass from one of the genre's finest DJs. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=543

The DC duo get the party started. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=542 @beautifulswimmers

One of Sweden's finest shows his wares. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=541 @henkebergqvist

A living-room mix from the man behind Antinote. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=540 @zaltan-dance

Modern takes on house and techno. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=539

Deadly sonics from a prolific US producer. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=538 @djspidernyc

A UK techno hero steps up. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=537 @jamesruskin

Timeless electro. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=536 @the-exaltics

House music for the end of summer. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=535 @kornel

Machine funk from an under-the-radar favourite. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=534