REVOLUTIONS PER MOVIE
REVOLUTIONS PER MOVIE

<p>Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers &amp; directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>

This week, we continue our conversation with musician David Pajo (Slint, Papa M, Gang Of Four) as we start to delve into his music-film pick: the Louisville, Kentucky indie-music narrative film Half-Cocked, in which he also appears!We discuss David meeting filmmakers Suki Hawley & Michael Galinsky, the legendary Rocket House in Louisville where most of the musicians who acted in the film lived, Tara Jane O’ Neil's amazing performance in the film, Slint, Ruby Falls and Rodan, The Grifters being cast as wise sages of the underground music world, the fake bands in the movie including The Guiloteens (starring Ian Svenonius, James Canty and Michelle Mae of The Make Up & David himself), not knowing what your friends did for work back then, Cathy Irwin from Freakwater’s beautiful acoustic song in the film, the economics of making films vs. music in the 90s, Jon Cook of Crane and Ian’s suggestions to the filmmakers for the plot of the film, why David’s character was named Waldo in the film, David’s first tour with his band Maurice opening for Samhain, Die Kreuzen starving on tour, Soviet France, how skinheads almost destroyed both of our initial music scenes, where we think the characters in the film ended up in real life, and more. DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is musician David Pajo (Slint, Papa M, Gang Of Four), who picked the Louisville, Kentucky indie music film Half-Cocked  to discuss.  BUT…there was so much to talk about that this is only part one of the conversation before we even got to talking about the film! We discussed his Papa M compositions, how Slint songs were made to sound like they were improvised but were actually meticulous in their structure, how his new album was all one-take performances done without a computer, needing a cheat sheet for Slint reunion songs, the concept of "through" composing, the humor within Slint, Andy Gill of Gang Of Four playing his guitar without touching it, joining GO4 and how it opened him up as a live performer, the challenges of learning and playing the song "He’d Send In The Army", is the guitar a friend/foe/tool, Big Black, the Slint documentary Breadcrumb Trail, breaking your parents’ will using the Butthole Surfers, David playing in Stereolab & Interpol, aging in indie rock, and David asks me questions about my wild times in Guided By Voices.So let's play with our backs to the audience on this episode of Revolutions Per Movie.DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & ’That’s How I Remember It’ podcast about the legendary cult classic ROCK ’N’ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person’s game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX’s KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante’s script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band’s song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let’s tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is comedian/writer/actor Jon Gabrus (High & Mighty, 101 Places To Party Before You Die TV Series & Staying Alive podcast w/ Adam Pally), who chose to discuss the Mike White/Richard Linklater/Jack Black force of nature School Of Rock.We discuss Jon’s surprising new health show with Adam Pally (his partner in debauchery), Jon and Adam visiting Portland for their TV series 101 Places To Party Before You Die, the best health advice he’s gotten so far, the music action films Miami Connection and Stunt Rock, the never ending inspiration that is American Movie, how easy it is to forget that School Of Rock was written by Mike White (The White Lotus) and directed by Richard Linkletter (Dazed & Confused), Jon being a stunt double for Jack Black, our first memories of seeing Jack Black, the Jack Black backlash in the 2010s, Mike White as an actor, how musicians, comedians and athletes all pine for each others’ careers, when did musicians start doing stage banter, Pulp, did either of us have cool teachers growing up, the experience of performing in front of your parents, long form improv, Jack Black begging Led Zepplin to use "Immigrant Song" in the movie, selling out as an artist, how Jack Black was originally going to write the music for the film, pre-show rituals and much more!So let's raise our goblets to the gods of rock on this week's episode of Revolutions Per Movie!JON GABRUS: gabrus.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by comedian/podcaster/director Scott Aukerman (Comedy Bang Bang, Between Two Ferns, R U Talkin' R.E.M. RE: ME? w/ Adam Scott) as we delve into the recent David Bowie documentary, Moonage Daydream.We also discuss Scott’s parents searching his teenage room for dangerous music, Frankie Goes To Hollywood and Prince, Scott’s divisive (but beloved) U2 and R.E.M. podcasts with Adam Scott (Parks And Recreation; Severance), when we've felt like an artist has spat in our face, Dick Cavett, R.E.M.'s Dead Letter Office, The Dead Milkmen, meeting Bono, how we both first got obsessed with Bowie, getting scammed by compilations and bootlegs, the interview style of David Bowie, chaos in Scott's work, watching Bowie on endless escalators, The Sparks Brothers doc, the jaw-dropping performance of "Cracked Actor" in this film, seeing Bowie live, Nine Inch Nails, Bowie’s feelings on the Let’s Dance era of his life, The Glass Spider tour, Bowie's final album Blackstar, the occasional difficulties in continuing to follow an artist when they want to change artistically and more!So let's watch in awe as David drinks milk in the back of a Rolls-Royce on this week's episode of Revolutions Per MovieSCOTT AUKERMAN:comedybangbangworld.comBETWEEN TWO FERNS:youtube.com/watch?v=UnW3xkHxIEQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we’re also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week’s Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat’s artistic influences, The Huns riot, early bands like Sharon Tate’s Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd’s singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents’ Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is graphic novelist/artist/musician Leela Corman (Victory Parade, Unterzakhn), who chose to discuss the 1980 midnight movie classic Forbidden Zone.We also talk about how Leela creates her long-form graphic novels, the difficulties and joys of making her masterwork Victory Parade, how Einstürzende Neubauten's album Lament helped her create her art, how watercolor is the noise guitar of paints, Leela's use of Busby Berkeley imagery, growing up in the 80s surrounded by transgressive art, Sonic Youth & Big Black, Raw Magazine, Lisa Suckdog, Forced Exposure, RE/SEARCH, how divisive the Forbidden Zone film can be, director Richard Elfman and his creation of The Mystic Knights of the Oingo Boingo troupe (later taken over by his brother, Danny Elfman), how we each discovered the film, how Leela puts a line from Forbidden Zone into every one of her books, Night Flight, the acting of Hervé Villechaize and Susan Tyrrell in the film, how the film spoke to Leela because of its use of Yiddish and ‘Yinglish’, how Richard Elfman went broke making the film, its incredible musical sequences, Josephine Baker, Leela working with The Mountain Goats, the legendary performance art of The Kipper Kids in the film, midnight movies and so much more!So let's jump into the mouth in the wall and ride through the intestine on this week's episode of Revolutions Per Movie!!!Leela Corman:http://www.leelacorman.com/Forbidden Zone:https://richardelfman.com/films/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an Encore Presentation of the first episode ever of Revolutions Per Movie...It had to start somewhere...and of course I had to begin with 'Dig' the Dandy Warhols/Brian Jonestown Massacre documentary! I was so happy that my first discussion already had a surprise guest to dismantle the film from the inside. Oh, the youth of us all...ha! (Episode 1 originally aired on Sept. 14th 2023).The original show notes:Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.For our inaugural episode, we talk with author/musician Ryan H. Walsh, who chose the Brian Jonestown Massacre/Dandy Warhols documentary film “Dig!” to discuss. We are also joined later by a surprise guest from the Brian Jonestown Massacre camp, Travis Snyder, who was the band’s tour manager for almost 20 years. We talk about how the film was initially commissioned to be a reality series by MTV, how bands in the 90s navigated the major label-feeding frenzy, the unhealthy lifestyle of band life, and how this documentary really did not tell the whole truth.So listen in as we discuss the revolution that never happened on this episode, Revolutions Per Movie. Ryan H. Walsh:www.astralweeks.net/aboutwww.hallelujahthehills.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is author, musician, journalist DAVE BIDINI (member of Canada's longest running indie band--Rheostatics, Editor-In-Chief at West End Phoenix, author of 12 books including Around The World In 57 1/2 Gigs) who picked one of the most fought-over titles to discuss on Revolutions Per Movie, Ron Howard's TV Movie Of The Week, COTTON CANDY!!!We also discuss entering competitions when you're a kid, how Rheostatics have changed over their 45-year history and how the geography of Canada shaped their music, Dave's parents talking to him about the evils of Punk Rock, Stompin' Tom Conners, how Canadian record labels want bands to strip the Canadian aspects from them, the film/book/lp Whale Music, signing to Sire Records and working with Seymour Stein, Dave watching Cotton Candy when it first aired on TV, Charles Martin Smith and Clint Howard’s amazingly honest nerdy turns in this film, Kiss Meets The Phantom, how TV started competing with films in the late 70s, the pacing of a made-for-TV movie, old teenagers in films, teenage rejection and self-sabotage, being "PUNK" on TV, having a band logo before you even have a band, the brand of Power Pop in this film, dancing in movie theater aisles, the uncomfortable strip poker scene, building bands’ mythology in your head, music that scared you as a kid, being hypnotized by commercials as a kid, Ron Howard's directing style, a great story about Frank Sinatra & The Cramps and more! So let's head to the mall to play in the battle of the bands on this week's Revolutions Per Movie!DAVE BIDINI: https://www.penguinrandomhouse.ca/authors/2290/dave-bidiniRHEOSTATICS: https://www.sixshooterrecords.com/artists/rheostaticsWEST END PHOENIX: https://www.westendphoenix.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by IRA ROBBINS (Editor & Co-Founder of TROUSER PRESS magazine) as we end the year with the 1959 U.K. cult classic EXPRESSO BONGO!!!We discuss how Ira's influential magazine was started on a whim, and how as outsiders they wanted a different approach to rock journalism, how they got a long-form interview with Jimmy Page, how the magazine made me feel smarter by reading it, the wild highs and lows of publishing Trouser Press, making mistakes in journalism, writing a letter to Pete Townshend and the reply that came back in the mail, how 70s rock journalism still held power in the culture of the time, the Devo/William Burroughs interview, how they got difficult interviewees to open up to their writers, how the magazine become an obligation rather than an opportunity over the years, the hardcore punk movement, how and why the magazine stopped publication, MTV's influence on music journalism, Laurence Harvey’s strange and powerful performance in Expresso Bongo, how young Cliff Richard was in this film, the incredible opening title sequence of the film, how the film pushes the cultural boundaries for young people in the late 50s, the British kitchen-sink drama movement, how the film was originally a West End musical and the differences between the two, how sleazy and risqué the film is for its time, The Shadows, how exploitative the British rock management world was, the threat of the 50s teenager, the alternate ending of the film and so much more.So let's spin in circles while shattering our espresso cups on the ground on this week's episode of Revolutions Per Movie!!TROUSER PRESS BOOKS (you can read the entire Trouser Press Magazine run in their archives!):trouserpressbooks.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!This was a special one...director Ryan Worsley had just finished the film at the time of this recording and was publicly screening it along with Negativland performing live afterwards. Not only was it the best Negativland performance I had ever seen, but it was also one of the most powerful (upsetting and darkly funny) shows I'd ever witnessed. A band that is notoriously difficult to pin down was explored beautifully with Stand By For Failure, so I was excited to get into the weeds (and we do!).(EPISODE 55 originally aired Sept 26th 2024)ORIGINAL SHOW NOTES:This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland’s current live show We Can Really Feel LIke We’re Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce’s ashes after his passing, can you still culture jam today, plunderphonics, how Negativland’s perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents’ recording studio in the film, the Christianity Is Stupid murder myth, how artist’s are still getting ripped off, what it’s like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.Is there any escape from noise? Find out on this week’s episode of Revolutions Per Movie!!!RYAN WORSLEY:http://pool-food.com/failure/NEGATIVLAND:https://negativland.com/https://negativland.com/negativland-documentaryREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie.  By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, I’m joined by David Longsreth (of Dirty Projectors and musical collaborator with David Byrne, Bjork, Solange, and Rihanna) to talk about his life in music, and the experience of composing his first soundtrack for A24's The Legend of Ochi.We discuss the head-bending Dirty Projector’s take on the Black Flag Damaged LP, punk rock mix tapes, touring with Xiu Xiu and going 'method' on that tour, David making his early records in basement bedrooms on 4-track cassette recorders, embarrassing imperfections in music, an early eureka moment while opening for Broken Social Scene, working solo vs. collaborating with others, the different modes of Neil Young, John Cale’s touch and attack, how they did the vocal gymnastics live with Bjork, Einstein On The Beach and Phillip Glass, slowing down songs to half speed, being fans of people you collaborate with, the soundtrack to Rumblefish, David's early work on Ochi and the film's 10-year gestation period, vocal hocketing, creating the creatures’ voices in the film, how it feels to hear your music played by an orchestra, my video store colliding with David creating his 1st record while sleeping in a hallway in Portland, and more...So come find out if I put a bag over my head for asking naive questions on this episode of Revolutions Per Movie!!!DAVID LONGSTRETH/DIRTY PROJECTORS:https://www.davidlongstreth.com/https://www.dirtyprojectors.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I talk to Beth Harrington, Emmy-winning/Grammy-nominated director of The Winding Stream: The Carters, The Cashes and the Course of Country Music, the upcoming Duplex Planet documentary, and a recording/touring member of Jonathan Richman & The Modern Lovers, about her amazing documentary, Welcome To The Club: The Women Of Rockabilly.We also discuss Beth’s incredible origin story working with Jonathan Richman and her time in The Modern Lovers during which she suddenly quit her job for a life in music, touring with Jonathan, the story of Chris working with Jonathan Richman for a charity album/documentary, what her upcoming Duplex Planet documentary will be like, the blessing and curse of doing a hour-long doc for PBS, rockabilly influences in the punk underground, how Beth puts her films together, Beth working with Wanda Jackson, The Collins Kids, Brenda Lee & Janice Martin (The Female Elvis), the stage mom factor within the Rockabilly music scene, how Beth gets her candid interviews, Jack White, Robert Oermann & Mary Bufwack's excitable interviews about Rockabilly in the doc, The Sing Along With Mitch albums, how Brenda Lee tried to get Columbia Records to sign The Beatles, the incredible stories of Big Al Dowling (piano player with Wanda Jackson who had one of the first integrated bands in the U.S.), the gender fluidity of many of the rockabilly artists, how documentary filmmaking has changed for Beth over the years and so much more.So come shake a chicken in the middle of the room on this week's Revolutions Per Movie!WELCOME TO THE CLUB--THE WOMEN OF ROCKABILLY: https://www.youtube.com/watch?v=nihZl9Ni-Fw&t=856sBETH HARRINGTON: https://www.bethharrington.com/DUPLEX PLANET DOC: https://www.beyondduplexplanet.com/BETH W/ JONATHAN RICHMAN: https://www.youtube.com/watch?v=gf4NSNw_U4I&list=PLE9wKImo1JY6wdkL_W_aZmqutEs-ZSSr4&index=7REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby’s rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!ALONSO DURALDE:instagram.com/alonso.duraldehttps://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-presshttps://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Doug Gillard (Guided By Voices, Nada Surf, Death Of Samantha), who picked the film, Ghost On The Highway: A Portrait of Jeffrey Lee Pierce & The Gun Club, to discuss.We also talk about our experiences recording for Guided By Voices, the night GBV played Austin City Limits, Doug’s first songs he wrote when he was 5 years old, the influence of cartoon/bubble gum rock on Doug, the TV shows Night Flight and Pop Clips, Doug's Homestead Records band Death of Samantha, Dream Syndicate, the Ohio rock trait of putting on a show bigger than your actual audience size, out-weirding each other in the late 80s music scene, how The Gun Club were the authentic sound of Americana, singing in the key of Jeffrey Lee Pierce, guitarist Kid Congo Powers, filmmaker Alison Anders, how this doc never could get a proper release and can’t use The Gun Club music in it, the trauma underlining the doc, Doug’s experience opening for The Gun Club, Jeffrey playing the trumpet backwards, touring with Brian Jonestown Massacre, Peter Case, joining fanclubs, The Cramps, guitarist Ward Dotson, Yo La Tengo, The Liquor Giants, the iconic cover artwork of the band, Debby Harry singing with The Gun Club, how the members of the band kept getting pulled back into the band over and over again, drummer Terry Graham escaping the band while on tour in the middle off the night through a window, writing record reviews for Slash Magazine, why Lemmy from Motorhead is in this documentary and more!So let's walk with the beast on this week's episode of Revolutions Per Movie!!!DOUG GILLARD:douggillard.bandcamp.comguidedbyvoices.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
How better to ring in the start of the holiday season than with two of my favorite music film obsessives, musician Chaki (The Funk Wizard) & comedy writer/artist/filmmaker Rachel Lichtman of Programme 4, who brought to my attention the 1970 TV spectacular The 5th Dimension Special: An Odyssey In The Cosmic Universe Of Peter Max.We discuss how this special got on Rachel’s radar, Chaki seeing a restored version of this in a theater with the members of The 5th Dimension in atttendance, what’s the story behind The Glass Industries sponsorship of this special and how they created a ‘real band,' The Glass Bottle, the PBS ‘fake band’ Mulligan Stew, what it was like being a groovy extra in tv/movies during the hippie days, hippies in advertising, Dickie Goodman of Mr. Shark fame writing the music for The Glass Bottle, Rachel’s The 5th Dimension crime show on Programme 4, Dionne Warwick, the obsession within The 5th Dimension to get their vocal harmonies absolutely right, Marilyn McCoo & Solid Gold, the Bee Gee’s Idea TV Special, the steady hand of director John Moffitt (who also directed Mr. Show episodes), how the special was shot in studio 8H in NYC and not in Burbank, Peter Max’s brand of psychedelic art--where art and commerce meet, the weird vibe of Peter Max’s acting in this special, how the Laugh-In writers did not hit the psychedelic needs of this special, Artie Johnson’s problematic and offensive comedy characters in this special, Glen Campbell and Flip Wilson’s much needed energetic turns in this special, the song and the performance of 'Puppet Man', why the children in this special freak us out, the haunting littering commercials made for this special, Chris’s first time seeing the musical Hair, the legendary arrangement of 'Aquarius' banging into 'Let The Sun Shine In.  Also, Rachel gives a massive update regarding the future of Programme 4, and Chaki hints at his new collaboration with El Vez entitled “Fuck Ice”.  THE 5th DIMENSION SPECIAL:Obsolete Video: https://www.youtube.com/watch?v=mjC3xB7egmY&t=3292sRACHEL LICHTMAN:https://www.programme4.tv/contactCHAKI:https://chaki.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!And what could be more timely for this Thanksgiving week than a listen back to my episode with DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about the Thanksgiving concert that was to become THE LAST WALTZ!!! Enjoy!(EPISODE 53 originally aired Sept 12th 2024)ORIGINAL SHOW NOTES:This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!DAVE PASQUESI:https://www.davidpasquesi.com/https://www.tjanddave.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Michael Layne Heath (critic, author & compiler of My Week Beats Your Year: Encounters With Lou Reed), who brings us the Lou Reed & John Cale performance film Songs For Drella to discuss.We also talk about Michael starting the first D.C. Punk zine in 1977, reading about bands before hearing them, The Slickee Boys, Tommy Keene & Razz, Vintage Violence zine, The Cramps playing D.C., Creem Magazine, Cale recording his album Fear, the import bins at local record stores, treating press interviews as art pieces, Lou Reed's control of a crowd, the genesis of Songs For Drella, how by the end of the project they didn’t want to work together, the differences between the film versions of the songs and the album versions, the dream sequence in the film, fictionalizing Warhol’s life in this work, the very telling non-verbal interactions between Cale and Reed in this film, how the film was misplaced for years after its initial VHS release and then found during the making of the Todd Haynes VU doc, where Lou and John were at the time of this project, Lou’s defense for doing Honda/American Express commercials, Robert Quine, Warhol’s work ethic, The Warhol Museum, and we also reenact the classic and combative Lou Reed interview with the Australian press core!MICHAEL LAYNE HEATH:https://hatandbeard.com/products/my-week-beats-your-year-encounters-with-lou-reed?variant=40376865194050https://www.furious.com/perfect/vintageviolence.html?curator=MusicREDEFREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by author and music critic Keith Cameron (Mudhoney: The Sound and the Fury From Seattle, 168 Songs of Hatred and Failure: A History of Manic Street Preachers), who picked the documentary I’M NOW: THE STORY OF MUDHONEY to dive into.We discuss our relationship with the British musical weeklies and how Keith ended up working for them, the power of Radio One DJ John Peel, Keith trying to get his favorite bands on the cover of the NME, the Mudhoney riot at the School of Oriental & African Studies in 1989 (where Mark Arm invited the entire audience onstage before the first note), cracking Green River, seeing Mudhoney’s 2nd show opening for White Zombie, the brilliance and haphazardness of SubPop, Jack Endino asking the band if they really wanted to sound like they did while recording them, Mudoney saving SubPop’s label at their lowest point, how Caroline records wanted to polish up Mudhoney, the follies of indie labels & the notion of selling out, Mark Arm as a world class lyricist, Keith visiting Seattle & interviewing Nirvana at the time they were kicking out Dan Peters of Mudhoney and replacing him with Dave Grohl, touring with Nirvana vs. Pearl Jam, the handheld camera tour footage of the band, Keith spending time in Mudhoney's childhood locations, Matt Lukin leaving the band and Guy Maddison replacing him, the obstacles and triumphs of continuing to making music for nearly 40 years and more!So let's collectively make the stage collapse on this week's episode of Revolutions Per Movie!!!Keith Cameron:https://keithcameron.co.uk/about-me/https://www.mojo4music.com/author/keith-cameron/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is JASON POLLARD, the co-director of OL' DIRTY BASTARD: A TALE OF TWO DIRTYS.We discuss the filmmaking influence of Jason's father (the Peabody and Emmy-winning Sam Pollard) on Jason’s own film work, being on the set of Spike Lee films as a young kid, what it was like for Jason to co-direct A Tale Of Two Dirtys with his father, analog vs digital editing, the lore of the grease pencil in the editing world, the cliffhanger editing that an A&E documentary demands, how modern day self-documentation of our lives on cellphones has changed the face of documentaries, Jason's first exposure to Wu Tang Clan, the exploitive nature of the music industry, MTV News attitude towards rap music in the 1990s, what it was like for Jason to work with the family and estate of ODB and more!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!On this early episode of Revolutions Per Movie, I was joined by VERA DREW (writer, director, and star of THE PEOPLE'S JOKER), who picked a film that had a massive influence on her art, Pink Floyd: The Wall. It seems totally incredible that at the time of recording this episode, there was a legal battle between the release of her film and DC Comics, trying to squash its release. In the end, goodness prevailed, Vera's incredible film was released to worldwide praise and awe. I can't wait to see what Vera brings to us next (although we do discuss her remaking The Wall...yes! YESSS!!!)(Episode 8 originally aired on Nov 2nd, 2023).The original podcast show notes:This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People’s Joker, Tim & Eric, Sasha Baron Cohen’s ‘Who Is America?’). We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People’s Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week’s episode of Revolutions Per Movie!Vera Drew:veradrew.comwww.thepeoplesjoker.comwatch.eventive.org/weirdweekend@VeraDrew22REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is the legend PAUL ROESSLER (The Screamers, Nervous Gender, 45 Grave, Twisted Roots, Pat Ruthensmear, Nina Hagen), who came on to discuss the video documentation by Target Video of the early L.A. punk bands Nervous Gender & The Screamers!!!  We discuss Paul's childhood classical musical training and how his sister Kira (Black Flag, dos) had to fight through the family dynamic, befriending Pat and Darby of the Germs as a teenager, the mysterious high school UNI HIgh and all its weird 70s experimental trappings (from scientology to teachers yelling at students), how 'The Ark'—a prog rock opera composed by a young Paul Roessler—broke some musicians’ minds who tried to play it, Darby turning on Paul and what bands were the lightning bolt moment for him, what an amazing musician Pat Smear is, seeing the Germs' first show, how The Screamers were known locally before they even had their first show, Paul's entryway into joining The Screamers. hippies turning punk, how Joe Rees and Target Video started documenting The Screamers and why the band didn't ever make a proper record during their existence, being the youngest member in a band, Paul’s instrumentation and equipment in a keyboard-driven band, the hilarious story of David Byrne and Brian Eno borrowing The Screamers' drumset, their Population One film, how Paul joined Nervous Gender and also broke his toe his first time seeing them, how Nervous Gender were one of the most confrontational Queer art bands ever, not following other people's expectations or rules when making music, why Twisted Roots was formed with Kira and Pat, plus having a band with three out-of-sync synths alongside an amplified street sign and an 8 year old drummer!  So come roll some dice on a piece of metal as we amplify it beyond your ears' limits on this week's Revolutions Per Movie!PAUL ROESSLER:paulroessler1.bandcamp.comTHE SCREAMERS:www.youtube.com/watch?v=3_wVMr0psEUhttps://www.youtube.com/watch?v=Cnh8OeMeN0UNERVOUS GENDER:https://www.youtube.com/watch?v=TCp6TuqJ4-oREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
My guest this week is JIM RULAND (Author of Corporate Rock Sucks: The Rise And Fall of SST Records and co-author of My Damage: Keith Morris, Rumors Of My Demise: Evan Dando) who discusses the incredible SST RECORDS VHS TAPE: THE TOUR w/ Hüsker Dü, minutemen, The Meat Puppets, Saccharine Trust & SWA!!We talk about Jim’s exposure to the iconic SST Records label (who put out records by Black Flag, The Meat Puppets, Sonic Youth, Dinosaur Jr., minutemen, The Dicks, Negativland), unknown songs on mixtapes, how SST created the blue print for independent U.S. labels with their mailorder, catalogs & hype, how anti-authority the label was, the ubiquitous police presence trying to shut down the label, how the suburbs changed the L.A. punk rock scene, how Black Flag and D.O.A. set the map for punk rock touring, when the label started to frustrate their bands, Target Video, Throbbing Gristle, why the band SWA was hard to crack, the spoken word world of SST, Greg going to jail for Black Flag, Jack Brewer and Joe Baiza of Saccharine Trust, when punk bands started doing un-ironic covers, how this might be one of the greatest Meat Puppets performances of all times, Up On The Sun, the house producers SPOT and Ethan James, Husker Du recording Zen Arcade and some of the myths surrounding it, the singularity of Minutemen, the Black Flag Benefit For Cats, working with Keith Morris on his book, the character of Hermosa Beach and the vibe of South Bay, Saint Vitus, Side Two of My War, Zoogt RIft, Negativland, the SST radio show and more!So let's grow our hair out and slow everything down on this week's Revolutions Per Movie!The Tour Video: https://www.youtube.com/watch?v=ZrtLTf5KE68The Book: https://www.jimruland.net/?page_id=2561REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
As I head past my 2nd anniversary for Revolutions Per Movie, what would be more appropriate than my first-ever Revolutions Per Movie live show back in 2023 with the one and only Peter Buck of R.E.M.!!! Two magical things kicked off before we even got on stage: 1) Peter bought everyone's food and drink for anyone who walked out of REMbyMTV and went to the snack bar, and 2) Peter asked if I could get the audience to sing the Darth Vader theme song as he walked to the stage (because of the cape he was wearing). So enjoy and thanks for supporting the show. (Episode 19 originally aired Jan. 18th 2024).THE ORIGINAL SHOW NOTES:This week’s episode was recorded in front of a live audience on Dec. 5th, 2023, at Cinema 21 in Portland, Oregon. Peter Buck of R.E.M. joined us to discuss the documentary R.E.M. by MTV, his early years devouring music, moving to Athens, his first impressions of his bandmates, the surprises of seeing Michael grow as a performer, their relationship with the press, answering fan mail (including Chris reading a letter written to the band in 1984), what influenced songs like Harbourcoat, Michael’s approach to Man On The Moon and so much more.We also raised over $4900 for The Jeremy Wilson Foundation, which supports musicians and music industry workers in Oregon during times of medical or health-related challenges. Find out more at thejwf.orgREMHQ.comLive Recording Engineer by Gus Berry Cinema21.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is the legendary FRANK CONNIFF (of Mystery Science Theater 3000 fame!!!), who picked the equally legendary Jacques Demy film, The Young Girls Of Rochefort!, to discuss as his music film!!We discuss Frank’s introduction into the MST3K world, how their show grew through grass roots and tape trading, the process of how MST3K would put together a show every week, the lack of cable tv in the US when their show first came on, how MST3K felt like being in a band for Frank, how he picked the films for their show and what the failsafes for jokes were, Ed Wood, can a movie like The Young Girls Of Rochefort get riffed on, actor Jack Webb’s anti-hippie stance, The Umbrellas Of Cherbourg, Criterion laser discs, Frank accidentally coming across Rochefort on tv, how Demy's films could transport you emotionally with just a color, the incredible Michele Legrand score that is relentlessly non-stop fantastic, how the film casually drops in a serial killer storyline, Catherine Deneuve and her real-life sister Françoise Dorléac's performances in the film together, West Side Story and actor George Chakiris, how they shot two different versions of Rochefort at the same time (one in French and one in English), how sexy everyone looks in the film, the surprise of Gene Kelly showing up in this film and his later fllm roles including Viva Knievel & Xandau and more!So let's turn around on a moment's notice and suddenly leap into the air as soon as someone beautiful has just passed us on the street on this week's Revolutions Per Movie!!!FRANK CONNIFF: https://frankconniff.com/https://dumb-industries.com/themadsarebackhttps://dumb-industries.com/store/books/frank-conniffYOUNG GIRLS OF ROCHEFORT: French Language Version: https://archive.org/details/the-young-girls-of-rochefortEnglish Language Version (rare workprint found of part of the film): https://archive.org/details/the-young-girls-of-rochefort-english-reelREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I talk to Seth Neblett (the son of the queen of funk, Mallia Franklin of Parliament-Funkadelic & Parlet & author of his new book Mothership Connected: The Women of Parliament-Funkadelic). We talk about how Seth was convinced by Bootsy Collins to tell his mother and the women of P-Funk's stories, how he initially assumed this tale was going to be told as a documentary, Mallia Franklin's appearance in the Don Letts docuemntary Tales Of Dr. Funkenstein, Seth (at age 6) being taken by his grandmother to go watch his mom perform with Parliament/Parlet for the first time, how he was able to narrow down this immense story from all the hudnreds of characters in this group's varied history, the strgggles with having your Mom be a recording and touring star, how Mallia Franklin brought elements to the band that changed music FOREVER, George Clinton and his initial band The Parliments, how Mallia's vocals are all over their recoridngs from Maggot Brain to Atomic Dog, the vast age diffrerences within the band, Mallia being called "the geiger counter" because her musical institncts were so incredible on who to bring into the p-funk world (like Bootsy Collins & Junie Morrison), how we often take a documentary's storytelling a the truth, being the "Dog & Cat Lady", why you can see so many full concert footage from Parliment's heyday, Neil Bogart of Casblanca Records and the courting of Mallia Fraklin, the genesis of the female-led spin off groups Parlet and Brides Of Funkenstein, why George Clinton put all various bands on diffferent record labels, how Geroge often didn’t want his various bands to get bigger than him, how young the members of P-Funk were and how they often were not prepared for the psychological components of being part of it, Seth's thoughts on following up the book with a documentary vs a narritave series, how the women of P-Funk were not being invited to the induction ceremonies of the Grammys and Rock and Roll Hall Of Fame, who should play his mom in the movie version of this story and more.So let's celebrate the queens of P-Funk forever on this week's episode of Revolutions Per Movie.SETH NEBLETT: Book: https://utpress.utexas.edu/9781477332672/Youtube channel: https://www.youtube.com/@sethneblett7268REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
Welcome to this surprise bonus episode of Revolutions Per Movie with one of the universe's most unique and passionate creators--actor/musician/director/artist/author, Crispin Glover!!!We discuss Crispin's 1989 album The Big Problem ≠ The Solution. The Solution = Let It Be, working with David Lynch and staring into the eyes of Werner Herzog, the economics of making art, Crispin's It? trilogy, and why his new film No! YOU'RE WRONG. or: Spooky Action at a Distance is not part of it, the creation of Crispin's first book and how his slideshow presentations come to be, how Crispin had never heard the word 'dude' until he was in the film River's Edge, his beautiful direction of the Willard music video, his discovery of surrealism, how Crispin scores his films, Wendy Carlos, how he used hand-cranked cameras and hand processing for his latest film, the script and shooting of River's Edge, why Crispin loves touring his films, can music be used to find a character's traits in a performance, why editing is his favorite part of making his films and how radically he changed the final edit of his new film, how his new film took over 10 years to make, his collaborator David Brothers' incredible art direction in Crispin's films, Sean Lennon doing a voice in his latest film and so much more...So please join me as I talk to an absolute icon and cultural hero of so many of us on this week's Revolutions Per Movie.SEE CRISPIN GLOVER AND HIS NEW FILM:https://crispinglover.com/slideshow.htmlREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by author and documentary filmmaker Grant McPhee, who directed three amazing films about the Scottish underground music scenes (Big Gold Dream, The Glasgow School, Teenage Superstars).  We discuss the differences between writing his book Postcards From Scotland and making these films, the UK press and their relationships with Scottish bands, the turmoil at the early Jesus & Mary Chain shows, both Postcard & Fast Product Records influencing Factory & Rough Trade records, how The Bay City Rollers were a massive influence on the early indie music scene, the genesis and integrity of Teenage Fanclub, early Scottish post-punk bands Josef K and Scars, choosing Kim Deal of The Breeders & Robert Foster of The Go-Betweens to narrate the films, the stress of making documentaries, the supportiveness of the Scottish music scenes, The Vaselines & Captain America being massive influences on (and friends) of Nirvana, BMX Bandits, Orange Juice and Soup Dragons changing their sounds, Stephen Pastel's ears getting sunburned after a haircut and more!So let's start a musical riot in under 12 minutes on this week's revolutions per movie!GRANT McPHEE:https://grantmcpheedirector.com/https://omnibuspress.com/products/postcards-from-scotland-scottish-independent-music-1983-1995ALL THREE FILMS ARE STREAMING ONLINEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, Jay Ferguson & Chris Murphy of the legendary Canadian band Sloan join me to discuss their 30+ year recording career (with the same four original band members!) as well as their charming and extensive videography.We also discuss how Sloan carves out space for all four songwriters on each record and the democracy within the band's ethos, the recent 'fake' movie trailers they've made for their new record, the challenges of getting all the band members on the same page to make a music video, the mystery behind Andrew’s hypnotic performances (the ‘less is more’ factor), their significant work archiving their visual and audio legacy, the band’s visual demands for the 'Coax Me' video that initially were not met, the early batch of music videos filmed during their first trip to NYC and their CBGB show in 1992, sticking to their guns when Geffen Records executives didn't get their 2nd album (the stone-cold classic Twice Removed), the film tributes within their videos from Easy Rider to Privilege and To Sir With Love, The MTV of Canada: Much Music, the difficulties in working with other film directors, did Andrew actually cry when he was pushed in the "Losing California" video, the range of budgets on their music videos, The Rolling Stones and their "Start Me Up" video, Sloan's short film comedy classic ‘THE EMPEROR SLAPS BACK’, bands not coming to your hometown to perform, how the band has had to adapt to keep going for the last 30 years and so much more!So quiet on the set... shhh, please don’t set off the 'Reverb Siren' in Jay's living room... during this week's episode of Revolutions Per Movie!SLOAN:https://sloanmusic.com/https://www.youtube.com/@sloanmusic/featuredREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to this special bite-sized Bonus Episode of Revolutions Per Movie with Linus O’Brien, director of “Strange Journey: The Story Of Rocky Horror", which documents the cult phenomenon created by his father, Richard O’Brien. We talk about Richard’s curious charisma, his personal struggles & his accidental creation of Rocky Horror, Drag Race's Trixie Mattel’s early life-changing experience with the film, how Rocky screenings continue to provide a safe space for everybody to be their authentic self, Tim Curry and Susan Sarandon, Rocky Horror being the longest running theatrical release in the history of film (and how the Clinton St Theater continued to run the movie to an empty theater during the pandemic so the run wouldn't be broken), the amazing archival footage of teenage Michael Stipe of R.E.M. speaking in the afterglow of the movie while dressed as Frank-N-Furter, 70s newscasters trying to crack the whys of Rocky, the live shadowcasts and toast & rice, and how the legacy of Rocky Horror boils down to two words: community and connection.  So please support this great film in person this weekend when it’s being independently released in theaters all over the world, and continue to support indie!GET TICKETS TO STRANGE JOURNEY (in theaters this Friday Sept. 26th):https://rockyhorrordoc.com/LINUS O'BRIEN:https://www.instagram.com/linus.obrienREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
The Second Anniversary Show w/ Kate Pierson of The B-52sThis week, I am honored to celebrate the second anniversary of Revolutions Per Movie with one of my top musical heroes: the one and only Kate Pierson of The B-52s!!!We discuss the influence of Fellini on Kate & The B-52s (who were originally going to call themselves 'Fellini's Children'), the early sounds and films that made a young Kate Pierson into who she is, film noir, the protest folk music of her first band 'The Sun Donuts', what drew Kate to Athens, GA; Kate finding her unique singing style, French New Wave films, how The B-52s were not allowed to play bars in Athens and instead opted for house parties, the early jobs of the band members, how Club 57 and The Mudd Club in NYC embraced the band, how much a wig cost back in 1978, how the band worked out the vocal phrasing and melody parts of the three vocalists, Jeremy Ayers being a pied piper of the Athens scene, The Plastics, the original house that The B-52s bought and lived in together, why there were no early B-52s music videos until Whammy, Kate's first music equipment and her amazing guitar parts, how different it is making music videos now vs. in the 80s and so much more.So let's dance this mess around on this week's episode of Revolutions Per Movie!KATE PIERSON:https://www.katepierson.com/https://www.theb52s.com/showsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by the Oscar and Emmy-nominated filmmaker Eddie Schmidt (Chain Camera, This Film Is Not Yet Rated, Twist Of Faith), who chose to discuss the Tim Robbins/John Cusack music video comedy TAPEHEADS.We talk about how this film was omnipresent in every video rental store, how Eddie's background in improv comedy helped him with his career in documentary filmmaking, Eddie’s amazing documentary THIS IS NOT YET RATED about the unfair and corrupt film rating board here in the U.S., the difficulties in starting to make a documentary, the similarities between Tapeheads and Eddie's life as a young filmmaker, how Tapeheads flopped upon its theatrical release but found a home on the Boston Midnight Movie circuit, My Dinner With Jimi, how this film pre-dates Wayne’s World by 4 years, making early movies as kids, the fashion style of the characters in the film, how fully committed the actors were to the comedy in this film, artists’ lofts depicted in movies, Roscoe’s House Of Chicken, how Chris had forgotten that he had seen this film many many many times until rewatching it, Devo, Fishbone, Circle Jerks & Jello Biafra's participation in the film, making art during the Reagan era, Eddie’s real life Tapeheads moment with John Cusack, the fake music videos in the film,  claymation, The Blender Children portrayed by The Lords of the New Church, Susan Terrell, the uncredited Courtney Love appearance, Bachelor Party, how the film industry and indie film has changed over the years, the beauty of indie movie theaters in the 80s, our love of film soundtrack albums and more.So let's dump some paint on our music video stars and make a million on this week's Revolutions Per Movie!EDDIE SCHMIDT:@getschmidtREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by GARY JARMAN of the UK band THE CRIBS, who discussee a film that completely changed his life (along with his brothers) and absolutely informed his leap into making music--the documentary NIRVANA: LIVE! TONIGHT! SOLD OUT! It's a beautiful, heartfelt episode...Enjoy!(Episode 20 originally aired on Jan. 25th, 2024). The original show notes: This week, we talk to Gary Jarman of the UK band The Cribs, who chose a film so close to his (and his brother’s) heart, NIRVANA LIVE! TONIGHT! SOLD OUT!  We discussed the massive influence this VHS tape had on the Jarman family and their future in rock, from their decision not to play encores to their affinity for putting noise into their melodies. We also discuss what it was like to come from such a small town where they had never seen anything on a punk level before, the concept of selling out, writing music or lyrics first, saving up stationary store coupons to buy Nirvana cassettes, Britpop, opening for Nirvana the day their album went gold, sabotaging your own live show, dealing with tabloids and the British music press, fantasizing about destroying the Top Of The Pops studio, not playing encores & the endless search for “the next Nirvana.”So come dive into the drum set on this episode of Revolutions Per Movie!GARY JARMAN:cribs.comNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieBlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is Mary Houlihan (comedian & artist: Mary Houlihan's Painting Party, Joe Pera Talks With You, Difficult People), who brings us a film she has seen hundreds of times: SPICE WORLD!  We also discuss her Edinburgh Fringe Festival show 'Me And Jack’, featuring the disembodied head of Jack Nicholson, how Mary sees colors, how Mary first saw this film as a kid and what the Spice Girls mean to her still, how they got their nicknames, the amazing supporting cast including Alan Cumming, Mark McKinney & Richard E. Grant, the 13-second cameo by Elton John, which part of the Spice Girls double decker bus is the coolest, how party scenes tend to be depicted in movies, the upsetting alien sequence in the film, learning about snogging, the proposed Spice World sequel, the awkwardness of being the friend of a more famous friend, what the hell happened to their friend Brian in the film, how the film was written by the team behind Faulty Towers & Red Dwarf, how the Spice Girls were self-managed and wrote most of their songs and more!So let's tell Meatloaf (yes, that Meatloaf!) to step on it and get us to this week's episode of Revolutions Per Movie.MARY HOULIHAN:@maryhouliewww.patreon.com/maryhoulihanREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by CAMILLA AISA (writer, UK's Shindig, Rock Collector), who brought the incredible documentary Sisters With Transistors about the incredible female synthesizer pioneers who laid the groundwork for everything that we have today. It's an all-timer (and early) episode (Episode 17 originally aired on Jan. 4th, 2024). The original podcast show notes:This week we talked to UK music scribe Camilla Aisa (Shindig, Rock Collector) about the 2020 music documentary ‘Sisters With Transitors.’ We discuss how 2 seconds of a Suzanne Ciani composition might be one of the most perfect pieces of music of all time, pop thievery vs. true innovators, music that can transform your life, and Camilla’s dissertation on the garage/psych music scenes of the Pacific NW. So, let’s pull some wires and turn the dial as we discuss one of the greatest music documentaries of all time.CAMILLA AISA:https://twitter.com/camillaaisahttps://www.instagram.com/camillaaisa Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by filmmaker Michael Mabbott, the co-director of the Peabody award-winning documentary ANY OTHER WAY: THE JACKIE SHANE STORY, about the pioneering black trans soul singer.  We discuss how Jackie had disappeared for 40 years and the surprise of finding out she was still alive, how Michael gained the trust of Jackie and her family to make the documentary, how he incorporated rotoscoped lip-syncs into the film using two trans legends (Makayla Couture from RuPaul's Drag Race and actress Sandra Caldwell), Jackie’s childhood and early years performing in Memphis, literally running away to join the circus & her time performing with Jimi Hendrix, how hard it was to whittle down her incredible life into a feature length documentary and what didn't make it into the film, the Memphis TV show Night Train and its legacy, why Jackie said no to performing for Dick Clark & Ed Sullivan, why she chose to leave the spotlight & what dragged her back in, and why Jackie's story is so important to tell now with the current state of our world.So as Jackie says, "live your life because ain't nobody sanctified and holy" on this week's Revolutions Per Movie. ANY OTHER WAY: THE JACKIE SHANE STORYhttps://www.instagram.com/thejackieshanestoryhttps://www.michaelmabbott.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is Sahan Jayasuriya, musician & author of Don't Say Please: The Oral History of Die Kreuzen, who discusses the influential but polarizing band, DIE KREUZEN, as we look at the two legendary cable access performances that bookended the band's career in 1983 & 1991.We discuss how Die Kreuzen is beloved by musicians such as Neko Case, Thurston Moore & Ian MacKaye; why fans often don't want their favorite band to ever change musically and how Die Kreuzen struggled with that, the band's origin story and what led to their first EP Cows And Beer, their devastating first s/t LP and how some listeners were not ready for the follow-up October File, Maximum Rocknroll, how Die Kreuzen were a chemistry band not unlike R.E.M. or Cheap Trick, how a single photo of Keith from the band moved Chris to start dressing and performing like him, the 1983 Milwaukee cable access show: Who Am I: The Punk Rock Attitude & the roundtable discussion in it plus the band's blistering 17 minutes set, how the sound of pain resonated from the band sonically on all their records, Corey Rusk and Touch & Go Records, working with Butch Vig, the artwork of Richard Kohl, Chris witnessing a punk audience turn on the band at their live show, fog machines, Pink Flag, the band working with Steve Albini, why they disbanded shortly after their 1991 cable access performance, and the great story of Lou Barlow freaking out backstage because "Die Kreuzen are right behind that door!"Whether you know Die Kreuzen or not, this is a fantastic story about whether or not audiences are willing to go where a band wants to go. All this and more on this week's episode of Revolutions Per Movie.SAHAN JAYASURIYA: https://www.instagram.com/diekreuzenbook/DON'T SAY PLEASE: THE ORAL HISTORY OF DIE KREUZEN: https://feralhouse.com/30258/DIE KREUZEN: https://www.instagram.com/diekreuzenbook/THE CABLE ACCESS PERFORMANCES: 1983: https://www.youtube.com/watch?v=ZN3hwQ3gOP81991: https://www.youtube.com/watch?v=IbaOoxvdtMwREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Thanks!SOCIALS:@revolutionspermovie Hosted on Acast. See acast.com/privacy for more information.
A Very Opinionated Look At URGH! A MUSIC WAR--CHAPTER THIRTY-SEVEN: An interview with JC CARROLL of The Members Pt. 1This week, we bring you Part 1 of our conversation with URGH performer JC CARROLL from UK band THE MEMBERS, who has had one of the most incredible lives (as you will soon hear!). We discuss JC's first live concert: T REX, honoring your past by playing classic songs that people still want to hear,  JC meeting Graham Parker in a bar and making 4-track recordings in their bedroom together, hanging out at The Roxy and London’s incredible small punk scene at the time, singer/hustler Nicky Tesco and his amazing stage presence, recording in Eddy Grant’s recording studio and being produced by Steve Lillywhite, punk bands being on major labels, playing LA, SF and NY for the first time, how confusing their MTV hit “Working Girl” was compared to their URGH performance, the Copeland brothers’ fingerprints being all over URGH, Jerry Dammers, why they chose "Offshore Banking Business" for the film instead of other punkier singles, Dr. Feelgood, how they played their URGH concert with Pere Ubu & Magazine, working with Larry Wallis of Pink Fairies, how JC feels that URGH is an essential film culturally, how their single "The Sound Of The Suburbs" sold over 250,000 copies and why they never made any money off it.So get ready for yet another jaw-dropping URGH interview available only on A VERY OPINIONATED LOOK AT URGH! A MUSIC WAR! Pt. 2 with JC Carroll is up next!If you enjoyed this episode, please consider supporting the show over at patreon.com/revolutionspermovie and get over 190 Revolutions Per Movies episodes, including the exclusive weekly bonus episodes and series such as A Very Opinionated Look At Urgh A Music War! Plus, get the 7" flexidisc, stickers, and other physical goods sent to you as well. We're completely independent so this is the best way to support the show. Thank you!THE MEMBERS:https://www.themembers.co.uk/REVOLUTIONS PER MOVIE:patreon.com/revolutionspermovie Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is Dave Holmes (author, Editor-At-Large at Esquire, former MTV VJ, podcaster), who brings us our most requested film: VALLEY GIRL!!!We discuss the wild stories of Dave auditoning for and becoming a MTV VJ, reading symbolism in music videos with your teenage friends, how long we could stare at an album cover for, NIght Flight, our mutual love for Tommy Keene, did Dave ever get a music video of his choice on MTV during his time there, leaving your body while interviewing guests, messing up in front of Michael Stipe, was Nicholas Cage successful at playing a ‘punk rocker’ in this film, director Martha Coolidge’s contract stating there needed to be four scenes of female nudity and her solutions to that clause, the Valley Girl trailer, the soundtrack to this movie, how X was supposed to be in the film and why they turned it down, how the cast brought their own clothes to the set to save money, 80's Mall Culture and our adventures within it, Nicholas Cage’s eyes, how Moon Unit Zappa changed culture and language forever (including this podcast), what lines from the film have never been said in real life, when KROQ got terrible, the Valley Girl remake, navigating curfew as a teenager, how the ages of the actors in the film are all over the map, The Plimsouls performance in the movie, how Josie Cotton and Fear were part of a coin toss for the rights to the song "Johnny Are You Queer?", Blotto, being suspicious of bands with names like the The Fabulous Poodles and Human Sexual Response and so much more.So let's crash the party and hide out in the shower on this week's episode of Revolutions Per Movie!!!DAVE HOLMES:https://www.esquire.com/author/9774/dave-holmes/@daveholmesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I’m joined by critic, author, and podcaster Alonso Duralde, who chose to discuss the 1982 Australian New Wave music film Starstruck.  We also talk about Alonso’s incredible new book Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film, working in video stores, 80s mind-bending musicals like The Apple and Can't Stop The Music, how filmmaker Gillian Armstrong’s second film was nowhere near the vibe of her first (My Brilliant Career), the underground rabid fanbase for the film, the music in the film being written and performed by members of Split Enz and The Swingers, which bands were originally going to be involved in the film, what we hung on our teenage walls, bad 80s haircut experiences, how to sneak into a club, the confusing family dynamics in the film, the incredible Busby Berkeley tribute in the swimming pool sequence, where we imagine the characters in this film ended up, what stopped rock musicals being made for a spell and so much more.So let's all jump on top of the bar in unison, kick the drinks off, and magically know all the dance moves already on this week's Revolutions Per Movie!ALONSO DURALDE: @alonso.duralde@linoleumcasthttp://www.patreon.com/bfastalldayhttps://maximumfun.org/podcasts/maximum-film/https://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/https://preorder-movie-little-christmas.carrd.co/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by Homer Flynn, representing The Residents and all things Ralph Records, to talk about their incredible body of work, and my gawd, they performed part of their epic, Eskimo, live recently...incredible! This was my chance to ask about so many things that wouldn't be typically discussed regarding The Residents. I was extremely proud when, at the end of the interview, Homer thanked me for not asking about the eyeballs. Why would I?!!??!? (Episode 45 originally aired on June 18th, 2024). The original show notes:This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band’s Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn’t even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents’ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band’s larger than life concepts, the folly of trying to accomplish everything in one’s lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.So come all you sinister exaggerators and let’s talk the visuals of The Residents.THE RESIDENTS:https://www.residents.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, Todd Brashear joins me to discuss his experiences being in the band Slint, Lance Bangs' Slint documentary Breadcrumb Trail, and our shared history of being video store owners!!!We also talked about how Jesus Urge Superstar is an overlooked masterpiece, Todd’s early days in the hardcore punk scene in Louisville, the pre-Slint band Maurice, the first time Todd saw Slint perform, the Tweez EP, the amazing archival footage of the band rehearsing in Britt’s parents’ basement, how Slint were goofy even though their music was considered serious, opening Slint shows with Jonathan Richman or Black Flag covers, being bratty and transgressive in the underground movement, recording Spiderland, the end of Slint, Mission of Burma, working with Will Oldham, trying to open a video store in the late 90s, how much a VHS tape cost in 1997, whether to have a porn section or not, being the sole employee of a store, calling customers on The Late List, the holy grail tapes for the store, Ray Dennis Steckler, the RE/Search Incredibly Strange Films book, when both of our stores began to decline due to Netflix, The Wicker Man's musical sequences, not taking the store inventory home with us when we closed, Robert Pollard getting kicked out a Squirrel Bait show and more.TODD BRASHEAR'S VIDEO STORE:https://www.youtube.com/@wildandwoollyvideohttps://www.instagram.com/wildandwoollyvideo/CHRIS’ VIDEO STORE:https://www.instagram.com/clintonstreetvideoSLINT:https://touchandgorecords.com/bands/band.php?id=70REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O’Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.We discuss the differences between working on Conan and Stephen’s shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian’s characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician’s musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt’s record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger’s country accent, writing songs in your dreams and so much more.So let's laugh through the pain on this week's episode of Revolutions Per Movie.BRIAN STACK:https://teamcoco.com/celebs/brian-stackREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who brought so much incredible history and focus in our discussion on the Athens, GA, scene she was part of and the film that caused multitudes of college students to move there: ATHENS, GA: INSIDE/OUT. (Episode 22 originally aired on Feb. 8th, 2024). The original podcast show notes:This week, we talk to Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who chose the film ATHENS, GA: INSIDE/OUT to discuss. We also talk about her growing up in Georgia, her introduction to the Athens music scene, auditioning for Pylon, how the band initially was a conceptual musical art project, how they wrote their songs and lyrics, R.E.M. emergence & the growth of the Athens music scene, the economics of being a musician, why bands break up, the Pylon Reenactment Society’s origin story, the beauty of being irresponsible, which member in Pylon is an expert at recreating plane crashes (!?!) & more!So Hey Kids! Don’t rock n’ roll, no no no no…on this week’s episode of Revolutions Per Movie.Vanessa Briscoe Hay:https://pylonreenactmentsociety.com/https://www.facebook.com/athensgainsideout/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week Angela Jaeger (Author of I FEEL FAMOUS Punk Diaries 1977-1981 and member of bands such as PIGBAG, THE MONOCHROME SET, THE BUSH TETRAS & THE STARE KITS) joins me to discuss THE PUNK ROCK MOVIE.We talk about Angela's feelings about publishing her personal diaries & how Thurston Moore and Byron Coley encouraged her to release them for everyone, being a teenage roadie and friend of Teenage Jesus & The Jerks, experiencing CBGB’s and Max's Kansas City as a teen, heading overseas to be part of the 1978 punk movement, writing your diary in code (in case your Mom finds and reads it!), performing in Japan with Pigbag, finding your fellow weirdos as a kid, getting up the nerve to go alone to your first club shows, hanging with The Cramps more than any other band, The Dead Boys, wearing garbage bags to rock shows, how Angela’s mom would let bands like The Raincoats, The Slits and Young Marble Giants crash at her home when they were touring, insights into Tier 3, the club her sister ran, the director Don Letts, The Roxy's 100 days of punk, how the film might have the best ever footage of The Sex Pistols, singing and speaking with a fake British accent, having to grow up quick and the darker sides of the punk scenes, the incredible footage of The Slits and The Clash on the White Riot tour and so much more.So let's put on a garbage bag dress and dance in front of our mirrors on this week's episode of Revolutions Per Movie!BOOK: https://hatandbeard.com/collections/music/products/i-feel-famous-punk-diaries-1977-1981PIGBAG ON IRS CUTTING EDGE: https://tinyurl.com/3x7xbbzbREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I'm releasing a one-two punch of Judas Priest-related films. On today's episode, I’m joined by EVAN 'FUNK' DAVIES, legendary DJ on WFMU, who brings us a Heavy Metal Parking Lot-adjacent film to discuss today: ROCK STAR (loosely based on the story of Tim "Ripper" Owens, who replaced Rob Halford of Judas Priest after being in a Judas Priest cover band)..We also talk about the NYC club scene of the late 70s and early 80s, take a jealous look back at the club calendars at that era, how scared I was to visit NYC for the first time, AM radio vs FM radio, WFMU, has there ever been a good movie about being a DJ,DJing your high school cafeteria, seeing the film ROCK STAR on opening day with only one other person in the theater, the saga of "Ripper" Owens, Dominic West of The Wire & Timothy Olyphant of Deadwood playing rock gods in the film, the difference between a tribute band and a cover band, passive aggressively kicking people out of bands, Mark Wahlberg as the lead singer of the fictional band Steel Dragon, and his ever-changing accent, how I was in a Guided By Voices cover band before joining the real Guided By Voices, the mindset of the parents in the film who let Steel Dragon play their oil refinery, seeing bands fight on stage, Jennifer Aniston as the manager in the film, the many problematic scenes in the film, the trouble with loving bands that have drastic lineup changes, Cheap Trick, the amazing story of the film coming to the screen, Pussy Galore tribute bands, seeing Television live, how the end of this film has one of the dumbest endings of all time, how some of the movie’s fake metal songs actually rule and so much more.REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by WILCO's MIKAEL JORGENSON to discuss a film he knows backward and forwards: HEAVY METAL PARKING LOT!  But that's not all… I also got to blow his mind with surprise guest JEFF KRULIK--The Co-Creator of HEAVY METAL PARKING LOT!!!We discuss Mikael’s endless creativity and how he decides where to put his energy on any given day, the many hours he spent as a teenager making music on his IBM floppy drive computer, doing David Letterman-style comedy audio cassette recordings, how unusual it was to see Mikael with a computer on stage during his first Wilco tour (and how common it is now), how intense it was for him to join an established band like Wilco, tribalism in music scenes, how the documentary is both terrifying and comforting, how shirtless people outnumber people wearing shirts in this film, Mikael’s religious upbringing and its impact on his fear of heavy metal, KISS being in children's TV shows, the genesis of Heavy Metal Parking Lot and how the film found an audience due to VHS tape trading culture, a reenactment of Zebraman’s anti punk rock tirade, the undying loyalty of metal fans, Neil Diamond Parking Lot & Heavy Metal Picnic, Judas Priest’s reaction to the film, Jeff trying to eat Judas Priest’s food backstage, Sofia Coppola wanting to use the film in her work, reconnecting with the stars of Heavy Metal Parking Lot decades later and so much more.So let's smoke a joint so big it stretches across America on this week's episode of Revolutions Per Movie!HEAVY METAL PARKING LOT: https://www.heavymetalparkinglot.com/MIKAEL JORGENSON: https://mikaeljorgensen.com/JEFF KRULIK: https://jeffkrulik.com/WILCO: https://wilcoworld.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to my 100th episode of Revolutions Per Movie (and that's really 181 episodes counting the exclusive Patreon episodes)!So to properly celebrate gloriously, we are joined by one of the greats, Tom Scharpling (host of The Best Show, co-host of Double Threat, and writer for What We Do In The Shadows & Monk) who brings us his favorite music film of all time by his all-time favorite artist, Neil Young’s Rust Never Sleeps!  We discuss Tom’s 25 years of doing The Best Show, Tom’s introduction to Neil Young and how I discovered the deep catalog of Neil though Tom's show, Neil Young's ditch trilogy, how live records are often not truly live documents, King Crimson, how Neil shifts genres constantly and fearlessly, how the people around Neil initially didn’t understand Crazy Horse, concert fans who only want to hear the hits, Sonic Youth opening for Neil Young, Devo's influence on Rust Never Sleeps, how Neil Young is one of the most prolific filmmakers of all time, the films Human Highway & Harvest Time, Neil's sense of humor, how Star Wars influenced the Road-Eyes (roadies), the symbolism of Neil cutting his hair for this tour, how the film takes its time with long shots and hazy cinematography, how Neil came into the CSN fold and how they came to regret it, the album Trans, Neil’s Geffen & Reprise Record years, the video store music collection, when artists play unreleased music on tour, the power of the song 'Powderfinger', Neil and his relationship to Grunge, Tom seeing Neil Young live at the Roxy, the Robert Pollard/Neil Young parallels, letting an artist go where they need to go and more!So let's put on our 3-D glasses and watch Neil Young rust before our very eyes on the 100th & 181st episode of Revolutions Per Movie!THE BEST SHOW:https://foreverdogpodcasts.com/podcasts/the-best-show/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of Julie Klausner coming to Portland to do Revolutions Per Movie Live on July 5th 2025, I'm re-releasing my incredible conversation with Julie about the Nancy Sinatra TV Special Moving With Nancy (Episode 5 which originally aired on Oct. 12th, 2023).This episode should get everyone excited to come out to see us at the Clinton St. Theater where we will be watching and discussing the Rachel Welch wild-ass musical special Rachel! which Julie goes into a bit during our original discussion in this episode. Julie will also be putting together a series of unique, mind-altering videos just for this event only too...and maybe we'll shower you all with RC Cola...you never know!!!Come escape the 4th of July weekend with us...see you soon!Tickets for Revolutions Per Movie Live with Julie Klausner are available here:https://cstpdx.com/event/revolutions-per-movie-live-with-julie-klausner/The original podcast show notes:This week, we talked to actor/writer/musician Julie Klausner (Hulu’s ‘Difficult People, Double Threat Podcast, ‘I Don’t Care About Your Band’) about Nancy Sinatra’s 1967 TV Special ‘Movin’ With Nancy.’ We obsess over Nancy’s dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week’s episode of Revolutions Per Movie. Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by Australian musician Gareth Liddiard (Tropical Fuck Storm, The Drones) who chose to discuss one of the greatest concert films of all time,  EINSTÜRZENDE NEUBAUTEN:HALBER MENSCH.We talk about how Tropical Fuck Storm made their own film (Goody Goody Gumdrops) during the pandemic lockdown, Gareth playing shows with Neubauten, how TFS writes their brain-melting songs and how Neubauten’s influence crept into their work, TFS having to leave Melbourne due to economics, making their music using equipment they didn’t know how to use, how not to be too good at guitar, the influence of Greg Ginn, John Coltrane & Jimi Hendrix, Thrasher magazine, the current difficulties of touring the States, blowing things up in music videos, industrial high-school study music, Neubauten playing inside an actual freeway, how Neubauten are The Beatles of the industrial world in terms of charisma, how the film transcends pretension, Butoh dancers, Tarkovsky’s Stalker, the microphoned shopping cart, Blixa’s take on The Police, how the film is so well scripted and shot by filmmaker Gakuryū Ishii, how the legendary music producer Gareth Jones recorded one of the most expensive industrial records of all time and more. So let's set our instruments on fire and the music to stun on this week's episode of Revolutions Per Movie!TROPICAL FUCK STORM:https://usa.firerecords.com/products/tropical-f-storm-fairyland-codexhttps://tropicalfstorm.bandcamp.com/album/fairyland-codexREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be occasionally re-releasing some of my favorite past conversations. This one was special and powerful--the incredible Ann Magnuson coming on and being incredibly heartfelt, funny, vulnerable, and truthful on the show. I love that I never know where the show is going to go and this episode is the perfect example of why I feel so honored to do Revolutions Per Movie. (Episode 48 which originally aired on August 8th, 2024).The original podcast show notes:This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer’s Day.  We discuss the performances in the film (including Thelonious Monk, Anita O’ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O’Day for the audio book of her autobiography, first impressions of Lou Reed’s Metal Machine Music, Ann’s programing at the legendary NYC Club 57, Ann’s new song ’Ghost Cat’ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann’s SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann’s parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk’s performance is presented in the film, Chris scats the Anita O’ Day finale of ‘Tea For Two’ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O’day’s memoir about the performance that was filmed for this movie and how it changed O’Days life. So let’s never sing the same song the same way twice on this week’s episode of Revolutions Per Movie!ANN MAGNUSON:https://annmagnuson.com/https://annmagnuson.bandcamp.com/album/ghost-catVULCAN DEATH GRIP:https://www.youtube.com/watch?v=f2_dWSpDXJEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by Sue Carpenter, the author and director of 40 WATTS FROM NOWHERE, which documents her pirate radio stations in SF and LA.We talk about what made her want to turn her book into a documentary, how her station also became a theatrical experience, the incredible amount of documentation she did considering it was a pirate radio station, what makes starting a traditional radio station almost impossible, her incredible roster of DJs from Mike Watt to Keith Morris, climbing over her bed to broadcast, people triangulating the station's signal to try to find her, theft and the unknowns of running the station, getting artists like The Jesus & Mary Chain and Spiritualized to the station’s secret location, the film Pump Up The Volume, how the FCC found out about the station and the final showdown for the station.So head to the left of the dial on this week's Revolutions Per Movie!SUE CARPENTER:https://www.youtube.com/watch?v=4nnNX1AeB_ghttps://www.goodreads.com/book/show/224894.40_Watts_from_NowhereREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be re-releasing a few of my favorite past conversations on Tuesdays.This one was a lifelong dream for me: getting to talk to DEVO's Gerald V. Casale about their body of work--a band whose musical and visual identity showed teenage me that it was o.k. to be different, weird, and skeptical. Jerry does not suffer fools gladly, so I was quite nervous going into the interview, but once he realized I wasn't going ask about the flower pot hats, we both relaxed and took a serious deep dive into how he and DEVO altered the world forever, as well as how lonely that could be for them. Episode 35 originally aired on May 9th, 2024.The original podcast show notes:This week, the one that started it all for me, Devo’s Jerry Casale, joins me on the podcast to talk about Devo’s film and video legacy. We discuss the origin story of their first short film, the films that influenced Casale and Devo’s aesthetic, their early jobs and the pressures of Ohio, how ‘Bonnie & Clyde’ influenced the 'Beautiful World’ video, meeting collaborator Chuck Statler, where Rod Rooter’s dialogue came from, Club Devo and the difficulties making their merchandise, Jerry tells the plot of the Devo feature-length film script that never got made (including one that was going into production with Francis Ford Coppola & one with William Friedkin), how they directed their conservative looking extras and General Boy, meeting their idols, how they constructed their live shows, phone calls from the video Commissioner of MTV, censorship, working with Soundgarden, Bruce Connor’s ‘Mongoloid’ short film, transgressive art, people being scared of Devo, Kent State & the Vietnam War as the antecedents of Devolution, crawling out of the basement, the communal mindset of the members of Devo, the antagonistic nature against Devo from interviewers, having fun with the audience while rubbing their nose in it, the groundbreaking & primitive ‘Oh No It’s Devo’ tour, making ‘The Men Who Make The Music’ and having your own action figure made of you.So...peek-a-boo...let's all get devolved together on this week's Revolutions Per Movie!JERRY CASALE (videos, action figures, music, art):https://www.geraldvcasale.com/DEVO:https://www.clubdevo.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by Jake Fogelnest, who at the age of 14 hosted MTV's Squirt TV, and later collaborated with Will Ferrell, Sarah Silverman & Billy Eichner.  We take a look at the Bee Gees/Peter Frampton mess-a-thon theatrical feature SGT. PEPPER’S LONELY HEARTS CLUB BAND.We also discuss how Jake turned his childhood cable access show (shot in his bedroom!) into a full-fledged MTV show, getting his hair cut on TV by Kim Gordon, the day Cypress Hill showed up to his bedroom, the difficulties of the MTV show getting cancelled and his struggle with addiction, how the Beatles were less protective of their legacy than we thought, the military aspects of Sgt. Pepper's, how we never noticed the military aspects of Sgt. Pepper’s, the legacy of Robert Stigwood’s powerhouse career, Grease, Robin Gibb’s grandiose delusion that this film’s music was going to replace the legacy of The Beatles' original, how this was Steve Martin’s film debut, how it felt watching the film as kids, the movie Car Wash, the PG-13 version of Saturday Night Fever, the cult musical film The Apple, the fight scene between Peter Frampton & Steven Tyler of Aerosmith, the incredible Alice Cooper cult leader scene, Sandy Farina as Strawberry Fields, speculating if anyone ever cried watching the film, Xanadu, Billy Preston saving the day, our alternate endings of Sgt. Pepper's, who are all the artists that appeared in the film's big finale, finding peace of mind from just hanging out in a video store and more!So let's run from that wicked Mean Mr. Mustard and his two latex-clad gimb-bots on this week's episode of Revolutions Per Movie! JAKE FOGELNEST: @jakefogelnest www.patreon.com/jakefogelnestREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be occasionally re-releasing some of my favorite past conversations. And why not start with a bang: Actor, Musician & Director Paddy Considine on his favorite band Guided By Voices and their documentary Watch Me Jumpstart (Episode 34 which originally aired on May 2nd, 2024).Now that you've all caught up with Paddy and the rest of the Harrigan family on the season finale of MobLand & his band Riding The Low releasing their latest 12" EP (Above And Beyond), it's time to revisit this episode where we discuss this band that brought us together and how this documentary changed our lives forever.The original podcast show notes:This week, we talked to the actor (House Of The Dragons, 24 Hour Party People, The World’s End), musician (Riding The Low), writer/director (Tyrannosaur, Journeyman) Paddy Considine, about his all-time favorite band (in any universe), Guided By Voices and the documentary Watch Me Jumpstart.  We discuss these mythical legends of Dayton, what it was like for Chris being in the band and working with Pollard, Pollard’s incredible work ethic and output, Paddy’s trip from the UK to visit Ohio for the first time and taking a GBV/Bob Pollard tour of Dayton, the eureka moment of understanding the band, wrapping your mind around Bob's lyrics, the early confusion of why, how and who was recording this music, being under-appreciated by the establishment, GBV's influence on Paddy's acting writing & music, Pollard's legendary mix-tapes, turning people onto the band, the obsession of collecting Pollard's entire discography, beer, basements and talking to Bono about Guided By Voices.So, disarm the settlers, and let’s go deep into the world of Guided By Voices on this episode of Revolutions Per Movie.PADDY CONSIDINE:Riding The Low:https://www.ridingthelow.co.uk/Tyrannosaur:https://www.amazon.com/gp/video/detail/B007ZYJT1U/ref=atv_dp_share_cu_rREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry’s fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE’s time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman’s outdated conversation in the film, DJ Spooky, Taco Bell’s 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by Stephen Chung, the director of IT’S ALL GONNA BREAK -- a documentary about the band BROKEN SOCIAL SCENE.We discuss Stephen’s decades-long friendship with Broken Social Scene and his fly-on-the-wall documentation of the band, how they all met, why the band did not want an earlier version of their documentary to come out, Stephen’s breaking out of his shyness through his love of music and photography, how the film's story was told through the lens of Stephen's life as an immigrant kid living in Toronto, how to stay sane while making a documentary about a band with over 25 members, capturing the moment in the studio where Broken Social Scene really became Broken Social Scene, when to turn the camera off and how to know when to turn it back on again, how a documentary is truly never done, the making of the iconic Cause = Time music video, why music documentaries are so divisive & much more.So round up your favorite 18 friends and let's start a band on this week's episode of Revolutions Per Movie.STEPHEN CHUNG: stephenchungimages.cominstagram.com/itsallgonnabreakdocBROKEN SOCIAL SCENE:brokensocialscene.caREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
A Very Opinionated Look At URGH! A MUSIC WAR--CHAPTER THIRTY-THREE: An interview with Lesley Woods of Au PairsHello everyone! This week, I’m releasing this extra-special episode from the Revolutions Per Movie Patreon for everyone to hear!It's an incredible conversation with a complete legend—Lesley Woods of Au Pairs, who has also been an immigration lawyer in the UK for over thirty years.  Anyone who has been listening to the URGH! A MUSIC WAR PODCAST knows that Lesley's performance blew open my and Chaki’s head with her slashing music and sexual politics lyrics…something that was new and necessary for young kids witnessing this film. So getting to talk to Lesley was an honor.We talk about the origin of Au Pairs at a bus stop, Lesley’s political awakening in college, being banned by the BBC, how the podcast helped Lesley watch the film for the first time, the ever-present blood on her guitar, the band's first 7” Kerb Crawler, the way the band moved around on stage, what the band wanted to do differently on their 2nd LP, why the band gravitated towards music to dance to that was still protest music, the difference for Lesley writing music then and now, the incredible Urgh lineup they played with Gang of Four, Mekons & Steel Pulse, the trouble with music journalism and its attitudes towards women in the industry, how Lesley turned her back on music for a spell, why she turned to immigration and refugee law in the UK, freedom of expression and the right to hold your opinion, Thatcher's Section 28 law banning queer literature and references in schools, Gavin Friday of The Virgin Prunes, how Lesley found her way back to music and performing with members of Thurston Moore's band & Big Joanie, plus Lesley Woods explains why it really was an actual MUSIC WAR!!!If you enjoy the show, please consider joining at patreon.com/revolutionspermovie to support this completely independent endeavor (plus get access to over 170 episodes of Revolutions Per Movie, a 7" flexidisc with Ann Magnuson, Vanessa Briscoe Hay & Peter Buck, stickers, and more). Thanks!LESLEY WOODS: lesleywoods.bandcamp.comAU PAIRS IN URGH: https://vimeo.com/445459902CENSORED AU PAIRS PERFORMANCE ON OLD GREY WHISTLE TEST: https://odysee.com/@kentisheddie:8/OGWT-Au-Pairs:9?fbclid=IwY2xjawJyC6lleHRuA2FlbQIxMQABHgza-0yavgkB6fQpcuF0DFP95pjYYmtDpHdN1NHJaSBVV2ylmUdVookjvVpZ_aem_hbcX22AAHWx4tiYgHoMLVA Hosted on Acast. See acast.com/privacy for more information.
This week I am joined by musician, author, and songwriter Ezra Furman, who picked the Kathleen Hanna documentary THE PUNK SINGER to discuss.  We talk about Ezra’s process of writing her lyrics, the headspace of making a record, the directness of Kathleen Hanna’s lyrics, and how her lyrical approach changed from Bikini Kill to Le Tigre, the notion of audiences and bands protecting each other, Kathleen urging 'girls to the front' and how Ezra still is working on that at her own shows, being misunderstood as an artist, how the film shows self-documentation coming into full bloom during this era, how even the greatest bands have to break up, myths in rock, how the film reveals Kathleen’s illness that led to the break up of Le Tigre, gender bias in the medical system and the exhaustion of psychological burnout in music, Ezra’s experience having to stand up for and stand up to her fans and more!EZRA FURMAN: https://ezrafurman.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week’s episode was recorded in front of a live audience on Feb. 7th, 2025, at Cinema 21 in Portland, Oregon. Beloved composer, musician, and iconic actor PAUL WILLIAMS joined us to discuss the film we screened that night, PHANTOM OF THE PARADISE, as well as his impressive and long career in film and music. Paul talks about his experiences working with director Brian De Palma, juggling acting and composing songs for fellow actors William Finley, Gerrit Graham, and Jessica Harper, his stylistic influences for writing the soundtrack, the joy in playing a bastard like Swan and even how Phantom eventually found an audience with the help of some dedicated Winnipeggers. He also shares fascinating stories about his prolific work output, including composing for Jim Henson, how Burt Reynolds got the idea to put him in Smokey & The Bandit, writing songs for the Carpenters, Barbara Streisand & Ishtar, meeting songwriting deadlines while touring with Liza Minelli, how it felt when Phantom superfans Daft Punk reached out to him to collaborate on their music, and so much more.And as if that wasn’t enough, there’s also a live performance from Paul’s latest collaborators, PORTUGAL. THE MAN, which includes a lovely Phantom Of The Paradise tip of the hat.Thanks again to all who donated their time and energy to make this beautiful event happen! Enjoy!PAUL WILLIAMS:https://www.paulwilliamsofficial.com/PORTUGAL. THE MAN:https://portugaltheman.com/FRANCES CHANGED MY LIFE:https://www.franceschangedmylife.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com  Hosted on Acast. See acast.com/privacy for more information.
For today’s episode of Revolutions Per Movie’s Pavement Week (Episode #6 out #5…right?), I am joined by actor Michael Esper who played the lead role (Essem) in the musical Slanted! Enchanted! A Pavement Musical that is featured in the new documentary Pavements. We discuss how Michael first got involved in the project and whether or not he felt the musical was earnest or a put-on, the mixed bag that often is a jukebox musical, whether or not his fellow actors knew about Pavement and their music before becoming part of the musical, jamming over 40 Pavement songs into 80 minutes of stage time, Michael feeling like he was losing your mind on stage, the plot and musical theater tropes used in the Slanted musical, could this format have worked for any other band besides Pavement, Michael working with David Bowie on one of his last creative stage projects before his death, how much freedom does a stage performer have from night to night, Michael getting to share an emotional moment from the stage of the musical with his sister (who was also a huge Pavement fan), the absurd leap that an audience has to take with the performers in a musical, how the Slanted musical was an actual love letter to the band and more!So bring on the major leagues with this soon-to-be Tony-nominated podcast episode of Revolutions Per Movie & its subsidiary Pavement Week.MICHAEL ESPER:@airstreamrallyREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
For the finale of Revolutions Per Movie’s Pavement Week, we are joined by Pavement’s Spiral Stairs (aka Scott Kannberg) & Robert Greene, editor/producer of the new documentary Pavements.We discuss its kaleidoscopic storytelling, which weaves together a star-studded biopic, a traditional band documentary, a Pavement museum, and the Pavement jukebox musical all into a feature-length film.We also talk about Robert’s long-term push-pull artistic relationship with the film’s director Alex Ross Perry, Spiral’s involvement with Louder Than You Think (a documentary about early Pavement drummer Gary Young), the process of recording the Pavement EP Watery, Domestic, the sadness surrounding Pavement’s initial breakup, how the film helped Spiral appreciate what the band accomplished, the epic saga of Spiral vs. Lollapalooza, how the "biopic" in Pavements cut close to the bone while still being completely false, the elevated mystery surrounding Pavement, why their three-sided record Wowee Zowee influenced the final edit of the film, the forthcoming soundtrack LP, the future of Pavement and much more!There's no culture!!! There's no spies!!!So let's end Pavement Week with this heartfelt, inspiring, and hilarious episode of Revolutions Per Movie.PAVEMENT: pavementband.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week we continue Pavement Week on Revolutions Per Movie with episodes celebrating Pavement to the max.  For today’s episode (#4 of 5) we talk to filmmaker Alex Ross Perry who directed the new kaleidoscopic documentary Pavements.  We discussed Alex’s formative years working at the legendary Kim’s Video in NYC, how Alex broke away from traditional music documentaries to make Pavements, the truth hidden within the fiction of the biopic segments of the film, the earnest nature of musical theater and creating the Pavement jukebox musical, seeking music video bootlegs in the 90s, how the surprise viral hit of Pavement's 'Harness Your Hope' changed the trajectory of the film, creating the myths of a band like Pavement, the band’s restrictions for the making of the film, how Joe Keery of Stranger Things was always the first choice to play Stephen Malkmus in the film, how Alex purposely wrote the worst possible Pavement biopic using real dialogue from Pavement, the Lollapalooza mud slinging show, how to know when a potentially endless documentary is done, Malkmus' reaction to the Pavement Museum that was built for the film and more.So, as they say in the film, let's give 100% of the 50% that we know is possible from Pavement on episode 4 of Pavement Week on Revolutions Per Movie.PAVEMENTS:https://pavements.official.film/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we will be celebrating Pavement Week on Revolutions Per Movie with episodes that are Pavement to the max!!!  For today’s episode (#3 of 5) we talk to multi-instrumentalist of Pavement, The Minders, Pedro The Lion & Wild Flag, Rebecca Clay Cole!!!  We discuss her time in Pavement and her varied musical life, and she also brought us an amazing music film pick to discuss: the Luther Vandross documentary Luther: Never Too Much.  We also talk about her involvement with the Elephant 6 scene, how her first band was the incredible The Minders, learning to sing harmonies on the fly, working with The Jicks before being asked to join Pavement, what the Denver music scene was like in the late 90s, collecting 7” records, the mysteries of a sound check, how Luther’s childhood friends (Fonzi Thorton, Robin Clark & David Bowie/Iggy Pop collaborator Carlos Alamor) remained in each other’s musical lives until his death, Luther running the Patti LaBelle fan club, his first band performing on Sesame Street, a young Luther getting his bandmates' parents to buy their jade colored shoes for their live shows, Luther embracing the Philly sound, David Bowie making Luther his vocal arranger for the Young Americans album and Luther re-writing one of Bowie’s songs, plus songs for The Wiz, touring with Bette Midler, chance encounters in creative situations, Luther being on every recording of Chic, his new wave album Busy Body, the racism in the record industry and how the media obsessed about his weight, how Luther controlled his band on stage tempo wise with such gentle ease and how Luther's vocal style came about from singing in a pizza commercial!So it's siizzzzllliiinnnggg hot on episode #3 of Pavement week only here on Revolutions Per Movie!!! REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week, we will be celebrating Revolutions Per Movie’s Pavement Week with episodes that are Pavement to the max. For today’s episode (#2 of 5), we present an encore airing of our discussion with the director & producers of the amazing Gary Young/Pavement documentary ‘LOUDER THAN YOU THINK,' which is one of the best music documentaries I have seen in recent years and also one of the most enlightening about Pavement.We discuss how surprisingly open the members of Pavement were to discussing Gary, Gary’s legendary home studio where he played drums and recorded Pavement's early records, the incredible marionettes that were built specifically for the film, what it was like for Brian to be in bands with Gary in the early 80s, the surprise explosion of Pavement’s success, Gary’s love of Prog rock and superstardom, the night Gary served mashed potatoes out of wheelbarrows to audience members, Malkmus’s PTSD from working with Gary, the age differences in the band, the battle between lo-fi and professional goals, Gary’s origin story from NY to CA, guitarist Spiral Stairs finding a box of unknown VHS tapes from their first Pavement tour, Rollerball, the blam-o-meter, Gary’s wife Geri, the trauma of him leaving the band after overstepping his role, Gary’s band Hospital, Beavis and Butthead, Gary’s serious advice column in a Japanese magazine, Gary’s struggle with addiction, the Watery, Domestic EP, Gary’s reaction to the film & the time he disrupted his own film premiere by heckling the documentary.So let's do collective handstands while the band plays onwards as we celebrate PAVEMENT WEEK on Revolutions Per Movie!STREAM LOUDER THAN YOU THINK HERE:https://www.factorytwentyfive.com/louder-than-you-thinkREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
'SLOW CENTURY’ & ‘PAVEMENTS’ w/ LANCE BANGS(PART 1 of PAVEMENT WEEK)This week, we will be celebrating Pavement Week on Revolutions Per Movie with episodes that are Pavement to the max!!!  For today’s episode (#1 of 5) we start off with a bang with director/producer LANCE BANGS (Slint: Breadcrumb Trail, Jackass, Pavement: Slow Century, Pavements). We discuss how Lance first connected with Pavement and started documenting their early shows, what a young Lance was watching and listening to before the underground, how he put together the first Pavement docuementary SLOW CENTURY, what it’s like directing Pavement music videos & why there were two versions of the 'Major Leagues' video, Night Flight, shooting Super 8mm, the legendary City Gardens venue and the dangers surrounding it, The Replacements, SST Records, Jem Cohen, how Lance started working with R.E.M., the mystery of initial Pavement drummer Gary Young, Elephant 6, Nirvana, capturing the (first) last concerts of Pavement, how Lance got involved in the new Pavement doc PAVEMENTS and its genesis to the big screen, how COVID affected the making of the film, the addition of Rebecca Clay Cole, the original ending of the script that didn’t get made, the editing style of Robert Green, the incredibly uncomfortable footage of Pavement at the TIbetian Freedom concert, Wowee Zowee and how the film’s end is structured like side 3 of the LP, the illusion that Pavement were huge and more.So much style that's it's wasted...right(?) on episode #1 of Pavement week only here on Revolutions Per Movie!!!LANCE BANGS: lancebangs.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s episode, I am joined by Grammy-nominated singer/songwriter and collaborator with LEONARD COHEN, PERLA BATALLA, who discusses her good friend/creative muse and her thoughts on the film 'LEONARD COHEN: I'M YOUR MAN.'We discuss Perla’s childhood and escape from her family into a life in music, her Mom’s record store, working for T.V. legend Norman Lear documenting The Jeffersons & One Day At A Time, her surprisingly frantic introduction to Leonard Cohen’s music and the man himself, musician Julie Christensen, working with Nick Cave, Rufus Wainwright & Beth Orton, being fired from the rock n’ roll world, how Leonard’s lyrics cracked Perla open emotionally, the pressures of being Leonard Cohen and what audiences expected from him, being a superstar in Europe, his album The Future, Cohen’s work discipline, the flexibilty of Cohen’s work leading artistic interruptations by others, how the concerts for Leonard Cohen came about through legendary producer Hal Wilner, why Leonard did not want to be in the film, the emotions of touring, how Perla worked her magic to get certain songs in the concert, why U2 is so prominent in the film even thought they were not in the concert itself, the problems we both have with this film, how the hell did Mel Gibson become a produer on the film, Laurie Anderson being involved in the prerfomrances originally, Leonard writing songs critizing his record company and more...So join us for a very insightful look into the depths of Cohen's life and music on this week's Revolutions Per Movie!PERLA BATALLA: https://perla.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s episode, I'm joined by filmmaker Jim Hickcox (Slow Creep, Soft Matter), who brings us the greatest zombie/rock film of all time, WILD ZERO, starring Guitar Wolf!!!  We discuss the Japanese garage rock scene and Guitar Wolf’s stature within it, what is Jet Rock N’ Roll, how Guitar Wolf made the loudest record ever recorded, Bass Wolf & Drum Wolf’s non-stop hair combing in this movie, Guitar Wolf’s pro-Trans stance in the film, going to video stores rather than record stores while on tour, how the film’s visual style predates Shaun Of The Dead, fast vs. slow zombies, how the concert footage of Guitar Wolf in the movie is incredible, the choice of killing the best characters early in a film, how the film has a surprisingly enormous heart, squibs & head explosions, the Aerosmith arcade game, filmmaker Aki Kaurismäki, Jim’s dance sequence at the end of his film, the difficulties of recommending horror films to others, the unfilled plot to Wild Zero 2 and I go through an utter transformation during the recording of this episode.So come scream “Love Is Love” into a flaming microphone while lightning strikes the stage on this week’s episode of Revolutions Per Movie!JIM HICKCOX:www.jimhickcox.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by Jenny Don’t & Kelly Halliburton (Jenny Don’t & The Spurs & Pierced Arrows), who discuss their bandmates/dear friends Fred & Toody Cole and the documentary UNKNOWN PASSAGE: THE DEAD MOON STORY.We also discuss how my very first Country/Western show was seeing Fred & Toody’s band Western Front, Jenny and Kelly’s wildly different entry points into Punk and Country, Jenny learning to sing using an answering machine, The Cole’s approach to get the job done with limited resources, how Kelly first met Fred Cole at the age of 8 because his Dad was already in a band with Fred, The Wipers, Poison Idea, the love for Dead Moon in Europe, the kindness of Andrew Loomis and the monster drummer he was, the origin of post-Dead Moon band Pierced Arrows and Kelly’s time as drummer with Fred & Toody, what is was like touring with The Coles & their late night casino adventures, how the doc captures the dampness of Portland, The Lollipop Shoppe and motorcycle exploitation films, the difficulties with crossing country borders with the Coles, how Pierced Arrows wrote their songs, a walkthrough of The Coles' one-of-a-kind house, Chris being to afraid to play the guitar he was going to buy in front of Fred Cole, The Cole's early bands The Rats & King Bee, how Fred Cole discovered punk rock at a Ramones show, ageism in early punk rock, The Dead Moon huddle and the Pierced Arrows 'ring power' ritual, how supportive the band was of the opening bands they played with, Mike Watt, Toody Cole continuing to rock, being a lifer in music while being in a couple band and so much more...So let's huddle over that melted candle shoved into a Jack Daniel's bottle on this week's episode of Revolutions Per Movie!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s episode, we are joined by Johnny Echols, who was part of one of the greatest bands of all time, the 60's band Love. We are also joined by Mike Randle, co-founder of the band Baby Lemonade and Love w/ Johhny Echols, who, alongside Love singer/songwriter Arthur Lee & Echols, helped find new audiences for Love's music before Arthur died in 2006. We discuss how for a long time the music documentary Love Story was the only way to glean information about the mysterious band, how Johnny and Arthur originally met, Arthur’s (and Love’s) ability to create larger-than-life myths within their legacy, their disappointment with Elektra Records, the pros and cons of being a band in L.A., how playing in cavernous rooms on the Sunset Strip helped inform the sound of their first LP, how Arthur described the music in his head to the band, how Echols transformed Love’s classic ‘7 and 7 Is’ from an acoustic ballad to a punk classic, Arthur being backed by The Knack, the creation of their seminal classic album Forever Changes and how Mike got Arthur to revisit the album long after he had written it off, how Forever Changes was intended to be a double album with Neil Young producing, why the original members left the band, how Johnny was only 19 when the band was breaking up, recording their last single, the fight between Courtney Love and Slyvetster Stallone at a Love show and much more.So Oop-ip-ip oop-ip-ip yeah on this week's episode of Revolutions Per Movie!!! LOVE WITH JOHNNY ECHOLS: https://lovewithjohnnyechols.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s episode, we look at the ultimate song and dance man, Andy Kaufman, and the new documentary about him, Thank You Very Much, directed by this week’s guest, Alex Braverman. We discussed Alex’s parents working on the filming of Andy Kaufman’s Carnegie Hall stage show and how Alex discovered Andy through that VHS sitting on his parent’s shelf, how most of Andy’s comedy was infused with music, Tony Clifton, Andy's skill at wasting valuable network TV time, the incredible footage of Andy with the Maharishi and asking him about comedy, how Andy was happiest when the audience was against him, his congo playing skills, what shaped Andy’s humor, his comedy partner Bob Zmuda, his appearance on The Midnight Special and Fridays, the has-been corner, Andy busing tables at Jerry’s Deli at the height of his career, Andy taking everyone out for milk and cookies after the Carnegie Hall show, the scoring of the documentary by Chris Bear of Grizzly Bear & Alessandro Cortini of Nine Inch Nails, his turn as a wrestling villain, Andy’s devotion to Transcendental Meditation, Laurie Anderson’s friendship & stage partnership with Andy, our favorite Andy Kaufman moments, how Andy was a great fake crier and more!So, in honor of Andy, let’s beat on the congas two more times on this week’s episode of Revolutions Per Movie.ALEX BRAVERMAN:www.instagram.com/alexbravermanWHERE TO WATCH THANK YOU VERY MUCH:https://drafthousefilms.com/thankyouverymuchREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s episode, we are joined by the legend Kevin McDonald of The Kids In The Hall, who talks about his upcoming rock opera, Superstar (A Rock Opera), and the films and music that influenced it.  We also discuss Kevin’s love of musicals, why comedians want to be musicians and vice versa, Kevin discovering Jesus Christ Superstar and the effect it had on him, the musicality of Kevin’s voice in his comedy, writing the Kids In The Hall sketches ‘The Suburbs’, ‘Daddy Drank, and ‘The Bass Player,' why rock operas are always so dire and full of trauma, how hard it is to write an ending for a sketch, Monty Python, Phantom Of The Paradise, Hedwig & The Angry Inch, why Kevin chooses to turn truly painful moments in his life into his comedy, Chris’ Colonel Jeffrey Pumpernickel concept LP with Stephen Malkmus & Ann Magnuson, how Kevin wrote his rock opera lyrics and melodies, the magic of Dave Hill, upsetting Flo and Eddie references in Kevin's rock opera, Paul Williams, The Mountain Goats, why "rock music" in a rock opera often rings false, who should direct the film the version of Kevin's rock opera and more!So, let's do our vocal exercises before hitting the stage on this week's episode of Revolutions Per Movie!KEVIN McDONALD:See Superstar (A Rock Opera) Live At Soho Playhouse March 19-23, 2025Tickets: www.sohoplayhouse.com/upcoming-events/kevin-mcdonald-superstarREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND.  We discuss Mark’s path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark’s first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark’s decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed’s solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by musician, producer, composer, and filmmaker Brendan Canty (Fugazi, Rites Of Spring, The Messethics), who chose the wildly unexpected outlaw country documentary HEARTWORN HIGHWAYS to discuss. We also get to discuss the importance of his bands Rites Of Spring & Fugazi, Chris seeing Fugazi in a hippie cafeteria on their first tour, playing videogames with Elliott Smith, Brendan's Burn to Shine series that featured bands playing songs in a condemned house that was going to be burned down, Jem Cohen's film with Elliott Smith, the making of the Rites Of Spring LP, the gang mentality of bands, how his latest score is as if Greg Sage of The Wipers had used an orchestra, how growing up in the 80s country music was seen as the enemy, 70s Country's anti-establishment vibe, Townes Van Zandt, Guy Clarke, David Allen Coe, Brendan’s youth on CB radio, Willie Nelson being turned away from being in this film, talented nerds, what it was like recording the Fugazi records at the Inner Ear Studio, Les Blank, big box VHS tapes, Key & Peele parodying Brendans’ music and so much more!So put on that bejeweled belt buckle and let's tip our hat on this week's episode of Revolutions Per Movie!!!BRENDAN CANTY:@Brendancantythemessthetics.bandcamp.com/album/the-messthetics-and-james-brandon-lewisREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by MARTIN WONG (co-creator and editor of GIANT ROBOT magazine and self-proclaimed ‘shitworker’ for THE LINDA LINDAS) to discuss the music narrative punk film LINDA LINDA LINDA. We discuss Martin’s past writing for FLIPSIDE magazine and his initial exposure to punk music, how Giant Robot was started, our favorite obscure Asian cinema and music, how James Iha of Smashing Pumpkins did the soundtrack for this film, the L.A. Chinatown punk scene, the Linda Lindas opening for The Rolling Stones, The Blue Hearts, The Clash, Buzzcocks, Die Kreuzen, the power of hearing an amazing song for the first time, the current Japanese punk scene, Guitar Wolf, The Ramones dream sequence stand-ins in this film, punk rock video stores and what happens when you finally write your first good song.So let’s dive off the stage arm-in-arm on this week’s episode of Revolutions Per Movie!!!MARTIN WONG:@martinkendallwongbymartinwong.wordpress.com/giantrobot.com/collections/giant-robot-magazineWHERE TO WATCH THE MOVIE LINDA LINDA LINDA:https://www.dailymotion.com/video/x96udx0REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week we are joined by the director and producers of the amazing Gary Young/Pavement documentary ‘LOUDER THAN YOU THINK,' one of the best music documentaries I have seen in recent years and also one of the most enlightening about Pavement. We discuss how surprisingly open the members of Pavement were to discussing Gary, Gary’s legendary home studio where he played drums and recorded Pavement's early records, the incredible marionettes that were built specifically for the film, what it was like for Brian to be in bands with Gary in the early 80s, the surprise explosion of Pavement’s success, Gary’s love of Prog rock and superstardom, the night Gary served mashed potatoes out of wheelbarrows to audience members, Malkmus’s PTSD from working with Gary, the age differences in the band, the battle between lo-fi and professional goals, Gary’s origin story from NY to CA, guitarist Spiral Stairs finding a box of unknown VHS tapes from their first Pavement tour, Rollerball, the blam-o-meter, Gary’s wife Geri, the trauma of him leaving the band after overstepping his role, Gary’s band Hospital, Beavis and Butthead, Gary’s serious advice column in a Japanese magazine, Gary’s struggle with addiction, the Watery, Domestic EP, Gary’s reaction to the film & the time he disrupted his own film premiere by heckling the documentary.So let's do collective handstands while the band plays onwards...on this week's episode of Revolutions Per Movie!STREAM LOUDER THAN YOU THINK HERE:https://www.factorytwentyfive.com/louder-than-you-thinkREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by actor, writer & comedian CLARE O’KANE (whose latest comedy album, Everything I Know How To Do, was released on Eugene Mirman’s record label) about the classic 1968-directed film MONTEREY POP! We discuss Clare’s Bay Area upbringing and being too uptight to be a hippie, our history with comedy records and what its like for Clare to make one, we share our weirdo pre-flight rituals, why the Grateful Dead didn’t want to be in the finished film and other performances that were cut out of it, the shocking lack of beards in the film, the optimism in the audience compared to two years later with Gimme Shelter, watching the audience experience Jimi Hendrix, The Who and Janis Joplin for the first time, who was the only artist to get paid at this charity event, how the film came together and how Paul Simon saved the concert from going under, the time Clare opened for Jawbreaker, the weirdo factor of San Francisco bands, David Crosby’s talking bout the Kennedy assisination, how can we Boogie and Choogle, how the song White Rabbit ruined the Jefferson Airplane for us and our acting turns that involved using this song, Godard’s seeing Jefferson Airplane in this movie and then filming them rocking out on a rooftop for his film 1am One American Movie, crying at live shows, Otis Redding’s incredible performance captured here, what would be the best band from this festival to have sex too, Chris spills the beans on an unreleased episode of RPM and much more!So let's laugh directly into the sun on this week's episode of Revolutions Per Movie!!!Clare O'Kane:https://www.clareokane.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods sent directly to you.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by musician STEVE MICHENER (Big Dipper, Volcano Suns, Dumptruck, Barbara Manning) to discuss a documentary featuring one of Steve’s old bandmates, THIS IS NOT A PHOTOGRAPH: THE MISSION OF BURMA STORY!!!! We discuss the makeup of the Boston music scene of the 80s, Steve’s time in post-Burma band VOLCANO SUNS with Peter Prescott, the genesis of BIG DIPPER, how it was like Beatlemania for Burma in Boston, Burma playing 3 times a week in the early days, how Burma changed the music scene into an artier space, Propellor Records, The Girls and Moving Parts, what brought Clint Conley and Roger Miller together, the chaotic playing outside of their own song structures that Burma did, ultimate chemistry bands, Martin Swope’s magical live tape manipulation and what it felt like hearing it in the audience early on, the criticism regarding their records vs. their live shows, Peter Prescott’s scream, the band Sorry, the Moby hatred displayed within this doc, The Go-Betweens, discovering what tinnitus was through Burma and Roger Miller’s subsequent hearing loss, working at the copy shop with Prescott, the sadness of Burma breaking up and living under Burma’s shadow, Steve’s stints in Yo La Tengo and Dumptruck, the challenges of being in a band with multiple song writers, why and how Burma reformed, This Band Could Be Your Life, Bob Weston taking over for Martin Swope, how the band continued to grow after they reforemd, how loud was Burma really and a day in the life of a Mission Of Burma fan!So come sing out loud "dada dada dada dada dada dada dada dada dada" on this week’s episode of Revolutions Per Movie!!!STEVE MICHENER:@steve.michenerREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by RONNIE BARNETT of THE MUFFS, who chose the classic music documentary ANVIL! THE STORY OF ANVIL to discuss! We also discuss the sides of Double Nickles On A Dime, Ronnie's high-school metal & new wave band roots, Creem magazine, Ian McKaye’s love of Ted Nugent, trying to understand Van Halen, turning your back on metal during the punk wars, how most bands suck after their 4th record, how the director of Hitchcock (who was once an Anvil roadie) made this film, the lyrics to "Metal On Metal", how many people didn’t think that Anvil was a real band after they watched this documentary, Anvil’s incredible run of album covers and titles, how the director set the film up like This Is Spinal Tap, Slash & Lemmy, how the film is a truthful look at the stuggles of being in a band in any genre, the day jobs of musicians, Cactus, the first song Anvil ever wrote: Thumb Hang, Ronnie making a band demo in a motel room, The Pandoras and The Lazy Cowgirls, forming The Muffs, the strange realitites of playing music in Europe, Stiff Little Fingers seeing Anvil trying to get home during the pandemic, how emotional the film is on viewers, the DIY spirit of the band, Anvil vs. Sebadoh and more!So, let's grab the promoter who is trying to rip us off by the collar of his leather jacket on this week's episode of Revolutions Per Movie!!!RONNIE BARNETT:@ronniebarnett.themuffsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we’re joined by musician & arranger Kyleen King. As a backing performer for such acts as Brandi Carlile, The Decemberists & Drive-By Truckers, Kyleen picked a film that strikes close to home, 20 Feet From Stardom. We discuss what it feels like to serve other musician’s visions even if they can’t articulate what they want, zoning out on stage, pre-show rituals and superstitions, the performative elements of being a backing musician, how the film helped Kyleen want to go into mental health and social work for musicians, Darleen Love, the devaluation of music, Lisa Fisher, hearing Gimme Shelter for the first time in Adventures In Babysitting, the dismissiveness of being a backing singer by Mick Jagger in the film, making bonehead mistakes on stage, how to sing harmony parts, The Blossoms, Ray Charles, the difficulties of forming words while being on tour and more.So take another bow at the edge of the stage on this week’s episode of Revolutions Per Movie!!!KYLEEN KING:https://maestramusic.org/profile/kyleen-king/  REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by one of the legends of the American Underground, STEVE WYNN (The Dream Syndicate), who picked the jaw-dropping THE TAMI SHOW from 1964 to discuss. We also talk about the excitement of being young in the studio for the first time, the four elements that make a great record and how The Fall inhabited all of them, working with Peter Buck, being a snobby music snob, Chris seeing The Dream Syndicate open for R.E.M. on their Reckoning/Medicine Show Tour, how they evolved from Days to Medicine Show, watching The TAMI Show with the Pasiley Underground members in the theater, how the film and its sequel, the TNT SHOW, were split up into yet a different third film, Van Halen opening for Sparks, the feeling of the music industry hanging in the air in L.A., how the director also made the Elvis Comeback Special and the Star Wars Holiday Special, the narc energy of Jan & Dean, Smokey Robinson’s voice going out during his perfomrance int he film, Mick Jagger finding out how to be Mick Jagger in this performance, The Stones vs. James Brown mythology, Marvin Gaye & The Blossoms, how the Velvet Underground lifted a song from Marvin Gaye, the incredible power of Leslie Gore’s perfomrance, Dennis Wilson (almost) stealing the film with his drum performance, Keith Moon, Steve seeing The Beach Boys on the Surf’s Up tour, Billy Kramers’ high creep factor even though Lennon/McCartney kept writing songs for him, the Americana trend over in Europe 84, X, The Supremes, Diana Ross’ voice slaying and her eye makeup killing, The Barabrians transcending time, Tony and The Tigers and more!So throw your cape off your back and struggle back to the microphone with us on this week’s Revolutions Per MovieSTEVE WYNN:https://www.stevewynn.net REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On this week’s bonus episode of Revolutions Per Movie (released for fun on Chris' birthday), we are joined by director Jeff Feuerzeig (The Devil And Daniel Johnston, AUTHOR: The JT LeRoy Story, Half Japanese: The Band That Would Be King) to discuss a very mysterious, litigious, and glorious documentary KISS IN CADILLAC, MICHIGAN 1975! We get to discuss Jeff’s origin story with Kiss, his childhood insights into their albums, how a high school assistant football coach got Kiss, at the height of their KISS ALIVE exploding fame, to come to his town to celebrate Kiss and play a show in their gymnasium, being kids in 1975 trying to recreate their dangerous stage show, the complicated legal battles surrounding the rights to this incredible film, the mystery of who actually made the documentary, the power and mythology of Kiss on pre-teens in the 70s, Creem and Circus magazine, Jeff gives his deep cut must-see documentary list, our love for Paul Stanley stage banter, how Jeff accidentally discovered this documentary, Ace Frehley’s laugh being the greatest thing ever recorded in human history (and how the other members of Kiss hated it), Jeff’s rabbit hole search to find the film after it had been stripped off the internet, the controversial figure The Gooch and the Kiss Army’s thoughts on him, the loophole in the Digital Millenium Copyright act, Kiss making their own version of the documentary with ESPN and how it pales in comparison, bootleg records, Springsteen Vs. The Grateful Dead, KISS=Keep It Simple Stupid, the Sex Pistols reunion tour, WFMU, a Ramones hologram tour, and more!So shout it out loud with us on this bonus episode of Revolutions Per Movie!!!And remember you can always celebrate my age by supporting the show over at Patreon.com/revolutionspermovie (you can even gift the show now!). Thanks again everyone...JEFF FEUERZEIG: https://www.jefffeuerzeig.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES’ documentary, THE VELVET UNDERGROUND. We also talk about Haynes’ body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris’ emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt’s forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol’s prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol’s visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet’s record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman’s presence in the film, The Velvet’s love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes’ struggled making the film because of lack of archival footage of the band, John Cale’s departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let’s have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week we are joined by superforce musician, actor, writer & podcaster SEAN NELSON (Harvey Danger, The Wonder Of It All) to discuss one of the most divisive music biopics of all time, Oliver Stone’s THE DOORS. We delve into seeing the film in the theater when it first came out in 1991 and how it was wiped off the culutral map shortly after its release, the divisiveness of The Doors’ music, how this was the peak of Oliver Stone’s power after just winning an oscar, DePalma’s proposed version of the film, the strange casting choices for Jim Morrison before landing on Val Kilmer, how the surviving members of The Doors were split on their support of the film, outgrowing certain types of music, the great 90s indie film boom, how in Stone’s eyes Morrison could do no wrong, how the film is intellectualy lazy but visually majestic, Crispin Glover as Andy Warhol, Val Kilmer going method on the set of the film, Joan Didion in the studio with The Doors, being superstars at the age of 21, Val Kilmer’s butt double, Ed Sullivan impersonators, Stone’s disrespect for Warhol’s Factory, Kevin Dillon’s narc energy in the film and who should have played drummer John Densmore instead, the story behind who played ‘Death’ in the film, Hammer Of The Gods & No One Gets Out Alive being essential teenager reads, how the last line of the film is one of the greatest throw away lines of all time & so much more…So let’s swim to the moon (or not) on this week’s episode of Revolutions Per Movie!!!SEAN NELSON:The Wonder Of It All: https://www.youtube.com/playlist?list=PLu_AhsJQirp3LaDyH2J0JO_BboEpmaP0Q@actualseannelson REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Happy holidays, everyone! I wanted to thank everyone who has supported and listened to the show, all of you incredible folks who have gone the distance & subscribed to the show's Patreon (again, thank you thank you thank you!), written kind reviews, turned other people onto the show, and generally just cheered this show along as I work on the show. I also want to give much love and thanks to my co-host Chaki The Funk Wizard, all my incredible guests who bring such goodness to the show, and the incredible Jeff T. Owens for all his graphic work.So, for this holiday week, I wanted to share an episode that initially came out on the Revolutions Per Movie Patreon. Tom Waits seems like a good holiday or end-of-year choice, and my guest Galen Howard is fantastic with his love of Waits' lore and the making of this very, very strange 'concert' film.To all who already support the Patreon, I hope you are enjoying the Flexidisc, and heads up that another special physical music gift is coming your way next month just for you! You keep the show going so thank you...I do not take your support lightly.And for any of you who have not joined the Patreon, I hope you'll consider it. The show is completely independent, and this is the best way to support the show (plus get all the killer bonus extras!!!) patreon.com/revolutionspermovie or gift it over at patreon.com/revolutionspermovie/giftLooking forward to bringing you even more in 2025 and again thank you for enjoying the show.Chris SlusarenkoThis week, we talk to actor GALEN HOWARD (THE BOOK OF BOBA FETT,  BROOKLYN 9-9 and the star of music videos by Weezer and Disclosure) about the TOM WAITS “concert” film BIG TIME. We discuss what it’s like being part of the Star Wars cinematic universe, why Tom Waits is Galen’s all-time favorite artist, the long-ago arthouse vibe of the film, what works and doesn’t in the film, how Waits slowed down his voice in the film to create unease for the audience, Waits’ original stage play, the jarring interstitial moments in the film, musicians Marc Ribot and Ralph Carney, the acting of Tom Waits, the early traditional albums of Waits, why it’s so hard to find the film, Film Noir fixation, how Waits has influenced Galen’s creative process, Rust Never Sleeps, the staging and lighting decisions for the film, what songs were sadly excluded from the film, dancing in movie aisles, the growth and journey of Waits’ Frank character, Robert Wilson, the lack of documentation of Waits’ visual work and stage performances, and even Tom Waits’ lawsuit against Doritos.So get your tickets early, before the usher waltzes you away, on this week's episode of Revolutions Per Movie!!!GALEN HOWARD:https://www.galenhoward.com/https://www.instagram.com/galenhoward/?hl=en Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by documentary filmmaker SCOTT CRAWFORD to discuss the director’s cut of his D.C. hardcore punk documentary, SALAD DAYS!!! We discussed Scott’s punk fanzine that he published in 7th grade, unlocking the mystery of VOID, the sadness of MINOR THREAT’s final EP Salad Days, Trouser Press Magazine, devouring punk rock scene reports, seeing FUGAZI play in a hippie cafeteria, witnessing RITES OF SPRING’s legendary live shows, being able to name all members of BEEFEATER, the divisiveness within its own scene, MARGINAL MAN, Rock against Reagan, do our first punk shows really count as punk shows, renting out VFA halls to put on punk shows, self-policing all ages show in D.C., 9:30 Club, what made Scott revisit the film to make a director’s cut (the answer might surprise you!), growing up in a band, the violence that came into the scene, Revolution Summer, Brian Baker’s interview style, Faith Vs. Void, punk shifting towards metal, getting hit in the face by a guitar headstock, how Scott got access to footage of SOA & BAD BRAINS, Positive Force, and learning never to have your band follow Fugazi live!!!So we’ll see you in the pit (and pick your friend if they fall down) in this week’s episode of Revolutions Per Movie!!!SCOTT CRAWFORD:https://www.saladdaysdc.com REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by legends Jeff & Steven McDonald of REDD KROSS and Andrew Reich, the director of the new Redd Kross documentary ‘BORN INNOCENT: THE REDD KROSS STORY.' A band very close to my heart and record collection, we discussed so much in this episode, including the Elks Lodge Punk Rock riot and the story of their parents rescuing them from it, Andrew’s gateway into hearing the band for the first time, Jeff’s early hair regiment and the moment the band decided they would cut their hair no more, their shows with Black Flag and The Go-Go's, the brother dynamic and what it's like starting your band at age 11 and 15, convincing their parents to drop them off at punk rock shows and how hard was it to get their parents to agree to be in the movie, how the film took almost 10 years to complete and what made Andrew want to be the one to direct it, the brother dynamic, the magic in how Redd Kross write songs, razzamataz, the cover art of Born Innocent, reclaiming the fun after the traumas of their youth, garbage culture, Beyond The Valley Of The Dolls and discovering Pink Flamingos, how video stores saved our young minds, what it was like acting in the Lovedoll films, Anarchy 6 (The Rutles of hardcore punk), their massive influence on the American underground and what later became grunge, Sub-Pop, working with Geza X and being out of their minds on drugs while recording theTeen Babes from Monsanto LP, the multitude of band members that have gone through the ranks of the band over the years, Bowie being at their first nightclub show, could Redd Kross ever existed anywhere else but L.A., breaking down their tragic show at the legendary CITY GARDENS venue, the night Jeff taunted the Suicidal Tendencies crew, the power and safety of wearing a guitar on stage, who would play Redd Kross in the big screen biopic version of their story and so much more!So blow a kiss in the wind and let your hair grow long on this week's episode of Revolutions Per Movie!!!REDD KROSS: https://www.reddkrossfilm.com/https://reddkross.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to director, comedian, visual artist, writer, and conjurer of groovy worlds, RACHEL LICHTMAN (Programme 4, Easy AM 66), about one of the most surreal episodes of the fabulous variety series The Hollywood Palace!  Our deep dive leads us into one of the strangest and funniest episodes ever of Revolutions Per Movie, where we take apart (and at times destroy ‘with love’) the show—complete with the mind-twisting commercials of the day. We discuss how the host, quadruple artistic threat Sammy Davis Jr., is likely the greatest TV host of all time, Rachel’s deep knowledge of 60’s and 70’s pop culture and how she channels it seamlessly into her own art, the sadness of going to fancy restaurant as a kid with your parents, what a bummer Peter Lawford is in this episode and his vomit inducing version of Aquarius, Sammy Davis Jr. and Mama Cass Elliott killing it while performing together, the various 'mouthwash for lovers' that were being sold at the time of this episode, The Groove Tube, family bands, The 5th Dimension cop show that Rachel dreamed up, The Rolling Stones’ first U.S. TV appearance on The Hollywood Palace where they got roasted by host Dean Martin, The Lawrence Welk Show, the incredible Emmy-winning production design of the show and how they were originally going to put a swimming pool floor into the theater, a very influential jazz musician-themed Kool cigarette commerical, getting a cigar sent to you in the mail, dicking around and the smells of old recording studios, working with Ted Leo & Juliana Hatfield, the Free Love movement, Redd Kross, soul legends The Dells, the Alka Seltzer politcal ad, Mad Men, the end of the variety show era, what the fuck is GrapeBerry Juice, Rosey Greer and his soul song, The John Cassevettes’ styled commercial for Tylenol PM, The Electric Company & Rhoda, & the electrifying conclusion to this whirlwind show full of jaw-dropping strangeness.Be sure to watch the episode along with us in the show notes below so you can also scream in terror at Peter Lawford’s counterculture attempt at being The Now Thing!!!RACHEL LICHTMAN:https://www.programme4.tv/WATCH THIS EPISODE OF THE HOLLYWOOD PALACE:https://www.youtube.com/watch?v=ePGjB13X1I0REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it’s like for Luke to compose music for director Taika Waititi’s films, 1991’s director Dave Markey’s history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston’s stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana’s Bleach, hearing Smells Like Teen Spirit for the first time, Chris’s Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley’s drumming, Markey’s knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis’ Bitches Brew, how Nirvana ecplised Sonic Youth’s popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week’s episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by comedian, musician, and the proud creator of 31 Videos In One Day, JOE KWACZALA, who picked the Lonely Island music comedy biopic POPSTAR: NEVER STOP NEVER STOPPING to discuss. We also talk about what leads the charge for Joe—comedy or music, Joe’s obsessions with classic rock radio, getting your rock shirts at JcPenneys, Joe cracking classic rock station trivia contests and winning beer as 14 year old from them, the shield of comedy lyrics, how difficult it is to recommend comedy films to others, why the film bombed at the box office, looking at the cameo stuffed film from Ringo Starr to Mariah Carey, the original script of the movie, the steady hand of comedy genius Tim Meadows, Bill Hader as Zippy the Guitar tech, the fake songs in the film that hold up as actual songs, U2’s music appearing on appliances and how the film parodies that, what would be our dream product to sell out too, sticking with one artist’s career, the myth of backstage pre-show ritutals, what’s missing from comedy club stages and what is the load in times for a comedian, Man Man, Gruff Rhys and his paper shredder, big and small rock spectuals on stage,Ted Nugent stupid stage antics, Chris Redd, the comedy chops of Seal in this film and more.So please put on the laser beam helmet, and let’s hit the stage for this week’s REVOLUTIONS PER MOVIE!!!JOE KWACAZLA:https://joekwaczala.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to Nick Brine (who, as a teenager, worked on The Stone Roses’ 2nd LP & Oasis’ What’s The Story Morning Glory and has worked with everyone from Nick Cave to Bruce Springsteen) about the legendary Welsh recording studio that Nick got his start in the doc Rockfield: The Studio On The Farm. We discuss all the legends that have recorded there from Hawkwind to Queen from The Beta Band to Shane MacGowan, how The Ward Brothers who created Rockfield transformed their family farm into the first residential recording studio in the world, using pig stalls for reverb chambers, Joe Meek, the birthplace of Britpop, dealing with the paparazzi, Kingsley’s ability to spin yarns, Iggy Pop & David Bowie recording with a piece of cheese, the magic of the Welsh countryside, driving Robert Plant around, Roy Thomas Baker’s gold toilet seat, the posh side of town vs the farmer side of town, Andy Wallace, Nick’s very strange initial job interview, Nick’s first two sessions with Sepultura and The Stone Roses, getting used to seeing rock bands walking around your small town, working with Oasis and Nick witnessing the legendary fight that broke them up, if the Stone Roses ever get any work done in the 14 months they were there, the Wonderwall wall, using bathroom hallways as vocal booths, building studios with members of the Darkness,Teenage Fanclub and so much more!If you want amazing stories about one of the most magical places that somehow created much of the greatest music ever made…you’ve got it on this week’s episode of Revolutions Per Movie!!!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!SOCIALS:@revolutionspermovieBlueSky: @revpermovie.bsky.socialTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to journalist and author KATHERINE YESKE TAYLOR (She’s A Badass: Women In Rock Shaping Feminism) about the much-requested film PURPLE RAIN!!! We get to discuss Katherine’s start at interviewing bands at age 16 and fighting against her highschool newspaper to do so, how she put her book together (interviewing Suzie Quatro to Lydia Lunch to Death Valley Girls), seeing Purple Rain in a movie theater vs. seeing it at home on VHS, how the First Avenue (the lengendary music club in Minneapolis) is such a strong character in the film, the cultural saturation of Prince at this time, the genesis of the film getting made, Prince’s complete artistic control & how he did not talk to the press for over 2 years after the film came out, Prince’s un-finished first film The Second Coming with director Chuck Statler (director of Devo, Elvis Costello and The Time videos), jamming a movie into a 3 1/3 minute music video during the early 80s, Morris Day’s film stealing performance and his post-Purple Rain career, the acting stylings of Prince and his band, the confusing plot point of the bands playing only one song at a time at the club in this movie, the competitive nature of bands, the managment of the club telling Prince not bring his personal shit up onto the stage (when that’s all he does!), seeing performers have a meltdown on stage, how much of the movie’s storyline doesn’t work for modern audiences, the difference between the sexuality of this film vs. his albums, how Prince was also a champion for women in music when men weren’t, Wendy & Lisa, When Doves Cry, the final freeze frame of the film & the guitar climax that leading up to it, Whitesnake, how Prince followed up Purple Rain with some of his most esoteric work to date & how at the age of twenty-six Prince already knew that he did not want to do Purple Rain 2!So let’s whip our heads quickly towards the camera, and then let’s go crazy on this week’s episode of Revolutions Per Movie!!KATHERINE YESKE TAYLOR:https://bookshop.org/p/books/she-s-a-badass-women-in-rock-shaping-modern-feminism-katherine-yeske-taylor/19792657?ean=9781493072545@kyt_in_nycREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to author and music critic MARC MASTERS (High Bias: The Distorted History Of The Cassette Tape, Pitchfork, The Wire) about the film THE DEVIL AND DANIEL JOHNSTON and the cassette tape culture surrounding Daniel. We also discuss our elaborate tape trading stories and sequencing your perfect mixtape, Bananafish magazine, Sebadoh, Homestead Records, ordering Daniel Johnston cassettes directly, Daniel’s religious upbringing, arguing with his Mom and how he put it directly into his music, Sun City Girls, why Daniel’s music benefited from being on cassette vs vinyl/cd, how home recording allowed you to hear the physical space of the artist’s bedroom or garage, how the film initially was going to be a Grey Gardens vérité styled film, Daniel’s muse Laurie, director Jeff Feuerzeig’s stunning recreations in this film and Daniel’s help in art directing them, Chris’ real time experience on seeing Daniel on both airings of The Cutting Edge and how different those two performances were, Daniel and his childhood friend David’s relationship, rock n’ roll’s weird fascination with people’s mental struggles from Syd Barrett to Roky Erickson, how a Jeff Feuerzeig documentary is unilke any other documentaries, the myth of Daniel recording his tapes over and over again each time he gave one away, Kurt Cobain changing Daniel’s life forever with a t-shirt, Daniel’s major label bidding war, why Metallica gave the movie a chance to use their own music within it, Sonic Youth driving around looking and finding a missing Daniel Johnston in NYC, cataloging all of Daniel’s tapes, Chris going through all of Robert Pollard's cassette archives, Danny & The Nightmares and more!So reach into your McDonald's bag and pull out a Daniel Johnston cassette as we discuss one of the greatest documentaries of our lifetime on this week’s episode of Revolutions Per Movie.Marc Masters: https://uncpress.org/book/9781469675985/high-bias/@marcissistREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to documentary filmmaker Katherine Linton about her Sundance Channel documentary Follow My Voice: The Music of Hedwig, which follows the students of the Harvey Milk School in NYC and John Cameron Mitchell & Stephen Trask of Hedwig & The Angry Inch (and Revolutions Per Movie host Chris Slusarenko) putting the charity album together. We discuss the stress of not letting Kim Deal of The Breeders know that Frank Black was also appearing on the record, the unknown magic and chance in picking subjects for documentaries, the experience of having Jonathan Richman singing only to you, and Yoko Ono being asked to be slapped on the back while recording her tracks.So come put on some makeup and turn on the 8-track on this week’s episode of Revolutions Per Movie.REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to actor, writer, and comedian DC PIERSON (Community, Derrick Comedy & author of The Boy Who Couldn’t Sleep and Never Had To) about the legendary THIS IS SPINAL TAP’! We discuss the genesis of the project and the trials of making the movie, the original 4 1/2-hour cut of the film and the significant changes throughout the film, the similarities/differences between the comedy & music world, why musicians want to be comedians and vice-versa, what makes a subject ripe for parody, what are the other great mock-rock comedies, losing your way to the stage IN REAL LIFE & the time Sub-Pop Records asked Chris to CUT HIS HAIR!So become lukewarm water with us on this week’s Revolutions Per Movie!DC PIERSON:https://dcpierson.wpcomstaging.com/https://www.penguinrandomhouse.com/authors/102446/dc-pierson/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to BRETT BOHAM (producer of Double Threat & The Best Show w/ Tom Scharpling + co-host of Movies Babyyyyy) about the UK film 24 HOUR PARTY PEOPLE. We discuss Steve Coogan’s incredible performance as Tony Wilson (who put out records by Joy Division, New Order, Happy Mondays) and Paddy Considine as Rob Gretton, unearthing fake Stone Roses footage that was not used in the film, pivotal video store moments, working with Julie Klausner & Tom Scharpling, Brett being able to relate to Tony Wilson’s handling of artists, discovering Joy Division, Shawn Rider, visiting the Hacienda, Goodfellas coke scenes, The Fall and the Manchester music scene, Tony Wilson being a prick in real life, Hollywood Vs. Blockbuster video stores, the B52s and the Athens music scene, Fassbinder films, getting your videos from your local bike shop, 1999 movies, the UK music press, Outkast, how the film uses actual news footage of Tony Wilson, backing up being a pretentious person, Todd Haynes, the Factory Records artwork, not having a contract with an artist, Martin Hannett, legendary under attended rock shows, early White Stripes and Dinosaur shows, how the Sex Pistols playing Manchester changed the course of music forever, Touch & Go records & Butthole Surfers, filmmaker Michael Winterbottom, Coffee & Cigarettes, Alan Partridge, A Certain Ratio, passing the car stereo test, skinheads infiltrating the UK music scene, Pulp and various Factory releases such as #61 Lawsuit featuring Martin Hannett & #501 Tony Wilson’s Coffin. So, let’s go ahead and sign a contract in blood as we delve into this week’s Revolutions Per Movie.BRETT BOHAM:https://foreverdogpodcasts.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to musician LARRY SCHEMEL (Roky Erickson, Death Valley Girls, The Flesheaters, Kill Sybil) about the Roky Erickson documentary You’re Going To Miss Me. We get to find out Larry’s path to working with Roky Erickson & what it was like touring with Roky, Roky’s family situation, does the film show a fair look into Roky’s life at the time, how hard the film is currently to find to view, where we first discovered the 13th Floor Eleveators and what the band meant to us, Velvet Underground, The Nuggets Complation & oldies stations, The Sonics, Forced Exposure Magazine and zine culture, the Elevator’s discography, how the band avoided the hippie-trippie music that was being made at the time, the mythology of Roky & his band The Aliens, Roky’s mother Eveyln, the mysterious jug members of the Elevators, acid, Cold Sun, electric distorted Autoharp, Roky’s Horror Rock, Stu Cook from CCR producing Roky, 415 records, Roky being pulled onstage to sing at a Butthole Surfers show against his will, the chapters that happened after this film ends, how Roky’s songs were structured and what it was like to play them & how Roky knew the songs by the first couple notes.So don’t fall down on this week’s emotional episode of Revolutions Per Movie.LARRY SCHEMEL:Instagram: @larryschemelREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland’s current live show We Can Really Feel LIke We’re Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce’s ashes after his passing, can you still culture jam today, plunderphonics, how Negativland’s perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents’ recording studio in the film, the Christianity Is Stupid murder myth, how artist’s are still getting ripped off, what it’s like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.Is there any escape from noise? Find out on this week’s episode of Revolutions Per Movie!!!RYAN WORSLEY:http://pool-food.com/failure/NEGATIVLAND:https://negativland.com/https://negativland.com/negativland-documentaryREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we welcome the most rock person to ever appear on the show—the legendary comedian, actor, musician, and shredder DAVE HILL, who picked THE ROLLING STONES ROCK AND ROLL CIRCUS to discuss. We also discuss how Exile On Main Street should be the only album played in restaurants, Dave’s inner fifteen year old, Crab Bucket Syndrome and the “Law Of Jante”, which is more taxing: touring as a musician or as a comedian, what commericals would have played on this British TV show, do the Stones pull off their bad boy/satanic imagery, missing the Jethro Tull boat, the origins of the film and why it remained in the vault for almost 30 years, who else should have been in the show, Led Zeppelin, tattoo nightmares, The Action, the original tour concept with The Small Faces & The Who, the first recorded instance of Ian Anderson standing on one leg, Richard Meltzer, getting scared by album artwork, Gary Panter and Songs For Swinging Larvae, Tommy Iommi subbing in here for Jethro Tull, why Dave Hill thinks Marianne Faithfull steals the film, hanging out with Yoko Ono, Robert De Niro and a toolbox, Charlie Is My Darling and the Irish Rolling Stones riots, and Dave has a last minute regret on this very special episode of Revolutions Per Movie.Yer blues, John, Yer blues…on this week’s episode of Revolutions Per Movie!!!DAVE HILL: https://www.davehillonline.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!DAVE PASQUESI:https://www.davidpasquesi.com/https://www.tjanddave.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we celebrate Revolutions Per Movie’s 1 year anniversary with filmmaker and actor OWEN KLINE (A24’s Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO’S TOMMY. We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell’s pre-filmmaking history from being a ballet dancer to dodging the war, Russell’s early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who’s Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret’s Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell’s choice of having the actor sing, including Jack Nicholson’s strange turn, Keith Moon’s approach to Uncle Ernie, Chris’s concept double album Colonel Jeffrey Pumpernickel, Tina Turner’s incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey’s perfect cartwheels, acting through song and so much more!We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy’!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family’s acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn’t allowed to wander around the set, his favorite memories and some moments of being afraid as well.All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!OWEN KLINE:https://a24films.com/films/funny-pagesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to CRAIG FINN of THE HOLD STEADY & ’That’s How I Remember It’ podcast about the legendary cult classic ROCK ’N’ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person’s game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX’s KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante’s script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band’s song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let’s tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus’ DEPECHE MODE 101. We discuss why this film became Pennebaker’s favorite film (over his films about Dylan & Bowie) and why the film director wasn’t a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV’s The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan’s stage presence, Freddie Mercury, Peaches’ regrets with Depeche Mode and the band’s crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.So let’s watch the curtain drop to reveal the band on this week’s Revolutions Per Movie!!!https://peacheschrist.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film’s volatile production, how the film’s genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin’s The Song Remains The Same movie, Garvick Losey’s involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials’ tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week’s episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer’s Day.  We discuss the performances in the film (including Thelonious Monk, Anita O’ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O’Day for the audio book of her autobiography, first impressions of Lou Reed’s Metal Machine Music, Ann’s programing at the legendary NYC Club 57, Ann’s new song ’Ghost Cat’ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann’s SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann’s parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk’s performance is presented in the film, Chris scats the Anita O’ Day finale of ‘Tea For Two’ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O’day’s memoir about the performance that was filmed for this movie and how it changed O’Days life. So let’s never sing the same song the same way twice on this week’s episode of Revolutions Per Movie!ANN MAGNUSON:https://annmagnuson.com/https://annmagnuson.bandcamp.com/album/ghost-catVULCAN DEATH GRIP:https://www.youtube.com/watch?v=f2_dWSpDXJEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to Australian musician, actor, and podcaster BEN LEE about the classic THE DECLINE OF WESTERN CIVILIZATION 2: THE METAL YEARS!!! We discuss how the film compares to the original punk rock film, Ben’s genuinie love of heavy metal and the shot by shot tribute he made to this film for his latest music video, seeing the Mötley Crüe Dr. Feelgood tour, Ben’s transtion from metal into punk, Ben’s thoughts on why Australia might not have the perfomative distance needed to have more glammy metal bands, the sadness that often permiates both films, the divisiveness within the 80s metal scene, the hightened sense of making it in L.A., Gene Simmons & Paul Stanley’s scenes in the movie, Weezer, the Rainbow and the Sunset Strip, selling the rock n roll fantasy to teenagers, the 80s metal MTV video output, Lemmy, the brilliance of Penelope Spheeris’s approach to connecting to these kids in all the L.A. music scenes, the sexism in the film, Lizzy Borden, how some bands prefered asthetic over songs, seprateing the fake album titles from the actual album titles, the Grunge movement, how the idea of careerism came into the underground, taco bell and tour scheudling, Faster Pussycat, hiding the pain through comedy, the pay to play scam, the L.A. police crackdown on the punk, hiphop and metal scenes, satanic panic, not understanind the cultures that come after your time, the Chris Holmes swimming pool scene, the dissappearnce of tribalism in the scene, Redd Kross, losing friends to other music scenes, is music better than sex like they mention in the film, Prince, creativity and sexuality, Megadeth and more!So get ready to tease your hair and scream for Odin in this week’s episode of REVOLUTIONS PER MOVIE!!!BEN LEE:https://www.ben-lee.com/Ben’s music video tribute to THE DECLINE PT. 2 https://www.youtube.com/watch?v=Ojoi9iqXGHYREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy’s Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris’ time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers’ first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.So, let’s innocently stage dive off the movie theater’s stage for this week’s Revolutions Per Movie!JERRY A LANG:https://americanleatherrecords.bigcartel.com/https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band’s Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn’t even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents’ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band’s larger than life concepts, the folly of trying to accomplish everything in one’s lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.So come all you sinister exaggerators and let’s talk the visuals of The Residents.THE RESIDENTS:https://www.residents.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Grammy Nominated Visual Artist & Musician Perry Shall & Fangoria Magazine’s Editor In Chief Phil Nobile Jr about arguably their favorite film of all time, Phantom Of The Paradise!!! We discuss the film’s incredible songs and performance by Paul Williams, Brian DePalma’s homages and obsessions within the film, the ties (and lawsuit) associated with this film and Led Zeppelin, the 70s obsession with the 50s, our love for the character BEEF, our childhood discovery of this film, the iconic visual identity of the film, which came first Kiss or the movie, one fan’s obsession with restoring the film to its original state, bootlegging cable, the power of the indie video horror movie shelf, Jessica Harper’s iconic performance, the mask design of the Phantom and the Japanese Manga movement around it, slumber party watch parties, being scared of rock concerts and their potential violence, style vs substance, who is the mysterious billed ‘rock freak’ & how one lone city in the world has never stopped loving this film.So let's discuss the man who made it, the girl who sang it and the monster who stole it on this week's episode of Revolutions Per Movie!!!Perry Shall: https://www.perryshall.com/Phil Nobile Jr: https://www.fangoria.com/authors/phil-nobile-jr/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to rapper, producer, visual artist, and video director VIDEO DAVE (whose new album with OPEN MIKE EAGLE & STILL RIFT as PREVIOUS INDUSTRIES is out now on MERGE RECORDS) about a film that speaks to him from the heart of his home town of Chicago and both of our childhoods, THE BLUES BROTHERS. We discuss the film’s impact on Chicago (and vice-versa), tech vs. artistry, the incredible musical cameos in the film, Dave’s original story & the development of his iconic sewing skills, how he created a Jaws shot by shot video that he made for Previous Industries, splitting time between disciplines, making art on acid, the difficulty of being asked what your favorite movie is, 1980’s banner year for R-rated comedies, how the studio wanted The Blues Brothers to go disco instead of blues, how as kids the film was our first exposure to John Lee Hooker, James Brown and Aretha Franklin, the extended version of the film and what was cut out of the original release, Cab Calloway’s sequence in the movie, Dr. Detroit disappointment, the lovely sloppiness inherent in the film, Donald “Duck” Dunn & Steve Cropper, the chicken wire bar scene and what venues Video Dave has played that were close to that experience, musicians being actors vs. actors being musicians, The Pope coming to The Blues Brothers’ movie set, other classic musicals, John Waters’ films being locked away in the adult section of the video store and so much more!So let’s get the band back together on this week’s Revolutions Per Movie!!!VIDEO DAVE:https://vaud.art/https://videodave.bandcamp.com/https://www.mergerecords.com/artist/previous_industriesPliers Music Video: https://www.youtube.com/watch?v=blmGMjkxJVkREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to comedian/actor Andy Kindler (Bob's Burgers, Late Night w/ David Letterman, Maron, Everybody Loves Raymond) & Mike Lisk (executive producer of The Best Show w/ Tom Scharpling and host of Egg Foo What?!) about a documentary whose subject matter is dear to both of their hearts (yet full of confusion and mystery for host Chris Slusarenko), The Grateful Dead documentary series, LONG STRANGE TRIP. These two have a history with each other, and out of the gate, an old Zappa argument and apology appear out of nowhere, and then it’s off to the races. We discussed whether Bob Weir is essential to the band, the stage banter of the Grateful Dead, Andy’s 70s rock band TransFusion, their viewpoints on Pigpen—the original rapper, which of the two drummers had the goods, Mountain Dew vs. Morning Dew, Andy’s LSD induced concert going-ons and his naked prog-rock band stories, Mike’s experience of almost being trampled at a Grateful Dead concert, pocket pool advice from the band, Tom Scharpling, Robert Hunter’s lyrics, Donna & Keith, Mike meeting Garcia as a teenager, sneaking drugs into concerts, digitally erasing crowd nudity from concert footage, why they think they are the quintessential American band, The Velvet Underground and the dissonance of the Grateful Dead, Disco Dead, Marvin Gaye, can you be a cynic and give yourself over to the band, losing punk rock friends to the Dead, Altamont, tape trading, Europe ’72, the sadness in the Jerry Garcia story, Hot Tuna, The Warlocks, Dead & Co., how the documentary is critical of a portion of their fan base, the Dead telling their fans to stop being assholes, Mickey Finn’s father ripping the band off, the Phil Zone and Mike gives us a crash course on the essential shows and recordings to listen to.So let’s time your trip perfectly on this very funny yet heartfelt episode of Revolutions Per Movie.ANDY KINDLER:twitter.com/AndyKindlerMIKE LISK:thebestshow.netEgg Foo What: https://podcasts.apple.com/us/podcast/egg-foo-what/id1635904703REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive physical goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Jay Gonzalez (solo artist and member of Drive-By Truckers) about the Rockpile (Nick Lowe & Dave Edmunds) British TV Doc, Born Fighters. We discuss the Pub Rock scene, Edmunds & Lowe’s early bands, Rockpile getting lumped into the New Wave Scene, Stiff Records, Nick Lowe’s incredible ability to write unforgettable pop songs, recording on 4-track vs. larger studios, RockPile’s amazing quips, playing country fairs, the amount of incredible access given to the filmmakers in this documentary, the debatable merits of Blue Nun Wine and we also have our first Revolutions Per Movie one act-play using dialogue taken verbatim from the climax of the film!So let's get into our cups on this week's episode of Revolutions Per Movie!JAY GONZALEZ:http://www.jaygonzalez.com/https://www.drivebytruckers.com/index.htmlREVOLUTIONS PER MOVIE:New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to musician and vital member of the late 70s/early 80s Portland Punk Scene, KT Kincaid, who picked the incredible doc, THE SLITS HERE TO BE HEARD. We discussed her and her sister’s importance in the creation of the punk scene, their band NEO BOYS (whose recordings were reissued on K Records), discovering Bowie, seeing punkers before hearing punk, the rarity of finding punk records, picking the bass guitar over other instruments, nobody sounding like The Slits & the genius of Viv Albertine’s guitar playing, being in a band with your sister, getting 50 people to come to a show, the video for ‘Earthbeat’, The Flowers Of Romance, the punk collective mindset & loyalties in the punk scene, opening for Television, practicing non-stop in your first band & taking it so seriously, pooling money to buy records, the violence towards the early punk scene, the gang mentality of being in a band, the magic of chance meetings, getting pissed at the Guardian’s review of this documentary, and Chris reads the minutes from one of the Portland punk collective’s meetings from the late 70s.Nothing typical here as we dive into this week’s episode of Revolutions Per Movie!NEO BOYS:https://neoboys.bandcamp.com/album/sooner-or-later-vol-1-klp242THE SLITS ‘Earthbeat’ videohttps://www.youtube.com/watch?v=SqiFYcKEhxsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I’m joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill’s gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill’s disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject’s life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill’s vulnerability and ego in her diary writings and drawings, how they chose to animate Sill’s artwork and found her voice, Sill’s influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill’s life didn’t fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records, So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week’s Revolutions Per Movie.WATCH LOST ANGEL: THE GENIUS OF JUDEE SILLhttps://greenwichentertainment.com/film/JASON P. WOODBURY:https://jasonpwoodbury.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week we talked to the legendary musician Bob Bert of Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch Retrovirus & Bewitched, who picked the equally legendary Danny Fields documentary, Danny Says, to discuss. We talk about Danny’s trials with the bands he loved and discovered (including The Stooges, MC5, Jonathan Richman & The Ramones); the notion of chance meetings in art; Danny breaking the news of John Lennon saying ‘The Beatles are bigger than Jesus Christ’ and the aftermath he created for them; changing a guitar string without stopping playing a song; 16 Magazine; Bob’s early shows seeing Suicide, Wayne County, Patti Smith, New York Dolls & Television; the greatness of Dead Moon & The Scientists; WFMU; shoplifting MC5 records; the Super 8mm punk document Blank Generation; how he joined both Sonic Youth & Pussy Galore; Rock Scene magazine, the genesis of the Pussy Galore drum set he built and how it hurts to play it, his process with publishing BB Gun Magazine, doing drugs and seeing Pink Floyd, unsung NYC band heroes, planning out your whole week around rock shows, Max’s Kansas City and why we haven’t gotten a Jonathan Richman documentary yet!So, let’s roll our eyes along with the singular force that changed music forever on this week’s Revolutions Per Movie.BOB BERT:https://goner-records.com/products/im-just-drummer-bob-bert-book-hozacInstagram: @therealbobbertLIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to UK journalist, author & manager Ralph Moore, who chose the documentary about Amy Winehouse, AMY, to discuss. We talk about the line you have to walk managing artists, Amy’s parent’s new documentary Reclaiming Amy, The Frank album, Mark Ronson, the Coventry Music scene, how the film is one of the best representations of what it is like to be hounded by the paparazzi and what has changed with the UK press since Amy’s life, how they acquired the footage in the film, seeing Amy Winehouse live, how the film is like a home movie where Amy is looking you in the eyes, how the film does not romanticize Amy’s life or her addictions, the trials of being a public figure, aligning the morals of the artist with the art, Radiohead, the pressures of being a true icon, the early adopters of Nirvana and Oasis, seeing a band you love on the cusp of breaking through, the UK music press and how it has changed over the years, can you manage an artist and still be a friend, art and commerce, Amy and Tony Bennett’s moment together in the film and so much more. So join us on this week's Revolutions Per Movie as we discuss one of the most personal looks at an artist ever made.LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Jim Gavin (the creator of AMC’s incredible series Lodge 49 and author of Middle Men), who chose to discuss the Jawbreaker documentary Don’t Break Down. We talk about the band’s grip on their fans, the eventual backlash against Jawbreaker, lyrics that destroy you, the Masonic world and the genesis of Lodge 49, East Coast punk vs. West Coast punk, Lilies/Broadcast/Stereolab and other sonic rabbit holes, creating imaginary mentors, the legendary Jabberjaw/L.A. scene, creating your own mythology about a band, obsessing over Blake’s lyrics, the nature of imploding bands, the concept of selling out and Nirvana’s success, music as time travel, looking for a specific sound and hiring a private detective to find a specific song.So please don't turn your back towards the band on this week's Revolutions Per Movie!!!JIM GAVIN:https://www.vogue.com/article/lodge-49-ode-the-best-television-show-you-missedhttps://twitter.com/jimatdeltacohttps://www.tigervanbooks.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone! This episode about the Roger Corman (RIP) film Slumber Party Massacre came out today, so we've decided to let everyone hear this bonus Patreon episode to celebrate Corman's legacy. And if you're enjoying this show, please consider supporting Patreon.com/RevolutionsPerMovie, where you will get the bonus episodes, stand-alone shows (like Coffee with Krummeancher & A Very Opinionated Look at URGH! A MUSIC WAR), physical goods sent out to you and to also reserve your copy of the upcoming Flexidisc with Peter Buck of R.E.M. & Vanessa Briscoe Hay of Pylon that is coming this Fall! Thanks everyone...enjoy!In this bonus episode, I’m joined by horror filmmaker Jim Hickcox & film critic Craig Wright of Split Tooth Media, who will be turning us on to the heavy metal horror that is SLUMBER PARTY MASSACRE 2!  We discuss the backstory behind the film, how it got changed by Roger Corman, how critical the horror movie community is, creating dance sequences in movies, famous monsters vs. fangoria, promotional items that were sent to video stores, horny boy creeps in horror movies, sequel success rate, the garage band members that are the heroes of the movie, whether a guitar with a drill on the end is the best murder device in a film ever, as well as the fact that Steve Wynn of Dream Syndicate is a definite six-degree part of this film!So don’t go to sleep (or go all the way) in this week’s exclusive Bonus Episode of Revolutions Per Movie!LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT (available until June 9th 2024)revolutionspermovie.bandcamp.com Hosted on Acast. See acast.com/privacy for more information.
This week, the one that started it all for me, Devo’s Jerry Casale, joins me on the podcast to talk about Devo’s film and video legacy. We discuss the origin story of their first short film, the films that influenced Casale and Devo’s aesthetic, their early jobs and the pressures of Ohio, how ‘Bonnie & Clyde’ influenced the 'Beautiful World’ video, meeting collaborator Chuck Statler, where Rod Rooter’s dialogue came from, Club Devo and the difficulties making their merchandise, Jerry tells the plot of the Devo feature-length film script that never got made (including one that was going into production with Francis Ford Coppola & one with William Friedkin), how they directed their conservative looking extras and General Boy, meeting their idols, how they constructed their live shows, phone calls from the video Commissioner of MTV, censorship, working with Soundgarden, Bruce Connor’s ‘Mongoloid’ short film, transgressive art, people being scared of Devo, Kent State & the Vietnam War as the antecedents of Devolution, crawling out of the basement, the communal mindset of the members of Devo, the antagonistic nature against Devo from interviewers, having fun with the audience while rubbing their nose in it, the groundbreaking & primitive ‘Oh No It’s Devo’ tour, making ‘The Men Who Make The Music’ and having your own action figure made of you.So...peek-a-boo...let's all get devolved together on this week's Revolutions Per Movie!!!JERRY CASALE (videos, action figures, music, art):https://www.geraldvcasale.com/DEVO:https://www.clubdevo.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to the actor (House Of The Dragons, 24 Hour Party People, The World’s End), musician (Riding The Low), writer/director (Tyrannosaur, Journeyman) Paddy Considine, about his all-time favorite band (in any universe), Guided By Voices and the documentary Watch Me Jumpstart.  We discuss these mythical legends of Dayton, what it was like for Chris being in the band and working with Pollard, Pollard’s incredible work ethic and output, Paddy’s trip from the UK to visit Ohio for the first time and taking a GBV/Bob Pollard tour of Dayton, the eureka moment of understanding the band, wrapping your mind around Bob's lyrics, the early confusion of why, how and who was recording this music, being under-appreciated by the establishment, GBV's influence on Paddy's acting writing & music, Pollard's legendary mix-tapes, turning people onto the band, the obsession of collecting Pollard's entire discography, beer, basements and talking to Bono about Guided By Voices.So, disarm the settlers, and let’s go deep into the world of Guided By Voices on this episode of Revolutions Per Movie.PADDY CONSIDINE:Riding The Low:https://www.ridingthelow.co.uk/Tyrannosaur:https://www.amazon.com/gp/video/detail/B007ZYJT1U/ref=atv_dp_share_cu_rLIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we’re also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week’s Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Gina Arnold (author of Route 666: On the Road to Nirvana, Exile in Guyville, and Half a Million Strong: Rock Crowds and Power, from Woodstock to Coachella) about Homecoming: A Film By Beyoncé as well as her as well as her dissertation which focused on live music performances at festivals. We also discussed her time on tour with Nirvana & The Pixies, getting burned by The Rolling Stones, the corporatization of rock shows & how Beyonce’s Coachella show was the show to end all big outdoor shows.So set your feet stomps to stun on this week's episode of Revolutions Per Movie!!!GINA ARNOLD:https://gina19e.substack.com/https://uipress.uiowa.edu/people/gina-arnoldREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.LIMITED EDITION REVOLUTIONS PER MOVIE T-SHIRT at revolutionspermovie.bandcamp.comSOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to the director Jeff Feuerzeig (The Devil And Daniel Johnston, Half Japanese: The Band That Would Be King, Author: The JT LeRoy Story) about one of his favorite music documentaries, the 1965 Rolling Stones Tour film, CHARLIE IS MY DARLING, a film missing until 2012. We discussed how Jeff creates his legendary projects, what makes this rarely-seen Stones doc so essential and overlooked, the era of rock band managers being household names, loving “Maraca” Mick Jagger, Pennebaker’s Dylan film Don’t Look Back, the sweet spot of 65-66 Rolling Stones and the riots they are causing at their Ireland live shows, psychedelic soup, Bowie & Kubrick, Spacemen 3, Bo Diddley covers, controlling the image of The Stones, The Who, The Monks, the mystery behind the disappearance and discovery of this lost film, rock n’ roll bladder control, cinema verite, and Jeff shares a few other surprises!So let's rush the stage for a piece of Brian Jones' hair on this week's episode of Revolutions Per Movie!JEFF FEUEREZEIG:https://www.jefffeuerzeig.com/CHARLIE IS MY DARLING:https://www.youtube.com/playlist?list=PLSgcFXy_-eBXSO9flKlERJB8AmIfgkf1xRevolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.Socials:@revolutionspermovieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to Los Angeles filmmaker, actor, and former programmer at the legendary New Beverly Cinema, Julia Marchese, about one of the greatest rock n’ roll films of all time, BEYOND THE VALLEY OF THE DOLLS!!! We also talk about getting Russ Meyer’s autograph, the incredible stories behind the music written for the film, the need (more than ever) for repertory cinema houses, the Sex Pistol film that Russ Meyer almost made, actors who don’t blink, which of this film's characters would survive in a modern-day horror movie, a debate on whether the band manager (Harris) is a drag or a necessary evil, the magic of seeing a Russ Meyer film for the first time, not being able to tell if the actors are good in this film or not, daydreaming about owning props from the movie, Roger Ebert’s incredible script and dialogue for the movie and so much more!So come with the gentle people and spread love across the land on this week’s episode of Revolutions Per Movie.Julia Marchese:http://www.juliamarchese.comRevolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.Socials:@revolutionspermovieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Jon Raymond (author of Denial, Freebird; screenwriter of Old Joy, First Cow & Showing Up w/ Kelly Reichardt, Mildred Pierce w/ Todd Haynes) about The Source Family documentary, which follows the rock n’ roll hippie California cult of the same name. We also talk about Jon’s work with Kelly Reichardt, why so many cult leaders also want to be rock n’ roll stars, the legacy and legitimacy of Yahowa 13’s music recordings & how The Source Family might have been The Monkees of the California cult scene.So get your stars aligned and your multidimensional soup ready for this week’s episode of Revolutions Per Movie.JON RAYMOND:https://www.simonandschuster.com/books/Denial/Jon-Raymond/9781982181840https://plazm.com/bios/jon-raymond/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Carlos Grasso—the Producer & Writer for the monumental MTV show ‘IRS’s The Cutting Edge’ & art director for IRS Records. We talked about his process creating iconic LP covers for R.E.M., The Cramps, Wall Of Voodoo & The Buzzcocks, working with The Cutting Edge directors Jonathan Dayton & Valerie Faris (who went on to direct ‘Little Miss Sunshine’ & ‘Mr. Show’), filming everyone from Alex Chilton to Daniel Johnston, why the archives of the show are so elusive & I even read Carlos a letter that he wrote back to me when I wrote to the record label!So call it the new wave, the old wave, or the current wave, but come swing with us on this latest episode of Revolutions Per Movie!CARLOS GRASSO:https://asphaltserenade.com/https://vimeo.com/asphaltserenadehttps://www.facebook.com/groups/203901985220151/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovie Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we discuss a music film that my guest, Andy Zax (a Grammy-nominated archivist and the Music Geek on Comedy Central’s ‘Beat The Geeks’), begs us NOT to watch--the 1970 psychedelic romp ‘THE PHYNX.’ We take a deep dive into the film’s history, mystique, and weirdo cast (James Brown, Colonel Sanders, Dick Clark, Richard Pryor), as well as a fascinating look at Zax’s time at Warner Brothers Records & on ‘Beat The Geeks’. We also discuss liner notes legend & the screenwriter of The Phynx Stan Cornyn, the fascinating pain that this movie brings to any viewer, Lieber and Stoller’s soundtrack, Phil Spector parodies, the star power ranking of UltraViolet, a 400 Vox Guitar army, album artwork, Van Dyke Parks, Joni Mitchell, bootleg VHS tapes, fake band album artwork, sense memories from music, promotional items from movies, writing about psychedelia without knowing psychedelics, the difference between the original script and the finished movie (which included scenes with Allen Ginsberg & Timothy Leary), and Chris tries to beat ‘The Geek’!So PLEASE DO NOT WATCH THIS FILM EVER (or do you?) on this week’s episode of Revolutions Per Movie.ANDY ZAX:https://www.andyzax.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to the two hosts of the fictional classic rock station comedy podcast, Jason Gore & Geoff Garlock of 108.9 The Hawk, about their music film pick, The Who's 'The Kids Are Alright.'  We argue over what is the greatest Who period of all time, how the band's inner tensions helped make them even greater, how a first-time director/superfan pulled off this film, Townshend's use of alienation & enlightenment through his interviews, Zeppelin vs. Who, being stuck at midnight movie screenings, Jason's radio broadcasting past on an actual classic rock station in the South, and trying to win over Geoff who had never seen this movie until now! So let's blow up a drumset on this week's Revolutions Per Movie!JASON GORE & GEOFF GARLOCK:1089thehawk.comthebestshow.nettwitter.com/TheCannonCanonREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovie Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to indie pop dance legend and Kill Rock Stars recording artist, Logan Lynn, who picked the extremely intense music narrative film, Vox Lux, to discuss. We discussed the realities and tropes of music films, Lynn’s early years as a teenager on a major label, the lack of protection for young artists within creative industries, addressing addiction and trauma in your art, the notion of selling out, backstage rituals, making fun of ‘The Devil’, the Swedish Pop Mafia, how music gets taken out of context, whether or not Natalie Portman a convincing pop icon in the movie and so much more.So get ready to dance through the pain on this week’s Revolutions Per Movie.Logan Lynn:https://loganlynnmusic.com/Revolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week we present Pt. 2 of our discussion with filmmaker, musician, and photographer DAVE MARKEY (‘1991: The Year Punk Broke’, ‘Lovedolls Superstar,’ Painted Willie on SST records) about the ‘change of our lives forever’ videotape for both of us: DEVO’s ‘The Men Who Make The Music.’ We continue our talk about the videos on the VHS cassette, early Hardcore Devo recordings, Devo cover bands, the magic of drummer Alan Myers, Dave’s work with Nirvana, Kurt Cobian’s love for Devo, Spazz Attack, the L.A. punk club scene, sneaking into shows, hearing Devo’s Satisfaction before hearing The Rolling Stone’s original, New Wave Theater, Devo and psychedelics & the actual TRUTH about Devolution.So shrivel up under Daddy’s cap on this week’s Revolution Per Movie finale on Devo’s ‘The Men Who Make The Music.’Dave Markey:www.wegotpowerfilms.comDave's Teaster for his new film:http://tinyurl.com/BillBartellRevolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we present the first of our two-part episode with filmmaker, musician, and photographer DAVE MARKEY (‘1991: The Year Punk Broke,' ‘Lovedolls Superstar,’ Painted Willie on SST records) about 'the change our lives forever' videotape for both of us: DEVO’s ‘The Men Who Make The Music.’   We discuss how Devo has been the most influential influence on our life and creative work, getting picked on for liking DEVO and pushing back, Neil Young working with the band, the proper way to say Boojie Boy, Devo’s video director (Chuck Statler) singular style and use of non-actors, the concept of selling out, early MTV, seeing Devo live, Dr. Demento & SNL, Devo being championed as a Los Angeles band, dealing with Whip It as a hit song, Dave’s early work as a teenage filmmaker, Devo’s evolution of songwriting, how sexy Mark Mothersbaugh is, CLUB DEVO, John Lydon almost joining Devo, bands jumping on the New Wave bandwagon and how the Devo’s body of work could be absolutely frightening.  So take your hotsy-totsy swinger, put them under pressure, and watch them fall apart on this week’s Revolutions Per Movie.David Markey:www.wegotpowerfilms.comRevolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hello everyone…we recorded a special episode of Coffee With Krummenacher about Victor’s times and friendship with Mojo Nixon.  We discuss what it was like being on the road when Mojo was opening for Victor's band Camper Van Beethoven, making split flexi-discs and doing inspired photo shoots together, Mojo and Camper playing The Filmmore together, taking mushrooms and long nights with the man, piss-filled cereal bowls, Mojo’s sweet shamanistic outlook on life, living an authentic life, Mojo’s Camper Van Beethoven cover version, and how Mojo was going to be on the Revolutions Per Movie podcast in a few weeks to talk about a Replacements documentary that he saw in his head that didn’t exist (yet) and the excited email he sent me about his ideas.  It’s a wild and beautiful tribute to a singular, weirdo force that is no longer with us.Normally, ‘Coffee With Krummenacher’ is just one of the exclusive bonus shows we have over at the Revolutions Per Movie Patreon (a podcast where my guests talk about their favorite music documentaries or music narrative films), but I thought we should make this episode available to everyone.  If you’ve enjoyed what you’ve heard, please consider supporting what we do over at patreon.com/revolutionspermovie.  Thank you.MOJO NIXON:https://mojomanifestomovie.com/Revolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Guests have included Peter Buck of R.E.M., Paul Hanley of The Fall, Julie Klausner of Hulu's Difficult People, John Cameron Mitchell of Hedwig & The Angry Inch, Nick Aguilar of Frankie And The Witch Fingers, Paddy Considine of HBO's House Of Dragons, Andrew Rieger of Elf Power, Lisa Fancher of Frontier Records & Kliph Scurlock of Flaming Lips/Gruff Rhys to name a few.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.Thank you. Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who chose the film ATHENS, GA: INSIDE/OUT to discuss.  We also talk about her growing up in Georgia, her introduction to the Athens music scene, auditioning for Pylon, how the band initially was a conceptual musical art project, how they wrote their songs and lyrics, R.E.M.'s emergence & the growth of the Athens music scene, the economics of being a musician, why bands break up, the Pylon Reenactment Society’s origin story, the beauty of being irresponsible, which member in Pylon is an expert at recreating plane crashes (!?!) & more!  So, hey kids! Don’t rock n’ roll, no no no no…on this week’s episode of Revolutions Per Movie.Vanessa Briscoe Hay:https://pylonreenactmentsociety.com/https://www.facebook.com/athensgainsideout/New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to actor, director, writer, and musician John Cameron Mitchell (Hedwig & The Angry Inch, Shortbus, Anthem: Homunculus) about the classic Mayles Brothers film Gimme Shelter, documenting the Stones U.S. tour and the Altamont tragedy. We also discuss John’s new upcoming series, ‘Cancelation Island,' the Stones being canceled themselves, the punk rock influence of Little Richard on the band, the backstory behind why the free concert really happened, Jagger & Bowie as the aristocrats of rock, the musical beauty and ramshackle imperfections within the Stones, the power of Tina Turner, rock n' roll skepticism, which rock stars were the pure avatars of id, the documentary influence & legacy of the Mayles Brothers (and how they got the trust of their subjects), The Stones impressive lineage with legendary film directors, several newer Altamont films that we dug up, John’s live Cassette Roulette shows and the sonic influences throughout his life on his art, getting past our Mick Jagger hang-ups, dealing with stage crashers and a look at the end of the hippie era.So come on and bust a button on your trousers with this week's episode of Revolutions Per Movie!JOHN CAMERON MITCHELL:Instagram: @johncameronmitchellLOT 63, GRAVE C: short film about Meredith Hunterhttps://www.youtube.com/watch?v=ZxnVY37b0ME&ab_channel=rxtTHE ROLLING STONES, HELLS ANGELS AND ALTAMONT A NEW VIEW:https://blogs.loc.gov/loc/2022/01/the-rolling-stones-hells-angels-and-altamont-a-new-view/Revolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to Gary Jarman of the UK band The Cribs, who chose a film so close to his (and his brother’s) heart, NIRVANA LIVE! TONIGHT! SOLD OUT!  We discussed the massive influence this VHS tape had on the Jarman family and their future in rock, from their decision not to play encores to their affinity for putting noise into their melodies. We also discuss what it was like to come from such a small town where they had never seen anything on a punk level before, the concept of selling out, writing music or lyrics first, saving up stationary store coupons to buy Nirvana cassettes, Britpop, opening for Nirvana the day their album went gold, sabotaging your own live show, dealing with tabloids and the British music press, fantasizing about destroying the Top Of The Pops studio, not playing encores & the endless search for “the next Nirvana.”So come dive into the drum set on this episode of Revolutions Per Movie!GARY JARMAN:cribs.comNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week’s episode was recorded in front of live audience on Dec. 5th, 2023, at Cinema 21 in Portland, Oregon. Peter Buck of R.E.M. joined us to discuss the documentary R.E.M. by MTV, his early years devouring music, moving to Athens, his first impressions of his bandmates, the surprises of seeing Michael grow as a performer, their relationship with the press, answering fan mail (including Chris reading a letter written to the band in 1984), what influenced songs like Harbourcoat, Michael’s approach to Man On The Moon and so much more.We also raised over $4900 for The Jeremy Wilson Foundation, which supports musicians and music industry workers in Oregon during times of medical or health-related challenges. Find out more at thejwf.orgREMHQ.comLive Recording Engineer by Gus Berry Cinema21.comNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to film director Jack Perez (Some Guy Who Kills People, La Cucaracha), who picked Ralph Bakshi’s intense animated music-stuffed drama ‘American Pop’ to discuss. Jack also discusses working with cult icons Barry Boswich (Rocky Horror Picture Show) & Karen Black (Nashville, Five Easy Pieces), how this film affected him as a 15-year-old moviegoer, how this might be the most ambitious music film of all time & what songs just…well…suck in it.So take a druggy trip through the cornfields of your mind with this week’s episode of Revolutions Per Movie.JACK PEREZ:https://www.jackperezdirector.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app. ALSO, CHECK OUT OUR PATREON LINK BELOW FOR WEEKLY BONUS EPISODES, ADDITIONAL PROGRAMMING AND MORE!!!Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week we talked to UK music scribe Camilla Aisa (Shindig, Rock Collector) about the 2020 music documentary ‘Sisters With Transitors.’  We discuss how 2 seconds of a Suzanne Ciani composition might be one of the most perfect pieces of music of all time, pop thievery vs. true innovators, music that can transform your life, and Camilla’s dissertation on the garage/psych music scenes of the Pacific NW. So, let’s pull some wires and turn the dial as we discuss one of the greatest music documentaries of all time.CAMILLA AISA:https://twitter.com/camillaaisahttps://www.instagram.com/camillaaisaTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
ANNIE ZALESKI:This week, we talked to the author Annie Zaleski (‘Duran Duran: Rio’ for the 33 1/3 music book series) about the music video spectacles of Duran Duran. We discuss their humble, low-budget beginnings, whether the band’s good looks help or hinder them, why the director of ‘Highlander’ ended up their visual guru & Annie doubles down on the idea that the band is more of a gothic art band than you could ever imagine. So, pull up the collar on your favorite tailored jacket as we dive deep into the globe-trotting visual world of Duran Duran’s music videos on this week’s episode of Revolutions Per Movie.ANNIE ZALESKI:https://anniez.com/https://www.bloomsbury.com/us/series/33-13/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
CHERYL PAWELSKI:This week, we talked to multiple Grammy Winner Cheryl Pawelski (Written In Their Soul: The Stax Songwriter Demos; Wilco’s Yankee Hotel Foxtrot Deluxe, Omnivore Records) about Respect Yourself: The Stax Records Story. Besides her stories of working with Stax and their artists, we discuss Motown vs. Stax, getting grown-up ears, the magic of demo versions, and how often chance meetings end up creating the greatest musical legacies.  So, get ready to hop the fence and do the funky chicken on this week’s Revolutions Per Movie.Cheryl Pawelski:https://cherylpawelski.com/portfolio/vince-guaraldi-complete-warner-bros/https://omnivorerecordings.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to L.A.-based musician and podcast producer Devon Bryant, maybe the most obsessed fan of their chosen subject we’ve had on the show to date. We discuss the 1998 Robyn Hitchcock performance film Storefront Hitchcock and how director Jonathan Demme honored the weirdness that is a Robyn performance. Along the way, we talk about the journey to loving music you couldn’t stand on first listen, the success and failure rate of stage banter, the daunting nature of massive discographies, and if we are lyrics first people or music first people.So, as Robyn says, ‘yip yip yip’ as we push deep into the mind of Storefront Hitchcock.Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
KLIPH SCURLOCKThis week, we talked to Kliph Scurlock (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals) about the greatest unreleased music documentary of all-time, MC5: A True Testimonial! We also discuss the by-gone era of famous rock managers, the physicality and sonic push of the MC5, bad band decisions, FBI footage of the band & how bands end.Kliph Scurlock:https://www.instagram.com/kliphscurlockhttps://twitter.com/KliphScurlockMC5 live footage:https://www.youtube.com/watch?v=dfDoUIh23WgTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
DAVID WEISSMAN:This week, we talked to David Weissman (the co-director of ‘The Cockettes’ & ‘We Were Here’) about the amazing documentary ‘The Cockettes’—documenting the trailblazing, avant-garde drag & music ensemble from the late 60s.  We discussed the origin stories of The Cockettes, John Waters’ passion for the troupe and his involvement with the documentary, the difference in the ways the 60s played out for The East Coast vs. The West Coast, the emerging SF punk scene & brushing your teeth with drugs.So let down your hair and put on a show with this week's episode of Revolutions Per Movie!!!David Weissman:https://davidweissmanfilms.com/cockettes.comhttps://sylvester.bandcamp.com/album/private-recordings-august-1970Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app. Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to Heath Seifert (co-creator of Nickelodeon’s cult classic ‘Good Burger’ & musician in punk legends Angry Samoans) about the films of Weird Al Yankovic, from his music videos to UHF to Weird: The Al Yankovic Story! We also discuss K-TEL novelty records, Dr. Demento’s secret influence, how poorly comedy ages, the punk rock influences on Heath’s writing for kids’ TV, Yankovic’s love of hand fart percussion and so much more!So get ready to ride the Yankovic bump into the depths of Weird Al’s soul on this week’s Revolutions Per Movie.Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to L.A. comedian & filmmaker Max Beasley, who chose Todd Haynes' glam rock-driven narrative film ‘Velvet Goldmine.’ We discuss the ambitious and experimental nature of the film, how hard it is to adapt fictional characters from real-life musical legends, why this film found an audience long after its theatrical run, and how it ended up having one of the biggest impacts on Max’s life and art.So as Bowie once sang ‘Come on, come on, we’ve really got a good thing going’ on this week’s episode of Revolutions Per Movie.Max Beasley:www.instagram.com/maxbeasleyy/twitter.com/maxbeasleyyyTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to musician Andrew Rieger (Elf Power, Elephant 6 Recording Co.) about the Ringo Starr directed film ‘Marc Bolan: Born To Boogie.’ We discussed our long-time obsession with all things Bolan, if Ringo is a good movie director, the missing charisma of certain guitar players, and the visual & filmic sensibilities of the artists that make up the new doc, ‘The Elephant 6 Recording Co.’Some people like to rock…some people like to roll on this week’s episode of Revolutions Per Movie.Andrew Rieger:https://www.orangetwin.com/https://elephant6.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
VERA DREW:This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People’s Joker, Tim & Eric, Sasha Baron Cohen’s ‘Who Is America?’).  We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People’s Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week’s episode of Revolutions Per Movie!Vera Drew:veradrew.comwww.thepeoplesjoker.comwatch.eventive.org/weirdweekend@VeraDrew22Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app. Hosted on Acast. See acast.com/privacy for more information.
This haunted Halloween week, we talk to the L.A.-based musician Chaki, who is also the legendary host of The Hollywood Punk Rock Graveyard Tour. We discussed the recent music documentary, This Is Gwar, and talked about how the two main creators of the band never buried the hatchet, the arrest of Oderus and censorship in music, the Gwar aesthetic and mythos, and what it’s like to discover your new favorite band while watching Jerry Springer.So does the cursed offspring Gor Gor doth dane to spoil our moment of triumph and glory? Find out on this week’s episode of Revolutions Per Movie.Chaki:www.instagram.com/punkrockgraveyardtour/www.instagram.com/chakifunkwizardTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talk to the legendary UK author & musician Paul Hanley (The Fall, House of All & ‘Leave The Capital’). He picked the divisive Clash film ‘Rude Boy’ to discuss at length. Along the way, we discuss lead ‘actor’ Ray Gange’s perfect aloofness and failure as a roadie, the notion of punk rock musicians as actors, The Clash’s repudiation of the film, and whether or not The Fall’s Mark E. Smith gave The Clash a pass.On a side note…the original recording of this conversation was corrupted, so we had to use the backup. We apologize for any crunchiness, but maybe you could think of this episode as our ‘Are You Are Missing Winner’ of the series!So let’s salute the new wave and hope nobody escapes on this week’s episode of Revolutions Per Movie.Paul Hanley:https://www.route-online.com/blog/category/authorshttps://houseofall.bandcamp.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to actor/writer/musician Julie Klausner (Hulu’s ‘Difficult People, Double Threat Podcast, ‘I Don’t Care About Your Band’) about Nancy Sinatra’s 1967 TV Special ‘Movin’ With Nancy.’ We obsess over Nancy’s dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week’s episode of Revolutions Per Movie.JULIE KLAUSNER:julieklausner.com/'SILENCE' music video: www.youtube.com/watch?v=FY9DSQJN_…nel=JulieKlausnerJULIE'S BENEFIT FOR TRANS LIFELINE: www.teepublic.com/user/giantgiant/…lence-collectionHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, we talked to musician Nick Aguilar, who chose the documentary film “We Jam Econo,” which focused on the legendary punk band The Minutemen. Since Nick has performed and toured with The Minutemen’s Mike Watt, he has excellent insight into the world of the LA punk rock scene, SST records, growing up in San Pedro, and, of course, being in the van with the legend that is Mike Watt.  So, fellow corndogs, get in and let’s mersh out about The Minutemen and “we Jam Econo” on this episode of Revolutions Per Movie.Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Nick Aguilar:www.instagram.com/nickguyone/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
In celebration of the 40th anniversary & theatrical re-issue of TALKING HEADS' classic concert film, ‘Stop Making Sense’, we discussed the film with EVA WALKER (Sub-Pop recording artist The Black Tones, KEXP’s Early show). We talked about getting to see the original concert tour in person, how the smallest stage moves can create the biggest waves, why Taking Heads initially creeped Eva out, the follies of being a young music snob, Eva working with Stop Making Sense performer Ednah Holt & how Tina Weymouth is the fucking coolest. So, all you slippery people, prepare to get your knees wobbling back and forth as we dive into this week’s Revolutions Per Movie.Eva Walker:https://www.theblacktones.com/https://www.subpop.com/artists/the_black_toneshttps://www.kexp.org/djs/eva/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.This week, we talk to Frontier Records founder Lisa Fancher, who chose the 1983 American hardcore documentary “Another State Of Mind” to dig into. We also discuss how Lisa got involved in the ‘70s punk scene, the police violence of the L.A. Punk riots, the innocence of a band booking a U.S. tour, why you don’t put Minor Threat footage in your own documentary, and getting booted in the head from stage divers.So come meet Monk and learn the correct way to pogo on this episode of Revolutions Per Movie.Frontier Records:http://www.frontierrecords.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.For our inaugural episode, we talk with author/musician Ryan H. Walsh, who chose the Brian Jonestown Massacre/Dandy Warhols documentary film “Dig!” to discuss. We are also joined later by a surprise guest from the Brian Jonestown Massacre camp, Travis Snyder, who was the band’s tour manager for almost 20 years. We talk about how the film was initially commissioned to be a reality series by MTV, how bands in the 90s navigated the major label-feeding frenzy, the unhealthy lifestyle of band life, and how this documentary really did not tell the whole truth.So listen in as we discuss the revolution that never happened on this episode, Revolutions Per Movie. Ryan H. Walsh:www.astralweeks.net/aboutwww.hallelujahthehills.com/Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.